Panel Art

An oil painting by Amy Florence (b. 1989, London) of pink, purple, and white wildflowers cut and gathered in a round glass vase. A small pair of scissors rests beside them. Frame...

Hayley Lever (1876 - 1958) Concarneau, Brittany, France, 1905 Oil on panel 6 3/4 x 9 1/2 inches Signed by the artist lower left Inscribed by another hand on the reverse Provenance: Clayton-Liberatore Galleries, Bridgehampton, New York Hayley Lever’s (1875-1958) versatility has worked against his posthumous reputation. He was never associated with a single artistic movement, instead producing impressionist, post-impressionist, and expressionist works. While best known as a painter of post-impressionist marine scenes, his subject matter included landscapes, urban scenes, and still lifes across his 60-year career. This lack of a singular style or subject has given him an amorphous place in U.S. art history despite his obvious accomplishments. [Richard] Hayley Lever was born in Bowden, South Australia in 1875. He excelled in painting classes at Prince Alfred College (1883-91) and Norwood Art School (1891-93) in Adelaide. In the 1890s, Lever moved to England, studying art in London and painting at St. Ives, a fishing port and popular artistic colony on the Cornish coast. In St. Ives, Lever shared a studio with Frederick Waugh, and studied painting with Albert Julius Olsson and Algernon Talmage. Lever was a plein air painter particularly interested in the effect of sunlight on the sea. He painted in a distinctive style, strongly influenced by the works of Vincent van Gogh, that might now be called post-impressionism. He used a limited palette to paint the St. Ives harbor, particularly at dusk or in the moonlight. His strong contrasting colors and thick use of paint created a crisp and physical surface that earned him acclaim in Europe. Lever’s many St. Ives seascapes are among his most popular works. In 2017, his painting entitled “The Old Lighthouse and Fleets of St. Ives” sold at auction for $162,500. In 1912, Lever moved to New York to test the art market in the United States. In Manhattan, Lever met prominent U.S. painters such as Ernest Lawson, Robert Henri, William Glackens, John Sloan, and George Bellows. Lever exhibited with this group regularly in New York City, painting parks, streets, bridges and the Manhattan waterfront. However, he soon discovered the scenic potential of Gloucester, Rockport, and Marblehead in the Cape Ann area of Massachusetts...

"Blue Flower in Tower" is an enchanting creation by Konstantinos Papamichalopoulos, of an illustrated, dancing blue flower growing out of an architectural structure. The background i...

Arielle Zamora they/them (b.1990) is a Portland, Oregon-based painter and printmaker. Their painting practice features layers of paint and joint compound as an exploration of line an...

Katheryn Holt (American, born 1951) "Mirage II" 2022 Oil paint and mixed media on cradled wood panel The artist signed the back of the painting. With Frame: 33" x 49" x 2" “Mirage ...

Dimensions with frame: 31,3 x 41,5 x 3,5cm Monogrammed and dated "F.M. 84" in lower left. This evocative Orientalist painting depicts a lively scene along a sunlit waterfront...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

Vendemmia No. 2 illustrates a beautiful sunny day on a vineyard in Tuscany. A master of plein-air painting, Dalessio paints the wind, with evidence in the fast-moving cumulus clouds,...

Pupil of Rembrandt Portrait of a Young Man 17th Century Oil on oak panel Image size: 4 1/4 x 5 inches (11 x 13 cm) Dutch ebonised frame This small portrait is of a young man, staring inquisitively out towards the viewer. The realism of his appearance is striking, with great care taken in the depiction of the man’s features - for example, his full lips and the slight bump in the bridge of his nose. The man wears a rich burgundy doublet and a black cap and is adorned with gold accessories, indicating a degree of wealth - it is likely that this is a miniature portrait for a wealthy patron. The warm flesh tones of this painting and the intricate rendering of the man’s curly brown hair demonstrate the artistry of the painter, who has successfully captured the image of youth within his brushstrokes. Rembrandt’s Pupils Upon completing his artistic education, Rembrandt opened a studio and began to take students - the first of which were Gerrit Dou and Isaac Jouderville. The studio functioned as an art school, in which materials and guidance were provided - contrary to the studios of his peers, Rembrandt did not offer lodging to his pupils. The families of prospective pupils had to pay Rembrandt 100 guilders (enough for a house at the time) for this artistic education, and the profits from any works produced by pupils under Rembrandt would be paid to the master rather than kept by the student-artist - this contributed substantially to  the master’s income.When taking on pupils, Rembrandt looked for those who could already paint, and guided their styles to reflect his. By choosing pupils who were somewhat experienced artists, Rembrandt had an array of painters that could be involved at any stage of assisting with the creation of his works - in this way, Rembrandt’s pupils often functioned as studio assistants as well. In order to perfect Rembrandt’s style, pupils would paint copies of their teacher’s works, sometimes adding their own distinct variations. They would use the same subjects and models as Rembrandt himself, and would accompany him on outdoor trips to paint nature and landscapes. The extensive copying and utilisation of same source materials has rendered Rembrandt’s work and the work of his pupils difficult to differentiate, even in the modern era.At least 50 pupils were taught by Rembrandt, with many continuing on to become his studio assistants. A few graduated into successful artists in their own right - for example, Govaert Flinck...

The dark and smokey palette of Grez-sur-Loing reflects the influence of the French Barbizon School on Winkworth Allan Gay's painting style. It seems reasonable to assume that he pain...

"Canyon de Chelly, Tower of Rock" (2024) is a beautiful original impressionist oil landscape done by Billyo O'Donnell. This painting measures 21.5 x 17.5 inches framed and is ready t...

Michelle Jader's "Into the Blue" is an original, handmade oil painting on 3 acrylic panels and 1 mirror that depicts a woman swimming and spiralling down. The use of multiple panels ...

Aeling’s affinity for the Great Plains—rooted in decades of traveling the Dakotas, Wyoming, and eastern Colorado—emerges in this broad expanse of snow under a crystalline winter sky. The almost abstract simplicity of the forms recalls the painter’s belief that landscape can be reduced to elemental relationships: light to shadow, land to air, distance to nearness. The softness of the snow’s surface belies the severity of the environment. As in many of his winter scenes, Aeling captures both the emptiness and the quiet majesty of western space. Jeff Aeling Meadow in Snow Oil on panel 24h x 36w in 60.96h x 91.44w cm JAE043 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings...

#1377 (Abstract painting) Oil on canvas on wooden panel - Unframed. Boecker begins each new work by penciling in his composition. But the work ultimately is about the colors and lay...

A lovely little Impressionist landscape of Corfe Castle in Dorset, England, painted by William Samuel Horton (1856-1936). From AskArt: A landscape painter, William Horton lived a...

Aston Knight

 (American, 1873-1948) Title:  The White House
 Medium: oil on panel
 Size: 14 x 10 ½ inches / 17 x 13 ¾ inches framed
 Markings: Signed lower right
 Louis Aston Knigh...

Evening Shroud, oil on panel, 7 x 10 inches (Framed size: 14 x 17 inches), $1,050 Raised in the Bear River Valley, Tom Howard has an attachment to the land that runs deep. Surrounde...

"The Beach at Saint-Malo" is a plein air painting depicting a Brittany, France. A historic port-city along the English Channel, Saint Malo was designed with Gothic and Romanesque str...

Katheryn Holt (American, born 1951) "Purple Noon" 2022 Oil paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. At the uppermost layer, a delicate dance ...

Long Island City Contemporary artist Frederick Mershimer created this oil painting on a wooden panel in 2005. The painting (wood panel) is 10.25 x 21.25 inches (26 x 54 cm). This ...

Outdoor light "Globe" for the garden or entrance area. This luminaire captivates by its unique shadow projection. The ball is supplied in galvanised steel optics. The built-in lamp ...

Outdoor light "Globe" for the garden or entrance area. This luminaire captivates by its unique shadow projection. The ball is supplied in galvanised steel optics. The built-in lamp ...

Contemporary Colourful landscape of chickens and cockerel 'Las Gallinas', vibrant and bold work that would sit beautifully in any interior setting.

"I photographed these fabulous vintage pedal cars during a few hour break while visiting Amelia Island Concours in 2024. My husband and I went to a local car museum, and these toy ca...

JOERG DRESSLER "Silent and Unseen III" Acrylic on Panel 20 x 16 inches _____________________________________ Joerg was born in Hanau, Germany. He received his MFA from the Hochschul...

"Lemon Peel" by Lori Larusso is a shaped-panel painting that transforms a simple lemon into a vibrant, sculptural image. The curling peel is rendered with crisp precision and set aga...

oil on panel

Ben Duke b. 1977 Louisville, KY Education 2006 M.F.A., Maryland Institute College of Art, Baltimore, MD 2002 B.F.A., University of Utah, Salt Lake City, UT 2001 Summer School of Music and Art, Yale University, New Haven, CT Selected Exhibitions 2017 Distortion, Gallery Victor Armendariz, Chicago, IL Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2015 The Suburbs Eyes: Picturing the Sprawl, (invitational), Ernestine M Raclin Gallery, Indiana University, South Bend, IN 2014 21 and Counting, The Painting Center, New York City, NY A River Without Banks, Paul Collins Art Gallery, Grand Rapids, MI The Contemporary Figure, Ben Duke and Robert McCann, Moss-Thron Gallery of Art, Fort Hays, KS 2013 Benjamin Swallow Duke and Nathan Barnes, Emerson Center for the Arts and Culture, Bozeman, MT Benjamin Swallow Duke and Esther Randall, Rosewood Gallery, Kettering, OH Thresholds, Delaware Center for the Contemporary Arts, Wilmington, DE 2012 Sublime Rupture, Target Gallery, Catalog with Essay by Dominique Nahas, Alexandria, VA 2011 Identity In Itself, Lapham Gallery, Lower Adirondack Regional Arts Center, Glens Falls, NY Benjamin Duke, Tony Shumsky, Roy G. Biv Gallery, Columbus, OH Upheaval, [traveling solo exhibition] University Art Gallery, Saginaw Valley State University, Saginaw, MI 2010 Kuandu Museum Residency Show and Open Studio, Kuandu Museum of Fine Art, Taipei, Taiwan Biennial Faculty Exhibition, Kresge Art Museum, East Lansing, MI Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL Upheaval, [traveling solo exhibition] Cloyde Snook Gallery, Adams State College, Alamosa, CO Floating, Fitton Art Center, Hamilton, OH 2009 Disrupted Particulars, Macomb Center for the Performing Arts, Clinton Township, MI Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL Notwishstanding, Ann Nathan Gallery, Chicago, IL SOFA (Sculpture, Objects, Functional Art), 7th Regiment Armory, Ann Nathan Gallery, New York, NY Biennial 25, South Bend Museum of Art, South Bend, IN 2008 We Drew a Circle and Called it and Island, Garden City Art Space, Taipei, Taiwan Benjamin Duke and Teresa Dunn, University of Wisconsin-Parkside, Kenosha, WI Imaginary Cities, Moraine Valley Community College, Palos Hills, IL Awakening, Ann Nathan Gallery, Chicago, IL 2007 SOFA (Sculpture, Objects, Functional Art), 7th Regiment Armory, Ann Nathan Gallery, New York, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL Palm Beach 3, Palm Beach County Convention Center, Ann Nathan Gallery, West Palm Beach, FL Above and Beyond, Ann Nathan Gallery, Chicago, IL Darkness: World and Culture, Caladan Gallery, Beverly, MA Baker Arts Center 10th National Juried Exhibition, Liberal, KS Nude International, Lexington Art League, Lexington, KY 2006 Launch: Graduate Thesis Show, Baltimore, MD (solo) Second Chance: Brewer’s Art, Baltimore, MD (solo) Biennial Faculty Exhibition, Kresge Art Museum, East Lansing, MI Academy 2006, Conner Contemporary, Washington, DC. Opening Exhibition, Touchet Gallery, Baltimore, MD Only Human, School 33, Baltimore, MD Go Figure, Maryland Federation of Art, Baltimore, MD 2005 Emerging Artists, Maryland Federation of Art, Baltimore, MD real vs. Real, City Café, Baltimore, MD Artscape Art Fair, Baltimore, MD Group Show, Hoffberger Gallery, Baltimore, MD 2004 Clamor, Rose Wagner Center for the Arts, Salt Lake City, UT (solo) Boxing, Fox Gallery...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment...

China Cup with Pitcher Egg Tempera Realism Strawberries Marbles Framed by realist painter Mark Thompson is 10.5" x 9.75" Notice the figure of the art...

Artist Statements: “My paintings are the poetry of my interpretations of reality." "After my years of formal academic training, I sometimes take my work toward the more contempora...

Edward Avedisian (American, 1936-2007) Abstract Large Painting Acrylic on panel heavily textured with a 3D effect. Dimensions: 48"h x 75"w Circa late 1970s, early 1980s Provenance: ...

16th Century Venetian Maestro Title: Deposition of Christ Medium: Oil on panel Dimensions: without frame 40 x 25 cm Painting without frame Not signed Previously part of the Canesso Collection, Paris. Fairs: The International Biennial of Antiques in Florence 2022 (BIAF, Biennale Internazionale dell’Antiquariato di Firenze) Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti (From the Giorgio Baratti Collection) curated by Anna Orlando, Agnese Marengo and Annalisa Scarpa, Genoa, 2022, pp. 22, 23. In this precious panel we can admire a lament over the body of Christ by a large group of bystanders among whom we can recognise the Virgin and, in the foreground, St Catherine of Alexandria...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

This nineteenth-century Dutch School winter landscape is a finely observed and atmospheric depiction of rural life under snow, continuing a long Netherlandish tradition while adaptin...

Pitcher (Contemporary Graphic Black & White Still Life Collage of Kitchen Jug) David Konigsberg Pitcher, 2023 15" x 15" monotype and oil on panel This con...

John Tarantola's original nude portrait "Raven Moon" (2014) is a beautiful surrealist oil on panel painting that depicts two young nude athletic male figures in an embrace in front o...

While it is true that humans and nature are having some trouble finding a sustainable balance, I believe that it is imperative that we don’t lose hope. There is still so much worth ...

Suchitra Bhosle's "Edge of Desire" is an original, handmade oil painting that depicts a woman closing her eyes as her long dark hair curtains her face ...

It changes with the light in the room! In her semi-abstract compositions, reflective metallic backgrounds in silvery pearl, gold, and blue acrylic paint...

Brad Davis's "Open" (2023) is a compelling oil on wood panel painting that measures 8 x 10 inches unframed. This painting captures the warmth of being in a cafe on a snowy day.

In this work by Laurie Barmore, the artist's hand is exceedingly present. Using strong strokes of black and blue creates its own essences of form atop washes of whites and orange. Sp...

This outdoor fire pit "Globe" is the eye-catcher in your garden. Eligible for candles or, due to good air supply, you can very quickly light a beautif...

An oil painting of a beach painted en plein air. Tina Orsolic Dalessio captures a quintessential summer beach day at Indian Wells Beach in Amagansett, East Hampton, New York. A couple sits in the shade of an umbrella, nestled alongside the dunes. Other beachgoers are planted along the shoreline in the distance. Seagulls fly above the horizon where the ocean meets the sky. The blue sky above has streaks of white wispy clouds. Painting dimensions: 10 x 14 inches Framed dimensions: 15.5 x 19.5 inches Artist Bio: Tina Orsolic Dalessio is a figurative painter born and raised in Zagreb, Croatia. She graduated from Florence Academy of Art in June 2018. She also holds a bachelor’s degree from University of Zagreb Law School...

Heidi Spector is a geometric artist best known for her exploration of minimalism as studied through lines, repetition, color and reflection. Spector’s work has been the subject of nu...

Oil paint on wooden panel

Pascal Jarrion was born in 1961 in Perpignan, France, a region known for its Catalan culture as well as its influence on artists before him, including Picasso, Van Gogh, and Maillol....

Riley Doyle's "Backyard, Early Spring" (2022) is an original, handmade oil painting that depicts a landscape and is painted on two panels. This piece measures at 22 x 28 inches in it...

Paris – Montmartre Verbrugghe Charles Bruges 1877 – 1974 Paris Belgian Painter Signature: Signed bottom left and placed Paris Dimensions: Image si...

"Connection" (2024) by Stephanie Hartshorn is an original handmade oil painting on wood panel that depicts a city center and highlights the various...

"Common Thread 3" by Stefan Smit (South Africa based) is an original oil on panel depicting a male portrait with a bird perched for flight on his shoulder. "Stefan Smit is a South ...

"Common Thread 2" by Stefan Smit (South Africa based) is an original oil on panel depicting a female portrait with ribbons of red weaving through the painting. "Stefan Smit is a So...

Nicolai S. Cikovsky (1894 - 1984) On the Beach Oil on panel 15 1/4 x 20 inches Signed lower right Provenance: ACA Galleries, New York

Acrylic & oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for se...

Fire and Ice (Abstract painting) Oil on wood panel - Unframed. She layers paint in gestural, horizontal swaths from left to right, stacking the horizont...

Lisa Fricker's "The Watchers" is an original, handmade oil painting that depicts an abstract and disturbing portrait of a child, it measures 8 x 8 inches. This painting is framed and...

The Prince and His Horse Oil on canvas en grisaille 26 x 20 1/2 inches (66 x 52.1 cm) Framed dimensions 34 1/4 x 30 3/4 inches Signed lower right: Pushman Provenance Private collect...

This painting depicts a whimsical scene of a figure reclining and reading. The figure is done in a quick way, where the scene almost is abstracted. The bright colors and quick brush ...

Hunt Slonem "Maxim" Single Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 10 x 8 inches Framed: 13.5 x 11.5 inches *Paint...

"Jinx" oil on panel 10 x 8 inches 2021