Art by Medium: Screen

Spillover by Jon Carsman, (1944 - 1987) Date: circa 1979 Medium: Screenprint, signed and numbered in pencil Edition: 175, SP Image Size: 25.5 x 17.5 inches Size: 30 in. x 22 in. (76....

Down in the Valley 1992 Bill Schenck Serigraph 46/50 Edition of 50 Image size: 25 x 29 inches Paper size: 31 x 35 inches SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANC...

Artist: Larry Zox Title: Bonac I Year: 1981 Medium: Screenprint, Signed and numbered in Pencil Edition: 160 Size: 42.5 x 29.5 inches

LA Art Show 2017 release by Shepard Fairey of Hall of Fame Public Enemy member, Flavor Flav, DJ of the LA Art Show x Juxtapoz Party celebrating Mel Ramos' Lifetime Achievement Award....

Serigraph, 2004. Hand signed and numbered in pencil from an edition of 300. This elegant and meticulously rendered composition presents the accommodations plan for the yacht Bolero,...

Medium: serigraph. Printed in 1963 for the art revue Derrière le Miroir (issue number 137) and published in Paris by Maeght. Sheet size: 15 x 11 inches (378 x 277 mm). There is print...

Artist: Arthur Boden Title: Flirt Year: circa 1970 Medium: Serigraph on Canvas, signed and numbered in pencil Edition: AP Size: 31 x 36 in. (78.74 x 91.44 cm)

Artist: Charles Hinman, American (1932 - ) Title: Lavender on Tan Year: 1972 Medium: Embossed Silkscreen, signed and numbered in pencil Edition: 44/200 Size: 25.5 x 34.25 in. (64.77 ...

Screen print on paper. Hand signed and numbered in pencil. Edition of 100. Excellent condition. Mario Radice (1898–1987) was a pivotal Italian painter, art critic, and essayist. ...

First edition screen-print designed and created by Robert Motherwell for the Mostly Mozart Festival presented at the Lincoln Center for the Performing Arts in New York City in 1991. ...

Artist: Nicholas Krushenick (1929-1999) Title: Tailgate Year: 1978 Edition: 150/200, plus proofs Medium: Silkscreen on wove paper Size: 30.5 x 26 inches Condition: Good Inscription: ...

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Tree in Tree (Burgundy and Gold) Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 125 Size: 41 x...

The image of “Cloud and Sea, 1964” by Roy Lichtenstein was used for the design of this exhibition poster at the Museum Ludwig Köln in 1989. Published by Achenbach Editions in Düsseld...

Artist: Jim Ceravolo, American (1953 - ) Title: Marilyn Monroe Year: circa 1980 Medium: Acrylic and Silkscreen on Canvas, Signed l.r. Size: 38 x 32 inches

Screenprint in colours on wove paper Edition 55 of 100 81.3 x 135.3 cm (32 x 53.2 in) Signed and numbered on the front Mint Published by Pace Prints Our mission is to connect art co...

Richard Colman "Orange Painting" Limited Edition Giclée Print Description: Discover the captivating world of renowned artist Richard Colman with his ex...

Artist: Larry Rivers, American (1923 - 2002) Title: Homage to Pablo Picasso Year: 1994 Medium: Screenprint, signed and numbered in pencil Edition: 19/30 Image Size: 24 x 28 inches Si...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Beach Boys By Tim Southall [2021] limited_edition silkscreen print Edition number 4/50 Image size: H:40 cm x W:60 cm Complete Size of Unframed Work: H...

Artist: John Grillo, American (1917 - 2014) Title: Kaleidoscope I Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Image Size: 29.5 x 22 inches ...

"1981" ("Entwicklung Kunstwerk") is an original screen print on hand-made Japanese paper from 1981 by internationally acclaimed German ZERO group artist Günther Uecker. Small ddition...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Earthwork Year: 1974 Medium: Serigraph, signed and numbered in pencil Edition: 60 Image Size: 17 x 23 inches Size: 20 x 26 in. (50....

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 88 Year: 1969 Medium: Screenprint, signed in pencil Edition: AP Size: 25 x 18.75 in. (63.5 x 47.63 cm)

Artist: Nicholas Krushenick Title: Untitled from the Iron Butterfly Suite Year: 1968 Medium: Screenprint, signed and dated in pencil, verso Edition: 125 (unnumbered) Paper Size: 35.5...

Screenprint on Velin Arches paper. Hand signed and dated by Andy Warhol and stamp numbered on verso. This is 106/250 (there were also 50 artist's proofs in Roman numerals). Publish...

"My Pretty Pony" is a short story written by Stephen King and illustrated by the artist Barbara Kruger. It was the sixth publication in the Whitney Museum...

I See Static, Blue. 18 x 24 inches. Screen print on cream Speckle Tone paper. Signed by Shepard Fairey. Edition of 168/300. Contemporary street art print. Shepard Fairey is a major...

3 color Letterpress on 100% cotton lettre paper, 110# with deckled edges. Signed and numbered edition of 235/450. OBEY publishing chop on lower left corner. 10 inches x 13 inches

Shepard Fairey Incarnation (Color), 2023 Screen print on thick Cream Speckletone Paper Year: 2024 (published) Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard F...

Covert to Overt, Gold, Triptych, Shepard Fairey, Jon Furlong. 3 prints, each with dimensions 18 inches x 24 inches. Screen Prints on cream Speckle Tone paper. Signed by Shepard Faire...

Manufacturer Obey Giant Edition Details: Year: 2020 Class: Fine Art Print Status: Official Released: 02/12/20 Run: 314/550 Technique: Screen Print Paper: Thick Fine Art Cream Speckle...

Victor Vasarely Vaar from the album Diam, 1988 Serigraph in colors on paper Hand signed lower right Numbered 35/250 Sheet size 70 x 62 cm Published by : AC Mazo - Paris Printed by : ...

STEVE KAUFMAN – "ABRAHAM LINCOLN" ⚜ Serigraph on Canvas ⚜ Initialed Verso ⚜ Edition 48/50 AP ⚜ Black Float Frame VIBRANT POP ICONOGRAPHY OF AN AMERICAN LEGEND This bold 1990 serigra...

Screen print on wove paper realized in 1949. Hand signed and numbered in pencil. Edition of 100. Very good condition.

The specific information regarding edition will be provided at the time of sale. Please contact the seller for more details. The ‘Man's Best Friend' IX by KAWS is a signed, numbered...

SHIPS THAT PASS IN THE NIGHT, (Barcos que Passan na Noite) 1999, color screenprint, signed in pencil, numbered 1/60, sheet 22 ½ x 27 ½”. From Jerusalem print workshop. Asaf Ben Zvi, Israeli contemporary artist, was born in Kfar Yehezkel, Israel, 1953. Studied at the Bezalel Academy of Arts and Design, Jerusalem and the Pratt Institute, New York. Laureate of numerous awards, notably the Rappaport Prize for an Established Artist for 2011, Tel Aviv Museum of Art. Lives and works in Jerusalem. He did his army service in a commando unit and fought in the Yom Kippur War. After his discharge from the army he settled in Jerusalem and became interested in bird-watching. In 1981 he began to study architecture at Bezalel, but transferred to the art department. During the period of his studies, he worked primarily in sculpture, but after a period of study in New York, he began to paint as well. From the mid-1980s he made use of simple figures, so abstracted in their form that they became symbolic figures. Some of these figures were connected to biographical baggage, while others were based on trivial events. Many of his works are based on poetic texts that show his interest in esthetics and in the relationship between the painter and society. Education 1981-1985 Bezalel School of Art and Design, Jerusalem, BFA 1985 Pratt Institute, New York.City, USA Teaching 1933 Bezalel School of Art and Design, Jerusalem. Since 1989 Kalisher School, Tel Aviv. Awards And Prizes 1981-82, The America-Israel Cultural Foundation, Sharett Fund Grant 1982-83, The America-Israel Cultural Foundation, Sharett Fund Grant 1987 Beatrice Kolliner Prize for a Young Israeli Artist, Israel Museum, Jerusalem 1989 Mendel Pundik Prize for Israeli Art, Tel Aviv Museum of Art, Tel Aviv 1991 Rafael and Hadassah Klatchkin Prize, America-Israel Cultural Foundation 1992 Prize for Plastic Arts, Ministry of Education 1994 Bank Discount Prize for an Israeli Artist, Israel Museum, Jerusalem 1997 Eugene Kolb Prize for Israeli Graphic Arts, Tel Aviv Museum of Art, Tel Aviv 2011 Prize for an Established Israeli Artist, Tel Aviv Museum of Art, Tel Aviv Environmental Sculptures 1982 Tel-Haisaf Ben Zvi was involved in ornithology until the early 1990s. In 1981, he enrolled in the Art department at Israel’s Bezalel Academy of Arts and Design. During his studies, he participated in a student exchange program at the Pratt Institute in New York. From the outset, Ben Zvi’s focus has been on nature and the environment. Ecological and human disasters and natural disasters initially played an main role in his work and received expression through various fields of color, with motifs such as a cross, a water flask, a wasp, butterfly or bird, symbolizing the fragile human existence steeped in an eternal struggle. In his later work, words penetrate the space of his paintings and art, reflecting on the private, public, local and universal realms. "Ben Zvi at his best is a visual poet, one who places words with great sensitivity to their tone and sometimes relinquishes the splendor of an image in favor of text and message." The Printer's Imprint: Twenty Years with the Jerusalem Print Workshop, Jerusalem Israel Museum, Jerusalem 15 November, 1994 - 14 February, 1995 Artists: Avraham Ofek, Fima (Roytenberg, Ephraim), Michael Kovner...

Michel Delacroix Passerelle des Halles in Summer from the Four Seasons Suite of Memories of Paris Silkscreen Hand-signed lower right Numbered AP 38/50 lower left Image size 35 x 35 c...

Unique, one of a kind, screen print with stencil, acrylic and spray paint on wove paper. Hand signed on front by Mr. Brainwash, hand signed, dated and numbered 1/1 with thumbprint o...

Artist: Darryl Hughto, American (1943 - ) Title: Oh, Susanna Year: 1981 Medium: Silkscreen with Acrylic Painting, signed l.r. Image Size: 39 x 22 inches Size: 42 x 30 in. (106.68 x 7...

Cosmic Signals No.1 by Alan Davie, 2001 Additional information: Medium: screenprint 75.5 x 87 cm (unframed) 29 3/4 x 34 1/4 in signed, dated and numbered in pencil Alan Davie is on...

Screenprint in colours on Rives BFK wove paper Edition 17 of 150 60 x 80 cm (23.6 x 31.5 in) Signed, dated and numbered on front Artwork in excellent condition considering its age. B...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Balancing Act Year: 1976 Medium: Serigraph, signed and numbered in pencil Edition: 200, A...

Artist: Greg Constantine, American (1938 - ) Portfolio: Liberty Collection Title: Saint Liberty Year: 1986 Medium: Silkscreen, signed and numbered in pencil Edition: 500 Paper Siz...

Screenprint in colors on T.H. Saunders paper by Greek-American artist Theodoros Stamos (1922–1997), titled "Untitled" from the Infinity Field, Lefkada Series, created in 1977. Sheet ...

A very good impression of this color screenprint on J. B. Green paper. Initialed and numbered 96/150 in pencil by Motherwell. Printed by Kelpra Studio, London. Published by Marlborou...

Victor Vasarely (Hungarian-French, 1906–1997) Planetarische Folklore, 1964 Medium: Screenprints, on Schoellershammer card Dimensions: 65 × 62 cm (25 3/5 × 24 2/5 in) Edition of 125: ...

Artist: Roy Ahlgren (1926-2011) Title: Ascension Year: 1978 Edition: A.P./90, plus proofs Medium: Silkscreen on Arches paper Size: 26 x 20 inches Condition: Good Inscription: Signed ...

Roseville Bouquet by Peter Max, German/American (1937) Date: 1991 Screenprint on Paper, signed and numbered in color pencil Edition of 33/300 Size: 40 x 30 in. (101.6 x 76.2 cm) Fram...

Artist: Cindy Wolsfeld, American (1953 - ) Title: Girls, Girls, Girls Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP 12 Image Size: 29 x 19 inches Size: 33...

Artist: Ching Jang (C.J.) Yao, Taiwanese (1941 - 2001) Title: Coca-Cola Year: 1981 Medium: Silkscreen, signed and numbered in pencil Edition: 250 Paper Size: 22 x 23 in. (55.88 x 58....

Clare Rojas has created 'Lily of the Valley 2', a four color screenprint, as a limited edition of 36 to celebrate Lincoln Center’s 2026 Summer for the City festival. The image disti...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Artist: Robyn Denny, British (1930 - 2014) Title: The Paramount Suite (Orange) Year: 1969 Medium: Screenprint, signed and numbered in pencil Edition: 32/75 Size: 26 x 34 inches

Artist: Rita Simon, American (1938 - ) Title: Cosmic Encounters Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 30 Image Size: 27 x 22 inches Siz...

Hand signed and numbered by the artist. The artwork is in overall excellent condition. Due to its age, there is some normal signs of aging on the white margins. There is some blue pr...

SHIPS THAT PASS IN THE NIGHT, (Barcos que Passan na Noite) 1999, color screenprint, signed in pencil, numbered 1/60, sheet 22 ½ x 27 ½”. From Jerusalem print workshop. Asaf Ben Zvi, Israeli contemporary artist, was born in Kfar Yehezkel, Israel, 1953. Studied at the Bezalel Academy of Arts and Design, Jerusalem and the Pratt Institute, New York. Laureate of numerous awards, notably the Rappaport Prize for an Established Artist for 2011, Tel Aviv Museum of Art. Lives and works in Jerusalem. He did his army service in a commando unit and fought in the Yom Kippur War. After his discharge from the army he settled in Jerusalem and became interested in bird-watching. In 1981 he began to study architecture at Bezalel, but transferred to the art department. During the period of his studies, he worked primarily in sculpture, but after a period of study in New York, he began to paint as well. From the mid-1980s he made use of simple figures, so abstracted in their form that they became symbolic figures. Some of these figures were connected to biographical baggage, while others were based on trivial events. Many of his works are based on poetic texts that show his interest in esthetics and in the relationship between the painter and society. Education 1981-1985 Bezalel School of Art and Design, Jerusalem, BFA 1985 Pratt Institute, New York.City, USA Teaching 1933 Bezalel School of Art and Design, Jerusalem. Since 1989 Kalisher School, Tel Aviv. Awards And Prizes 1981-82, The America-Israel Cultural Foundation, Sharett Fund Grant 1982-83, The America-Israel Cultural Foundation, Sharett Fund Grant 1987 Beatrice Kolliner Prize for a Young Israeli Artist, Israel Museum, Jerusalem 1989 Mendel Pundik Prize for Israeli Art, Tel Aviv Museum of Art, Tel Aviv 1991 Rafael and Hadassah Klatchkin Prize, America-Israel Cultural Foundation 1992 Prize for Plastic Arts, Ministry of Education 1994 Bank Discount Prize for an Israeli Artist, Israel Museum, Jerusalem 1997 Eugene Kolb Prize for Israeli Graphic Arts, Tel Aviv Museum of Art, Tel Aviv 2011 Prize for an Established Israeli Artist, Tel Aviv Museum of Art, Tel Aviv Environmental Sculptures 1982 Tel-Haisaf Ben Zvi was involved in ornithology until the early 1990s. In 1981, he enrolled in the Art department at Israel’s Bezalel Academy of Arts and Design. During his studies, he participated in a student exchange program at the Pratt Institute in New York. From the outset, Ben Zvi’s focus has been on nature and the environment. Ecological and human disasters and natural disasters initially played an main role in his work and received expression through various fields of color, with motifs such as a cross, a water flask, a wasp, butterfly or bird, symbolizing the fragile human existence steeped in an eternal struggle. In his later work, words penetrate the space of his paintings and art, reflecting on the private, public, local and universal realms. "Ben Zvi at his best is a visual poet, one who places words with great sensitivity to their tone and sometimes relinquishes the splendor of an image in favor of text and message." The Printer's Imprint: Twenty Years with the Jerusalem Print Workshop, Jerusalem Israel Museum, Jerusalem 15 November, 1994 - 14 February, 1995 Artists: Avraham Ofek, Fima (Roytenberg, Ephraim), Michael Kovner...

Artist: William Taggart, American (1936 - 2007) Title: Unidentified #1 - Black Spiral Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200, 30 AP Paper Size: 24...

The specific information regarding edition will be provided at the time of sale. Please contact the seller for more details. The ‘Man's Best Friend' VIII by KAWS is a signed, number...

My Country Club Guitar by Tim Armstrong, Punk Rock Street Art Print. Comes from an edition of 75 released in 2015. Dimensions of 22 in x 28 in. Four-color hand-pulled silkscreen on Coventry Rag, 100% cotton archival paper. Signed by the artist, numbered and embossed. Tim Armstrong is an American musician, singer, songwriter, producer, poet, music label owner and actor. He is the singer/guitarist for the punk rock band Rancid and hip hop/punk rock Transplants. Tim got his start in the Bay Area and playing in Berkley frequently on 924 Gilman...

Chris Ofili (b. 1968) is renowned for his vibrant, multi-layered works that celebrate Afrocentrism through both figurative and abstract approaches. He came to prominence in the 1990'...