Art by Medium: Stencil

Maurice-Pillard Verneuil: "Kaleidoscope, Ornements Abrstaits", Unframed Artist: Maurice-Pillard Verneuil (1869 - 1942) and Adelaide Verneuil (1898 -...

after Jean Dubuffet Personnage Pochoir on paper 1956 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art revue XXe siècle Unsigned and unumbered as issued

Collaboration between Jane Bauman and David Wojnarowicz Jane Bauman writes: "I had made that bleak/black house stencil that I used in San Francisco and had it when I moved to NYC in...

"The Surfing Girl" is a decorated sculpture. It is created by the French artist David Cintract. About the artwork: TECHNIQUE: mannequin fiberglass, lacqu...

"3084" is a painting. It is created by the french artist David Cintract. About the artwork: TECHNIQUE: lacquer, acrylic, stencil, aerosol, mother of...

The Divine Back of Gala – 15.75 x 12" image size, signed ‘Dalí’ lower right and annotated lower left. Framed in an ornate gold-tone moulding. M...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "Le Village inspiré, Chronique de la bohème de Montmartre (1920-1950) " published by Vertex in 1950 Condition : Excellent Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "Le Village inspiré, Chronique de la bohème de Montmartre (1920-1950) " published by Vertex in 1950 Condition : Excellent Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel Utrillo...

Pochoir printed in colours on Arches paper after a collage from 1916-17, published in 1973. One of five exemplaire’s d’artiste aside from an edition of 100. Signed by the artist with...

after Henri Laurens - Cubism - Pochoir Published in the deluxe art review, XXe Siecle 1956 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as issued

after Georges Braque Oiseaux Color Pochoir on Paper Published in the deluxe art review, XXe Siecle (issue number 11 "Les nouveaux rapports de l'art et de la nature") 1958 Dimensions:...

Serge Poliakoff (after) - Composition - Pochoir Published in the deluxe art review, XXe Siecle 1956 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as is...

16 layer hand cut stencil, spray paint on genuine 10 Pound banknote, C-Type semi gloss printed detail, signed and dated edition of 10 2 7/8 x 5 3/4 in 7.2 x 14.5 cm Edition of 10 plu...

Multi pass UV cured print CMYK inks, on genuine vintage 1 Rouble banknote, circa 1898, signed and dated edition of 20 3 x 5 3/4 in 7.5 x 14.5 cm Edition of 20 plus 1 artist's proof

Penny Sign Of The Times (Gold) 15/15 Hand-Cut Stencil and Spray Paint on Genuine Banknote 3 x 6 in Gold leaf

(after) Alberto Magnelli Untitled (Cubist Composition) after the collage Pochoir on paper Conditions: excellent 32 x 24 cm 1956 Printed by Daniel Jacomet for XXe Siecle (issue number...

Published in the deluxe art review, XXe Siecle in 1958. Printed by Daniel Jacomet. 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Catalogue raisonne: Dupin 1312 Biogr...

Max Ernst (after) - Blue Bird - Stencil Published in the deluxe art review, XXe Siecle, 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

"Electricity" oil and stencil on panel 8 x 10 inches 2023

Edition version – 11 colour spray paint and stencils with paint markers on canvas. Surface – canvas Edition size Edition of 5 Size – A4 - 8.3 x 11.7 inches Description – 11 colo...

Soon after the German invasion of the Soviet Union in June of 1941, the Okna TASS studio spontaneously formed in Moscow. Comprised of renowned artists, poets and literary figures, th...

Edition version – 15 colour spray paint and stencils with paint markers on circle canvas. Surface – circle canvas Edition size – AP Size – 15.5x15.5” approximately Description – 1...

Christophe Stouvenel has the talent to hunt beautiful things and turn them into beautiful artworks. He then signs a new collection from vintage cards he has dressed (or rather undressed) pin up 50...

Fear Makes the Wolf Look Bigger, Mushroom Brown, 2016 five color hand pulled screen print, with dimensions of 58 cm x 58 cm and 22.8 in x 22.8 in. Great piece for families, kids room, home or office. Mau Mau is known for his Political Graffiti art prints...

Soldier. 1950. Cardboard, author technique, 39,5x20 cm Artwork depicts a soldier in motion. Author has used a mixed media technique on cardboard. Both the soldier himself and the fe...

MAYA SUCKS 2019 A new character crunching for this work on a cotton frame: The POPS bee sweetly taunts one of his ancestors and Ethan, as always, knows how to modernize everything ...

Christophe Stouvenel has the talent to hunt beautiful things and turn them into beautiful artworks. He then signs a new collection from vintage cards he has dressed (or rather undressed) pin up 50...

Māris Abiļevs (born 23 April 1956 in Kazakhstan) is a Latvian graphic artist and printer, brother of graphic artist Andris Abiļevs. He works in etching, lithography and various mixed...

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

This art piece is part of the series of unique sizable works called 'Home alone'. By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey ...

Original hand cut stencil and spray paint on metal panel. Hand signed on verso by Snik. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable of...

Colourful pochoir Pl. 17 by E.H. Raskin from the folio Fantaisies Oceanographiques Published 1926 Image Sz: 13-1/4"H x 10"W Frame ...

Original spray paint and hand cut stencil painting on canvas. Hand signed and dated on verso by Seen. Painting is stretched. Artwork is in excellent condition. Additional images ar...

Acrylic spray paint on wood panel 32 Stencil Layers 16 x 20 inches Signed by BD White Comes with a COA

Oil on Aluminum Composite Panel 18 x 24 inches Signed by BD White Comes with a COA

Original painting using hand cut stencils and Montana Gold spray paint and emulsion on stretched cotton canvas. Hand signed and titled on verso ...

Original painting on canvas. Hand signed and dated on verso by Seen. Painting is stretched. Artwork is in excellent condition. Additional images are available upon request. Certifi...

Edition size – 6  (only 1 remains from the edition of 6) Size – panel -23.5 x 16.5”/  framed 24.75 x 17.75” Year – 2021 Description – 6 color stencil and spray paint on wood panel...

Colourful tri-pochoir plate No.13 by E.H Raskin Published 1926 by F Dumas, Editeur Paris Image Sz: 13-5/8"H x 9-1/4"W Frame Sz: 18"H x 14"W w/ coral mat in gilt bamboo frame

Guerin Swing KRYLON KIDS, 2026 Décollage and Stencil 48 x 36 x 3 in (121.92 x 91.44 x 7.62 cm)

Mixed Medium Original Acrylics and spray paint on deep edge canvas Titled, signed, and numbered on the reverse Size: 23.6 x 23.6 Edition of 10

Colourful double-pochoir #3 Par E.H. Raskin Published. 1926 F. Dumas Editeur, Paris From the folio, "Fantaisies Oceanographiques" ...

Edition version – cola grey and black background with fluorescent space splatter insert. Surface – customized light up - wood panel in a frame Edition size – AP Size – panel - 16.5x1...

Diptych (2 panels) Spray paint on wood panel 24 × 18 × 1 1/2 in 61 × 45.7 × 3.8 cm Year: 2017 Signed by BD White

White UV clouds on glass mirror Surface – glass mirror Edition Edition of 5 Size 12 x 12” 7 color spray paint and multi-layer stencil on glass mirror. Hand-painted with unique ...

Collaboration print with Holly Hock & PØNK Hand-Finished Screenprint with acrylic spray paint on 352 gsm paper Edition size: 1/1 Signed, Numbered, & Embossed with a Certificate o...

Edition version – 3D wood hand-cut grassy foreground with light up the night sky Surface – customized light-up wood panel in frame with hand-cut 3D wood foreground. Edition size – ...

Edition version – 3D wood hand-cut grassy foreground with light up the night sky Surface – customized light-up wood panel in frame with hand-cut 3D wood foreground. Edition size – ...

Mixed Medium Original Acrylics and spray paint on deep edge canvas Titled, signed, and numbered on the reverse Size: 50 x 50 cm Edition of 5

Maurice-Pillard Verneuil: "Kaleidoscope, Ornements Abrstaits", Unframed Artist: Maurice-Pillard Verneuil (1869 - 1942) and Adelaide Verneuil (1898 -...

Maurice-Pillard Verneuil: "Kaleidoscope, Ornements Abstraits", Framed Artist: Maurice-Pillard Verneuil (1869 - 1942) and Adelaide Verneuil (1898 - ...

The portfolio consists of 10 linocuts, each printed on a separate sheet and stamp signed with the artist's signature stamp "Pougny". These original prints were created by Pougny hims...

Hand-Embellished Print on Archival Bamboo Paper with Unique Painted Stencil Signed and Numbered Edition of 25 with 5 APs Movement: Contemporary / Post-Graffiti / Finish Fetish Item...

For Love Nor Money - 3 Layer Hand-Cut Stencil Painted on 24k Gold Banknote

Jean Arp (after) - Composition - Pochoir 1958 Dimensions: 32 x 24 cm From the art revue XXe siècle Unsigned and unumbered as issued

after Jean Arp - Pochoir 1957 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

after Jean Dubuffet - Man - Pochoir 1960 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXème siècle Unsigned and unumbered as issued