Art by Medium: Stencil

Collaboration print with Holly Hock & PØNK Hand-Finished Screenprint with acrylic spray paint on 352 gsm paper Printers Proof Signed, Numbered, & Embossed with a Certificate of A...

Edition version – custom made to order edition of both classic VW camper and VW beetle. (2 hand painted multiples with matching numbers) Collectors can choose specific tags for the ...

Edition version – custom made to order edition of either classic VW camper or VW beetle. Surface – Cold pressed 300gsm paper Edition size – 5 of each Size 20 x 16 " Year – 2024 ...

Original spray paint and stencil on cardboard. Hand signed and dated on verso by Kunstrasen. Artwork size 8.5 x 10.75 inches. Frame size 13 x 14.5 inches. Artwork is in excellen...

Pochoir. Year: 1983. Signed, dated and titled. Condition: in good condition. A beautiful artwork that looks good in every room and especially in the living room or bedroom. Can ...

Miroir de Paris, n. 11 is a satirical illustration by the French draftsman Edmé-Jean Pigal (1798-1872). Original colored lithograph with pouchoir details. In very good condition. ...

Adventure of Achmet Pacha is a original pochoir artwork realized by H. Grand'aigle, for the script of Claude Farrère in an event in Paris, a French writer, who many of his novels are...

Le Bonheur du Jour by George Barbie (Nantes, 1889 - Paris, 1932) is an artwork realized in 1929. Original colored pochoir on cardboard. Perfect conditions. Le Bonheur du Jour is...

Collaboration print with Holly Hock & PØNK Hand-Finished Screenprint with acrylic spray paint on 352 gsm paper Edition size: 1/1 Signed, Numbered, & Embossed with a Certificate o...

Edition size – 6  (only 1 remains from the edition of 6) Size – panel -23.5 x 16.5”/  framed 24.75 x 17.75” Year – 2021 Description – 6 color stencil and spray paint on wood panel...

Società Fratellanza Italiana is a beautiful historical document to confer to the General Giuseppe Garibaldi the honorary presidency of the Italian Brotherhood Society in 1881. A lo...

Flung Out Like a Cigarette Butt by the Big Wigs – 15.75 x 12" image size and signed ‘Dalí’ lower right and annotated lower left. Framed in an ornate gold-tone moulding. Micheler-Löpsinger 668; Field 74-8 Plate A From the total edition of 462 plus artist's proofs - numbered A 11/195. Dalí’s series of colored etchings After Fifty Years of Surrealism reflects on the artist’s long...

"Pop Doll" is a decorated sculpture. It is created by the French artist David Cintract. About the artwork: TECHNIQUE: mannequin fiberglass, lacquer,...

Edition version – custom made to order edition of either classic VW camper or VW beetle. Surface – Cold pressed 300gsm paper Edition size – 5 of each Size 20 x 16 " Year – 2024 ...

after Jean Dubuffet - Man - Pochoir 1956 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXè siècle Unsigned and unumbered as issued

Martin Whatson Quarry Worker Mini Canvas - 2023 11.8 x 11.8 in., 30 x 30 cm Mixed media on canvas Stencil, Spray Paint and acrylic Unique canvas

Edition version – evening sky background with red hearts on deep edge canvas Surface – deep edge canvas Edition Edition of 5 Size – 8 x 20 inches Year - 2022 16 color stencil and spray paint on deep edge canvas Hand-painted with unique heart...

"The First Lady" 22 layer hand cut stencil Spray paint on $1 bill 15.6 x 6.6cm Signed HPM of 15 2013 British stencil artist Jim Penfold aka Penny (aka Onepennypiece) is known for ...

The Museum of Genius and Fancy – signed ‘Dalí’ lower right and numbered A 11/195 lower left, from the edition of 462 (there were also 35 'A' Roman, 195 'F' Arabic, and 35 'F' Roman, plus 2 additional suites on japon). Framed in an ornate gold-tone moulding. Cataloging: Micheler-Löpsinger 676; Field 74-8 Plate L Dalí’s series of colored etchings After Fifty Years of Surrealism reflects on the artist’s long...

after Jean Arp Moustaches et Squelette Executed in 1957 after the original artwork by the studios from Daniel Jacomet in Paris, France Pochoir Dimensions: 32 x 24 cm From the art re...

"The Surfing Girl" is a decorated sculpture. It is created by the French artist David Cintract. About the artwork: TECHNIQUE: mannequin fiberglass, lacqu...

Three Hens by Georges Manzana Pissarro (1871-1961) Pochoir 31.8 x 48.3 cm (12 ½ x 19 inches) Signed with Estate stamp and épreuve d'état Provenance Private Collection, London Artis...

Serge Poliakoff (after) - Composition - Pochoir Published in the deluxe art review, XXe Siecle 1956 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as is...

For Love Nor Money - 3 Layer Hand-Cut Stencil Painted on 24k Gold Banknote

(after) Alberto Magnelli - Composition - Pochoir Conditions: excellent 32 x 24 cm 1957 From XXe siècle, San Lazzaro Unsigned and unumbered as issued

Pablo Picasso (after) - Nature Morte à la Pipe - Pochoir Dimensions: 48.5 x 36 cm 1962 Edition of 260 Daniel Jacomet, LEDA, Editions d'Art Pablo Picasso Picasso is not just a man a...

(after) Robert Delaunay - La fenêtre no. 2 - Pochoir From the literary review "XXe Siècle" 1957 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro.

Multi pass UV cured print CMYK inks, on genuine vintage 1 Rouble banknote, circa 1898, signed and dated edition of 20 3 x 5 3/4 in 7.5 x 14.5 cm Edition of 20 plus 1 artist's proof

"Electricity" oil and stencil on panel 8 x 10 inches 2023

16 layer hand cut stencil, spray paint on genuine 10 Pound banknote, C-Type semi gloss printed detail, signed and dated edition of 10 2 7/8 x 5 3/4 in 7.2 x 14.5 cm Edition of 10 plu...

Victor Vasarely (after) - pochoir print by Daniel Jacomet Published in the deluxe art review, XXe Siecle 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Victor Vasarely...

Original Stencil of Sarah's Camera Comes with a signed photograph as well so the collector can choose which one to use in the frame or frame both! 8.5 x 12 inches Framed Stencil...

after Georges Braque Oiseaux Color Pochoir on Paper Published in the deluxe art review, XXe Siecle (issue number 11 "Les nouveaux rapports de l'art et de la nature") 1958 Dimensions:...

Matisse’s Jazz is one of his most renowned and beloved seris. Pochoir in colors on Arches paper with the center fold (as issued) from the Edition of 250, published by Tériade, Pari...

Spray paint and bronze patina on canvas Framed in a custom wood frame Diptych 28” x 28 20” x 28”

after Jean Arp - Pochoir 1957 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Edition version – cola grey and black background with fluorescent space splatter insert. Surface – customized light up - wood panel in a frame Edition size – AP Size – panel - 16.5x1...

Published in the deluxe art review, XXe Siecle in 1958. Printed by Daniel Jacomet. 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Catalogue raisonne: Dupin 1312 Biogr...

Spray Paint and Bronze Patina on Wood Panel Framed 58.125 x 44.25 inches

Martin Whatson The Giant Panda - Mini, 2021 11.8 x 11.8 in., 30 x 30 cm Mixed media on canvas Unique edition out of 10 COA included

Shooting star XL Edition version - stealth grey background. Matte gold, copper chrome, silver, and metallic titanium splatter showers. Surface – artist wood panel Edition size – 1/1...

Spray Paint and Bronze Patina on Wood Panel Framed 60.125 x 45.5 inches Signed by the Artist Comes with a COA

Colourful pochoir Pl. 17 by E.H. Raskin from the folio Fantaisies Oceanographiques Published 1926 Image Sz: 13-1/4"H x 10"W Frame ...

Spray Paint on Canvas 30 x 24 inches Edition of 10 Each Hand Signed and numbered

Edition version – 3D wood hand-cut grassy foreground with light up the night sky Surface – customized light-up wood panel in frame with hand-cut 3D wood foreground. Edition size – ...

after Jean Dubuffet Personnage Pochoir on paper 1956 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art revue XXe siècle Unsigned and unumbered as issued

Title: Shooting Star Edition version - black paper edition Matte gold, copper chrome silver, and metallic titanium splatter showers 8 color stencil and spray paint on paper Surf...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "Le Village inspiré, Chronique de la bohème de Montmartre (1920-1950) " published by Vertex in 1950 Condition : Excellent Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel Utrillo...

after Henri Laurens - Cubism - Pochoir Published in the deluxe art review, XXe Siecle 1956 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as issued

Spray Paint and Bronze Patina on Wood Panel Framed 56.25 x 42.25 inches Signed by the artist

Original Canvas painted with acrylic & spray paint Signed on the back of the canvas Size 11.8 x 15.75 (30 x 40 cm) with Frame 12.99 x 16.92 (33 x 43) Comes with a Certificate of A...

Original Canvas painted with acrylic gold chrome spray paint Signed on the back of the canvas Size 11.8 x 19.7 (30 x 50 cm) Edition of 5 Comes with a Certificate of Authenticity...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "L...

Acrylic, Spray Paint on Canvas 40 x 30 inches On Custom stretched canvas

after Jean Dubuffet - Flowers - Pochoir 1957 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXe siècle Unsigned and unumbered as issued

Collaboration print with Holly Hock & PØNK Hand-Finished Screenprint with acrylic spray paint on 352 gsm paper Edition size: 1/1 Signed, Numbered, & Embossed with a Certificate o...

Mixed Medium Original Acrylics and spray paint on deep edge canvas Titled, signed, and numbered on the reverse Size: 50 x 50 cm Edition of 5

Max Ernst (after) - Blue Bird - Stencil Published in the deluxe art review, XXe Siecle, 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

Artist: Arman, French (1929 - 2005) Title: New Year's Card, 2003 Year: 2003 Medium: Print on Aluminum and Cut out Cardboard, signed in marker Size: 11.25 in. x 8.25 in. (28.58 cm x ...

after Giuseppe Capogrossi - Stencil 1957 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art revue XXe siècle Unsigned and unumbered a...