Art by Medium: Stencil

Medium: original pochoir stencil print in five colors. Catalogue reference: Dupin 50. Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for the ...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Weeping Woman, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island, New York, 1946. Weeping Woman embodies Picasso’s profound emotional intensity and technical mastery, distilling anguish and resilience into a strikingly expressive composition. Through vigorous linework and layered tonal contrasts, Picasso transforms sorrow into visual rhythm, achieving a balance between abstraction and raw human emotion that reflects the artist’s enduring exploration of the human condition. Executed as a lithograph and pochoir on velin paper, this work measures 18.75 x 12.63 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exemplary standards and artistic integrity of the fine art publishing and printmaking of Pantheon Books, Inc., and Albert Carman whose next collaborative project following this edition was with Marc Chagall in the creation of his monumental suite, Four Tales from the Arabian Nights in 1948. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Weeping Woman, from the folio Picasso, Fifteen Drawings, 1946 Medium: Lithograph and pochoir on velin paper Dimensions: 18.75 x 12.63 inches (47.6 x 32.1 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1946 Edition: D, primary edition; L, out of commerce, hand signed by Pablo Picasso Publisher: Pantheon Books, Inc., New York Printer: Albert Carman, City Island, New York Catalogue raisonne reference: Orozco, Miguel. Picasso Interpretation Prints II - Etchings, Pochoirs & Woodcuts. Catalogue Raisonne. 2023, illustration 388–402 Condition: Well preserved, consistent with age and medium Provenance: From the folio Picasso, Fifteen Drawings, 1946, published by Pantheon Books, Inc., New York; printed by Albert Carman, City Island, New York, 1946 About the Publication: Picasso, Fifteen Drawings (1946) was one of the earliest fine art portfolios issued in the United States to feature the work of Pablo Picasso in the mediums of lithography and pochoir. Published by Pantheon Books, Inc., New York—a press renowned for its pioneering role in introducing European modernism to American audiences—the portfolio marked an important cultural bridge between postwar Paris and the emerging art scene in New York. The suite comprised fifteen images selected from Picasso’s prolific oeuvre, including depictions of mythological figures, musicians, and introspective portraits. Each work was rendered using a combination of lithography and pochoir, printed by Albert Carman at his atelier in City Island, New York, whose craftsmanship ensured a remarkable fidelity to the tonal and chromatic nuances of Picasso’s originals. The portfolio was produced in an edition of D, primary edition; L, out of commerce, hand signed by Pablo Picasso, issued unbound within a printed paper folder, and distributed primarily through Pantheon’s art book division under the direction of Kurt Wolff and Monroe Wheeler—key figures in shaping the intellectual reception of modern art in the United States. Picasso, Fifteen Drawings helped establish the artist’s postwar reputation among American collectors, scholars, and institutions, introducing a generation of viewers to the expressive immediacy and psychological depth of his draftsmanship. The publication also exemplified Pantheon’s broader mission to make modern European art accessible to an American audience, alongside their landmark editions devoted to Henri Matisse, Georges Rouault, and Marc Chagall. Technically refined and historically significant, the portfolio stands as a testament to the transatlantic exchange of modernist aesthetics during the mid-20th century and remains one of the most sought-after Picasso print editions issued in the United States before 1950. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Weeping Woman...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Lola, soeur de l’artiste (Lola, the Artist’s Sister), from the folio Les Bleus de Barcelone, 12 aquarell...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Two Nudes, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island...

Medium: pochoir. Printed in 1957 at the atelier of Daniel Jacomet and published in Paris by San Lazzaro for the art revue XXe Siecle (issue No. 9). Size: 12 1/2 x 9 1/2 inches (315 x...

Tiger Portrait Pop Art with Floral Mandala in Chains by British Urban Graffiti Artist, Chris Pegg, using red, pink & turquoise. Chris Pegg is a self-taught Street Artist producing ar...

LIFE IS FATAL II (2019) by Prefab77 Hand Finished Mix of Acrylic, Screen Print, Spray Paint, Stencil, and UV Ink on 350 gsm Fabriano Cotton Paper 70 x 100 cm Limited Edition of 15 Si...

Medium: pochoir (after the watercolor). This impression was printed in 1971 on Arches paper at the atelier of Daniel Jacomet and published in an edition of 225 for the Cezanne Quinze...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Pablo Picasso (1881-1973) - Portrait mélancolique d'une femme en bleu Pochoir from 1961. The edition: 442/500 written in pencil. Dimensions of work: 53.8 x 41.5 cm Publisher: Au ...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Guitariste (Guitarist), from the album, Picasso, Oeuvres 1920-1926, 1926, originates from the 1926 editi...

Medium: pochoir (after the lithograph). Printed in 1960 at the Jacomet atelier and published by Berggruen in an edition of 1500. Size: 8 1/2 x 9 inches (218 x 227 mm). There is anoth...

Half Skull & Female Face Portrait Pop Art by British Urban Graffiti Artist, Chris Pegg. Lilac Background. Presented in a high quality ornate white frame. Art measures 20 x 16 inche...

Medium: pochoir. Printed in 1952 for the Temoignages pour l'art abstrait portfolio (Witnesses for Abstract Art) and published by Editions d'Art d'Aujourd'hui in an edition of 1500. S...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Les Amoureux (The Lovers), from the folio Contrastes, 13 Aquarelles, Gouache, Lavis, Crayon (Contrasts, ...

Medium: pochoir (after the gouache). Printed in Paris in 1957 by Jacomet and issued in an edition of 1000 by the Galerie Berggruen for a rare catalogue. Image size: 5 x 3 3/4 inches ...

Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 9 1/2 x ...

Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarel...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed...

Robert Indiana American Dream (EAT / DIE / HUG / ERR) (Sheehan, 136), 1986 Hard and soft-ground etching, aquatint, drypoint and stencil on white Arches paper 37 inches × 21 inches ...

Medium: pochoir (after the oil painting). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 7 1/2 x 6 inches (193 x 150 mm). A text inscription...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Bacchante assise (Seated Bacchante), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates ...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: pochoir (after the gouache). Printed in Paris in 1957 by Jacomet and issued in an edition of 1000 by the Galerie Berggruen for a rare catalogue. Image size: 5 x 3 3/4 inches ...

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme devant le miroir (Woman Before the Mirror), from the folio Les Bleus de Barcelone, 12 aquarelles e...

Pablo Picasso (1881-1973) - The Goat at the Fence Phototype and pochoir from 1962. From the edition of 1,000 copies, this example is number 334, as noted in the colophon. Dimensio...

Jacques Camus The Grey City, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idées" portfolio ...

MAYA SUCKS 2019 A new character crunching for this work on a cotton frame: The POPS bee sweetly taunts one of his ancestors and Ethan, as always, knows how to modernize everything ...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Capricho de Goya n°63 is an original héliogravure and pochoir, realized by Salvador Dalí in 1977, hand-signed and numbered n°125/200. Included a wooden frame. In very good condi...

Jacques Rigaud (c. 1671/91-1754) The Royal Garden Original etching enhanced with stencil Signed in the plate On Arches vellum 35 x 66 cm (13.7 x 25.9 inch) Very good condition, mi...

Lithograph on vélin Johannot paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Paris Capitale, 1955; published by Joseph Foret, Editeur d'Art, Paris...

Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 11 1/2 x...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Pablo PICASSO (1881-1973) Diurnes, The Satyr, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 11.2 in) REFERENCE ...

Christophe Stouvenel has the talent to hunt beautiful things and turn them into beautiful artworks. He then signs a new collection from vintage cards he has dressed (or rather undressed) pin up 50...

Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarel...

This exquisite lithograph and pochoir after Henri Laurens (1885–1954), titled Nature morte (Still Life), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubis...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled Le garou (The Werewolf), originates from the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs). Published by Galerie Berggruen, Paris, and printed by ateliers de Daniel Jacomet, Paris, this collaborative work brings together Picasso’s poetic visual sensibility and Villers’ inventive photographic approach. The series represents a unique dialogue between cut paper forms and light, demonstrating Picasso’s continual exploration of composition, texture, and abstraction through new media. Executed on vélin d’Arches paper, this lithograph measures Paper Size 15.75 x 11.75 inches. As issued, it is unsigned and unnumbered, consistent with the authorized publication format. The edition preserves the subtle interplay of tone and structure that defines Picasso’s mastery of visual rhythm and lyrical modernism. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: Le garou (The Werewolf), from Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), 1962 Medium: Lithograph and stencil (pochoir) on vélin d’Arches paper Dimensions: Paper Size 15.75 x 11.75 inches Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Galerie Berggruen, Paris Printer: Ateliers de Daniel Jacomet, Paris Catalogue Raisonné Reference: Goeppert, Sebastian, et al. Pablo Picasso: Catalogue Raisonné Des Livres Illustrés. Patrick Cramer, 1983, Illustration 115. Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), published by Galerie Berggruen, Paris Notes: Excerpted from the folio (translated from French), Finished printing on January 29, 1962, on the presses of l'Imprimerie Union in Paris and in ateliers de Daniel Jacomet for phototypies and pochoirs. This album, made with the help of Lionel Prejger, was issued in M numbered examples, the first C of which were accompanied by an original engraving by Pablo Picasso numbered and signed by the artist. This engraving, printed on the presses of Arnéra in Vallauris, was presented in a special box. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Malaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musee Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Picasso Le garou (The Werewolf), Picasso Diurnes (Daytime), Picasso André Villers collaboration, Picasso Galerie Berggruen, Picasso Daniel Jacomet printer, Picasso Arnéra...

Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...

Pablo PICASSO (1881-1973) Diurnes, Goat in the Field , 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in) ...

Lithograph and stencil on vélin papier a la cuve du Moulin Richard de Bas spécialement filigrané pour cette édition paper. Signed in the plate and unnumbered, as issued. Good conditi...

Paul Cezanne Trees and houses, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) INFORMATION...

Medium: pochoir (after the watercolor). Printed on Arches paper in 1956 at the atelier Daniel Jacomet for the Vins, fleurs et flammes portfolio, and issued in a limited edition of 38...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled Hic (Here), originates from the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographi...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Family at Supper, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition publi...

Fernand LÉGER Still life with Journal and Flowers, 1959 Original lithograph and stencil Printed signature in the plate On vellum Auvergne 50,2 x 40 cm (c. 19,7 x 15,7 Inches) Publ...

Medium: pochoir on sandpaper (after the oil painting on sandpaper). This unusual work was printed in 1967 on actual sandpaper for the rare catalogue "Oiseau solaire, oiseau lunaire, ...

Lithograph on vélin Johannot paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Paris Capitale, 1955; published by Joseph Foret, Editeur d'Art, Paris...

Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Faunes et Flore d'Antibes IV (Fauns and Flora of Antibes IV), from the folio, Picasso, Faunes et Flore d...

Salvador Dalí­ Simon (Simeon), from the Twelve Tribes of Israel, 1972 Etching with colour stencil Hand signed lower right Edition E.A. lower left Image size 50 × 36 cm Frame size 88...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Pierre Auguste RENOIR (after) Shepherdess and lamb Lithograph and stencil (Jacomet process) Printed signature in the plate On paper mounted on vellum 45 x 34 cm (c. 18 x 13 inch) E...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Maquette pour la Creation du Monde (Maquette for The Creation of the World), from the folio Contrastes, ...