Stencil Art

after Georges Braque Oiseaux Color Pochoir on Paper Published in the deluxe art review, XXe Siecle (issue number 11 "Les nouveaux rapports de l'art et de la nature") 1958 Dimensions:...

Published in the deluxe art review, XXe Siecle in 1958. Printed by Daniel Jacomet. 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Catalogue raisonne: Dupin 1312 Biogr...

Jean Arp (after) - Composition - Pochoir 1958 Dimensions: 32 x 24 cm From the art revue XXe siècle Unsigned and unumbered as issued

after Jean Dubuffet - Man - Pochoir 1956 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXè siècle Unsigned and unumbered as issued

(after) Alberto Magnelli - Composition - Pochoir Conditions: excellent 32 x 24 cm 1957 From XXe siècle, San Lazzaro Unsigned and unumbered as issued

(after) Robert Delaunay - La fenêtre no. 2 - Pochoir From the literary review "XXe Siècle" 1957 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro.

Victor Vasarely (after) - pochoir print by Daniel Jacomet Published in the deluxe art review, XXe Siecle 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Victor Vasarely...

after Jean Arp - Pochoir 1957 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

after Jean Dubuffet - Man - Pochoir 1960 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXème siècle Unsigned and unumbered as issued

after Jean Arp Moustaches et Squelette Executed in 1957 after the original artwork by the studios from Daniel Jacomet in Paris, France Pochoir Dimensions: 32 x 24 cm From the art re...

after Giuseppe Capogrossi - Stencil 1957 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art revue XXe siècle Unsigned and unumbered a...

after Jean Dubuffet - Flowers - Pochoir 1957 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXe siècle Unsigned and unumbered as issued

Max Ernst (after) - Blue Bird - Stencil Published in the deluxe art review, XXe Siecle, 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "Le Village inspiré, Chronique de la bohème de Montmartre (1920-1950) " published by Vertex in 1950 Condition : Excellent Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel Utrillo...

Soon after the German invasion of the Soviet Union in June of 1941, the Okna TASS studio spontaneously formed in Moscow. Comprised of renowned artists, poets and literary figures, th...

Artist: Arman, French (1929 - 2005) Title: New Year's Card, 2003 Year: 2003 Medium: Print on Aluminum and Cut out Cardboard, signed in marker Size: 11.25 in. x 8.25 in. (28.58 cm x ...

Christophe Stouvenel has the talent to hunt beautiful things and turn them into beautiful artworks. He then signs a new collection from vintage cards he has dressed (or rather undressed) pin up 50...

Fear Makes the Wolf Look Bigger, Mushroom Brown, 2016 five color hand pulled screen print, with dimensions of 58 cm x 58 cm and 22.8 in x 22.8 in. Great piece for families, kids room, home or office. Mau Mau is known for his Political Graffiti art prints...

Soldier. 1950. Cardboard, author technique, 39,5x20 cm Artwork depicts a soldier in motion. Author has used a mixed media technique on cardboard. Both the soldier himself and the fe...

Original spray paint and stencil on cardboard. Hand signed and dated on verso by Kunstrasen. Artwork size 8.5 x 10.75 inches. Frame size 13 x 14.5 inches. Artwork is in excellen...

Original painting using hand cut stencils and Montana Gold spray paint and emulsion on stretched cotton canvas. Hand signed and titled on verso ...

Māris Abiļevs (born 23 April 1956 in Kazakhstan) is a Latvian graphic artist and printer, brother of graphic artist Andris Abiļevs. He works in etching, lithography and various mixed...

The abstract series of sizable works done in a mixed-media technique pays homage to the great modernists and abstract expressionists such as Mondrian, Kandinsky, Still and Motherwell...

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

This art piece is part of the series of unique sizable works called 'Home alone'. By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey ...

Acrylic spray paint on wood panel 32 Stencil Layers 16 x 20 inches Signed by BD White Comes with a COA

Oil on Aluminum Composite Panel 18 x 24 inches Signed by BD White Comes with a COA

Original hand cut stencil and spray paint on metal panel. Hand signed on verso by Snik. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable of...

Original painting on canvas. Hand signed and dated on verso by Seen. Painting is stretched. Artwork is in excellent condition. Additional images are available upon request. Certifi...

Edition size – 6  (only 1 remains from the edition of 6) Size – panel -23.5 x 16.5”/  framed 24.75 x 17.75” Year – 2021 Description – 6 color stencil and spray paint on wood panel...

Colourful pochoir Pl. 17 by E.H. Raskin from the folio Fantaisies Oceanographiques Published 1926 Image Sz: 13-1/4"H x 10"W Frame ...

Colourful tri-pochoir plate No.13 by E.H Raskin Published 1926 by F Dumas, Editeur Paris Image Sz: 13-5/8"H x 9-1/4"W Frame Sz: 18"H x 14"W w/ coral mat in gilt bamboo frame

Colourful double-pochoir #3 Par E.H. Raskin Published. 1926 F. Dumas Editeur, Paris From the folio, "Fantaisies Oceanographiques" ...

Mixed Medium Original Acrylics and spray paint on deep edge canvas Titled, signed, and numbered on the reverse Size: 23.6 x 23.6 Edition of 10

Original Canvas painted with acrylic & spray paint Signed on the back of the canvas Size 11.8 x 15.75 (30 x 40 cm) with Frame 12.99 x 16.92 (33 x 43) Comes with a Certificate of A...

Edition version – cola grey and black background with fluorescent space splatter insert. Surface – customized light up - wood panel in a frame Edition size – AP Size – panel - 16.5x1...

Shooting star XL Edition version - stealth grey background. Matte gold, copper chrome, silver, and metallic titanium splatter showers. Surface – artist wood panel Edition size – 1/1...

Diptych (2 panels) Spray paint on wood panel 24 × 18 × 1 1/2 in 61 × 45.7 × 3.8 cm Year: 2017 Signed by BD White

Collaboration print with Holly Hock & PØNK Hand-Finished Screenprint with acrylic spray paint on 352 gsm paper Edition size: 1/1 Signed, Numbered, & Embossed with a Certificate o...

Edition version – 3D wood hand-cut grassy foreground with light up the night sky Surface – customized light-up wood panel in frame with hand-cut 3D wood foreground. Edition size – ...

Title: Shooting Star Edition version - black paper edition Matte gold, copper chrome silver, and metallic titanium splatter showers 8 color stencil and spray paint on paper Surf...

Edition version – 3D wood hand-cut grassy foreground with light up the night sky Surface – customized light-up wood panel in frame with hand-cut 3D wood foreground. Edition size – ...

Mixed Medium Original Acrylics and spray paint on deep edge canvas Titled, signed, and numbered on the reverse Size: 50 x 50 cm Edition of 5

Hand-Finished with acrylic spray paint on Moab Entrada Bright 290 gsm paper Edition size: 12 Signed & Numbered with a Certificate of Authenticity Size: 18 x 24

Edition version – Wood Panel edition Surface – Wood Panel Edition size – 7 Size – 8.25 x 11.75 inches Hand-painted – Signed and dated on the reverse side

Maurice-Pillard Verneuil: "Kaleidoscope, Ornements Abstraits", Framed Artist: Maurice-Pillard Verneuil (1869 - 1942) and Adelaide Verneuil (1898 - ...

For Love Nor Money - 3 Layer Hand-Cut Stencil Painted on 24k Gold Banknote

TECHNICAL INFORMATION: Larry Rivers Stencil Camel 1978 Color stencil and pochoir printed on acetate and color lithograph on two sheets 25 x 21 1/2 in. Artist's Proof (A.P.) of 25 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Condition: This work is in excellent condition. Frame: This work is framed in a wood frame. ABOUT THIS WORK: The logo of Camel cigarettes...

Christophe Stouvenel has the talent to hunt beautiful things and turn them into beautiful artworks. He then signs a new collection from vintage cards he has dressed (or rather undressed) pin up 50...

Christophe Stouvenel has the talent to hunt beautiful things and turn them into beautiful artworks. He then signs a new collection from vintage cards he has dressed (or rather undressed) pin up 50...

Christophe Stouvenel has the talent to hunt beautiful things and turn them into beautiful artworks. He then signs a new collection from vintage cards he has dressed (or rather undressed) pin up 50...

MAYA SUCKS 2019 A new character crunching for this work on a cotton frame: The POPS bee sweetly taunts one of his ancestors and Ethan, as always, knows how to modernize everything ...

THE PUNCHER OF LILAS By ITCHY & SCRATCHY Original work for a happy Valentine's Day, which is off the beaten path, or for any other occasion "Fun" :) "...

YOU CAN ALWAYS SCRATCH YOURSELF 001 In the Collection "You can always scratch yourself" The staging of the character of the French Games launcher for delirious works. Here it say...

YOU CAN ALWAYS SCRATCH YOURSELF 002 In the Collection "You can always scratch yourself" The staging of the character of the French Games launcher for delirious works. Here it say...

Freedom is probably what characterizes the most "Kiki" or Christophe Stouvenel: collage, acrylic, aerosol can, on signs, old posters recovered or even a fo...

Freedom is probably what characterizes the most "Kiki" or Christophe Stouvenel: collage, acrylic, aerosol can, on signs, old posters recovered or even a fo...

Freedom is probably what characterizes the most "Kiki" or Christophe Stouvenel: collage, acrylic, aerosol can, on signs, old posters recovered or even a fo...

Sympathy for the devil 2018 Mixed media: stencil, aerosol spray, Posca Support: 33 rpm vinyl Diameter: 30 cm Signed artwork, with certificate o...

No personnal just business 2018 Mixed media: stencil, aerosol spray, Posca Support: 33 rpm vinyl Diameter: 30 cm Signed artwork, with certificate of the artist