Art by Medium: Stencil

This exquisite lithograph and pochoir after Andre Derain (1880–1954), titled Les deux hangars (The Two Hangars), from the folio Andre Derain 1880 - 1954, 1961, originates from the ed...

This exquisite lithograph and pochoir after Andre Derain (1880–1954), titled Enfant avec tambour (Child with Drum), from the folio Andre Derain 1880 - 1954, 1961, originates from the...

This exquisite lithograph and pochoir after Andre Derain (1880–1954), titled Nature morte avec des citrons (Still Life with Lemons), from the folio Andre Derain 1880 - 1954, 1961, or...

This is one of the artworks in the portfolio 'Le Bonheur du Jour', by George Barbier. Passepartout included : 34 x 49 cm

A work on archival paper depicting the iconic Campbell's Tomato Soup by Andy Warhol. Signed bottom right corner. Rudi Sgarbi was born in 1975 in Rio de Janeiro, Brazil. He is a versa...

Katherine S. Dreier, 'Variation 5, Vol. I' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...

Katherine S. Dreier, 'Variation 4, Vol. I' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...

This vibrant painting features a dynamic combination of colors and textures, creating a striking visual contrast. The central focus appears to be a large, stylized yellow flower with...

"Maïtena - Couple de Basques" is a charming and evocative print by the French artist Louis Floutier, a painter and designer renowned for his deep connec...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

This exquisite lithograph and pochoir after Jean Baptiste Leprince (1734–1781), titled Tete de petite fille russe (Head of a young Russian girl), originates from the 1968 folio Visag...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

This exquisite lithograph and pochoir after Maurice de Vlaminck (1876–1958), titled Paysage d'Ile-de-France (Landscape of Ile-de-France), from the album Douze Contemporains (Twelve C...

Paul Cezanne Still life, Roses in a vase, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) ...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

Lithograph and stencil on grand vélin de Mandeure paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Lettres de Nicolas de Staël à Pierre ...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Portrait de petite fille (Portrait of a Young Girl), originates from the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), published by Editions Artistiques et Documentaires, Paris, and Daniel Jacomet, Editeur, Paris, and rendered and printed by Daniel Jacomet et Cie, Paris, 1968. The composition reflects Delaunay’s modern sensitivity to rhythm, structure, and expressive clarity, translating the original drawing into a refined synthesis of color and form through meticulous printmaking. Executed as a lithograph and pochoir on velin paper, archivally hinged on a velin support sheet as issued, this work measures 18.5 x 14 inches overall, with the image measuring approximately 13.39 x 10.83 inches. Signed in the plate and unnumbered as issued. Rendered and printed by Daniel Jacomet et Cie, Paris. Artwork Details: Artist: After Sonia Delaunay (1885–1979) Title: Portrait de petite fille (Portrait of a Young Girl), from Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), 1968 Medium: Lithograph and pochoir on velin paper, archivally hinged on velin support sheet, as issued Dimensions: 18.5 x 14 inches overall; image size 13.39 x 10.83 inches Inscription: Signed in the plate and unnumbered as issued Date: 1968 Publisher: Editions Artistiques et Documentaires, Paris; Daniel Jacomet, Editeur, Paris Printer: Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, published by Editions Artistiques et Documentaires and Daniel Jacomet, Paris Notes: Excerpted from the folio (translated from French), This album, first of the series of pochoirs similar to masters drawings, published by Daniel Jacomet, publisher, was completed printing on March XXXI, MCMLXVIII. The fifteen drawings have been rendered in similar pochoirs in Les Ateliers Daniel Jacomet. Composition and typographic printing are from the Union Printing. It was drawn in LXX numbered examples and L examples, out of the trade. About the Publication: Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, issued in 1968, represents a landmark achievement in Parisian printmaking devoted to the faithful translation of historic master drawings into modern pochoir and lithographic form. Conceived and published by Daniel Jacomet in collaboration with Editions Artistiques et Documentaires, the project inaugurated a series dedicated to rendering canonical drawings with exceptional fidelity to line, tone, and original intent. Jacomets atelier was internationally respected for its rigorous technical standards and scholarly approach, bridging museum collections and contemporary print culture through meticulous craftsmanship. By uniting works spanning centuries and artistic traditions, the publication reflects a curatorial vision rooted in preservation, education, and aesthetic continuity. Produced in strictly limited examples, including a small number outside the trade, it exemplifies the highest standards of mid twentieth century Parisian printmaking and remains valued for its role in transmitting the legacy of master draftsmanship to collectors, institutions, and scholars. About the Artist: Sonia Delaunay (1885–1979) was a Ukrainian born French painter, designer, and avant garde visionary whose revolutionary use of color, geometry, and abstraction transformed twentieth century art and design. Born Sarah Stern in Odessa, she moved to Paris, where she became a leading figure of modernism and a pioneer of Orphism, a lyrical offshoot of Cubism founded with her husband Robert Delaunay that fused structure, rhythm, and pure chromatic energy. Deeply influenced by the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Delaunay absorbed the experimental spirit of the European avant garde while extending abstraction beyond the canvas into fashion, textiles, interiors, and stage design. Her theory of simultaneity celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Russes and Atelier Simultane introduced geometric modernism into everyday life. Like Picasso, she sought to unify art and existence; like Kandinsky, she viewed color as a spiritual force; and like Duchamp and Man Ray, she embraced modern technology and materials as tools for innovation. Her works from the nineteen thirties through the nineteen sixties captured the rhythm of modern life through radiant compositions of interlocking forms and shifting hues. The first living woman honored with a retrospective at the Louvre in nineteen sixty four, Delaunay remains a cornerstone of modernism, with works held in the Museum of Modern Art, the Tate Modern, and the Centre Pompidou. Her highest auction record was achieved by Rythme couleur (1964), which sold for approximately 4.3 million US dollars at Sothebys Paris on November twenty four, two thousand twenty one, confirming her enduring influence and global stature. Sonia Delaunay lithograph...

This exquisite lithograph and pochoir after Antoine Watteau (1684–1721), titled Feuille d etudes avec croquis de petites filles (Study sheet with sketches of little girls), originate...

Medium: pochoir (after the watercolor). Printed in 1925 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

"Light on Water" is an original 13 color lithograph with pochoir from 4 aluminum plates and 1 mylar stencil. It was created by the artist Emmi Whitehors...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Femme a l'oiseau (Woman with Bird), from the album Douze Contemporains (Twelve Contemporaries), originate...

This exquisite lithograph and pochoir after Georges Rouault (1871–1958), titled Solange (Solange), from the album Georges Rouault, Visages (Faces), originates from the 1969 edition p...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This is one of the artworks in the portfolio 'Le Bonheur du Jour', by George Barbier. A very fine work of one of the most important and famous european illustrators of Art Deco, who...

Paul Cezanne Small Village in France, near the Church, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21...

Quatre corbeaux by Georges Manzana Pissarro (1871-1961) Pochoir 28 x 44.5 cm (11 x 17 ¹/₂ inches) Stamped lower right, manzana-Pissarro Artist biography: Like all second-generation ...

This art piece is part of the series of unique sizable works called 'Home alone'. By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey ...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 39 (Plate No. 39), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 38 (Plate No. 38), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 35 (Plate No. 35), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 34 (Plate No. 34), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 33 (Plate No. 33), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 32 (Plate No. 32), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

Salvador Dali God, Time, Space, and the Pope Original etching and stencil Handsigned in the right corner with the blind stamp of the editor in the left corner On BFK Rives vellum...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 31 (Plate No. 31), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 30 (Plate No. 30), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

This exquisite lithograph and pochoir after Georges Rouault (1871–1958), titled Le Cafardeux (The Gloomy One), from the album Georges Rouault, Visages (Faces), originates from the 19...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her Collage Portrait Series, Amy Smith uses photography, and layers of hand cut stencils, and torn recycled fashion magazine pieces to simultaneously represent her love of fashion and her contempt for excessive consumerism. In addition, she showcases female portraits to empower and unify, creating a space to feel connected to oneself and to each other. Smith’s mixed media collages have been shown at Wallspace, Saatchi’s The Other Art Fair, La Art Fair to name a few and been part of auctions such as revered Julien’s Auctions...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 16 (Plate No. 16), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 13 (Plate No. 13), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

Jack Youngerman, American (1926 - 2020) - Swirl Gray, Year: 1983, Medium: Screenprint, Pochoir and Intaglio on Arches Paper, signed, dated and numbered in pencil, Edition: 14/75,...

Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarel...

Frank Stella Nemrik, from the Near East Series, 1999 is a chaotically vibrant work that encapsulates Stella’s abstract style so poignantly. Using a mix of bright, neon colors, Stella...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 4 (Plate No. 4), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositions...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 3 (Plate No. 3), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositions...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 1 (Plate No. 1), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositions...

Capricho de Goya n°7 is an héliogravure and stencil, realized in 1977, hand-signed and numbered n°125/200. Published by Berggruen Paris in 1977. Image dimensions: 21x15 cm. Incl...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Jack Youngerman, American (1926 - 2020) - Mandala (Black), Year: 1981, Medium: Screenprint, Pochoir and Intaglio on Arches paper, signed, dated and numbered in pencil, Edition: AP...

Though it is stated as an edition of 20, each print in the edition is unique, with handpainting along with stencil painting. Completed on a trip to Paris, it is on a hand-made paper from Bhutan. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

Paul Cezanne Near Paris, View on the Montgeroult Castle, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 41.5 x 53.5 cm (c. ...

Paul GAUGUIN (after) Tahitian Ladies Lithograph and Watercolor stencil Printed signature of the Monogram in the plate On thin vellum 47 x 58 cm (c. 19 x 25 inch) Edited by Jacomet ...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Tom Holland Artists in the Spotlight: Celebrating the 50th Anniversary of San Francisco Museum of Modern Art (SFMOMA), 1985 Acrylic and mixed media with stencil on paper Signed and d...

Richard Tuttle Metal Shoes 4, 2010 Aquatint, hand stencling, copper plate embossment 11 3/4 x 12 ed. 30 Framed