Art by Medium: Screen

Waverly, Pennsylvania by the esteemed artist Gretchen Dow Simpson is a captivating limited edition serigraph that showcases the serene beauty and charm of Waverly, Pennsylvania. Publ...

"Mardi Gras 1980, New Orleans", shows playful forms cavorting in the carnival celebration. It is signed in the lower left, and stamped/numbered "671/850" in the lower right corner. ...

Unsigned screenprint on wallpaper, from the unpublished edition of unknown size, with the 'The Estate of Andy Warhol' and 'Authorized by the Andy Warhol Foundation for the Visual Art...

In this surreal contemporary painting in acrylic silkscreen and hand-painted acrylic on canvas, meticulously detailed flowers with yellow and orange blossoms and blue stems and leave...

9" x 9" Unframed Limited Edition Giclee of 500 Hand Signed by Adam Barsby

Milo MANARA Venus on the Beach Original Screen Print Printed signature in the plate On heavy paper 50 x 70 cm (c. 20 x 28 in) Excellent condition

Medium: Serigraph Image Size: 22 x 32 inches Year: 2022 Edition: 100 This is a reworking of an early work by Romero, featuring the view of cars on an overpass at night, against the ...

SAMARAS, Lucas. Book, New York: Pace Editions, 1968. Unusual book/object of 11 color silkscreens with offset, embossing, thermography, die-cut and collage mounted on masonite. Each page measuring 10 x 10 3/16" Copy 46 of a total edition of 100. Numbered and initialled by the artist on the cover. Interesting comment on the traditional book. Samaras plays on the most sculptural books of all - chilren's pop-up books...

Artist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Serigraph on Museum Board, signed and numbered in pencil Edition: 150 Ima...

Screen print on Magnani-Pescia paper 310 gr/m2, paper size 59cmx76,5cm , 61cm x 40,5cm; shows signs of use Work number R/Z;  Title “L’invito” authentic and Bora stamp Salvatore Fiu...

Shooting Star - 1979 Print - Silkscreen 36.5'' x 36.75'' Edition: Signed in pencil, dated and marked 238/250 Unframed

George Rodrigue Carnival Time (Black) - Blue Dog, 1997 Silkscreen Hand signed lower left Numbered 32/120 lower left Sheet size: 81 x 56 cm Year and artist name stamped and the barcod...

Winter Play sees a small group of bears playing in a vibrant winter landscape. The image is also presented to the viewer as a theatre play with the bears acting out a scene on a sta...

Takesada Matsutani: Biography and Printmaking Work Takesada Matsutani (b. 1937, Osaka, Japan) is a Japanese contemporary artist best known for his involvement with the postwar avant...

Barbara Kruger (American, b. 1945) Never Enough, 2019 Medium: Screenprint in on cotton Dimensions: 42 x 38 cm (16 1/2 x 15 in) Edition of 200: Not signed, not numbered Condition: Exc...

A very good impression of this color screenprint on J. B. Green paper. Initialed and numbered 96/150 in pencil by Motherwell. Printed by Kelpra Studio, London. Published by Marlborou...

Lothar Quinte, Polish (1923 - 2000) - Solar Calendar I, Portfolio: Solar Calendar (Sonnenzyklus Kalender), Year: 1970, Medium: Screenprint on heavy stock, signed and numbered in p...

Image Size: 23" x 16.5" Unframed Limited Edition Fine Art Print of 295 Hand Signed by Annora Spence

Artist: Victor Vasarely, Hungarian, 1906-1997 Title: Tokyo Year: 1982 Medium: Color serigraph Edition: Numbered 180/250 in pencil Paper: Wove Image size: 25.5 x 25.5 inches Framed s...

Judy Chicago (b. 1939) is a world-renowned American artist and preeminent figure of the Feminist Art movement of the 1970s. Throughout her six-decade career, she has contested the ab...

Copyright - Sadness Screen - Pink Date of creation: 2016 Medium: Silkscreen, acrylic and spray paint on paper Edition: 25 Size: 50 x 35 cm Condition: In perfect conditions and never ...

Artist: Larry Zox Title: Bonac II Year: 1981 Medium: Screenprint, Signed and numbered in Pencil Edition Size: 160 Image Size: 36 x 17 inches Size: 42.5 in. x 30 in. (107.95 cm x 76....

Île de la Cité is a serigraph on paper with an image size of 30 x 36 inches, signed ‘Kondakova’ lower right and numbered lower left. From the edition of 325 and numbered 48/75 (there...

Bert Stern Gravure lithograph and serigraph Created by Bert Stern for the 1968 cover of the art magazine, "Avant Garde". Depicts Marilyn Monroe and is hand signed, dated and titled...

Pierre Carrilero Fucked by the System, 2015 Screenprint on fabric in situ with steel bar construction 140 x 260 cm

PichiAvo Young Dionysus Lefkos, 2020 Signed limited-edition print on archival cotton paper Description In Young Dionysus Lefkos, PichiAvo re-imagine the Greek god of wine and ecsta...

Nuno Viegas Glove X Golden Crown (White), 2020 Signed screenprint on Somerset Satin paper Description In Glove X Golden Crown (White), Nuno Viegas refines his graffiti-born vocabul...

Fin DAC Sansho (Grey & Copper Leaf), 2020 23-colour screen-print on 330 gsm Somerset Satin paper, copper-leaf hand-finished, edition of 20 In Sansho (Grey & Copper Leaf), Fin DAC m...

Heart & Soul, 2020 Signed, dated, numbered in pencil with thumbprint in verso Screenprint on paper 30 x 22 inches Edition 84 of 85

A skilled chef as well as an artist, Jay Batlle treats his art much like a recipe, with careful preparation and a methodical process. His layered compositions often incorporate image...

From the Ladies and Gentlemen Portfolio. Screenprint in colors on arches paper. Hand signed and numbered by the artist on verso. From the edition of 125. Published by Luciano Ans...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

Ben Shahn Silkscreen inspired by Old Testament Psalm 57, 1967 Silkscreen on Japon paper Hand signed and numbered 255/300 by the artist on the front, with a copy of the provenance let...

Color silkscreen and collage. Framed. Hand signed, dated and numbered by the artist. Certificate of authenticity included. Edition PP 2/6. All reasonable offers will be considered.

Artist: Peter Max (1937) Title: Flower Lady Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 14 x 12.5 inches Inscription: Signed in ink Notes: Published, printed...

9-color silkscreen print on plexiglass, 5 x 12” (12,5 x 31cm) Printed by Atelier für Siebdruck, Lorenz Boegli, Zurich Ed. 45/XX, signed and numbered certificate

Alex Katz was born in Brooklyn, New York in 1927. In 1928, at the outset of the Depression, his family moved to St. Albans, a diverse suburb of Queens that had sprung up between the two wars. Katz was raised in St. Albans by his Russian parents. His mother had been an actress and possessed a deep interest in poetry and his father, a businessman, also had an interest in the arts. Katz attended Woodrow Wilson High School for its unique program that allowed him to devote his mornings to academics and his afternoons to the arts. In 1946, Katz entered The Cooper Union Art School in Manhattan, a prestigious college of art, architecture, and engineering. At The Cooper Union, Katz studied painting under Morris Kantor and was trained in Modern art theories and techniques. Upon graduating in 1949, Katz was awarded a scholarship for summer study at the Skowhegan School for Painting and Sculpture in Maine, a grant that he would renew the following summer. During his years at Cooper Union, Katz had been exposed primarily to modern art and was taught to paint from drawings. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan’s plein air painting gave him “a reason to devote my life to painting.” Katz’s first one-person show was held at the Roko Gallery in 1954. Katz had begun to develop greater acquaintances with the New York School and their allies in the other arts; he counted amongst his friends’ figurative painters Larry Rivers and Fairfield Porter, photographer Rudolph Burckhardt, and poets John Ashbery, Edwin Denby, Frank O’Hara, and James Schuyler. From 1955 to 1959, usually following a day of painting, Katz made small collages of figures in landscapes from hand-colored strips of delicately cut paper. In the late 1950s, he moved towards greater realism in his paintings. Katz became increasingly interested in portraiture, and painted his friends and his wife and muse, Ada. He embraced monochrome backgrounds, which would become a defining characteristic of his style, anticipating Pop Art and separating him from gestural figure painters and the New Perceptual Realism. In 1959, Katz made his first cutout, which would grow into a series of flat “sculptures;” freestanding or relief portraits that exist in actual space. In the early 1960s, influenced by films, television, and billboard advertising, Katz began painting large-scale paintings, often with dramatically cropped faces. In 1965, he also embarked on a prolific career in printmaking. Katz would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut. After 1964, Katz increasingly portrayed groups of figures. He would continue painting these complex groups into the 1970s, portraying the social world of painters, poets, critics, and other colleagues that surrounded him. He began designing sets and costumes for choreographer Paul Taylor in the early 1960s, and he has painted many images of dancers throughout the years. In the 1980s, Katz took on a new subject in his work: fashion models in designer clothing. In the late 1980s and 1990s, Katz focused much of his attention on large landscape paintings, which he characterizes as “environmental.” Rather than observing a scene from afar, the viewer feels enveloped by nearby nature. Katz began each of these canvases with “an idea of the landscape, a conception,” trying to find the image in nature afterwards. In his landscape paintings, Katz loosened the edges of the forms, executing the works with greater painterliness than before in these allover canvases. In 1986, Katz began painting a series of night pictures—a sharp departure from the sunlit landscapes he had previously painted, forcing him to explore a new type of light. Variations on the theme of light falling through branches appear in Katz’s work throughout the 1990s and into the 21st century. At the beginning of the new millennium, Katz also began painting flowers in profusion, covering canvases in blossoms similar to those he had first explored in the late 1960s, when he painted large close-ups of flowers in solitude or in small clusters. More recently Katz began painting a series of dancers and one of nudes, which was the subject of a 2011 exhibition at the Kestnergesellschaft in Hanover. Katz’s work continues to grow and evolve today. Alex Katz's work has been the subject of more than 200 solo exhibitions and nearly 500 group exhibitions internationally since 1951. In 2010, Alex Katz Prints was on view at the Albertina Museum in Vienna, which showed a retrospective survey of over 150 graphic works from a recent donation to the museum by Katz of his complete graphic oeuvre. The National Portrait Gallery in London presented an exhibition titled Alex Katz Portraits. In June 2010, The Farnsworth Art Museum in Rockland, Maine opened Alex Katz: New Work, exhibiting recent large-scale paintings inspired by his summers spent in Maine. Katz was also represented in a show at the Metropolitan Museum of Art, New York, curated by Marla Prather, entitled Facing the Figure: Selections from the Permanent Collection, 2010. In 2009-2010, Alex Katz: An American Way Of Seeing was on view at the Sara Hildén Art Museum, Tampere, Finland; Musée Grenoble, Grenoble, France; and the Museum Kurhaus Kleve, Kleve, Germany. In 2007, Alex Katz: New York opened at the Irish Museum of Modern Art, Dublin, Ireland. The show, which included approximately 40 paintings and aquatints, was the first exhibition to concentrate primarily on Katz’s relationship with his native city. The Jewish Museum, New York, presented Alex Katz Paints Ada in 2006-2007, an exhibition of 40 paintings focused on Katz’s wife, Ada, dating from 1957 to 2005. It coincided with an exhibition devoted to Katz’s paintings of the 1960s at PaceWildenstein, Alex Katz: The Sixties, on view from April 27 through June 17, 2006 at 545 West 22nd Street. Alex Katz in Maine, an exhibition of landscapes and portraits made over six decades, opened at The Farnsworth Art Museum and Wyeth...

Three Eyes from the Icons series. Screen print in colors with embossing on Arches cover paper. Hand signed, dated and numbered by the executor of the Haring estate, Julia Gruen, in p...

Beautifully silk-screened piece for the The Sandinista National Liberation Front (Frente Sandinista de Liberación Nacional Created in NYC in the mid-80s) Paper Size: 24.25 x 18.5 ...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel, signed and numbered in pencil. Date: 1978 Medium: Screenprint, signed, ...

This is a signature color-field composition with multiple thin colored stripes created by Gene Davis. Gene Davis (American, 1920-1985) Screenprint Black Watch I, II and III, 1974 ...

This second edition of Henri Matisse’s Blue Nude IV is an authorized open-edition print, recreated with the permission of the Estate of Henri Matisse. Measuring 30 x 22 inches, the q...

This artwork titled "Liliana" c.1990 in an original color serigraph by Bolivian artist Marion Ferrer (Mario) Cespedes, b.1942It is hand signed, titled and numbered 157/290 in pencil ...

Flog New Horizon Blood Red Variant 23 color screen print on 330 gsm Somerset paper with gold leaf Signed by the artist Edition of 25 86 x 60.5 cm (33.8 x 23.8 inches)

Jean Dubuffet Banque de L'Hourloupe Original Card with a title card Original edition of 350 numbered sets with 30 hors commerce Dimensions: 25 x 16 cm Screen printed by Kelpra Studios, London Editions Alecto, London 1967 Jean Dubuffet (1901 - 1985) Jean Dubuffet was born on July 31, 1901, in Le Havre, France. He attended art classes in his youth and in 1918 moved to Paris to study at the Académie Julian, which he left after six months. During this time, Dubuffet met Raoul Dufy, Max Jacob, Fernand Léger, and Suzanne Valadon and became fascinated with Hans Prinzhorn's book on psychopathic art. He traveled to Italy in 1923 and South America in 1924. Then Dubuffet gave up painting for about ten years, working as an industrial draftsman and later in the family wine business. He committed himself to becoming an artist in 1942. Dubuffet's first solo exhibition was held at the Galerie René Drouin, Paris, in 1944; the Pierre Matisse Gallery gave him his first solo show in New York in 1947. During the 1940s, the artist associated with André Breton, Georges Limbour, Jean Paulhan, and Charles Ratton...

Frida Kahlo - The Wounded Deer Date of creation: 2025 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm Condition: In mint conditions and never displayed S...

Serigraph on paper. Hand signed, titled and numbered by the artist. From the edition of 465. Artwork is in excellent condition. Certificate of Authenticity included. All reasonab...

Embossed screenprint on paper. Hand signed and numbered by the artist. From the edition of 250. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: Otto de Souza Aguiar (Brazilian 1938–2006), the son of a highly respected Brazilian general, graduated with honors and was awarded a Master's Degree in Graphic Art and Drawing from the University of Fine Arts in Rio de Janeiro, Brazil. After teaching drawing and design to aspiring architects, Otto began the extensive travels through Europe that were his induction into the world of High Fashion and Interior Design. As one of Brazil's top models, his engagements took him to Milan, Paris, and London. There, with his assignments in Harper's Bazaar Italia and others of the world's most prestigious publications, Aguiar developed an inspired aesthetic perception, which manifests itself boldly in his dramatic blending of sumptuous color, texture and gilding. Uncompromising in his thirst for creativity, Otto has combined his vast fashion and theatrical background with his diversified experience in the Visual Arts. Thus, his work has been characterized by the portrayal of elegance and grace. His inner tranquility manifests in his paintings as he recaptures the lush topical beauty of the Brazilian beaches...

An original hand-signed print by the Greatest Of All Time, Muhammad Ali. Sting Like a Bee Muhammad Ali, American (1942–2016) Date: 1979 Screenprint, signed and numbered in pencil ...

"Statue of Liberty" unframed silkscreen on paper by artist Peter Max. Numbered 177/300 on front lower left corner and signed "Max" in front lower righ...

Kate Moss, 2010 Signed, countersigned, dated and annotated verso 'Life is beautiful" along with thumbprint Acrylic and silkscreen on wove paper 21 x 22 inche...

after Andy Warhol Colored Campbell's Soup - Blood Date of creation: 2019 Medium: Digital print on Canadian maple wood Size: 80 x 20 cm Condition: In mint conditions and never display...

Screen print in colors on hand made wove paper. Hand signed on horizontal black bar by Jim Dine. Hand numbered 78/200 lower left. From 11 Pop Artist's Volume II (Mikro 36). Publi...

Artist: Erté Title: Flapper Medium: Embossed serigraph Year: 1990 Edition: CCXXII/CCC Sheet Size: 41 3/4" x 29 1/4" Image Size: 35 1/4" x 23 1/4" Signature: Stamped signature

A dynamic and textured screenprint by American Abstract Expressionist, Larry Poons. This series of prints resemble canvases that have been splashed violently with paint. This piece i...

Artist: Josef Albers Portfolio: Formulation: Articulation (Double Portfolio) Title: G-Cleft Variation - P1, F16, I1 Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper E...

Created by the artist in 1989, Blonde Vivienne is a screenprint on porcelain measuring 12 ¼ in. (31 cm) in diameter, with the artist’s printed signature both recto and verso, from th...

Screen print in colors on Saunders Waterford paper. Hand signed by Alex Katz lower left. Hand numbered 27/60 lower left (there were also 20 artist's proofs). Artwork size: 60 x 37...

Screen print. Produced in 2007. Edition of 75. Hand signed, titled, dated and numbered in pencil by Bridget Riley. Printed by Artizan Editions, Hove. Schubert 65.

Artist: Quinn, Marc Title: Kate Moss on Silver Date: 2012 Medium: Screenprint, hand finished in silver leaf overglaze Unframed Dimensions: 27.5" x 21.250" Framed Dimension...