Art by Medium: Stencil

No personnal just business 2018 Mixed media: stencil, aerosol spray, Posca Support: 33 rpm vinyl Diameter: 30 cm Signed artwork, with certificate of the artist

Heliogravure by Félicien Rops (1833 – 1898), a Belgian artist, known primarily as a printmaker in etching and aquatint. He is noted for his drawings depicting erotic and Satanic them...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Medium: pochoir (after the watercolor). Printed in 1917 and published in Munich in an edition of 110 by Franz Hanfstaengl for the rare "Stella Peregrina" portfolio. Image size: 4 1/2 x 4 3/4 inches (115 x 120 mm...

Artist: Brainwash, Mr. Title: Spray Can (Balloon Girl) Date: 2025 Medium: Stencil and Mixed Media on Fiberglass Sculpture Unframed Dimensions: 13" x 4.25" x 4.25" Signature: Si...

Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 4 1/2 x 5 1/2 inches (112 x 140 mm). A text inscripti...

Space Cowboy 2018 Mixed media: stencil, aerosol spray, Posca Support: 33 rpm vinyl Diameter: 30 cm Signed artwork, with certificate of the artist

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: pochoir (after the painting). Printed in Paris at the atelier of Daniel Jacomet and published in 1975 by the Berggruen Gallery. Image size: 4 7/8 x 4 inches (122 x 102 mm). There is another Leger composition...

Why - Yellow Version - 2018 KIKI "has a predilection for the use of supports and mediums resulting from urban art: it combines stencil work, staging and collage of torn posters, the ...

Medium: pochoir (after the mixed media collage). Printed in Paris at the Daniel Jacomet atelier and published in 1960 by the Berggruen Gallery. Image size: 5 x 3 7/8 inches (130 x 98...

Medium: pochoir (after the gouache). Printed in Paris in 1957 by Jacomet and published in an edition of 1000 by the Galerie Berggruen for a rare catalogue. Image size: 5 x 3 3/4 inch...

Medium: pochoir (after the oil on paper). Issued in 1967 in an edition of 1200 for the rare exhibition catalogue "Oiseau solaire, oiseau lunaire, etincelles", published by the Pierre...

Jacques Camus Pink Tulips, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idées" portfolio pr...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled La femme au cheval (Woman with Horse), originates from the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs). Published by Galerie Berggruen, Paris, and printed by ateliers de Daniel Jacomet, Paris, this collaborative work brings together Picasso’s poetic visual sensibility and Villers’ inventive photographic approach. The series represents a unique dialogue between cut paper forms and light, demonstrating Picasso’s continual exploration of composition, texture, and abstraction through new media. Executed on vélin d’Arches paper, this lithograph measures Paper Size 15.75 x 11.75 inches. As issued, it is unsigned and unnumbered, consistent with the authorized publication format. The edition preserves the subtle interplay of tone and structure that defines Picasso’s mastery of visual rhythm and lyrical modernism. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: La femme au cheval (Woman with Horse), from Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), 1962 Medium: Lithograph and stencil (pochoir) on vélin d’Arches paper Dimensions: Paper Size 15.75 x 11.75 inches Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Galerie Berggruen, Paris Printer: Ateliers de Daniel Jacomet, Paris Catalogue Raisonné Reference: Goeppert, Sebastian, et al. Pablo Picasso: Catalogue Raisonné Des Livres Illustrés. Patrick Cramer, 1983, Illustration 115. Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), published by Galerie Berggruen, Paris Notes: Excerpted from the folio (translated from French), Finished printing on January 29, 1962, on the presses of l'Imprimerie Union in Paris and in ateliers de Daniel Jacomet for phototypies and pochoirs. This album, made with the help of Lionel Prejger, was issued in M numbered examples, the first C of which were accompanied by an original engraving by Pablo Picasso numbered and signed by the artist. This engraving, printed on the presses of Arnéra in Vallauris, was presented in a special box. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Malaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musee Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Picasso La femme au cheval (Woman with Horse), Picasso Diurnes (Daytime), Picasso André Villers collaboration, Picasso Galerie Berggruen, Picasso Daniel Jacomet printer, Picasso Arnéra engraving, Picasso 1962 edition, Picasso pochoir...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Faunes et Flore d'Antibes V (Fauns and Flora of Antibes V), from the folio, Picasso, Faunes et Flore d'A...

Medium: pochoir (after the painting). Published in Paris in 1929 by Editions des Chroniques du Jour in an edition of 500. Image size: 6 1/4 x 8 1/2 inches (162 x 214 mm). With full o...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled La chèvre au grillage (The Goat at the Fence), originates from the 1962 folio Pablo Picasso, André Villers,...

Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 15 1/2 x...

Serge POLIAKOFF Abstract Composition, 1956 Lithograph and stencil (Jacomet Workshop) Printed signature in the plate On wove paper 31.5 x 24 cm (c. 12.2 x 9.4 in) Edition San Lazarr...

Medium: pochoir (after the gouache). Printed in 1962 at the Daniel Jacomet atelier and published in Paris by the Berggruen Gallery in an edition of 1000. Image size: 5 1/4 x 3 1/2 in...

Medium: pochoir (after the watercolor). This charming pochoir was printed by Daniel Jacomet in a limited edition of 900 and published in Paris in 1959 by Editions XXe Siecle for "Le ...

Hijack When They Shoot, We Shoot — 2020 Edition of 50 • Signed, Numbered 12 × 30 in / 30.5 × 76.2 cm Screenprint / Giclée (variant dependent) • Mint condition Description & Condit...

Artist: James Rosenquist (1933-2017) Title: Diver’s Line, State II (Glenn 167-A) Year: 1979 Medium: Etching, aquatint, stencil on Pescia Italia paper Edition: 28/78 Size: 22.75 x 40 ...

Medium: offset lithograph with pochoir coloring. Printed in 1958 and published in Milan by Silvana Editoriale d'Arte in an edition of 200. Image size: 8 1/4 x 11 inches (210 x 280 mm...

Lithograph and stencil on grand vélin de Mandeure paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Lettres de Nicolas de Staël à Pierre ...

Street Connoisseur - Life Is Beautiful, Pink. Archival Paper with dimensions of 20 x 16 in. 5-Color Screenprint with 1 Hand Finished Stencil Layer Edition of 15 Certificate of Authen...

Medium: pochoir (after the watercolor). Printed in 1925 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...

Medium: pochoir. Printed in 1952 for the Temoignages pour l'art abstrait portfolio (Witnesses for Abstract Art) and published by Editions d'Art d'Aujourd'hui in an edition of 1500. S...

Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 13 1/2 x...

Katherine S. Dreier, 'Variation 4, Vol. I' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...

Medium: pochoir (after the watercolor and collage). Printed in 1957 at the atelier of Daniel Jacomet and published in Paris by the Galerie Berggruen for a rare catalogue. Image size:...

Medium: serigraph / silkscreen. Printed in 1964 on thin wove paper by Imprimerie Mazarine and published in Paris by Galerie Denise Rene for the rare exhibition catalogue "Hard Edge"....

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Mere et enfant au fichu (Mother and Child with Headscarf), from the folio Les Bleus de Barcelone, 12 aqu...

Models with Toad is an original lithograph realized by Paul Iribe in 1908, signed. Sheet dimension: 31 x 27,5 cm. In excellent condition. Here the artwork is one of the illustrati...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled L'esprit critique d'art (The Spirit of Art Criticism), originates from the 1962 folio Pablo Picasso, André ...

Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 13 1/4 x...

Medium: pochoir (after the watercolor). Printed in 1964 at the atelier of Daniel Jacomet for the "Paul Klee 12 Aquarelles" portfolio and published in Paris by the Berggruen Gallery i...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Bacchante assise (Seated Bacchante), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates ...

Medium: offset lithograph with pochoir coloring. Printed in 1958 and published in Milan by Silvana Editoriale d'Arte in an edition of 200. Image size: 11 x 8 1/4 inches (278 x 210 mm...

Medium: pochoir (after the gouache). Printed in Paris in 1957 by Jacomet and published in an edition of 1000 by the Galerie Berggruen for a rare catalogue. Image size: 5 x 3 3/4 inch...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Medium: pochoir (after the drawing in sanguine). Printed in 1923 in an edition of 150 on Arches paper at the atelier Jacomet and published in Paris by Bernheim-Jeune for the rare "Re...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled La chèvre aux gravois (The Goat with Gravel), originates from the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs). Published by Galerie Berggruen, Paris, and printed by ateliers de Daniel Jacomet, Paris, this collaborative work brings together Picasso’s poetic visual sensibility and Villers’ inventive photographic approach. The series represents a unique dialogue between cut paper forms and light, demonstrating Picasso’s continual exploration of composition, texture, and abstraction through new media. Executed on vélin d’Arches paper, this lithograph measures Paper Size 11.75 x 15.75 inches. As issued, it is unsigned and unnumbered, consistent with the authorized publication format. The edition preserves the subtle interplay of tone and structure that defines Picasso’s mastery of visual rhythm and lyrical modernism. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: La chèvre aux gravois (The Goat with Gravel), from Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), 1962 Medium: Lithograph and stencil (pochoir) on vélin d’Arches paper Dimensions: Paper Size 11.75 x 15.75 inches Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Galerie Berggruen, Paris Printer: Ateliers de Daniel Jacomet, Paris Catalogue Raisonné Reference: Goeppert, Sebastian, et al. Pablo Picasso: Catalogue Raisonné Des Livres Illustrés. Patrick Cramer, 1983, Illustration 115. Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), published by Galerie Berggruen, Paris Notes: Excerpted from the folio (translated from French), Finished printing on January 29, 1962, on the presses of l'Imprimerie Union in Paris and in ateliers de Daniel Jacomet for phototypies and pochoirs. This album, made with the help of Lionel Prejger, was issued in M numbered examples, the first C of which were accompanied by an original engraving by Pablo Picasso numbered and signed by the artist. This engraving, printed on the presses of Arnéra in Vallauris, was presented in a special box. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Malaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musee Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Picasso La chèvre aux gravois (The Goat with Gravel), Picasso Diurnes (Daytime), Picasso André Villers collaboration, Picasso Galerie Berggruen, Picasso Daniel Jacomet printer, Picasso Arnéra...

Albert Gleizes, 'Descente de Croix', color pochoir, 1928, edition c. 50. Signed and dated in pencil. A fine, painterly impression, with fresh colors, on heavy, cream wove paper; the full sheet with margins (3 to 4 inches), in very good condition. The publisher's ink stamp 'EDITIONS MOLY-SABATA' beneath the image, lower left. Matted to museum standards, unframed. Image size 12 x 14 inches (305 x 356 mm); sheet size 18 x 22 inches (457 x 559 mm). ABOUT THE IMAGE After the 1927 painting 'Descente de Croix', one of three religious-themed works that Gleizes developed as preliminaries for murals at the church at Serrières, France, the project was terminated at its final phase, and Gleizes commissioned master printer Robert Pouyaud to create prints of the paintings, closely overseeing the production. ABOUT THE MEDIUM Pochoir is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Albert Gleizes (1881-1953), born in Paris, France, was a pioneering figure in the development of abstract art and one of the leading proponents of Cubism. His contributions to the art world extended beyond his paintings; he was also a prolific writer and theoretician, advocating for a new approach to art that emphasized the geometric abstraction of form and a departure from representational traditions. Gleizes initially studied painting at the Académie Julian and the École des Beaux-Arts in Paris, where he was exposed to the academic conventions of the time. However, his artistic vision was profoundly influenced by encounters with avant-garde movements, including Fauvism and the work of Paul Cézanne. These influences led Gleizes to experiment with form and color, gradually moving away from traditional representation toward a more abstract and geometric style. After completing his secondary schooling, Gleizes spent four years in the French army and then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled ‘La Seine à Asnières’ was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year, he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger, and Henri Le Fauconnier. In 1907, Gleizes and some of his friends pursued the idea of creating a self-supporting community of artists that would allow them to develop their art free of any commercial concerns. For nearly a year, Gleizes  , with other painters, poets, musicians, and writers, lived at a large house in Créteil, but a lack of funds forced them to give up their facility in early 1908, and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris. In the early 1910s, Gleizes became associated with the Cubist movement, which was spearheaded by artists such as Pablo Picasso and Georges Braque...

Medium: lithograph with pochoir coloring (after the 1895 drawing in sanguine). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and ...

Lithograph on vélin Johannot paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Paris Capitale, 1955; published by Joseph Foret, Editeur d'Art, Paris...

Medium: pochoir on sandpaper (after the oil painting on sandpaper). This unusual work was printed in 1967 on actual sandpaper for the rare catalogue "Oiseau solaire, oiseau lunaire, ...

Medium: pochoir (after the watercolor). This impression was printed in 1971 on Arches paper at the atelier of Daniel Jacomet and published in an edition of 225 for the Cezanne Quinze...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 7 1/2 x 5 1/2 inches (190 x 145 mm). There is an insc...

Maurice-Pillard Verneuil: "Kaleidoscope, Ornements Abstraits", Framed Artist: Maurice-Pillard Verneuil (1869 - 1942) and Adelaide Verneuil (1898 - 1998) Title: "Kaleidoscope, Orne...

Maurice-Pillard Verneuil: "Kaleidoscope, Ornements Abstraits", Framed Artist: Maurice-Pillard Verneuil (1869 - 1942) and Adelaide Verneuil (1898 - 1998) Title: "Kaleidoscope, Orne...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

Pablo PICASSO (1881-1973) Diurnes, Human Shadow, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in) REFER...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Harlequin and Boy, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island...