Art by Medium: Stencil

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Fernand LÉGER Cubist Wood Logs, 1959 Original lithograph and stencil Printed signature in the plate On vellum Auvergne 38,9 x 50 cm (c. 15,3 x 19,6 Inches) Published in 1959, under the control of the wife of the artist, Nadia Léger...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her Collage Portrait Series, Amy Smith uses photography, and layers of hand cut stencils, and torn recycled fashion magazine pieces to simultaneously represent her love of fashion and her contempt for excessive consumerism. In addition, she showcases female portraits to empower and unify, creating a space to feel connected to oneself and to each other. Smith’s mixed media collages have been shown at Wallspace, Saatchi’s The Other Art Fair, La Art Fair to name a few and been part of auctions such as revered Julien’s Auctions...

Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Paysage du Midi (Southern Landscape), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of t...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Paysage au soleil levant (Landscape at Sunrise), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, E...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Minotaure et nue (Minotaur and Nude), from the folio Picasso, La flute double, 16 Dessins, Aquarelles La...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme Assise dans un Fauteuil (Seated Woman in an Armchair), from the album, Picasso, Oeuvres 1920-1926,...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

Pablo PICASSO (1881-1973) Diurnes, The Man From French Riviera, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 11...

The abstract series of sizable works done in a mixed-media technique pays homage to the great modernists and abstract expressionists such as Mondrian, Kandinsky, Still and Motherwell...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Imagerie de Wissembourg Christmas Santa Claus, c. 1906 Lithograph, woodcut and stencil Drawing by C. Burckardt On paper 43 x 32.5 cm (c. 17 x ...

From the Moby Dick Domes series. Aquatint, etching, engraving, relief, screen print and stencil with hand-coloring in acrylic on handmade, shaped TGL paper. Hand signed and dated l...

Book in perfect conditions, with spine restored and illustrations by André Domin. Edition of 485 copies including illustrations by André Domin. Cover worn, partially missing and res...

Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...

Pablo PICASSO (1881-1973) Diurnes : Portrait with Tall Nose , 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11...

Tom Holland Artists in the Spotlight: Celebrating the 50th Anniversary of San Francisco Museum of Modern Art (SFMOMA), 1985 Acrylic and mixed media with stencil on paper Signed and d...

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Le Mouvement dans l’Ovale (Movement in the Oval), from the album L'Art Cubiste, Theories et Realisation...

Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Lithograph on vélin Johannot paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Paris Capitale, 1955; published by Joseph Foret, Editeur d'Art, Paris...

Screen print with stencil, acrylic and spray paint on wove paper. Hand signed on front; signed and dated on verso with studio catalog number and thumbprint. Artwork size: 30 x 22 ...

Lithograph on vélin Johannot paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Paris Capitale, 1955; published by Joseph Foret, Editeur d'Art, Paris...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Faunes et Flore d'Antibes VII (Fauns and Flora of Antibes VII), from the folio, Picasso, Faunes et Flore...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Paysage (Landscape), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of the Flower and the...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Jacqueline en Espagnole (Jacqueline in Spanish Dress), from the folio Picasso, La flute double, 16 Dessi...

Pochoir. This is one of the artworks in the portfolio 'Le Bonheur du Jour', by George Barbier. Passepartout included : 49 x 34 cm Image Dimensions : 31.5 x 20.5 cm This artwork is s...

Signed and numbered from the edition of 60. Image of a cowboy with an oversized hat. Throughout his 40 year career as an artist, Frank Romero has bee...

Medium: pochoir (after the gouache). Printed in 1962 at the Daniel Jacomet atelier and published in Paris by the Berggruen Gallery in an edition of 1000. Image size: 5 x 3 3/4 inches...

Jeremy Novy’s unique brand of street art is ripe with thoughtful social examinations. Novy has combated a homophobic lack of representation with a celebrat...

This pochoir belongs to the portfolio 'Le Bonheur du Jour', by George Barbier. A very fine work of one of the most important and famous european illustrators of Art Deco, whose infl...

Medium: pochoir (after the painting). Published in Paris in 1929 by Editions des Chroniques du Jour in an edition of 500. Image size: 6 1/2 x 8 1/2 inches (163 x 214 mm). With full o...

Artist: Paul Klee, After, Swiss (1879 - 1940) Title: Drei Hauser Grun-violette Stufung (Troi Maisons Gradation vert-violet) Year: 1964, after 1922 Drawing Medium: Pochoir on Rice Pap...

This exquisite lithograph and pochoir after Andre Lhote (1885–1962), titled Femme allongee (Reclining Woman), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Portrait of a Lady, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Faunes et Flore d'Antibes VIII (Fauns and Flora of Antibes VIII), from the folio, Picasso, Faunes et Flo...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Nature morte au 'BASS' (Still Life with 'BASS'), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), originates from the 1929 edition published by Editions Charles Moreau, Paris, and printed by Atelier Daniel Jacomet, Paris, May 1929. Nature morte au 'BASS' (Still Life with 'BASS') captures Picasso’s mastery of Cubist structure and his revolutionary reimagining of visual perception. The composition juxtaposes fragments of bottles, musical instruments, and table objects, deconstructed and rearranged into a rhythmic interplay of geometry and color. Through his fusion of multiple perspectives, Picasso transforms a simple still life into a meditation on form, balance, and abstraction, embodying the intellectual rigor and visual poetry that defined Cubism. The work stands as a striking example of Picasso’s collaboration with master printer Daniel Jacomet, whose refined pochoir technique enhanced the depth and luminosity of the artist’s design. Executed as a lithograph and pochoir on velin paper, this work measures 10.83 x 8.27 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of Atelier Daniel Jacomet, Paris, under the direction of Editions Charles Moreau, Paris. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Nature morte au 'BASS' (Still Life with 'BASS'), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), 1929 Medium: Lithograph and pochoir on velin paper Dimensions: 10.83 x 8.27 inches (27.5 x 21 cm) Inscription: Signed in the plate and unnumbered as issued Date: May 1929 Publisher: Editions Charles Moreau, Paris Printer: Atelier Daniel Jacomet, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album L'Art Cubiste, Theories et Realisations, Etude Critique, published by Editions Charles Moreau, Paris, and printed by Atelier Daniel Jacomet, Paris, May 1929 Notes: Excerpted from the album (translated from French): This album was composed in Didot Characters and completed to print in May 1929 by Ducros et Colas, Maitres-Imprimeurs in Paris. Boards have been executed by D. Jacomet in an edition of D examples, numbered on the colophons. About the Publication: L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), published in 1929 by Editions Charles Moreau, is among the most important critical and artistic documents of the interwar period devoted to the Cubist movement. Conceived as both an analytical study and a visual anthology, the volume brought together theoretical texts and hand-colored plates representing works by the leading figures of Cubism, including Pablo Picasso, Georges Braque, Juan Gris, Fernand Leger, and Albert Gleizes. Each plate was reproduced in lithograph and finished by hand using the pochoir process under the supervision of master printer Daniel Jacomet, ensuring that the vivid tonal subtleties and compositional precision of the originals were preserved. The publication captures the movement’s intellectual ambition and its enduring impact on the evolution of modern art. Printed on fine velin paper in a limited edition, the album reflects the artisanal excellence of French art publishing during the 1920s and remains a landmark in the history of the illustrated art book. Today, it serves as a rare and invaluable testament to Picasso’s pivotal role in defining the visual language of Cubism and to Jacomet’s unmatched skill in the art of color pochoir printing. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. After Pablo Picasso Nature morte au 'BASS', Picasso L'Art Cubiste, Picasso Atelier...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

This exquisite lithograph and pochoir after Louis Marcoussis (1878–1941), titled Nature morte avec guitare (Still Life with Guitar), from the album L'Art Cubiste, Theories et Realisa...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte a la cruche (Still Life with Pitcher), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Joueur de diaule et nu (Flute Player and Nude), from the folio Picasso, La flute double, 16 Dessins, Aqu...

POSE (Jordan Nickel) - Both Ends - Urban Graffiti Street Art I am very excited to be releasing my first ever tondo print. Both Ends is by far my most a...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...

The Capitol is a beautiful lot of two hand-watercolored lithographs realized by an Italian artist of the XIX century. It represents the incredible landscape of the communal site of t...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Vendanges (The Grape Harvest), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates from the...

Stencil, 1966 Edition : I/XX Publisher : Éditions de la galerie Motte (Paris) 53.00 cm. x 38.00 cm. 20.87 in. x 14.96 in. (paper) 45.00 cm. x 27.00 cm. 17.72 in. x 10.63 in. (image...