Art by Medium: Panel

"Flourish-Charles-My Front Yard, Florida" by Amanda Seckington (US based) is an original acrylic and oil painting depicting a face with the features partially obscured by green and p...

"Sweetness-Blue Ridge Mts, North Carolina I" by Amanda Seckington (US based) is an original acrylic and oil painting depicting lush foliage with berries. Amanda Seckington consider...

"Surrender-Lake Davis, Florida" by Amanda Seckington (US based) is an original acrylic painting depicting a lake with a brilliant sunset and two large leaves in the foreground. Ama...

"Surrender-Lake Cherokee, Florida" by Amanda Seckington (US based) is an original acrylic painting depicting a lake with a brilliant sunset and a large leaf in the foreground. Aman...

Mid-Summer Dance Cheryl D. McClure acrylic on canvas 40 x 40 x 1.5 in To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

"Blue Sky" by Suzy Smith (US based) is an original oil painting that depicts a portrait of a seated young girl with a brilliant blue sky behind her. About the Artist: Suzy Smith i...

"Believe You Can Fly" by Suzy Smith (US based) is an original oil painting that depicts a portrait of a young girl with a blue background. About the Artist: Suzy Smith is a Wyoming ...

"Ghost Circle" by Nicole Hyde is an original handmade acrylic on paper abstract painting. This piece is unframed yet ready to hang. Nicole Hyde’s paintin...

"Labeling The Anthropocene 1" by Nicole Hyde is an original handmade acrylic on paper abstract painting in various colors. This piece is unframed yet rea...

"Somersault" is an original, handmade paper collage on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful geometric shapes in...

"The Surprise in the Cereal Box" is an original, handmade paper collage on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful...

"Box Spring Trampoline" is an original, handmade paper collage on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful geometri...

ALEXANDER STOLIN, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South.   Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Tide’s Turn and Seafoam’s Retreat [2023] Pair of seashore themed abstract paintings, acrylic on wood in simple contemporary natural wood frames ADDITIONAL INFORMATION: original Acry...

acrylic on birch panel

Acrylic on wooden panel Lee Yu Min is a Korean artist born in 1987 who lives and works in Daejeon, South Korea. She is specialized in Korean painting, completing her doctoral studi...

MIXED MEDIA PAINTING signed by the artist. Ask us for custom framing options for this piece. This original mixed media painting by Craig Alan belongs to his acclaimed work that blur...

Gigi Chen's "Lighting the Way" is an original, handmade acrylic painting that depicts several birds with a small house strewn with a light string. Gigi Chen’s work creates an aesth...

Snow of May III is a unique painting by contemporary artist Chen Yi Ching. The painting is made with mineral pigments on Japanese paper mounted on wood, dimensions are 38 x 46 cm (15...

Louis Suire. French ( b.1899 - d.1987 ). Le Golfe Du Morbihan, Bretagne, 1927. (The Gulf Of Morbihan, Brittany, 1927). Oil On Panel. Signed & Dated Lower Right. Image size 14.4 inc...

'A Glass or Two II' by Miguel Angel Nunez is an incredible example of the artist being able to capture the stunning details and light with the up most precision. Depicting an open re...

Nicholas Berger Biography American, b. 1949 In his more than three decades as an artist, Nicholas Berger (b. 1949) has created an outstanding body of work that continues to evolve a...

Theodore Ceriez Belgian, 1832–1904 The Musician Oil on panel Signed T. Ceriez lower right 24.3 × 18.9 cm Probably executed c. 1865–80 Provenance Arthur Tooth & Sons, London, s...

Provenance Acquired by the gallery directly from the artist Signed "T. Solliday on lower right. UNFRAMED: 12" x 9" FRAMED: 16.5" x 13.5" x 1.25" Exhibitions Special Summer Salon...

Charles-Emile FRANÇOIS (Paris 1821 - 1902) The Painter's Studio Oil on panel H. 28 cm ; W. 22 cm Signed and dated lower right 1901 A native of Paris, Charles-Emile François exhibite...

Katheryn Holt (American, born 1951) "Westerly" 2022 Oil paint and mixed media on cradled wood panel The artist signed the back of the painting. With Fra...

A wonderfully detailed interior genre oil painting by Flemish artist Louis Tielemans (1826-1856). Tielemans was born in Anvers, and became known for his active genre scenes, emulatin...

"Moonlight Romance" (2012) By Susie Hyer is an original handmade oil painting on stretched linen that depicts a landscape in dim moonlight. This painting measures 26 x 22 inches fram...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

A hidden trail in Topanga Canyon runs through wild grasses and by forgotten trees. Wildflowers are strewn across the woodland floor and everywhere magical light catches the random le...

Beyond the Streets x CB Hoyo Skateboarding Apparatus, 2021 Skate Deck 32 x 8 x .25 in (81.3 x 20.3 x .64 cm) Edition 46 of 150, w/ Signed COA Multidisciplinary artist CB Hoyo is kno...

"Untitled 5", oil painting of a tree by Peter Hoffer. Peter Hoffer is a Canadian artist who has enjoyed a successful career in Northern America. Pe...

Josh Rowell Virtually Fragile #20 Triptych, 2023 Acrylic on Painting Panel 122 x 61 cm each 48 x 24 inches Josh Rowell generates his artistic vision by focusing on technological adv...

Artist: Vincent Manago, French (1880 - 1936) Title: Two Fishermen Year: 1926 Medium: Oil on Board, signed l.l. Size: 29 x 36 inches (73.66 x 91.44 cm) Frame Size: 33 x 40.5 inches

This modular work features hues of orange and yellow. Three separate pieces hang together to create one piece. Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and ...

English School, (circa 1600) Portrait of William Herbert, 3rd Earl of Pembroke Oil on panel, oval Image size: 29¼ x 23⅞ inches Painted wooden frame Provenance: 176, Collection of Francis Greville, 1st Earl of Warwick. The Trustees of the Lord Brooks’ Settlement, (removed from Warwick Castle). Sotheby’s, London, 22nd March 1968, lot 81. Painted onto wooden panel, this portrait shows a dark haired gentleman in profile sporting an open white shirt. On top of this garments is a richly detailed black cloak, decorated with gold thread and lined with a sumptuous crimson lining. With the red silk inside it’s all very expensive and would fall under sumptuary laws – so this is a nobleman of high degree. It’s melancholic air conforms to the contemporary popularity of this very human condition, evident in fashionable poetry and music of the period. In comparison to our own modern prejudices, melancholy was associated with creativity in this period. This portrait appeared in the earliest described list of pictures of Warwick castle dating to 1762. Compiled by collector and antiquary Sir William Musgrave ‘taken from the information of Lord & Lady Warwick’ (Add. MSS, 5726 fol. 3) is described; ‘8. Earl of Essex – an original by Zuccharo – seen in profile with black hair. Holding a black robe across his breast with his right hand.’ As tempting as it is to imagine that this is a portrait of Robert Devereux, the 2nd Earl Essex, we might take this with a pinch of salt. Its identification with this romantic and fatal Elizabethan might well have been an attempt to add romance to Warwick Castle’s walls. It doesn’t correspond all that well with Essex’s portraits around 1600 after his return from Cadiz. Notably, this picture was presumably hung not too far away from the castle’s two portraits of Queen Elizabeth I. The first, and undoubtedly the best, being the exquisite coronation portrait that was sold by Lord Brooke in the late 1970s and now hangs in the National Portrait Gallery. The second, described as being ‘a copy from the original at Ld Hydes’, has yet to resurface. The portrait eventually ended up being hung in the State Bedroom of Warwick Castle. Archival documents present one other interesting candidate. The Greville family’s earliest inventory of paintings, made in 1630 at their home Brooke House in Holborn, London, describes five portraits of identified figures. All five belonged to the courtier, politician and poet Sir Fulke Greville (1554-1628), 1st Baron Brooke, and were hung in the ‘Gallerie’ of Brooke House behind yellow curtains. One of them was described as being of ‘Lord of Pembrooke’, which is likely to have been William Herbert (1580-1630), 3rd Earl of Pembroke. William was the eldest son of Greville’s best friend’s sister Mary Sidney, and was brought up in the particularly literary and poetically orientated household which his mother had supported. Notably, the 3rd Earl was one of the figures that Shakespeare’s first folio was dedicated to in 1623. The melancholic air to the portrait corresponds to William’s own pretensions as a learned and poetic figure. The richness of the robe in the painting, sporting golden thread and a spotted black fabric, is indicative of wealth beyond that of a simple poet or actor. The portrait’s dating to around the year 1600 might have coincided with William’s father death and his own rise to the Pembroke Earldom. This period of his life too was imbued with personal sadness, as an illicit affair with a Mary Fitton had resulted in a pregnancy and eventual banishment by Elizabeth I to Wilton after a short spell in Fleet Prison. His illegitimate son died shortly after being born. Despite being a close follower of the Earl of Essex, William had side-stepped supporting Devereux in the fatal uprising against the Queen and eventually regained favour at the court of the next monarch James I. His linen shirt is edged with a delicate border of lace and his black cloak is lined on the inside with sumptuous scarlet and richly decorated on the outside with gold braid and a pattern of embroidered black spots. Despite the richness of his clothes, William Herbert has been presented in a dishevelled state of semi-undress, his shirt unlaced far down his chest with the ties lying limply over his hand, indicating that he is in a state of distracted detachment. It has been suggested that the fashion for melancholy was rooted in an increase in self-consciousness and introspective reflection during the late 16th and early 17th centuries. In contemporary literature melancholy was said to be caused by a plenitude of the melancholy humor, one of the four vital humors, which were thought to regulate the functions of the body. An abundance of the melancholia humor was associated with a heightened creativity and intellectual ability and hence melancholy was linked to the notion of genius, as reflected in the work of the Oxford scholar Robert Burton, who in his work ‘The Anatomy of Melancholy’, described the Malcontent as ‘of all others [the]… most witty, [who] causeth many times divine ravishment, and a kind of enthusiamus… which stirreth them up to be excellent Philosophers, Poets and Prophets.’ (R. Burton, The Anatomy of Melancholy, London, 1621 in R. Strong, ‘Elizabethan Malady: Melancholy in Elizabethan and Jacobean Portraits’, Apollo, LXXIX, 1964). Melancholy was viewed as a highly fashionable affliction under Elizabeth I, and her successor James I, and a dejected demeanour was adopted by wealthy young men, often presenting themselves as scholars or despondent lovers, as reflected in the portraiture and literature from this period. Although the sitter in this portrait is, as yet, unidentified, it seems probable that he was a nobleman with literary or artistic ambitions, following in the same vain as such famous figures as the aristocratic poet and dramatist, Edward de Vere...

Portrait Of A Victorian Gentleman With The Head Of A Jack Russell Terrier, 19th Century English Victorian School Large 19th Century English Victorian School Portrait Of A Gentleman...

Judd Mercer's (US based) "Heading Down" (2023) is an original handmade oil painting depicting a man hiking back down the path during sunset. Artist bio/statement Judd Mercer is a c...

This painting features vibrant hues of green and purple. Chattanooga-based artist Christina Renfer Vogel’s “Turning Towards the Sun” features paintings that reflect an intentional turn towards beauty in the face of the tension & uncertainty of recent years. Through nourishing periods of focused observation, she has allowed herself to delight in jubilant color, playful pattern & sensual gesture. Her works delight in the delicate unfurling of a tender leaf & the gentle turn towards an open window, as flowers seek warmth & stretch towards sunlight in the space of a painting session. “Bringing plants...

Depicted in hyperrealist style. A mottled marble block in warm terracotta tones with white lines running through it is featured in the centre of the painting. Upon this block, a clea...

In "Awaken 1," the observer encounters the penetrating gaze of a male figure bathed in inviting warm tones, while the shadows contrast with cool blues and purples. The artist, Haleh ...

In "The Burden of the Throne", Richard Gibbons strips sovereignty of its spectacle, revealing the isolation beneath imperial splendor. A youthful ruler sits rigidly against a dark, i...

Pop Art. Americana + LOVE. Ephemera, Oil, Acrylic, Resin on Panel. About the Artist: John Joseph Hanright is a contemporary painter and assemblage artist who brings together a c...

Loch Caroy by Elaine Fox [2020] original Acrylic on Cradled Panel Image size: H:35 cm x W:35 cm Complete Size of Unframed Work: H:35 cm x W:35 cm x D:2cm Sold Unframed Please note t...

This is a small oil painting on on panel. A Rabbi at a Farbrengen 15.5 X 14.5 with frame. 6.5 X 5.5 painting alone Zwy Milshtein (Zvi Tzvi Milstein) BIOGRAPHY 1934 Born in Kishinev...

Wijnand Driessen (Dutch artist) Empty chairs at empty tables 30 x 21 cm (framed, included in price 38 x 29 cm) Oil paint on canvas Artist Wijnand Driessen lives and works in Eindhov...

Shining Pumpkin celebrates the enduring warmth of the harvest season. Glowing in rich golden-orange tones, the pumpkin becomes a symbol of summer's light preserved for the cooler mon...

Robin Cole’s “Study for Twilight Blue” is a compelling, 2025, oil on panel piece that depicts a skyscape at dusk. The painting embodies a tranquil scene, where the beauty of the su...

Hazel Z Weckbach's "Vermont Autumn" is an original, hand-made watercolor painting depicting a serene northeastern landscape, created in an impressionistic style. Artist Statement: "...

Daggi Wallace's "Not All That Glitters II" is an original, handmade mixed media painting that depicts a female's model face with gold leaf drips. Born and raised in Berlin, Germany...

Daggi Wallace's "Not All That Glitters I" is an original, handmade mixed media painting that depicts a female's model face with gold leaf drips. Born and raised in Berlin, Germany ...

Daggi Wallace's "Not All That Glitters III" is an original, handmade mixed media painting that depicts a female's model face with gold leaf drips. Born and raised in Berlin, German...

Oil on birch panel.

Nora Othic Marceline, Missouri Signed recto Nora Othic is a painter whose work draws from close observation of rural life and the rhythms of the Midwestern landscape. She is widely r...

Courtesy of a private collection A monumental diptych depicting an expressive view of Williamsburg, Brooklyn. Executed in heavily layered acrylic on wood panel, the work emphasizes ...

Floating Frequencies, Abstract Geometric Optical Relief Wall Sculpture Painting Acrylic paint on wood panel 13 x 14 inch Floating Frequencies exemplifies Ron Agam's exploration of ...

Michelle Jader's "Into the Blue" is an original, handmade oil painting on 3 acrylic panels and 1 mirror that depicts a woman swimming and spiralling down. The use of multiple panels ...

Kelly Birkenruth (American, b. 1972) "Teal Tranquility," 2026 Oil on panel 5 x 5 in (12.7 x 12.7 cm) Signed with the artist's monogram, lower right Unframed, but ready to hang. A w...

Robin Hextrum (American, b. 1987) "Whispers of White," 2026 Oil on panel 5 x 5 in (12.7 x 12.7 cm) Unsigned on the front Unframed, but ready to hang. A single full-blown rose fills...

Terra Novak (American, b. 1990) "Afloat," 2026 Oil on wood panel 5 x 5 in (12.7 x 12.7 cm) Unsigned on the front Unframed, but ready to hang. A frog rests to the right of a single ...