Art by Medium: Stencil

This exquisite lithograph and pochoir after Jean-Edouard Vuillard (1868-1940), titled Dans le bois des Clayes (In the Woods of Clayes), from the folio Vuillard, Douze Pastels (Vuilla...

This exquisite lithograph and pochoir after Jean-Edouard Vuillard (1868-1940), titled Le Parasol Orange (The Orange Parasol), from the folio Vuillard, Douze Pastels (Vuillard, Twelve...

Pablo PICASSO (1881-1973) Diurnes, The Bride, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c.15.7 11.2 in) REFERENCE :...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 7 1/2 x 5 1/2 inches (190 x 145 mm). There is an insc...

(after) Georges Braque, (1882 - 1963) La Mandoline (1943) Lithograph and stencil On vellum 40 x 48 cm (c. 16 x19 inch) Printed signature in the plate Edition of 300 Very good co...

Medium: pochoir (after the lithograph). Printed by the atelier of Daniel Jacomet, and published in Paris in 1955 by Heinz Berggruen. The image measures 5 x 3 1/2 inches (130 x 90 mm)...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

10 color spray paint and stencils with paint markers on genuine $1 bill. Surface – genuine $1 bill Edition size – edition of 5 Description – 5 colour spray paint and stencils with...

Medium: pochoir. Printed at the atelier Jacomet in 1958 for the hard-to-find XXe Siecle (issue No. 10) published in Paris by San Lazzaro. Size: 12 3/8 x 9 1/2 inches (315 x 242 mm). ...

Medium: pochoir (after the lithograph). Printed by the atelier of Daniel Jacomet, and published in Paris in 1955 by Heinz Berggruen. The image measures 5 1/4 x 3 3/4 inches (135 x 10...

Medium: pochoir (after the watercolor and collage). Printed in 1957 at the atelier of Daniel Jacomet and published in Paris by the Galerie Berggruen for a rare catalogue. Image size:...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Original hand cut stencil and spray paint on metal panel. Hand signed on verso by Snik. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable of...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

This exquisite lithograph and pochoir after Raoul Dufy (1877–1953), titled Portrait de Mademoiselle Kessler (Portrait of Mademoiselle Kessler), originates from the 1968 folio Visages...

Evitez Les Contre-Facons Magenta (2014) by Ziegler T Stencil and Spay Paint on Paper 56 x 76 cm Edition of 20 Signed and Numbered (10/20) by the Artist Child drawing a heart. Si...

Le Petit Pince - 2017 KIKI "has a predilection for the use of supports and mediums resulting from urban art: it combines stencil work, staging and collage of ...

after Jean Dubuffet - Man - Pochoir 1960 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXème siècle Unsigned and unumbered as issued

This piece titled "EASSSSSSSSSY" is a one-of-a-kind original piece by Amanda Marie (Mando) done with hand-cut stencil, acrylic and aerosol on canvas in solid wooden box frame. This p...

This piece titled "NOWHERE TO GO BUT DOWN" is a one-of-a-kind original piece by Amanda Marie (Mando) done with hand-cut stencil, acrylic and aerosol on canvas in solid wooden box fra...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

Medium: pochoir (after the lithograph). Printed by the atelier of Daniel Jacomet, and published in Paris in 1955 by Heinz Berggruen. The image measures 5 x 4 inches (128 x 100 mm). N...

Medium: pochoir (after the lithograph). Printed by the atelier of Daniel Jacomet, and published in Paris in 1955 by Heinz Berggruen. The image measures 5 x 3 3/4 inches (130 x 97 mm)...

Tito, Ettore (Italian, 1859-1941). UNTITLED (KNIGHT AND DAMSEL ON HORSEBACK). Pochoir in colors, not dated/ Edition of 50, signed in pencil and numbered 50/50. In addition to the ima...

Medium: pochoir (after the watercolor). Printed in 1964 at the atelier of Daniel Jacomet for the "Paul Klee 12 Aquarelles" portfolio and published in Paris by the Berggruen Gallery i...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

This exquisite lithograph and pochoir after Paul Klee (1879–1940), titled Der Man water dem Birnbasm (The Man under the Pear Tree), from the folio Paul Klee, 12 aquarelles (Paul Klee...

Capricho de Goya n°63 is an original héliogravure and pochoir, realized by Salvador Dalí in 1977, hand-signed and numbered n°125/200. Included a wooden frame. In very good condi...

Pablo PICASSO (1881-1973)(after) Harlequin in the desert landscape, 1946 Lithograph and stencil Signed in the plate On vellum 48 x 33 cm (c. 18.9 x 13 inches) INFORMATION: Edited b...

Medium: offset lithograph with pochoir coloring. Printed in 1958 and published in Milan by Silvana Editoriale d'Arte in an edition of 200. Image size: 11 x 7 inches (280 x 175 mm). S...

Salvador Dali, Spanish (1904 - 1989) - Le Cerf se Voyant dans l'eau, Portfolio: Le Bestiaire de la Fontaine, Year: 1974, Medium: Etching with Pochoir on Japon, Signed and numbered...

This exquisite lithograph by Maurice Utrillo (1883–1955), titled Rue Royale, La Madeleine (Rue Royale, La Madeleine), from the album Paris Capitale (Paris Capital), originates from t...

Medium: pochoir (after the watercolor). Printed in 1964 at the atelier of Daniel Jacomet for the "Paul Klee 12 Aquarelles" portfolio and published in Paris by the Berggruen Gallery i...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Screen print with stencil, acrylic and spray paint on wove paper. Hand signed on front; signed and dated on verso with studio catalog number and thumbprint. Artwork size: 30 x 22 ...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 8 (Plate No. 8), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositions...

Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 13 1/4 x...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

Space Cowboy 2018 Mixed media: stencil, aerosol spray, Posca Support: 33 rpm vinyl Diameter: 30 cm Signed artwork, with certificate of the artist

Medium: pochoir (after the watercolor and collage). Printed in 1957 at the atelier of Daniel Jacomet and published in Paris by the Galerie Berggruen for a rare catalogue. Image size:...

This is one of the artworks in the portfolio 'Le Bonheur du Jour', by George Barbier. A very fine work of one of the most important and famous european illustrators of Art Deco, who...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

This exquisite lithograph and pochoir after Edgar Degas (1834–1917), titled Portrait de Julie Belleli (Portrait of Julie Belleli), originates from the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), published by Editions Artistiques et Documentaires, Paris, and Daniel Jacomet, Editeur, Paris, and rendered and printed by Daniel Jacomet et Cie, Paris, 1968. The composition reflects Degas’s penetrating psychological insight and disciplined draftsmanship, translating the intimacy and structural clarity of the original drawing into a refined modern printmaking language. Executed as a lithograph and pochoir on velin paper, archivally hinged on a velin support sheet as issued, this work measures 18.5 x 14 inches overall, with the image measuring approximately 9.45 x 7.87 inches. Signed in the plate and unnumbered as issued. Rendered and printed by Daniel Jacomet et Cie, Paris. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Portrait de Julie Belleli (Portrait of Julie Belleli), from Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), 1968 Medium: Lithograph and pochoir on velin paper, archivally hinged on velin support sheet, as issued Dimensions: 18.5 x 14 inches overall; image size 9.45 x 7.87 inches Inscription: Signed in the plate and unnumbered as issued Date: 1968 Publisher: Editions Artistiques et Documentaires, Paris; Daniel Jacomet, Editeur, Paris Printer: Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, published by Editions Artistiques et Documentaires and Daniel Jacomet, Paris Notes: Excerpted from the folio (translated from French), This album, first of the series of pochoirs similar to masters drawings, published by Daniel Jacomet, publisher, was completed printing on March XXXI, MCMLXVIII. The fifteen drawings have been rendered in similar pochoirs in Les Ateliers Daniel Jacomet. Composition and typographic printing are from the Union Printing. It was drawn in LXX numbered examples and L examples, out of the trade. About the Publication: Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, issued in 1968, represents a landmark achievement in Parisian printmaking devoted to the faithful translation of historic master drawings into modern pochoir and lithographic form. Conceived and published by Daniel Jacomet in collaboration with Editions Artistiques et Documentaires, the album inaugurated a series dedicated to rendering canonical drawings with exceptional fidelity to line, tone, and original intent. Jacomets atelier was internationally respected for its rigorous technical standards and scholarly approach, bridging museum collections and contemporary print culture through meticulous craftsmanship. By uniting works spanning centuries and artistic traditions, the publication reflects a curatorial vision rooted in preservation, education, and aesthetic continuity. Produced in strictly limited examples, including a small number outside the trade, it exemplifies the highest standards of mid twentieth century Parisian printmaking and remains valued for its role in transmitting the legacy of master draftsmanship to collectors, institutions, and scholars. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries. Renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation, employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture. Although associated with Impressionism, he rejected plein air spontaneity in favor of studio based discipline rooted in the linear precision of Jean Auguste Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet, while also drawing inspiration from Japanese ukiyo e prints, classical sculpture, and early photography. His independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, abstraction, and conceptualism find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure. Degas’s pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse and Francis Bacon to Lucian Freud, Giacomo Manzu, and contemporary practitioners across visual and performing arts. His works are held in nearly every major museum collection worldwide, including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London. The highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, confirming his enduring stature as one of the most sought after artists in the Western canon. Edgar Degas lithograph...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

Medium: pochoir (after the watercolor and collage). Printed in Paris at the atelier of Daniel Jacomet and published in 1955 by the Berggruen Gallery for a rare catalogue. The image m...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled L’Enfant a l’ange (The Child with the Doll), from the album, Pablo Picasso, 1930, originates from the 1930 edition published by Editions des Chroniques du Jour, Paris, and printed by L'Atelier Desjobert, Paris, 1930. L’Enfant a l’ange (The Child with the Angel) exemplifies Picasso’s exploration of mythological and spiritual imagery during the early 1930s—a period in which he synthesized the formal innovations of Cubism with the poetic lyricism of his neoclassical and Surrealist phases. Through the delicate layering of lithographic line and pochoir color, the work evokes both innocence and transcendence, merging classical grace with modern expressiveness in a composition that feels simultaneously intimate and monumental. Executed as a lithograph and pochoir on velin paper, this work measures 11.38 x 9.09 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Editions des Chroniques du Jour and the technical excellence of L'Atelier Desjobert, one of the premier Parisian workshops specializing in pochoir and fine art lithography. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: L’Enfant a l’ange (The Child with the Doll), from the album, Pablo Picasso, 1930 Medium: Lithograph and pochoir on velin paper Dimensions: 11.38 x 9.09 inches (28.9 x 23.1 cm) Inscription: Unsigned and unnumbered as issued Date: 1930 Publisher: Editions des Chroniques du Jour, Paris Printer: L'Atelier Desjobert, Paris Catalogue raisonne references: Cramer, Patrick. Pablo Picasso, The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 18; Bloch, Georges. Pablo Picasso: Catalogue of the Printed Graphic Work 1904–1967. Kornfeld & Klipstein, 1968, illustration 98; Reusse, Gerhard. Pablo Picasso: The Illustrated Books, Catalogue Raisonne. Verlag Gerd Hatje, 1983, illustration 31 Condition: Well preserved, consistent with age and medium Provenance: From the album, Pablo Picasso, published by Editions des Chroniques du Jour, Paris, and printed by L'Atelier Desjobert, Paris, 1930 Notes: Excerpted from the album, This volume has been printed in MCC numbered examples, of which DL (LI to DC) constitute the edition in French and DCL (DCI to MCCL). The edition in English has been printed on behalf of E. Weyhe, 794 Lexington Avenue, New York (DCI to MC) and of A. Zwemmer, 78 Charing Cross Road, London, W. C.2. (MCI to MCCL). There have also been printed L examples on Arches paper with a lithograph by Picasso (I to L) distributed between the two editions, and some press examples. About the Publication: The album Pablo Picasso, published in 1930 by Editions des Chroniques du Jour, Paris, under the direction of Christian Zervos, stands among the earliest major printed tributes to the artist’s emerging international acclaim. Conceived as part of the publisher’s broader initiative to document and celebrate the modernist vanguard, the volume presented a series of lithographs and pochoirs interpreting Picasso’s drawings, watercolors, and gouaches from the preceding decade. Executed at the esteemed Atelier Desjobert, the edition combined the lithographic precision of line with the pochoir method’s hand-applied color, producing images of exceptional tonal depth and fidelity. Issued in both French and English, with distribution in Paris, New York, and London through E. Weyhe and A. Zwemmer, the album was limited to MCC copies, including a special suite of L examples on Arches paper containing an original lithograph by Picasso. The publication represented a vital collaboration between artist, publisher, and printer—uniting the intellectual rigor of Zervos’s art criticism with the material beauty of fine French printmaking. Today, Pablo Picasso, 1930 is recognized as a landmark in 20th-century art publishing, reflecting both the refinement of interwar Parisian craftsmanship and the international reach of Picasso’s genius. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso L’Enfant a l’ange (The Child with the Doll), Picasso 1930, Picasso Desjobert, Picasso pochoir...

PURE EVIL - RICHARD BURTON'S NIGHTMARE Date of creation: 2020 Medium: Hand finished screen print on paper Edition: 1 Size: 26 x 26 cm Condition: In mint conditions, brand new and nev...

Artist: Brainwash, Mr. Title: Spray Can (Banksy Thrower) Date: 2025 Medium: stencil and mixed media on fiberglass Unframed Dimensions: 12.75" x 4.25" Signature: Signed Edition:...

Medium: pochoir (after the painting). Printed in Paris at the atelier of Daniel Jacomet and published in 1975 by the Berggruen Gallery. Image size: 5 x 3 7/8 inches (125 x 98 mm). Th...

Medium: offset lithograph with pochoir coloring. Printed in 1958 and published in Milan by Silvana Editoriale d'Arte in an edition of 200. Image size: 11 x 8 1/4 inches (278 x 210 mm...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

Music makes you lose control' (Square box canvas in custom frame) Edition version – 10 colour spray paint and stencils with paint markers on deep edge canvas. Mounted in custom spa...