Art by Medium: Plaster

Born in Rome, Italy in 1963, lives and works in Rome. Artist is currently on display in Besharat Gallery Barbizon, France.

1st prize in France for best sculpture at the Grand Palais Artists Salon, Paris. Sculpture in plaster It comes with its wood plinth that brings a beautiful contrast with the White plaster sculpture. Signed and numbered by the artist. Possible to order this sculpture in Bronze. Please contact Parisian...

This minimalist blue 3D wall piece is by Barry Katz. He creates pieces that allude to the artist looking into a mirror. And in particular, one which reflects inner states. Not a mirr...

This minimalist purple 3D wall piece is by Barry Katz. He creates pieces that allude to the artist looking into a mirror. And in particular, one which reflects inner states. Not a mi...

This minimalist blue 3D wall piece is by Barry Katz. He creates pieces that allude to the artist looking into a mirror. And in particular, one which reflects inner states. Not a mirr...

Artist Commentary: This is from a series of sculptures created by casting different materials into a concrete form tube (sonotube) and combining that wit...

1972-73 Eastbourne College for Art and Design: Fine Art Foundation Course: studies drawing. Works through the South Coast Period of paintings. Studio: South Coast of England. 1974-81 University of Wales: studied painting under Welsh artist Selwyn Jones. Public and private commissions: twenty-five multistory murals in Wales and England: documented by the BBC and British National Newspapers. Studios: Bethesda and Bangor City, Wales. Studies composition and portraiture. Shows at the Royal Exchange, London; Bangor City Museum, Wales. 1981-82 Commission: The Trial of Saint Deiniol: 19-panel, 18 x 21 ft. painting. Studio: Shropshire, England 1982-86 The New York Times send photographer Dith Pran (on whom the movie The Killing Fields was based) to photograph Povey in New York with The Trial of Saint Deiniol painting at Art Expo New York 1986. Povey is advised by George Bush Senior’s former campaign manager Zena Temkin on shaping his public persona. The BBC film Edward Povey with former President of the Royal Academy of Art in London - Sir Hugh Casson KCVO, RA, RDI in which Sir Hugh interviews Povey about his art career. Public and private commissions for collections in the United States, London, Wales, Belgium, West Indies. Studies symbolism and trains in color with Jan de Maere in Brussels and works through the Tapestry Period of paintings Studio: Grenada, West Indies. 1987-91 Studies psychology and narrative in art whilst he builds the extensive Childhood, Illusion and Desire Period of paintings. Studio: Guisborough, England courtesy of the town mayor. Shows in Belgium, London, New York. 1992-93 Public commission: Hall of Illusion mural: 20 X 40 ft. interior oil painting in the Chamber Concert Hall of the University of Wales. The commission is followed by BBC Television, S4C Television; BBC Radio Four and regional and national newspapers. Studios: Guisborough, England; Bangor City, Wales. Designs the Hall of Illusion mural on the island of Grenada, West Indies. 1994-96 Deepens his studies in the relationship between art and the psyche. Researches new ways to evolve concepts with models using theaters...

With a folk-art flavor, burlap and plaster on wood with beads, Medial Woman in a Moment is captured in contemplation, held together with encaustic wax like a backyard icon. Medial Wo...

Experimenting with burlap and plaster on wood with beads, the Medial Woman arose as a catalyst to invite the liminal space. The genre is folk art, putting communication between world...

An abstract sculpture by Post War artist Tim Hawkinson depicting yellow shoes encased in plaster in a red shoe box. Signed underneath, "Tim Hawkinson, Tim...

This minimalist blue 3D wall piece is by Barry Katz. He creates pieces that allude to the artist looking into a mirror. And in particular, one which reflect...

This minimalist blue 3D wall piece is by Barry Katz. He creates pieces that allude to the artist looking into a mirror. And in particular, one which reflect...

This minimalist 3 D blue green wall piece is by Barry Katz. He creates pieces that allude to the artist looking into a mirror. And in particular, one which...

Yukihisa Isobe Untitled Mixed media (plaster relief on panel) Signed, dated and Inscribed “Tokio” (on the reverse) 28 x 40.5 cm Executed in 1962 PROV...

"We Are All In" is a wall hung sculpture depicting a series of arm/hand outlines overlapping. I was referencing a sports team ritual of standing in a circle before or after a game. ...

Torso 1955 is a cast plaster with oil paint to resemble a bronze cast. The base is wood, carved, sanded and painted. The base shows slight wear on corners. The sculpture is perfect. ...

This piece is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. Once cured, the oil clay is removed, then paint and gold leaf are applied to the su...

This piece is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. Once cured, the oil clay is removed, then paint is applied to the surface. The pie...

This piece is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. Once cured, the oil clay is removed, then paint and gold leaf are applied to the su...

Artist: Stephanie Todhunter Title: Ellie Year: 2019 Size: 8.5"x7"x4" Material: Plaster of Paris found objects, Spray Paint, alcohol inks Each piec...

“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between painting, sculpture, and drawing. My aim is to produ...

“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between painting, sculpture, and drawing. My aim is to produ...

James Henderson’s work explores the concept of memory and nostalgia. Utilizing found imagery as a starting point, he collages and layers his mixed media paintings. The inclusion of imagery from vintage photographs becomes Henderson’s visual language through which to depict the notion of how one’s past experiences, emotions and personal archeology greatly shape one’s identity. Henderson’s new works on paper use plaster and roofing tar to secure the fading images printed on vellum. Henderson has exhibited at the Ogden Museum, LA and Northwestern State University, Natchitoches, LA, and his works have been included in film and television programs such as Bad Girls Club, The Twilight Saga...

James Henderson’s work explores the concept of memory and nostalgia. Utilizing found imagery as a starting point, he collages and layers his mixed media paintings. The inclusion of imagery from vintage photographs becomes Henderson’s visual language through which to depict the notion of how one’s past experiences, emotions and personal archeology greatly shape one’s identity. Henderson’s new works on paper use plaster and roofing tar to secure the fading images printed on vellum. Henderson has exhibited at the Ogden Museum, LA and Northwestern State University, Natchitoches, LA, and his works have been included in film and television programs such as Bad Girls Club, The Twilight Saga...

James Henderson’s work explores the concept of memory and nostalgia. Utilizing found imagery as a starting point, he collages and layers his mixed media paintings. The inclusion of imagery from vintage photographs becomes Henderson’s visual language through which to depict the notion of how one’s past experiences, emotions and personal archeology greatly shape one’s identity. Henderson’s new works on paper use plaster and roofing tar to secure the fading images printed on vellum. Henderson has exhibited at the Ogden Museum, LA and Northwestern State University, Natchitoches, LA, and his works have been included in film and television programs such as Bad Girls Club, The Twilight Saga...

James Henderson’s work explores the concept of memory and nostalgia. Utilizing found imagery as a starting point, he collages and layers his mixed media paintings. The inclusion of imagery from vintage photographs becomes Henderson’s visual language through which to depict the notion of how one’s past experiences, emotions and personal archeology greatly shape one’s identity. Henderson’s new works on paper use plaster and roofing tar to secure the fading images printed on vellum. Henderson has exhibited at the Ogden Museum, LA and Northwestern State University, Natchitoches, LA, and his works have been included in film and television programs such as Bad Girls Club, The Twilight Saga...

Gustave Fontaine (Etterbeek 1877-1952 Brussels) was a sculptor–painter. He took courses in Saint-Josse-ten-Noode and continued his training at the Academy of Brussels and with the sc...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

For Nicolas Bourriaud, the flea market is a place where “past production is recycled and switches direction” and where “an object is given a new idea.” On the stalls of the flea market, objects are resurrected and given a second life. This is where Jennifer Small...

Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...

Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...

Nicholas Crombach is currently an artist in residence at The Florence Trust in London, UK. Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He h...

Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...

Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...

Working primarily in the medium of installation, but also that of photography and video, Karine Payette creates fictional environments that function as freeze frames in which narratives are suspended. In her work, she uses everyday objects to construct extensive dream-like scenes in a hyperrealist manner. These mises-en-scène serve to hint at a potential narrative which evokes the precariousness of our surrounding world. Through the playful use of everyday objects that are transposed into extraordinary situations, she craftily toys with our vision of things, so as to stimulate reflection about the instability of the materials and forms which are part of our living environments. She questions notions of comfort and displeasure in a perpetually transforming world. Karine Payette, who holds a MFA from UQAM, lives and works in Montreal. Her works have been displayed in solo exhibitions, notably at the Galerie de l’UQAM (Confort instable, 2012) and at Le lieu, Centre en art actuel in Quebec City (L’autre dimanche matin...

This sculpture represents the idea of human balance in infinity. The symbol of construction while balancing a feather, symbol of freedom and lightness.

Heejung Cho is a mixed media artist born in Seoul, Korea, who currently lives and works in Brooklyn, NY. She received her BFA in sculpture from Seoul National University and an MFA ...

Heejung Cho is a mixed media artist born in Seoul, Korea, who currently lives and works in Brooklyn, NY. She received her BFA in sculpture from Seoul National University and an MFA ...

Heejung Cho is a mixed media artist born in Seoul, Korea, who currently lives and works in Brooklyn, NY. She received her BFA in sculpture from Seoul National University and an MFA ...

Heejung Cho is a mixed media artist born in Seoul, Korea, who currently lives and works in Brooklyn, NY. She received her BFA in sculpture from Seoul National University and an MFA ...

Heejung Cho is a mixed media artist born in Seoul, Korea, who currently lives and works in Brooklyn, NY. She received her BFA in sculpture from Seoul National University and an MFA ...

Heejung Cho is a mixed media artist born in Seoul, Korea, who currently lives and works in Brooklyn, NY. She received her BFA in sculpture from Seoul National University and an MFA ...

Heejung Cho is a mixed media artist born in Seoul, Korea, who currently lives and works in Brooklyn, NY. She received her BFA in sculpture from Seoul National University and an MFA ...

Heejung Cho is a mixed media artist born in Seoul, Korea, who currently lives and works in Brooklyn, NY. She received her BFA in sculpture from Seoul National University and an MFA ...

Heejung Cho is a mixed media artist born in Seoul, Korea, who currently lives and works in Brooklyn, NY. She received her BFA in sculpture from Seoul National University and an MFA ...

Although Segal started his art career as a painter, his best known works are cast life-size figures and the tableaux the figures inhabited. In place of traditional casting techniques...

Biomorphic and earthy yet industrial style wall or tabletop sculpture. Abstract wire form with corrugated hydrocal plaster form. The piece is smooth and...

"Connections IV," by Kati Vilim is a blue and yellow - green scale abstract geometric, non-objective, Venetian plaster and acrylic painting on wood panel. ...

"Connections I," by Kati Vilim is a blue and yellow - green scale abstract geometric, non-objective, Venetian plaster and acrylic painting on wood panel. K...

Wood, plaster, paper clay, and acrylic, dimensions variable. Artist statement: "A 9-foot tree, skinned with remnants of my paternal grandmother’s hand-sewn quilt, hangs suspended ...

Josse’s creative approach as an artist revels in the concept of his works through their effluence. His works are captivating, revealing motifs and enigmatic beings living life intens...

Josse’s creative approach as an artist revels in the concept of his works through their effluence. His works are captivating, revealing motifs and enigmatic beings living life intens...

Josse’s creative approach as an artist revels in the concept of his works through their effluence. His works are captivating, revealing motifs and enigmatic beings living life intens...

Josse’s creative approach as an artist revels in the concept of his works through their effluence. His works are captivating, revealing motifs and enigmatic beings living life intens...

This precious work that is dedicated to Long’s first wife, Connie, who passed away from cancer, is an acrylic painting on canvas encapsulated in a custom, hand-made, plaster frame - characteristic of many classic Long works... Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "Dear" 1989 Acrylic on Canvas with Painted Plaster Frame...

This work features an acrylic painting on canvas suspended between two wooden planks. The treatment of the painting appears visceral and rambunctious - congested with abstract and sy...

This work consists of an acrylic painting on canvas laid in a handmade frame of plaster and pine. The imagery of the painting, as implied by the title and crucifix near the center of...

This three-dimensional work incorporates an acrylic painting on canvas laid in a handmade red frame, adorned with scorched wooden planks, a stylized plaster heart, and an ice pick. The painting is a monochromatic depiction of icebergs protruding from the surface of water. While the imagery of the painting speaks to the visible outcome of artistic production, the frame and its adornments implore the viewer to consider the requisite materials necessary for creative actualization. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "Passion" 2012 Acrylic Paint, Wood Elements...

For my Concrete Sculptures I use my personal clothing. Throughout some artistical process, in which I use plaster, resin and cement, I transform them in a...

With ‘Caresses From Olympus’ Mattia explores the journey that man takes every day to discover himself. In an era where migrants are at the center of humanity this sculpture tries to ...