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Medium: Stencil
Pablo Picasso, Study for Man with Sheep, from The Double Flute, 1967 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Etude pour l’homme au mouton (Study for Man with Sheep), from the folio Picasso, La flute double, 16 Des...
Category

1960s Cubist Art by Medium: Stencil

Materials

Lithograph, Stencil

pochoir
Located in Henderson, NV
Medium: pochoir (after the gouache). Printed in Paris in 1957 by Jacomet and issued in an edition of 1000 by the Galerie Berggruen for a rare catalogue. Image size: 5 x 3 3/4 inches ...
Category

1950s Art by Medium: Stencil

Materials

Lithograph, Stencil

pochoir
Located in Henderson, NV
Medium: pochoir (after the drawing). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x 1...
Category

1940s Impressionist Art by Medium: Stencil

Materials

Lithograph, Stencil

Fernand Leger, Mechanical Elements, 1929 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Elements mecaniques (Mechanical Elements), from the album L'Art Cubiste, Theories et Realisations, Etude...
Category

1920s Cubist Art by Medium: Stencil

Materials

Lithograph, Stencil

(after) Marino Marini - "Le cheval au manège" pochoir
Located in Henderson, NV
Medium: pochoir (after the lithograph). Printed by the atelier of Daniel Jacomet, and published in Paris in 1955 by Heinz Berggruen. The image measures 5 x 3 3/4 inches (130 x 93 mm)...
Category

1950s Surrealist Art by Medium: Stencil

Materials

Lithograph, Stencil

Bauchredner und Rufer im Moor, Cubist Pochoir Print on Rice Paper by Paul Klee
Located in Long Island City, NY
Artist: Paul Klee, After, Swiss (1879 - 1940) Title: Bauchredner und Rufer im Moor (Ventiloque criant dans le marais) Year: 1964 after 1920 Drawing Medium: Pochoir on Rice Paper, Sig...
Category

1960s Expressionist Art by Medium: Stencil

Materials

Rice Paper, Stencil

Sk8r Boi - by Madderdoit (money art, street art, skater)
Located in New York, NY
Sk8r Boi… Edition version – 5 colour spray paint and stencils with paint markers on genuine $1 bill. Surface – genuine $1 bill Edition size – edition of 5 Description – 5 colour ...
Category

2010s Contemporary Art by Medium: Stencil

Materials

Spray Paint, Stencil

"La feuille jaune" pochoir
Located in Henderson, NV
Medium: pochoir (after the gouache). Published in Paris in 1928 by Teriade for Editions Cahiers d'Art in an edition of 800. This impression was printed on Velin de Torpes paper. Imag...
Category

1920s Art by Medium: Stencil

Materials

Lithograph, Stencil

Francois Auguste Rene Rodin, Untitled, from Twelve Watercolors, 1920 (after)
Located in Southampton, NY
This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...
Category

1920s Modern Art by Medium: Stencil

Materials

Lithograph, Stencil

"Oliviers" pochoir
Located in Henderson, NV
Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed...
Category

1920s Art by Medium: Stencil

Materials

Lithograph, Stencil

Marc Chagall, The Offering, from Color of Love, 1958 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled L'Offrende (The Offering), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Love, 1...
Category

1950s Modern Art by Medium: Stencil

Materials

Lithograph, Stencil

(after) Julio Gonzalez - "Personnage barbu" pochoir
Located in Henderson, NV
Medium: pochoir (after the watercolor). Printed in Paris in 1957 by Jacomet and published by the Galerie Berggruen for a rare catalogue. Image size: 6 3/4 x 3 3/4 inches (173 x 97 mm...
Category

1950s Surrealist Art by Medium: Stencil

Materials

Lithograph, Stencil

pochoir
Located in Henderson, NV
Medium: pochoir (after the painting). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x ...
Category

1940s Impressionist Art by Medium: Stencil

Materials

Lithograph, Stencil

Pablo Picasso, Seated Woman in an Armchair, from Oeuvres 1920-1926 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme Assise dans un Fauteuil (Seated Woman in an Armchair), from the album, Picasso, Oeuvres 1920-1926, 1926, originates from the 1926 edition published and printed by Editions des Cahiers d'Art, Paris, under the direction of Christian Zervos, Editeur, Paris, December 10, 1926. Femme Assise dans un Fauteuil (Seated Woman in an Armchair) captures Picasso’s evolving exploration of form, movement, and emotion during the mid-1920s—a pivotal period in which he redefined the relationship between classical representation and modern abstraction. With its bold contouring, stylized anatomy, and rhythmic color balance, the composition embodies the harmony between structural precision and sensual fluidity that characterized Picasso’s work in this era. Executed as a lithograph and pochoir on velin paper, this work measures 11 x 8.75 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the refined craftsmanship of Editions des Cahiers d'Art and the technical excellence of Parisian printmaking in the interwar period. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Femme Assise dans un Fauteuil (Seated Woman in an Armchair), from the album, Picasso, Oeuvres 1920-1926, 1926 Medium: Lithograph and pochoir on velin paper Dimensions: 11 x 8.75 inches (27.94 x 22.23 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1926 Publisher: Editions des Cahiers d'Art, Paris, under the direction of Christian Zervos, Editeur, Paris Printer: Ducros & Colas, Paris Catalogue raisonne references: Cramer, Patrick. Pablo Picasso, The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 15; Bloch, Georges. Pablo Picasso: Catalogue of the Printed Graphic Work 1904–1967. Kornfeld & Klipstein, 1968, illustration 56 Condition: Well preserved, consistent with age and medium Provenance: From the album, Picasso, Oeuvres 1920-1926, published and printed by Editions des Cahiers d'Art, Paris, under the direction of Christian Zervos, Editeur, Paris, 1926 Notes: Excerpted from the album (translated from French), This volume was completed to be printed by the Ducros & Colas printing house, 7, rue Croulebarbe in Paris, for the Editions des Cahiers d'Art, on December 10th MCMXXVI, DCC numbered examples, VI on Japon Imperial with an etching by Picasso, numbered from I to VI, L examples on paper by papier de Hollande, Van Gelder, with an etching by Picasso, numbered from VII to LVI, DCXL examples on velin, numbered from LVII to DCC, plus II examples intended for legal deposit. About the Publication: The album Picasso, Oeuvres 1920-1926 was issued in 1926 by Editions des Cahiers d'Art under the direction of Christian Zervos, one of the most influential editors, critics, and publishers of 20th-century modernism. Conceived as both a visual and intellectual tribute to Pablo Picasso’s mastery during a crucial transitional period, the volume presents a series of lithographs and pochoirs that chronicle his stylistic evolution from synthetic Cubism toward a renewed engagement with the human figure. Published in conjunction with the legendary Cahiers d'Art journal, the edition reflects Zervos’s vision of uniting scholarship, craftsmanship, and artistic authenticity in the modern book arts. Each composition was executed by the master printers Ducros & Colas and colored using the pochoir technique, faithfully translating the tonal subtleties and compositional balance of Picasso’s original drawings and gouaches. Completed on December 10, 1926, the edition comprised DCC examples—VI on Japon Imperial, L on Hollande Van Gelder, and DCXL on velin paper, plus II copies reserved for legal deposit—each numbered and printed to exacting standards. The volume stands as one of the earliest major Cahiers d'Art collaborations with Picasso, preceding the monumental Catalogue Raisonne des Oeuvres de Picasso that Zervos would later dedicate his life to producing. Today, Picasso, Oeuvres 1920-1926 remains a cornerstone of interwar art publishing, representing the confluence of avant-garde innovation, technical excellence, and intellectual rigor that defined the Parisian art world of the 1920s. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Femme Assise dans un Fauteuil (Seated Woman in an Armchair), Picasso Oeuvres 1920-1926, Picasso Zervos Cahiers d'Art, Picasso pochoir...
Category

1920s Cubist Art by Medium: Stencil

Materials

Lithograph, Stencil

Still life with Blue Pitcher and Fruits - Lithograph and Stencil, 1950
Located in Paris, IDF
Fernand LÉGER Still life with Blue Pitcher and Fruits, c. 1950 Original lithograph and stencil (Jacomet workshop) Printed signature in the plate On paper 43 x 33 cm (c. 17 x 13 Inc...
Category

1950s Modern Art by Medium: Stencil

Materials

Lithograph, Stencil

'Poppy' — Art Deco Pochoir from the acclaimed portfolio 'RELAIS'
Located in Myrtle Beach, SC
Edouard Benedictus, 'Poppy' from the portfolio 'Relais', plate 14, color pochoir, 1930. Signed in the matrix, in the center bottom margin. A superb, richly-inked impression, with fresh, vibrant colors, including metallic gold and silver inks, on heavy, cream wove paper; the full sheet with margins (1 3/8 inches), in excellent condition. Published by Éditions Vincent, Fréal et Cie, Paris. The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Matted to museum standards, unframed. Image size 14 3/8 x 11 inches (365 x 279 mm); sheet size 17 1/4 x 13 7/8 inches (438 x 352 mm). Impressions of this work are held in the following museum collections: Cooper-Hewitt National Design Museum Library (Smithsonian), Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Toledo Museum of Art, Victoria and Albert Museum (London), Virginia Museum of Fine Arts. ABOUT THIS WORK The Pochoir process is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by virtue of its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Edouard Benedictus (1878 -1930), artist, designer, composer, and chemist, was born and died in Paris. A highly-regarded designer and art critic of the Art Nouveau era, Benedictus gained renown as a colorist and creator of Art Deco-inspired geometric and floral motifs. His work had a significant influence on international fashions in clothing, home furnishings, graphic design, and decorative objects of the period, earning him commissions from leading European design firms. In 1925 he was invited to represent Art Deco textile design...
Category

1930s Art Nouveau Art by Medium: Stencil

Materials

Stencil

A Shattering Entrance upon the American Stage - orignal etching - signed - 1974
Located in Paris, IDF
Salvador Dali A Shattering Entrance upon the American Stage Original etching and stencil Handsigned in the right corner with the blind stamp of the editor in the left corner On B...
Category

1970s Surrealist Art by Medium: Stencil

Materials

Etching, Stencil

pochoir
Located in Henderson, NV
Medium: pochoir (after the pastel). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x 11...
Category

1940s Impressionist Art by Medium: Stencil

Materials

Lithograph, Stencil

Sadao Watanabe Stencil Print, 1979 - Noah's Ark
Located in Phoenix, AZ
Sadao Watanabe (1913-1996) Limited Edition Stencil Print on Hand Made Paper. Title: Noah's Ark. Created 1979. No. 45 of the edition of 100. Image size: 29 1/2"h x 21 1/2"w. Frame siz...
Category

1970s Art by Medium: Stencil

Materials

Stencil

(after) Jean Dubuffet - "L'haleine du sol" pochoir
Located in Henderson, NV
Medium: pochoir (after the lithograph). Printed in 1960 at the Jacomet atelier and published by Berggruen in an edition of 1500. Size: 8 1/2 x 9 inches (218 x 227 mm). There is anoth...
Category

1960s Art by Medium: Stencil

Materials

Lithograph, Stencil

Maurice Utrillo, Saint-Germain-des-Prés, from Paris Capital, 1955
Located in Southampton, NY
This exquisite lithograph by Maurice Utrillo (1883–1955), titled Saint-Germain-des-Pres (Saint-Germain-des-Pres), from the album Paris Capitale (Paris Capital), originates from the 1...
Category

1950s Modern Art by Medium: Stencil

Materials

Lithograph, Stencil

Paysage de l'Arbre Bleu, Impressionist Lithograph w/ Pochoir after Andre Derain
Located in Long Island City, NY
Andre Derain, After, French (1880 - 1954) - Paysage de l'Arbre Bleu from Douze Contemporains, Year: 1959, Medium: Lithograph with Pochoir on Wove paper, signed in the plate, Editio...
Category

1950s Impressionist Art by Medium: Stencil

Materials

Lithograph, Stencil

Raoul Dufy, Still Life with Red Background, 1954 (after)
Located in Southampton, NY
This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte au fond rouge (Still Life with Red Background), from the folio Eaux-de-vie, Esprit de la fleur et du fruit...
Category

1950s Modern Art by Medium: Stencil

Materials

Lithograph, Stencil

Paul Klee, Portrait of a Yellow Figure, from 12 Watercolors, 1964 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Paul Klee (1879–1940), titled Bildnis eines Gelben (Portrait of a Yellow Figure), from the folio Paul Klee, 12 aquarelles (Paul Klee, Twel...
Category

1960s Modern Art by Medium: Stencil

Materials

Lithograph, Stencil

pochoir
Located in Henderson, NV
Medium: pochoir (after the gouache). Printed in Paris in 1957 by Jacomet and published in an edition of 1000 by the Galerie Berggruen for a rare catalogue. Image size: 5 x 3 3/4 inch...
Category

1950s Art by Medium: Stencil

Materials

Lithograph, Stencil

pochoir
Located in Henderson, NV
Medium: pochoir (after the pastel). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x 11...
Category

1940s Impressionist Art by Medium: Stencil

Materials

Lithograph, Stencil

Francois Auguste Rene Rodin, Untitled, from The Varende, 1944 (after)
Located in Southampton, NY
This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...
Category

1940s Modern Art by Medium: Stencil

Materials

Lithograph, Stencil

pochoir
Located in Henderson, NV
Medium: pochoir (after the gouache). Printed in Paris in 1957 by Jacomet and issued in an edition of 1000 by the Galerie Berggruen for a rare catalogue. Image size: 5 x 3 3/4 inches ...
Category

1950s Art by Medium: Stencil

Materials

Lithograph, Stencil

Marc Chagall, The Dawn, from Color of Love, 1958 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled L'Aube (The Dawn), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Love, 13 Waterc...
Category

1950s Modern Art by Medium: Stencil

Materials

Lithograph, Stencil

"La Cathedrale en flammes" pochoir
Located in Henderson, NV
Medium: pochoir (after the painting). Published in Paris in 1929 by Editions des Chroniques du Jour in an edition of 500. Image size: 8 3/8 x 6 inches (214 x 150 mm). With full origi...
Category

1920s Art by Medium: Stencil

Materials

Lithograph, Stencil

Brunelleschi, Composition, La Leçon d'amour dans un parc (after)
Located in Southampton, NY
Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...
Category

1930s Modern Art by Medium: Stencil

Materials

Lithograph, Stencil

Brunelleschi, Composition, La Leçon d'amour dans un parc (after)
Located in Southampton, NY
Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...
Category

1930s Modern Art by Medium: Stencil

Materials

Lithograph, Stencil

God, Time, Space, and the Pope - orignal etching - signed - 1974
Located in Paris, IDF
Salvador Dali God, Time, Space, and the Pope Original etching and stencil Handsigned in the right corner with the blind stamp of the editor in the left corner On BFK Rives vellum...
Category

1970s Surrealist Art by Medium: Stencil

Materials

Etching, Stencil

(after) Auguste Herbin - 1929 pochoir
Located in Henderson, NV
Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 6 7/8 x 5 7/8 inches (173 x 150 mm). A text inscripti...
Category

1920s Art by Medium: Stencil

Materials

Lithograph, Stencil

pochoir
Located in Henderson, NV
Medium: pochoir (after the gouache). Printed in Paris in 1957 by Jacomet and published in an edition of 1000 by the Galerie Berggruen for a rare catalogue. Image size: 5 x 3 3/4 inch...
Category

1950s Art by Medium: Stencil

Materials

Lithograph, Stencil

Maurice Utrillo, Pont-Neuf, from Paris Capital, 1955
Located in Southampton, NY
This exquisite lithograph by Maurice Utrillo (1883–1955), titled Pont-Neuf (Pont-Neuf), from the album Paris Capitale (Paris Capital), originates from the 1955 edition published by J...
Category

1950s Modern Art by Medium: Stencil

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Art by Medium: Stencil

Materials

Lithograph, Stencil

"Femme en robe brune" pochoir
Located in Henderson, NV
Medium: pochoir (after the watercolor). Printed in Paris in 1924 and published by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...
Category

1920s Art by Medium: Stencil

Materials

Lithograph, Stencil

Andre Lhote, Reclining Woman, 1929 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Andre Lhote (1885–1962), titled Femme allongee (Reclining Woman), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (...
Category

1920s Cubist Art by Medium: Stencil

Materials

Lithograph, Stencil

Fernand Leger, Untitled, from Twelve Contemporaries, 1959 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1959 edition published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 1959. The work captures Leger's bold geometric visual language and his celebration of modernity, distilling mechanical rhythm and sculptural clarity into a composition emblematic of his innovative machine-age aesthetic. Executed as a lithograph and pochoir on velin paper, this work measures 13.25 x 18.25 inches (33.7 x 46.4 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Atelier Daniel Jacomet et Cie, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Sans titre (Untitled), from the album Douze Contemporains (Twelve Contemporaries) Medium: Lithograph and pochoir on velin paper Dimensions: 13.25 x 18.25 inches (33.7 x 46.4 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1959 Publisher: Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston Printer: Atelier Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Douze Contemporains (Twelve Contemporaries), published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 1959 Notes: Excerpted from the folio (translated from French), This album finished printing in December 1959 drawn to CMLXX examples numbered from I to CMLXX and XXX non-commerce examples numbered from I to XXX, was directed by Daniel Jacomet. Typography of L'Imprimerie Union in Paris. About the Publication: Douze Contemporains (Twelve Contemporaries), published in 1959 by Editions d'art du lion in collaboration with Boston Book and Art Shop, Inc., is a landmark example of mid-century French printmaking, bringing together leading modern artists in a unified portfolio of lithographs and pochoirs. The album exemplifies Jacomet's meticulous approach to color separation and hand-stenciled execution, preserving the tonal richness and structural clarity of each composition. Issued in a substantial edition of numbered and non-commerce impressions, the publication reflects the vitality of postwar Parisian art and the technical excellence of Daniel Jacomet, whose workshop played a central role in the preservation and dissemination of twentieth-century modernist imagery. About the Artist: Fernand Leger (1881–1955) was a French painter, sculptor, and filmmaker whose pioneering fusion of modern life, mechanization, and visual abstraction made him one of the most influential artists of the 20th century. Emerging from the Cubist movement, Leger developed a highly personal style distinguished by bold contrasts, cylindrical forms, and rhythmic compositions that celebrated the beauty of industrial progress and the vitality of modern urban life. Deeply influenced by the innovations of Paul Cezanne and the structural experimentation of Pablo Picasso and Georges Braque, Leger transformed Cubism's fragmented perspective into a dynamic, machine-age aesthetic that bridged fine art, architecture, and design. His work often depicted workers, machinery, and everyday objects as monumental symbols of harmony between humanity and technology, reflecting both his optimism for modernity and his belief in the democratization of art. During his career, Leger was part of an extraordinary artistic circle that included Henri Matisse, Marc Chagall, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—visionaries who shared his commitment to pushing the boundaries of artistic form and expression. A leading figure in the international avant-garde, Leger also explored large-scale murals, public art, and film, expanding the reach of modern art beyond the gallery. His works are represented in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire admiration for their bold geometry, humanist vision, and timeless modernity. The highest price ever paid for a Fernand Leger artwork is approximately 70 million USD, achieved in 2017 at Christies New York for Contraste de formes (1913). Fernand Leger print...
Category

1950s Modern Art by Medium: Stencil

Materials

Lithograph, Stencil

Pablo Picasso, Young Faun, Woman and Child, from The Double Flute, 1967 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Jeune faune, femme et enfant (Young Faun, Woman and Child), from the folio Picasso, La flute double, 16 ...
Category

1960s Cubist Art by Medium: Stencil

Materials

Lithograph, Stencil

"Analyse de diverses perversites" pochoir
Located in Henderson, NV
Medium: pochoir (after the watercolor). Printed in 1964 at the atelier of Daniel Jacomet for the "Paul Klee 12 Aquarelles" portfolio and published in Paris by the Berggruen Gallery i...
Category

1960s Art by Medium: Stencil

Materials

Lithograph, Stencil

"Avant le bal" pochoir
Located in Henderson, NV
Medium: pochoir (after the watercolor). Printed in 1927 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...
Category

1920s Art by Medium: Stencil

Materials

Lithograph, Stencil

Diurnes: On the Rock - Original Collotype and Stencil (Cramer #115)
Located in Paris, IDF
Pablo PICASSO (1881-1973) Diurnes, On the Rock, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 30 x 40 cm (c. 11,8 x 15.7 in) REFERE...
Category

Mid-20th Century Modern Art by Medium: Stencil

Materials

Stencil

"Liberation of the Soul (Abandon)" pochoir
Located in Henderson, NV
Medium: offset lithograph with pochoir coloring. Printed in 1958 and published in Milan by Silvana Editoriale d'Arte in an edition of 200. Image size: 11 x 6 3/4 inches (280 x 173mm)...
Category

1950s Art by Medium: Stencil

Materials

Lithograph, Stencil

"Nature morte" pochoir
Located in Henderson, NV
Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image ...
Category

1960s Art by Medium: Stencil

Materials

Lithograph, Stencil

"Nature morte" pochoir
Located in Henderson, NV
Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image ...
Category

1960s Art by Medium: Stencil

Materials

Lithograph, Stencil

Marie Laurencin, Untitled, from Les Biches, 1924
Located in Southampton, NY
This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...
Category

1920s Modern Art by Medium: Stencil

Materials

Lithograph, Stencil

"Les Martigues" pochoir
Located in Henderson, NV
Medium: lithograph with pochoir coloring (after the 1885 watercolor). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and published...
Category

1940s Impressionist Art by Medium: Stencil

Materials

Lithograph, Stencil

pochoir
Located in Henderson, NV
Medium: pochoir (after the gouache). Printed in Paris in 1957 by Jacomet and issued in an edition of 1000 by the Galerie Berggruen for a rare catalogue. Image size: 5 x 3 3/4 inches ...
Category

1950s Art by Medium: Stencil

Materials

Lithograph, Stencil

Marie Laurencin, Untitled, from Les Biches, 1924
Located in Southampton, NY
This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...
Category

1920s Modern Art by Medium: Stencil

Materials

Lithograph, Stencil

Faune a la Diaule, Modern Stencil after Pablo Picasso
Located in Long Island City, NY
Pablo Picasso, After, Spanish (1881 - 1973) - Faune a la Diaule. Portfolio: Femme et Faunes, Year: 1956, Medium: Pochoir, signed in the plate, Edition: 200, Size: 19.5 x 16 in. (49.5...
Category

1950s Modern Art by Medium: Stencil

Materials

Stencil

"Femme et Oiseaux dans la Nuit" original pochoir
Located in Henderson, NV
Medium: original pochoir stencil print in four colors. Catalogue reference: Dupin 50. Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for the ...
Category

1940s Surrealist Art by Medium: Stencil

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Art by Medium: Stencil

Materials

Lithograph, Stencil

Composition in colour - Lithograph, 1956
Located in Paris, IDF
Sonia Delaunay (after) Composition in colour, 1956 Lithograph and stencil (Jacomet workshop) On wove paper 31.5 x 23.5 cm (c. 12.4 x 9 in) Edited by San Lazaro...
Category

1950s Abstract Art by Medium: Stencil

Materials

Lithograph, Stencil

Horses in a Mythological Landscape - Lithograph
Located in Paris, IDF
Giorgio de CHIRICO Horses in a Mythological Landscape, c. 1955 Lithograph and stencil (Jacomet workshop) Printed signature in the plate On light vellum 48 x 38 cm (c. 19 x 15 in) V...
Category

1950s Surrealist Art by Medium: Stencil

Materials

Lithograph, Stencil

"Le Rugby" pochoir for Les Joies du Sport
Located in Henderson, NV
Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...
Category

1930s Art by Medium: Stencil

Materials

Lithograph, Stencil

Pablo Picasso, Faun and Nude Woman, from The Double Flute, 1967 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Faune et femme nue (Faun and Nude Woman), from the folio Picasso, La flute double, 16 Dessins, Aquarelle...
Category

1960s Cubist Art by Medium: Stencil

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Art by Medium: Stencil

Materials

Lithograph, Stencil

Pandoras Book by Madderdoit (street art, graffiti)
Located in New York, NY
Edition version – Rainbow Splatter on a page from repurposed French grammar book - framed with custom mount. Surface – French Grammar book page Edition size – edition of 30 Size – 9....
Category

2010s Contemporary Art by Medium: Stencil

Materials

Spray Paint, Stencil

Stencil art for sale on 1stDibs.

Find a wide variety of authentic Stencil art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Jane Bauman, Dike Blair, Helen Frankenthaler, and Julio Le Parc. Frequently made by artists working in the Abstract, Street Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Stencil art, so small editions measuring 0.04 inches across are also available