Art by Medium: Screen

A serigraph print by Pedro Friedeberg from 1987. An optical abstract image of a surrealist interior. Artist: Pedro Friedeberg, Mexican (1936 - ) Title: Teatro Microbiotico Year: 1...

Diptych screenprint set with bright colors and in excellent condition. Numbered 49/50 and dated on the first plate. Signed by Miller on the second plate. Dimensions of each sheet are...

Rendered in hues of blue, teal, and brown, this Ralph Fasanella print is a bustling depiction of New York City including views of identifiable landmarks from various boroughs and loc...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Great American Perspective Year: 1973 Medium: Silkscreen, signed and numbered in pencil Edition Size: 60 Size: 20.5 x 20.5 in. (52....

Signed, titled and numbered by the artist from the edition of 76. Artist and community activist Leo Límon lives and works in Los Angeles, where he was born ...

A hand crafted five layer screen print of a painted illustration by the artist this retro classic candy on heritage white paper. With a final layer of diamond dust. ADDITIONAL INFOR...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Entablature IV" Portfolio: Entablature Series *Signed and dated by Lichtenstein in pencil lower right Year: 1976 Medium: Original Screenprint and Collaged mat pink Metallic Foil with Embossing on Rives BFK paper Limited edition: 14/30, (there were also 9 artist's proofs) Printer: Tyler Graphics Ltd., Bedford Village, NY Publisher: Tyler Graphics Ltd., Bedford Village, NY Reference: "The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948-1997" - Corlett No. 141, page 144; PCN 7 (July-August 1976); "Tyler Graphics Catalogue Raisonné 1974-1985" - Tyler No. 337:RL5, page 210 Framing: Framed in a contemporary white moulding with plexiglass and matted with a custom hand-wrapped 8 ply linen mat Framed size: 39.5" x 55" Sheet size: 29.19" x 44.82" Image size: 20.19" x 38" Condition: Some light cosmetic wear to frame; presently no hanging wire. The artwork is in mint condition Very rare Notes: Provenance: private company collection - Miami, FL, acquired directly from the publisher Tyler Graphics Ltd., Bedford Village, NY in the 1970's. Numbered by Lichtenstein in pencil lower left. Comes from Lichtenstein's 1976 "Entablature Series" portfolio of 11 prints, (Corlett No. 138-148). Printed in six colors, in seven runs, from five screens, and one embossing plate. Collaboration: Kenneth Tyler (project supervision, plate/screen preparation, proofing, collage, and embossing); Kim Halliday (screen preparation and processing, proofing, and edition printing); Betty Fiske (proofing and edition printing). Swan Engraving processed the magnesium plate. Tyler Graphics Ltd. chop mark/blind stamp lower right. Workshop number inscribed in pencil lower left on verso: "RL75-197". Comes with its original Tyler Graphics "Entablature Series" booklet. Between 1971 and 1976 Lichtenstein produced two series of "Entablature" paintings, using photographs of architectural ornament he had taken in New York as the starting point for his compositions (see Cowart [1981]). The first "Entablature" paintings (1971-72) were black and white. The second group used color and were produced at roughly the same time the "Entablature" series of prints were in production at Tyler Graphics Ltd., 1974-76. The first discussions between Lichtenstein and Ken Tyler concerning the "Entablature" prints took place in May, 1974. As recorded in the Tyler catalogue raisonne, technical research for the project began in September 1974 and production was completed in April 1976. Lichtenstein produced one or more collages for each print in the series to serve as models for the plates and screens. Both the "Entablature" paintings and prints are intimately concerned with texture - the metallic paint and sand of the paintings, the foils and embossing/debossing techniques employed in the prints. The imagery itself - machined architectural ornament - takes technology as its subject. As Barbara Rose suggests, "That industrialism disrupted our notion of style as much as reproduction altered our conception of representation appears to be the subjects of Lichtenstein's "Entablatures". For each print in this series, the Tyler Graphics Ltd. catalogue raisonne gives exact method and press types, as well as the initials of the printers for each run. To complete certain phases of the project, Tyler employed the following companies: Drake Engineering, Danbury, CT (for machining of the metal die); Swan Engraving, Bridgeport, CT (for plate processing); Tallix Foundry, Beacon, NY (for bronze casting); and Tompkins Tooling, Gardena, CA (for machining of the metal die). The ten embossing plates for the series are now in the collection of the National Gallery, Canberra, Australia. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweler Laurence Graff from American investor Ronald O. Perelman. This was topped in November of 2015 by the sale of "Nurse" for 95.4 million dollars at Christie's auction. Subsequently, that was topped with the private sale of his 1962 painting...

Artist: Victor Vasarely (1908-1997) Title: Untitled (Geometric Structure) Year: 1975 Medium: Silkscreen on handmade paper Edition: E.A.; 250 Size: 21.65 x 22.83 inches Condition: Exc...

8 colour screenprint with a varnish overlay on Somerset Satin Tub sized 410 gsm Edition of 125 76 × 56 cm (29.9 × 22 in) Signed and numbered on the back Mint. Minor imperfections may...

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Sheep Portfolio 5 Year: 1981 Medium: Screenprint and Etching, signed in pencil Edition: 65, AP 5 Size: 33.5 x 31 in. (85.09 x...

This Blue Dog work consists of 1 blue dog on a dark blue background with painted white eyeglasses donning a white tie with painted blue eyeglasses. Th...

Intermezzo TFWHT, 2020, Murakami and Futura, Street Art, Limited Edition of 100. Hand-signed by artist, Signed by Futura in ink lower right Signed, dated, and numbered by Takashi Murakami in ink lower right. One of the most acclaimed artists to emerge from post-war Asia, Takashi Murakami is known for his signature “Superflat” aesthetic: a colorful, two-dimensional style that straddles the division between fine art and pop culture as it unites elements of anime, Japanese nihonga, and ukiyo-e woodcuts. Common motifs across Murakami’s oeuvre—which spans paintings, sculptures, prints, and more—include smiling flowers, bears, and the Mickey Mouse–inspired character Mr. DOB. They also appear throughout Murakami’s thriving market for merchandise and collectibles. Murakami has presented at institutions including the Guggenheim Museum Bilbao, MoMA PS1, Mori Art Museum, Garage Museum of Contemporary Art, Brooklyn Museum, Museum für Moderne Kunst, and the Museum of Contemporary Art Chicago, among others, and his work has sold for millions on the secondary market. Murakami also runs a large influential art production and artist management company, the Tokyo-based Kaikai Kiki Co. Futura (formerly Futura 2000), née Lenny McGurr, pioneered abstract street art in New York during the 1970s. While his contemporaries practiced traditional lettering, Futura combined text, imagery, thin aerosol lines, swaths of vibrant color, and a distinctive use of white space as he created dynamic, futuristic compositions; science fiction and computing technology have long informed his aesthetic. In the 1980s—alongside fellow artists Keith Haring, Jean-Michel Basquiat, and Kenny Scharf—Futura...

"Fairly self-explanatory, but I’ll share my thoughts. Our planet Earth is often called 'Mother Earth' for reasons that seem obvious to me. Mothers are often the primary caregivers fo...

Mark Drew, Boy I Tell You I Miss Her, comes from a limited edition of 150. This contemporary print is inspired from "I Used To Love H.E.R." by Common. Mark Drew has a unique style o...

Andy Warhol, Lincoln Center Ticket, 1967 Andy Warhol was a leading figure in the Pop Art movement. Like his contemporaries Roy Lichtenstein and ...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Norman Wade (20th century) Durham Cathedral (1972) Silkscreen print 24 x 43 cm...

Original artwork by Russell Young. Acrylic paint screen print on somerset paper 44 1/2 x 35 inches Framed 45.5 Inches x 36,5 Inches white wooden frame with glass, custom made as seen...

This screenprint was created by American artist David Roth. Roth's images are proportioned according to a strict mathematical formula - the pictures are composed according to horizon...

Nick Veasey Easy Listener Silver Silkscreen 2025 From Print Series Signed and numbered by artist 75 x 105 cm frame included Numbered 5 out of 75

Original and unique work by Russell Young. Enamel and diamond dust screen print on linen, Black + White, unframed dimensions 62 x 48 inches, 2011, from the series "Diamond Dust". Da...

Judy Chicago Driving the World to Destruction, 1988 Silkscreen on wove paper Pencil signed, titled, dated and numbered 35/50 on the front Included with this work is an elegant hand ...

Harry Bunce Early Start Limited Edition Print Mixed Media Screen Print on Panel Edition of 24 Size: H 73cm x W 73cm x W 3.5cm Signed Sold in a White Wood Frame Please note that any i...

Artist: Itzchak Tarkay (1935-2012) Title: Tranquility Year: Circa 2000 Medium: Silkscreen on wove paper Size: 13.5 x 11.5 inches Edition: 455/750, plus 100 Remarques Condition: Excellent Inscription: Signed in crayon & numbered in ink ITZHAK TARKAY (1935-2012) Itzhak Tarkay has achieved international recognition as a leading representative of figurative artists. The inspiration for his work clearly lies with French Impressionism, particularly the paintings of Matisse and the drawing style of Toulouse-Lautrec. He drew upon the history of art to create many of his compositions, designing a kind of visual poetry from the aura of his cafes and intimate settings. His rich tapestry of form and color is achieved through the use of painting many colors laid over one another to create texture and transparency. Tarkay is considered one of the most influential artists of the early 21st century and has inspired dozens of artists throughout the world with his contemplative depiction of the female figure. ABOUT SELLER DO YOU HAVE ARTWORK TO SELL? WE ARE ACTIVELY SEEKING CONSIGNMENTS AND EXCEPTIONAL OBJECTS TO PURCHASE OUTRIGHT! Art Commerce...

Peter Kalen - Sky, Year: 1969, Medium: Screenprint, signed, numbered, titled and dated in pencil on verso, Edition: AP, Size: 15 x 10.75 in. (38.1 x 27.31 cm)

Exhibition at Brewster Gallery Paul Reynard, French / American (1927–2005) Date: circa 1975 Screenprint Poster Size: 45 in. x 26 in. (114.3 cm x 66.04 cm)

Artist: Larry Zox (1937-2006) Title: Two Square Composition Year: 1978 Edition: 13/20, plus proofs Medium: Silkscreen on japon paper Size: 18 3/4 x 26 inches Condition: Good Inscript...

Artist: Dan May (American, 1955-) Title: "Cat with a Habit" *Signed and numbered by May in pencil lower left Year: 1995 Medium: Original Screenprint on unbranded white wove paper Lim...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Gavin Dobson Dipping Ricky Limited Edition Screen Print Edition of 50 Sheet Size: H 70cm x W 50cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indication of...

Artist: Hunt Slonem, American (1951 - ) Title: Horns Of Plenty Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: AP 30 Image Size: 24 x 23.5 inches Size: 28...

Stik's dog is a lovely stick white dog on a red background. ADDITIONAL INFORMATION: Original Limited Edition Print by Mychael Barratt Screen print on Paper Edition of 100 40 H x 38...

The Spring series represents Katz’s profound engagement with the cyclical nature of time. The abstracted compositions of falling leaves or budding branches embody a conceptual rather...

Chaos Mandala 2 is a new colorway of my original screenprint Chaos Mandala. This print merges two seemingly contrasting concepts and aesthetics…chaos and harmony. I have always been ...

Vija Celmins (b. 1938) is one of the most accomplished and revered living American artists. Born in Riga, Latvia, her dynamic oeuvre resists merging with any art-historical "ism" or ...

Brightly colored one-of-a-kind multi-layer abstract composition in primary colors, one of one created by Michael William Eggleston (American, 20th Century). Initialed "MWE" on the bo...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Marie Therese Vacossin Geometric Composition Medium: Colour Silkscreen Year: 1979 Signed, dated, titled, numbered or inscribed Edition: 10 Size: 8.2 × 8.2 on 14.0 × 13.3 inches COA ...

Clare Halifax Cambridge Market Limited Edition Print Silkscreen Print on Paper Edition of 75 Image Size: H 12cm x W 25cm Sheet Size: H 22cm x W 31cm Signed Sold Unframed Please note that any insitu images are purely an indication of how a piece may look. Cambridge Market is a limited edition print by Clare Halifax. It is a three colour silkscreen print depicting Cambridge. Clare Halifax graduated from the University of Loughborough in 2000 with a BA Hons in Printed Textile design and went on to sell her work internationally to the fashion and interior markets...

Margot Lovejoy (American, 1930-2019) Labyrinthe: City 3, c. 20th Century Serigraph in acrylic case Overall: 28 3/8 x 28 x 1 1/2 in. Artist Proof Signed lower right: Margot Lovejoy Si...

Contemporary colorful silkscreen by Louisiana born artist George Rodrigue. The work features a pair of Rodrigue's iconic blue dog characters sitting in a room with a blue butterfly f...

Artist: Seymour Chwast, American (1931 - ) Title: Daytona 500 Year: circa 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250 Image Size:...

Artist: Victor Vasarely (1908-1997) Title: BI-RHOMBS Year: 1977 Medium: Silkscreen on Arches paper Edition: 91/250, plus proofs Size: 43.5 x 26 inches Condition: Good Inscription: Si...

Ushio Shinohara (born 1932, Tokyo), nicknamed “Gyu-chan”, is a Japanese Neo-Dadaist artist. His bright, large work has been exhibited internationally at institutions including the Hara Museum of Contemporary Art, Centre Georges Pompidou, the Guggenheim Museum SoHo, National Museum of Modern Art, Tokyo, Leo Castelli Gallery, New York, Museum of Contemporary Art, Los Angeles and The Metropolitan Museum of Art, Seoul and others. Shinohara and his wife, Noriko, are the subjects of a documentary film by Zachary Heinzerling called Cutie and the Boxer (2013). Shinohara's parents instilled in him a love for painters such as Paul Cézanne, Vincent Van Gogh and Paul Gauguin. His father was a tanka poet who was taught by Wakayama Bokusui. Shinohara’s mother was a painter who went to the Woman’s Art University (Joshibijutsu Daigaku) in Tokyo. In 1952 Shinohara entered the Tokyo Art University (later renamed to Tokyo University of the Arts), majoring in oil painting, however he left before graduation in 1957. In 1960 Shinohara participated in a group called "Neo-Dada Organizers". (Masunobu Yoshimura, Genpei Akasegawa, Shusaku Arakawa, Ushio Shinohara, Sho Kazakura, Tomio Miki, Tetsumi Kudo...

Working Trial Proof Silkscreen Serigraph Includes Documentation and Official Stamps Please note this artwork is not hand signed or editioned

This listing is for just the one print in the photo here. there are three states of the same image image each with Progressively increasing detail and color. the edition size is 175. Hand signed, numbered and dated. on hand made French Arches paper. Bob (Robert) Stanley (1932-1997) was a painter, photographer and printmaker whose early work was figurative painting about contemporary American life. In the 1960s and early 1970s, he based his paintings on photographs, which he manipulated from black and white or silkscreen colored shapes. In the early 1960's, he began to base his paintings on images clipped from newspapers and magazines, following the example of Pop artists like Andy Warhol and Roy Lichtenstein, who would become his brother-in-law. Enlarged and often simplified to two vibrant saturated colors Stanley's images could be reduced to the abstract or be powerfully explicit. His preferred subjects, including rock stars, athletes and pornography, always seemed to grate against the pretenses of high art. Similar in bold use of color to Malcolm Morley. In the late 1960's Mr. Stanley started using his own photographs, basing paintings on images of tree branches or the ground, and also using pictures of life-drawing models at the School of Visual Arts. EDUCATION The Brooklyn Museum of Art School, Brooklyn, NY Columbia University, New York, NY The High Museum Art School, Atlanta, GA Columbia University, New York, NY Oglethorpe University, Atlanta, GA B.A. 1953 Max Beckmann Scholarship Award for Painting and Sculpture, The Brooklyn Museum of Art School, Brooklyn, NY TEACHING School of Visual Arts, New York, NY, Instructor: Painting and Drawing The New Arts Program, Kutztown, PA, Visiting Artist Princeton University, Princeton, NJ, Visiting Artist School of Visual Arts, New York, NY, Instructor: Painting and Drawing SELECT INDIVIDUAL EXHIBITIONS Figureworks, Brooklyn, NY, Celebrating the Erotic Work of Pop-Artist Bob Stanley The Mayor Gallery, London, England, “Bob Stanley – Works from the Sixties” Beatrice Conde Gallery, New York, NY, Late Paintings Mitchell Algus Gallery, New York, NY, Paintings: 1963-1967 Gallerie Georges Lavrov, (Paris), Die International Kunstmesse, Art Basel, Switzerland Galerie Georges Lavrov, Paris, France, Catalog text by Richard Artschwager The Paul Bianchini Gallery, New York, NY Galerie Ricke, Kassel, Germany Bianchini-Birillo Gallery, New York, NY SELECTED GROUP EXHIBITIONS Mitchell Algus Gallery, New York, NY, Exquisite Corpe – Cadavre Exquis Karolyn Sherwood Gallery, “Up Close and Personal: A Collection of Minimalist and Figurative Drawings” Steven Vail Gallery, “Paintings and Drawings” 2 person exhibition with Jan Frank Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, SI, NY, “The Figure: Another Side of Modernism” Contemporary Arts Center, Cincinnati, OH, travels to 10 other institutions; “It’s Only Rock and Roll”, Catalog essay by David S. Rubin, Curator of 20th Century Art, Phoenix Art Museum Beatrice Conde Gallery, New York, NY, “Paintings, Drawings, Photographs” The Painted Bride Art Center, Philadelphia, PA, 2 person exhibition with Patricia McCabe Centro Cultural La General, Granada, Spain, “Honenaje a Federico García Lorca White Columns, New York, NY, “Overtalk: Bob Stanley, Öyvind Fahlström, Peter Nagy Lyman Allyn Museum, New London, CT, “The Pop Decade: The Bianchini Gallery in the Sixties”; Exhibition monograph by Barbara Zabel Fuji Television Gallery, Tokyo, Japan, “Contemporary Graphics: NYC” The Art Museum, Princeton University, Princeton, NJ, “A Decade of Visual Arts at Princeton: Faculty 1975-1985”’ Catalog text by Allen Rosenbaum and James Seawright Centro Studi Pietro Mancini, Cosenza, Italy, “Progetto su Pace, Guerra e Altro” The Fort Worth Art Museum, Fort Worth, TX, “The Pop Art Print” The Madison Art Center, Madison, Wisconsin, “Recent Acquisitions” Harcus Gallery, Boston, MA, “Artist/Poet’s Books” The American Academy and Institute of Arts and Letters New York, NY, “Paintings and Sculpture: 1982 Art...

Me & You, 2022 3-Colour Screenprint With Glitter Overlay on Somerset Satin 280gm Paper with cut edges edition of 175 Hand-signed and numbered by the artist. 45 x 30 cm The artist hi...

A topless woman basking in the sun on an NYC rooftop. In the distance behind her, the twin towers are visible. Artist: Hilo Chen Title: Rooftop Sunbather from the City Scapes Portfo...

'Countdown To Violence' (2012) by Prefab77 Size 60 x 90 cm Limited Edition of 10 (#4/10) 5 layer spraypaint stencils & 1 layer gloss black screenprint, on hand painted, hand-deckled ...

26" x 40" Unframed Limited Edition Giclee and Silkscreening of 50 Hand Signed by Tom Everhart

Doric Game XX Evelyn B. Johnson Date: circa 1980 Screenprint, signed, numbered and titled in pencil Edition of 7/25 Image Size: 38 x 28.5 inches Size: 41.5 x 29.5 in. (105.41 x 74.93...

Peter Blake 110 Years of Vauxhall, 2013 Silkscreen on Linen Hand signed and numbered 80/110 by the artist on the front 9 × 17 inches Unframed Sir Peter Blake is one of the most successful British Pop artists from the fabulous 1960s, and his work can be found in major museums and collections worldwide. He is best known for creating the sleeve design of the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. It was with the Young Contemporaries exhibition of 1961, where he exhibited alongside David Hockney and R.B. Kitaj, that Blake rose to prominence. Blake created this limited edition print, a tribute to the Art Car, exclusively for the Vauxhall Art Car Boot Fair 2013. The work sold out completely in less than 15 minutes. It is in excellent condition. Pencil signed and numbered from the limited edition of only 110. The excitement of the event was described in a British news report as follows: "Now in its 100th year, the fair it featured work by over 70 renowned artists including Sir Peter Blake, Gavin Turk, Emin International, Polly Morgan, Mat Collishaw...

Paper Size: 33 x 42.25 inches ( 83.82 x 107.315 cm ) Image Size: 27.25 x 37.25 inches ( 69.215 x 94.615 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Large silkscreen printed in over 20 colors, signed and numbered out of 225 in pencil by Rodney Greenblat. Blindstamped by Martin Lawrence Galleries...

Screen print on thick cream Speckletone paper with dimensions of 18 x 24 in. Released in 2021 from an edition of 600. Signed and numbered by Shepard Fairey. Shepard Fairey is a maj...

Artist: Larry Zox, American (1937 - 2006) Title: Moro II Year: 1981 Medium: Screenprint, Signed and numbered in Pencil Edition: 185 Size: 42.5 x 30 inches

Hand signed in lower left margin and numbered 35 of 200 (aside from the artists proof edition of 30). Printer Rupert Jasen Smith, New York. Co published by Ronald Feldman Fine Arts N...

Robert Indiana Pax, Paix, Shalom (The Peace Print), 2004 Silkscreen in 4 colors on rives BFK paper Hand signed, dated, titled and numbered 35/50 in pencil by Robert Indiana on the f...

Augmented (Hand painted) screenprint by Patricia A. Pearce (American, b. 1948). Presented in a new double mat of black and gray. Unsigned, but was acquired with a collection of Pearc...

Precise rectangular and square lines and shapes in tints of yellow, green, turquoise and mauve, are an interpretation of the brilliant summer sun in this silkscreen print on paper by...

Artist: Al Held, American (1928 - 2005) Title: Scholes I Year: 1991 Medium: Screenprint, signed and numbered in pencil Edition: 80 Image Size: 23 x 29 inches Size: 29 x 34 in. (73.66...

Pop Shop II Plate 3 By Keith Haring Keith Haring was a visionary American artist and social activist known for his iconic, colorful, and dynamic graffiti-inspired artwork that eme...