Art by Medium: Screen

George Chemeche, Iraqi/American (1934 - ) - Composed Field II, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 25, Image Size: 32.5 x 29.5 inches...

ALAN SHIELDS Peace of the Rock, 1974 Aquatint & Silkscreen Signed and numbered 14/20 in graphite pencil recto Frame included: held in original vintage frame Measurements: 19 3/4 squ...

serigraph Edition of 40 Signed and numbered unframed

Artist: Gene Davis (American, 1920-1985) Title: "Homage to Barnett Newman" *Signed and dated by Davis in pencil lower right Year: 1979 Medium: Original Screenprint on unbranded soft-...

Jacob Lawrence (American, 1917-2000), "General Toussaint L'Ouverture", Screenprint in Colors on Bainbridge Two-Ply Rag Paper, 1986, signed in pencil and dated lower right, titled low...

Gillian Ayres Much is the Force of a Heaven Bread-Poesy, 1992 Screenprint in colours, with gouache 59 x 59.5 cm 23.3 x 23.5 inches Edition of 50 Gillian Ayres OBE (Officer of the Or...

Antoni Tapies (Spain, 1923-2012) 'Las segovias', 1996 silkscreen on paper 14.2 x 10.2 in. (36 x 26 cm.) Edition of 150 Ref: TAP1205-005-150 Hand-signed by author ____________________...

Lowell Nesbitt Gorgeous silkscreen on wove paper Signed, dated and numbered AP 1/8 on the front This is a gorgeous violet/periwinkle colored print Matted and framed in the original v...

"Postcard from Paris" Satirical Lithograph Social-commentary Screen Print by Charles Bragg (American, 1931-2017). A nude woman wrapped in beaded necklaces poses in front of an older man operating an antique camera. The head of a dog is visible between the two of them, looking wide-eyed. The room is divided by a brown drapery covering half of the green, patterned wallpaper behind the woman. Leafy plants are positioned behind the man, breaking up the line of the curtain. Numbered as "275/300" in bottom left corner. Signed "Charles Bragg" in bottom right corner. Frame size: 19.88" H x 24.5" W Image size: 9.5" H x 14.5" W Charles Bragg (American, 1931-2017) was a painter, sculptor, and illustrator of commentary on human behavior, based out of Los Angeles, California. Bragg often injected his sense of humor and appreciation of satire into his subjects, many of which are cartoonish and seem half human and half animal. He also depicted serious subjects, ones that become poignant commentaries on the human condition. Bragg was born in St. Louis Missouri in 1931. His parents were vaudeville performers, and he spent most of his young life traveling on tour with them. During his teenage years, he went to New York's High School of Music & Art in Harlem. At 18, he ran away with his high school sweetheart, fellow artist Jennie Tomao...

Paper Size: 51.5 x 35 inches ( 130.81 x 88.9 cm ) Image Size: 50 x 33.5 inches ( 127 x 85.09 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

ROY LICHTENSTEIN (1923-1997) Roy Lichtenstein's 'Haystack #4' is a lithograph and screenprint in colors on Arjomari paper. It is signed, dated, and numbered 73/100 in pencil in the ...

Edward Landon 'Exhortation (Priest)', color serigraph, 1957, edition 28, Ryan 72. Signed, titled, and numbered '21/28' in pencil. A superb, richly-inked impression, with strong color...

Silkscreen and Archival Pigment in Colour on Deckled Edge Somerset Satin 410gsm Paper floated on a frame with 3mm Float Glass 44 3/10 × 30 7/10 in 112.5 × 78 cm Edition of 195 hand-...

Richard Pettibone The Appropriation Print Andy Warhol, Frank Stella, Roy Lichtenstein, 1970 Silkscreen in colors on masonite board (unique variant on sculpted board) Hand-signed by a...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: White Irises on Blue Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 30 Image Size: 41 x 23...

Artist: Janet Fish, American (1938 - ) Title: Still Life with Fruits Year: 1992 Medium: Screenprint, signed, numbered, and dated in pencil Edition: 75 Image Size: 36 x 42 inches Siz...

Computer and biological networks and viruses are dominant themes found in the works of Dennis Ashbaugh. Known as one of the first artist to employ DNA marking patterns in his work, A...

Screenprint Edition 3 of 300 Signed and numbered on the front Mint Published by Kaikai Kiki Co., Ltd., Tokyo

Claudia Keller Untitled Landscape I Color Silkscreen Year: 1985 Signed, dated, numbered or inscribed Edition: 180 Size: 19.5 × 18.5 on 27.3 × 23.4 inc...

"Marilyn Crying Diamond (Sunset Blue)" acrylic, oil-based ink and diamond dust hand-pulled screen print on linen by artist Russell Young. Depict...

Shepard Fairey Peace is Power SET (Matching Numbers) Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm); each Edition: 500 Signed by Shepard Fairey, dated and numbered by hand; each COA provided *Edition number may vary from the image shown. The Peace is Power print by Shepard Fairey centers on the idea that peace is not passive, but an active and transformative force requiring empathy, diplomacy, creativity, and sustained effort. Rather than defining peace simply as the absence of conflict, Fairey frames it as the ability to resolve disagreement without violence—a process that demands patience, compassion, and collective responsibility. The composition prominently features the dove, an internationally recognized symbol of peace that has appeared throughout art history as an emblem of hope, reconciliation, and unity. Fairey employs the dove as both a visual anchor and a universal communication device, reinforcing the accessibility and immediacy of the work’s message. Consistent with his broader practice, Fairey combines bold graphic imagery with socially conscious themes, encouraging viewers to consider peace not as an abstract ideal but as a practical investment in the well-being of humanity and the planet. Originally conceived as a gesture for friends and family during the holiday season, the print was later released more broadly as an expression of gratitude to collectors and supporters. Through its direct symbolism and optimistic tone, Peace is Power reflects Fairey’s enduring belief in art’s capacity to inspire dialogue, solidarity, and constructive social values. Peace is Power print, Shepard Fairey dove...

The large silkscreen poster described was designed by Alex Katz for the American Dance Festival in 2011. A limited edition of 300 posters was produced, with 100 of them hand-signed i...

Signed and numbered in pencil

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. Number AP 19/50 (aside from the main edition of 250). Screenprint on Arches Aquarelle (Rough) Paper. Printed by ...

ALEX KATZ (1927-Present) Sara, from Three Portraits Silkscreen Suite 32-color silkscreen on Rising museum board signed and numbered 23/60 in pencil. Published by Lococo Fine Art Pub...

Yaacov Agam (Israeli, 1928-2026), "Untitled 23", Screenprint in Colors, circa 1980, signed in pencil lower right and numbered edition "37/150" lower left, oak frame. Image: 29" H x ...

Artist: KAWS Title: Untitled Green Image from the Urge Series Medium: Limited Edition Screenprint Sheet Size: 18" x 11" Image Size: 11.25" x 8.5" Frame Size: 19.25" x 16.725" x 1.25"...

Triple layered 3D constructed mixed media serigraph on white museum board with crystals, glitter and additional embellishments. Hand signed lower right by Charles Fazzino. Hand num...

"Smoke" is a suite of hand painted silkscreen prints on plastic. Each is signed and numbered by the artist, Jane Dickson. Jane Dickson has been exhibiting her paintings, drawings an...

Jack Bush (1909-1977) is Canada's most successful abstract artist of the 20th century. Bush was a graduate of OCAD (Ontario College of Art & Design) and a key member of Painters Ele...

Edward Landon, 'Dark Vessel', color serigraph, 1952, edition 50, Ryan 51. Signed, dated, and titled in pencil. A superb impression, with fresh colors, on c...

'No Reply' explores themes of isolation, introspection, and emotional ambiguity through KAWS' distinctive visual language. Centered on the artist's iconic Companion figure, the work ...

David Shrigley Everything is Good, 2023 Screenprint on 300gsm BFK Rives paper 76 x 56 cm Edition of 125 Hand-signed and numbered by the artist published by NGV David Shrigley is a B...

Artist: Keith Haring Title: Growing (Plate 5), from the Growing Portfolio Size: 40 x 30 Inches (76.2 x 101.6 cm) Medium: Screenprint in colors, on Lenox Museum Board, with full mar...

Artist: Roy Ahlgren, American (1927 - 2011) Title: City of New York Year: 1972 Medium: Screenprint, signed and numbered in pencil Edition: 50 Image Size: 20 x 26 inches Size: 23 x 29...

In this bright print by Linnea Pergola, we see Paris' Left Bank, some say where Paris "learned to think". The Latin Quarter and many shops and cafes reside on this side of the River ...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Farmhouse 3. Year: circa 1985, Medium: Silkscreen, signed and numbered in pencil, Edition: 175, Image Size: 13 x 19 inches, Size: 19.5...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

This rare original 1963 Earl Newman Monterey Jazz poster documents a pivotal moment in jazz concert promotion design. The Earl Newman Monterey Jazz poster captures Earl Newman’s sign...

This limited edition serigraph titled Westport, Massachusetts by renowned artist Gretchen Dow Simpson is a meticulously crafted piece that captures the serene and picturesque landsca...

I've made a few Paint it Black themed images and this letterpress print was made especially for my New Clear Power show at AMUSEUM in Munich, Germany. Unfortunately, the topic r...

Peter Halley Core, 1991 Limited Edition Silkscreen with lithography on Coventry Rag paper. Pencil signed and numbered 13/50 on the front Publisher: Edition Schellmann & Pace Edit...

Presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery, Jardin d’Or is a monumental work from the artist’s Sea of Roses series, where the single rose expa...

Home Invasion 1 Screen Print 18 x 24 inches Edition of 300 2014 222/300 From the artist - "This image is about privacy and freedom from digital surveillance. If you didn’t notice, ...

Artist: Fran Bull (1938) Title: Three Egrets Year: 1980 Edition: 156/160, plus proofs. Medium: Silkscreen on Rives BFK White Paper Size: 20.25 x 29.75 inches Condition: Good Inscript...

This is the original, historic silkscreen poster from Robert Indiana's historic 1966 LOVE exhibition at the Stable Gallery in New York. The print itself was published in a very limit...

Abstract composition is a beautiful original colored screen print on paper, realized by the Italian artist and pioneer of Abstract Art Mario Radice (1898-1987), in 1988 Hand-signe...

Medium: serigraph (after the 1911 watercolor). Printed in a limited edition of 300 in 1957 at the atelier Arcay and issued by Galerie Denise René. Printed on Bristol San Francisco sm...

"Artémis et Nature" is a striking piece by the internationally acclaimed Spanish artist duo PichiAvo, created during the 2019 MURAL Festival. Known for their masterful fusion of clas...

This artwork titled "Left Bank Cafe, Paris" 1987 is an original color serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbered H.C 166/175 in pencil by the artist. The image size is 26 x 38 inches, sheet size is 32.25 x 44 inches. With the blind stamp of the printer Styria Studio at the lower left corner margin. It is in excellent condition, two small pieces of hanging tape remain on the back. About the artist: Mr. Neiman's kinetic, quickly executed paintings and drawings, many of them published in Playboy, offered his fans gaudily colored visual reports on heavyweight boxing matches, Super Bowl games and Olympic contests, as well as social panoramas like the horse races at Deauville, France, and the Cannes Film Festival. Quite consciously, he cast himself in the mold of French Impressionists like Toulouse-Lautrec, Renoir and Degas, chroniclers of public life who found rich social material at racetracks, dance halls and cafes. Mr. Neiman often painted or sketched on live television. With the camera recording his progress at the sketchpad or easel, he interpreted the drama of Olympic Games and Super Bowls for an audience of millions. When Bobby Fischer and Boris Spassky faced off in Reykjavik, Iceland, to decide the world chess championship, Mr. Neiman was there, sketching. He was on hand to capture Federico Fellini directing "8 ½" and the Kirov Ballet performing in the Soviet Union. In popularity, Mr. Neiman rivaled American favorites like Norman Rockwell, Grandma Moses and Andrew Wyeth. A prolific one-man industry, he generated hundreds of paintings, drawings, watercolors, limited-edition serigraph prints and coffee-table books yearly, earning gross annual revenue in the tens of millions of dollars. Although he exhibited constantly and his work was included in the collections of dozens of museums around the world, critical respect eluded him. Mainstream art critics either ignored him completely or, if forced to consider his work, dismissed it with contempt as garish and superficial — magazine illustration with pretensions. Mr. Neiman professed not to care. Maybe the critics are right," he told American Artist magazine in 1995. "But what am I supposed to do about it — stop painting, change my work completely? I go back into the studio, and there I am at the easel again. I enjoy what I'm doing and feel good working. Other thoughts are just crowded out." His image suggested an artist well beyond the reach of criticism. A dandy and bon vivant, he cut an arresting figure with his luxuriant ear-to-ear mustache, white suits, flashy hats and Cuban cigars. "He quite intentionally invented himself as a flamboyant artist not unlike Salvador Dalí, in much the same way that I became Mr. Playboy in the late '50s," Hugh Hefner told Cigar Aficionado magazine in 1995. LeRoy Runquist was born on June 8, 1921, in St. Paul. His father, a railroad worker, deserted the family when LeRoy was quite young, and the boy took the surname of his stepfather. He showed a flair for art at an early age. While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess. As a teenager, he earned money doing illustrations for local grocery stores. "I'd sketch a turkey, a cow, a fish, with the prices," he told Cigar Aficionado. "And then I had the good sense to draw the guy who owned the store. This gave me tremendous power as a kid." After being drafted into the Army in 1942, he served as a cook in the European theater but in his spare time painted risqué murals on the walls of kitchens and mess halls. The Army's Special Services Division, recognizing his talent, put him to work painting stage sets for Red Cross shows when he was stationed in Germany after the war. On leaving the military, he studied briefly at the St. Paul School of Art (now the Minnesota Museum of American Art) before enrolling in the School of the Art Institute of Chicago, where, after four years of study, he taught figure drawing and fashion illustration throughout the 1950s. When the janitor of the apartment building next door to his threw out half-empty cans of enamel house paint, Mr. Neiman found his métier. Experimenting with the new medium, he embraced a rapid style of applying paint to canvas imposed by the free-flowing quality of the house paint. While doing freelance fashion illustration for the Carson Pirie Scott department store in Chicago in the early 1950s, he became friendly with Mr. Hefner, a copywriter there who was on the verge of publishing the first issue of a men's magazine. In 1954, after five issues of Playboy had appeared, Mr. Neiman ran into Mr. Hefner and invited him to his apartment to see his paintings of boxers, strip clubs and restaurants. Mr. Hefner, impressed, showed the work to Playboy's art director, Art Paul, who commissioned an illustration for "Black Country," a story by Charles Beaumont about a jazz musician. Thus began a relationship that endured for more than half a century and established Mr. Neiman's reputation. In 1955, when Mr. Hefner decided that the party-jokes page needed visual interest, Mr. Neiman came up with the Femlin, a curvaceous brunette who cavorted across the page in thigh-high stockings, high-heeled shoes, opera gloves and nothing else. She appeared in every issue of the magazine thereafter. Three years later, Mr. Neiman devised a running feature, "Man at His Leisure." For the next 15 years, he went on assignment to glamour spots around the world, sending back visual reports on subjects as varied as the races at Royal Ascot, the dining room of the Tour d'Argent in Paris, the nude beaches of the Dalmatian coast, the running of the bulls at Pamplona and Carnaby Street in swinging London. He later produced more than 100 paintings and 2 murals for 18 of the Playboy clubs that opened around the world. "Playboy made the good life a reality for me and made it the subject matter of my paintings — not affluence and luxury as such, but joie de vivre itself," Mr. Neiman told V.I.P. magazine in 1962. Working in the same copywriting department at Carson Pirie Scott as Mr. Hefner was Janet Byrne, a student at the Art Institute. She and Mr. Neiman married in 1957. She survives him. A prolific artist, he generated dozens of paintings each year that routinely commanded five-figure prices. When Christie's auctioned off the Playboy archives in 2003, his 1969 painting Man at His Leisure: Le Mans sold for $107,550. Sales of the signed, limited-edition print versions of his paintings, published in editions of 250 to 500, became a lucrative business in itself after Knoedler Publishing, a wholesale operation, was created in 1975 to publish and distribute his serigraphs, etchings, books and posters. Mr. Neiman's most famous images came from the world of sports. His long association with the Olympics began with the Winter Games in Squaw Valley in 1960, and he went on to cover the games, on live television, in Munich in 1972, Montreal in 1976, Lake Placid in 1980, and Sarajevo and Los Angeles in 1984, using watercolor, ink or felt-tip marker to produce images with the dispatch of a courtroom sketch artist. At the 1978 and 1979 Super Bowls, he used a computerized electronic pen to portray the action for CBS. Although he was best known for scenes filled with people and incident, he also painted many portraits. Athletes predominated, with Muhammad Ali and Joe Namath among his more famous subjects, but he also painted Leonard Bernstein, the ballet dancer Suzanne Farrell...

David Shrigley, I Can Sing For You, 2022 Hand-signed and dated on the reverse Edition 76 of 125 75 x 56 cm Screenprint in colours Private Collection UK

Artist: Hirst, Damien Title: Diamond Skull (For the Love of God) Date: 2007 Medium: Screenprint with Glazes Unframed Dimensions: 39.25" x 29.5" Framed Dimensions: 40.5" x 30.5" ...

Created on foiled silver metallic paper, Fairchild brings an extraordinary level of craftsmanship and intimacy to both editions, incorporating hand-drawn films to add new layers of m...

Pierre SOULAGES (1919-2022) Serigraph n°12, 1979 Original serigraph Signed in pencil Numbered 27/75 copies On Arches vellum 52 x 37 cm (c. 21 x 15 in) REFERENCE: Catalogue raisonné of the original prints of Pierre Soulages, BNF #104 INFORMATION: This serigraph is part of the series "On the wall opposite", published by Bernard Frize...

Anni Albers (1899-1994) ST, 1971 Medium: Screenprint on cardboard Dimensions: 83 × 62 cm (32 7/10 × 24 2/5 in) Edition: Hand-signed and numbered in pencil Condition: Very good

Screenprint Edition 35 of 100 49.9 × 49.9 cm (19.6 x 19.6 in) Signed, numbered and dated on the front Excellent condition. Only visible under raking lighting minor stain in top left ...

Calder Exhibition Print is an original serigraph realized by Alexander Calder in 1976. Good conditions except for some light folds and tears. This...

Dondi White, Futura, Lee Quinones, Crash, Daze, Lady Pink & Zephyr: Celebrating 15 Years Above Ground (1995): This rare, complete portfolio of 7 hand-signed limited edition screen-prints, was published on the occasion of the 1995 exhibition, Celebrating 15 Years Above Ground: a historic event exploring the evolution of 1980’s New York graffiti legends: Crash, Daze, Dondi, Futura, Lee Quinones, Lady Pink, and Zephyr. The seldom seen complete set of 7 works accompanied by both original portfolio covers, makes for a standout addition to any 1980’s New York graffiti collection. Medium: 7 individual screen-prints in colors on fine, deckle-edged Stonehenge paper; plus a screen-printed portfolio cover on heavy matte paper. 1995. Each work individually measures: 14 x 11 inches (35.6 x 27.9 cm). Each hand-signed & numbered in pencil by the respective artists from an edition of 100 (5 works signed & numbered frontside; with Futura & Lady Pink signed & numbered on the reverse). Condition: Prints: Some very minor signs of handling; rubbing on the right lower edge of Zephyr; in otherwise very good overall vintage condition as pictured. Superb overall print quality & color separation. Fine archival paper. Portfolio casing (last image) contains some minor signs of aging & handling. Collections: The Smithsonian National Museum of African American History and Culture. Dondi White: Dondi was an American graffiti artist best known for his dynamic lettering and stick figures. His work, whether painted on canvas or on walls, is characterized by a dynamic energy and explosive use of color. Dondi became associated with a group of legendary artists working in the East Village, including Futura, Keith Haring, and Jean-Michel Basquiat. His canvas works reiterated the lettering, symbolic icons, and stick figures that were his signature marks on the streets, while his later work from the 1990s included collages that juxtaposed pencil drawings with blueprints of the subway system—which had previously served as his canvas. Futura: Futura 2000 is a contemporary American graffiti artist. Over the course of his career, he transitioned from making New York-based subway graffiti in the early 1970s, to exhibiting at Fun Gallery in the 1980s alongside major artists such as Jean-Michel Basquiat, Keith Haring, and Kenny Scharf. He went on to collaborate with the punk band The Clash, designing their album art and performing live graffiti during their concerts. Today, McGurr’s work can be found in the collections of the Museo de Arte Moderna di Bologna, the Musée de Vire in France, and the Museum of the City of New York. Lee Quinones: Lee Quinones is an American-Puerto Rican artist known for the graffiti he made on New York subway cars during the 1970s and 1980s. Quinones addressed political and cultural issues through his graffiti, with quotes such as “Earth is Hell...

Composition is an Original Screen Print realized in the 1980s by Andrea Ratto. Good conditions.Hand-signed. Numbered. Edition,17/120 The artwork is depicted through soft strokes ...

Artist: Erté Title: Pearls and Emeralds Medium: Embossed serigraph Year: 1990 Edition: 265/300 Sheet Size: 41 3/4" x 29 1/4" Image Size: 35 1/4" x 23 1/4" Signature: Stamped signature