Art by Medium: Stencil

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition...

Medium: lithograph with pochoir coloring (after the 1895 drawing in sanguine). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and ...

Stencil The work signed in the plate 20.50 cm. x 32.50 cm. 8.07 in. x 12.8 in. (image) 41.00 cm. x 52.00 cm. 16.14 in. x 20.47 in. (frame) LCD5582

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Jacques Rigaud (c. 1671/91-1754) The Royal Garden Original etching enhanced with stencil Signed in the plate On Arches vellum 35 x 66 cm (13.7 x 25.9 inch) Very good condition, mi...

"Pop Doll" is a decorated sculpture. It is created by the french artist David Cintract. About the artwork: TECHNIQUE: mannequin fiberglass, lacquer, acrylic, stencil, aerosol, mother of pearl, digigraphy, varnish, resin, Indian headdress 218 cm or helmet 198 cm. NEW MOVEMENT & STYLE: POP ART, POP FREE, Contemporary Edition : Unique, signed Weight: Approximately 25 kg. “The impressions of David's artworks on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination. All his artworks bring positive emotion, represented by the vast creative power of his talent.” David Cintract was born in 1970. Halfway between Andy Warhol and Roy Lichtenstein, the artist projects his vision of consumer society on all media: paintings, dolls or mannequins. While paying tribute to the great artists Pop, Cintract has stood out thanks to his strong personality, becoming a key figure in the movement that he founded: “The Pop free.” David Cintract has a fascination for the exuberant sculpture and storage works so “Aladdin’s cave...

Collaboration between Jane Bauman and David Wojnarowicz Jane Bauman writes: "I had made that bleak/black house stencil that I used in San Francisco and had it when I moved to NYC in...

Martin Luther King Artists: Yerena, Ernesto Year: 2021 Class: Art Print Released: 01/16/21 Technique: Original Mixed Media Paper: 100% Cotton Rag Size: 26 X 20 Markings: Signed & Numbered About: Ernesto Yerena...

Stencil The work signed in the plate 35.00 cm. x 24.00 cm. 13.78 in. x 9.45 in. (image) 52.50 cm. x 41.50 cm. 20.67 in. x 16.34 in. (frame) LCD5579

Stencil The work signed in the plate 24.00 cm. x 35.00 cm. 9.45 in. x 13.78 in. (image) 42.50 cm. x 53.00 cm. 16.73 in. x 20.87 in. (frame) LCD5581

Original painting on canvas. Hand signed and dated on verso by Seen. Frame size approx 86 x 89.5 inches. Artwork is in excellent condition. Additional images are available upon request. Certificate of Authenticity is included. Please do not hesitate to ask us any further questions. All reasonable offers will be considered. About the Artist: Seen (American, born 1961) is a street artist best known for his graffiti works which covered MTA train cars along the New York subway system during the 1970s. Characterized by bright block letters and cartoonish depictions of human figures, the artist’s paintings and tattoos are influenced by comic books and television shows. “Graffiti lost its edge in the mid-1980s, and that’s why I needed to find other mediums like tattooing and clothing to put my name to,” he explained. Born Richard Mirando in 1961 in the Bronx, NY, he first began spray painting in 1973, alongside his graffiti crew United Artists. By the early 1980s, Seen had transitioned to work on canvas and began participating in shows alongside Keith Haring and Jean-Michel Basquiat. He has gone on to produce commissioned works for the MTA, tattoo art...

10 color spray paint and stencils with paint markers on genuine $1 bill. Surface – genuine $1 bill Edition size – edition of 1/1 Description – 5 colour spray paint and stencils wi...

A very good impression of this color screenprint with varnish and stencil. Artist's proof, aside from the edition of 125. Signed and inscribed "A.P." in pencil. Printed by Styria Stu...

Artist: Grace Graupe-Pillard, American Title: Plates of Light Year: 1991 Medium: Cut-out Silhouette Lithograph, signed and numbered in pencil Edition: 30/30 Size: 45 x 33 in. (114.3 ...

Stencil, 1962 Edition : 65/75 Publisher : Editions Parler (Grenoble) Catalog : [Vallier p. 300] 10.00 cm. x 20.00 cm. 3.94 in. x 7.87 in. (image) 33.50 cm. x 42.00 cm. 13.19 in. x ...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "Le Village inspiré, Chronique de la bohème de Montmartre (1920-1950) " published by Vertex in 1950 Condition : Excellent Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel Utrillo...

(after) Nicolas de Staël - Abstract Composition - Pochoir Published in the deluxe art review, XXe Siecle 1959 Dimensions: 32 x 24 cm Publisher: G. d...

Artist: Joan Miro, After, Spanish (1893 - 1983) Title: Cartones 22: Femme et Oiseau Year: 1965 (after 1963 original) Medium: Pochoir Edition: 1200 Size: 12.5 in. x 8.75 in. (31.75 ...

Street Connoisseur - Life Is Beautiful, Pink. Archival Paper with dimensions of 20 x 16 in. 5-Color Screenprint with 1 Hand Finished Stencil Layer Edition of 15 Certificate of Authen...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her Collage Portrait Series, Amy Smith uses photography, and layers of hand cut stencils, and torn recycled fashion magazine pieces to simultaneously represent her love of fashion and her contempt for excessive consumerism. In addition, she showcases female portraits to empower and unify, creating a space to feel connected to oneself and to each other. Smith’s mixed media collages have been shown at Wallspace, Saatchi’s The Other Art Fair, La Art Fair to name a few and been part of auctions such as revered Julien’s Auctions...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her Collage Portrait Series, Amy Smith uses photography, and layers of hand cut stencils, and torn recycled fashion magazine pieces to simultaneously represent her love of fashion and her contempt for excessive consumerism. In addition, she showcases female portraits to empower and unify, creating a space to feel connected to oneself and to each other. Smith’s mixed media collages have been shown at Wallspace, Saatchi’s The Other Art Fair, La Art Fair to name a few and been part of auctions such as revered Julien’s Auctions...

Maurice-Pillard Verneuil: "Kaleidoscope, Ornements Abstraits", Framed Artist: Maurice-Pillard Verneuil (1869 - 1942) and Adelaide Verneuil (1898 - ...

Maurice-Pillard Verneuil: "Kaleidoscope, Ornements Abstraits", Framed Artist: Maurice-Pillard Verneuil (1869 - 1942) and Adelaide Verneuil (1898 - 1998) Title: "Kaleidoscope, Orne...

Paul Cezanne The card player, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) INFORMATION ...

Artist: Joan Miro, After, Spanish (1893 - 1983) Title: Cartones 17: Personnage et Oiseau Year: 1965 (after a 1963 original) Medium: Pochoir Edition: 1200 Size: 12.5 in. x 8.75 in. ...

Artist: Phyllis Seltzer Title: Urban Axes Year: 1995 Medium: Heat Transfer Print, signed, numbered, and titled in pencil Edition: 3/10 Image: 29 x 78....

Soon after the German invasion of the Soviet Union in June of 1941, the Okna TASS studio spontaneously formed in Moscow. Comprised of renowned artists, poets and literary figures, th...

Archival Pigment Print Hand-Finished with spray paint on Moab Entrada Bright 290 gsm paper Printers Proof Unique 1/1 Signed & Numbered with a Certificate of Authenticity Size: 1...

Artist: Corneille, Belgian (1922 - 2010) Title: China Suite I Year: 2004 Medium: Terragraph on Canvas, signed and numbered in ink Edition: 31/120 Images Size: 18 x 18 inches Canvas ...

Artist: Joan Miro, After, Spanish (1893 - 1983) Title: Cartones 19: Femmes en priere devant le soleil Year: 1965 (after 1963 original) Medium: Pochoir Edition: 1200 Size: 8.75 in. ...

Robe Grise Pochoir (silk screen) printed in colors, 1923 Signed by the artist in pencil lower right (see photo) The artist won a gold medal in Paris in 1925 for his pochoirs Condition: Two spots in the upper left corner associated with the printing. Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982) Biography Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators. In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli . In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia. In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous. His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino...

Maurice-Pillard Verneuil: "Kaleidoscope, Ornements Abstraits", Framed Artist: Maurice-Pillard Verneuil (1869 - 1942) and Adelaide Verneuil (1898 - 1998) Title: "Kaleidoscope, Orne...

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

The abstract series of sizable works done in a mixed-media technique pays homage to the great modernists and abstract expressionists such as Mondrian, Kandinsky, Still and Motherwell...

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

This art piece is part of the series of unique sizable works called 'Home alone'. By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey ...

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarel...

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

The abstract series of sizable works done in a mixed-media technique pays homage to the great modernists and abstract expressionists such as Mondrian, Kandinsky, Still and Motherwell...

The abstract series of sizable works done in a mixed-media technique pays homage to the great modernists and abstract expressionists such as Mondrian, Kandinsky, Still and Motherwell...

WRDSMTH is a published author, screenwriter, former advertising copywriter, and emerging street artist. Born and raised in the Midwest, he relocated to LA and started doing time in H...

WRDSMTH is a published author, screenwriter, former advertising copywriter, and emerging street artist. Born and raised in the Midwest, he relocated to LA and started doing time in H...