Art by Medium: Stencil

Maurice-Pillard Verneuil: "Kaleidoscope, Ornements Abrstaits", Unframed Artist: Maurice-Pillard Verneuil (1869 - 1942) and Adelaide Verneuil (1898 -...

Original spray paint and hand cut stencil painting on canvas. Hand signed and dated on verso by Seen. Painting is stretched. Artwork is in excellent condition. Additional images ar...

Maurice-Pillard Verneuil: "Kaleidoscope, Ornements Abstraits", Framed Artist: Maurice-Pillard Verneuil (1869 - 1942) and Adelaide Verneuil (1898 - ...

Edition version – 3D wood hand-cut grassy foreground with light up the night sky Surface – customized light-up wood panel in frame with hand-cut 3D wood foreground. Edition size – ...

Hand-Finished with acrylic spray paint on Moab Entrada Bright 290 gsm paper Edition size: 1/1 Signed & Numbered with a Certificate of Authenticity

Hand-Finished with acrylic spray paint on Moab Entrada Bright 290 gsm paper Edition size: 1/1 Signed & Numbered with a Certificate of Authenticity

after Georges Braque Oiseaux Color Pochoir on Paper Published in the deluxe art review, XXe Siecle (issue number 11 "Les nouveaux rapports de l'art et de la nature") 1958 Dimensions:...

(after) Nicolas de Staël - Abstract Composition - Pochoir Published in the deluxe art review, XXe Siecle 1959 Dimensions: 32 x 24 cm Publisher: G. d...

Published in the deluxe art review, XXe Siecle in 1958. Printed by Daniel Jacomet. 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Catalogue raisonne: Dupin 1312 Biogr...

Maurice-Pillard Verneuil: "Kaleidoscope, Ornements Abstraits", Framed Artist: Maurice-Pillard Verneuil (1869 - 1942) and Adelaide Verneuil (1898 - ...

"Electricity" oil and stencil on panel 8 x 10 inches 2023

The Divine Love of Gala – signed ‘Dalí’ lower right and numbered A 11/195 lower left, from the edition of 462 (there were also 35 'A' Roman, 195 'F' Arabic, and 35 'F' Roman, plus 2 additional suites on japon). Framed in an ornate gold-tone moulding. Cataloging: Micheler-Löpsinger 674; Field 74-8 Plate J Dalí’s series of colored etchings After Fifty Years of Surrealism reflects on the artist’s long...

Jean Arp (after) - Composition - Pochoir 1958 Dimensions: 32 x 24 cm From the art revue XXe siècle Unsigned and unumbered as issued

after Jean Dubuffet - Man - Pochoir 1956 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXè siècle Unsigned and unumbered as issued

after Jean Arp Moustaches et Squelette Executed in 1957 after the original artwork by the studios from Daniel Jacomet in Paris, France Pochoir Dimensions: 32 x 24 cm From the art re...

(after) Alberto Magnelli - Composition - Pochoir Conditions: excellent 32 x 24 cm 1957 From XXe siècle, San Lazzaro Unsigned and unumbered as issued

(after) Robert Delaunay - La fenêtre no. 2 - Pochoir From the literary review "XXe Siècle" 1957 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro.

Les poules by Georges Manzana Pissarro (1871-19610 Pochoir 30 x 46 cm (11 ³/₄ x 18 ¹/₈ inches) Signed with Estate stamp Manzana Pissarro and numbered 7/100 lower left Artist biograp...

after Jean Dubuffet Personnage Pochoir on paper 1956 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art revue XXe siècle Unsigned and unumbered as issued

Victor Vasarely (after) - pochoir print by Daniel Jacomet Published in the deluxe art review, XXe Siecle 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Victor Vasarely...

Pablo Picasso (after) - Nature Morte à la Pipe - Pochoir Dimensions: 48.5 x 36 cm 1962 Edition of 260 Daniel Jacomet, LEDA, Editions d'Art Pablo Picasso Picasso is not just a man a...

after Henri Laurens - Cubism - Pochoir Published in the deluxe art review, XXe Siecle 1956 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as issued

after Jean Dubuffet - Flowers - Pochoir 1957 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXe siècle Unsigned and unumbered as issued

after Jean Arp - Pochoir 1957 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

after Giuseppe Capogrossi - Stencil 1957 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art revue XXe siècle Unsigned and unumbered a...

Max Ernst (after) - Blue Bird - Stencil Published in the deluxe art review, XXe Siecle, 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

Artist: Arman, French (1929 - 2005) Title: New Year's Card, 2003 Year: 2003 Medium: Print on Aluminum and Cut out Cardboard, signed in marker Size: 11.25 in. x 8.25 in. (28.58 cm x ...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "Le Village inspiré, Chronique de la bohème de Montmartre (1920-1950) " published by Vertex in 1950 Condition : Excellent Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel Utrillo...

Original spray paint and stencil on cardboard. Hand signed and dated on verso by Kunstrasen. Artwork size 8.5 x 10.75 inches. Frame size 13 x 14.5 inches. Artwork is in excellen...

Fear Makes the Wolf Look Bigger, Mushroom Brown, 2016 five color hand pulled screen print, with dimensions of 58 cm x 58 cm and 22.8 in x 22.8 in. Great piece for families, kids room, home or office. Mau Mau is known for his Political Graffiti art prints...

Christophe Stouvenel has the talent to hunt beautiful things and turn them into beautiful artworks. He then signs a new collection from vintage cards he has dressed (or rather undressed) pin up 50...

Original painting on canvas. Hand signed and dated on verso by Seen. Frame size approx 86 x 89.5 inches. Artwork is in excellent condition. Additional images are available upon request. Certificate of Authenticity is included. Please do not hesitate to ask us any further questions. All reasonable offers will be considered. About the Artist: Seen (American, born 1961) is a street artist best known for his graffiti works which covered MTA train cars along the New York subway system during the 1970s. Characterized by bright block letters and cartoonish depictions of human figures, the artist’s paintings and tattoos are influenced by comic books and television shows. “Graffiti lost its edge in the mid-1980s, and that’s why I needed to find other mediums like tattooing and clothing to put my name to,” he explained. Born Richard Mirando in 1961 in the Bronx, NY, he first began spray painting in 1973, alongside his graffiti crew United Artists. By the early 1980s, Seen had transitioned to work on canvas and began participating in shows alongside Keith Haring and Jean-Michel Basquiat. He has gone on to produce commissioned works for the MTA, tattoo art...

Soldier. 1950. Cardboard, author technique, 39,5x20 cm Artwork depicts a soldier in motion. Author has used a mixed media technique on cardboard. Both the soldier himself and the fe...

Māris Abiļevs (born 23 April 1956 in Kazakhstan) is a Latvian graphic artist and printer, brother of graphic artist Andris Abiļevs. He works in etching, lithography and various mixed...

The abstract series of sizable works done in a mixed-media technique pays homage to the great modernists and abstract expressionists such as Mondrian, Kandinsky, Still and Motherwell...

The abstract series of sizable works done in a mixed-media technique pays homage to the great modernists and abstract expressionists such as Mondrian, Kandinsky, Still and Motherwell...

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

This art piece is part of the series of unique sizable works called 'Home alone'. By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey ...

Acrylic spray paint on wood panel 32 Stencil Layers 16 x 20 inches Signed by BD White Comes with a COA

Oil on Aluminum Composite Panel 18 x 24 inches Signed by BD White Comes with a COA

Original painting on canvas. Hand signed and dated on verso by Seen. Painting is stretched. Artwork is in excellent condition. Additional images are available upon request. Certifi...

TECHNICAL INFORMATION: Larry Rivers Stencil Camel 1978 Color stencil and pochoir printed on acetate and color lithograph on two sheets 25 x 21 1/2 in. Artist's Proof (A.P.) of 25 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Condition: This work is in excellent condition. Frame: This work is framed in a wood frame. ABOUT THIS WORK: The logo of Camel cigarettes...

Colourful double-pochoir #3 Par E.H. Raskin Published. 1926 F. Dumas Editeur, Paris From the folio, "Fantaisies Oceanographiques" ...

Original spray paint and hand cut stencil painting on canvas. Hand signed and dated on verso by Seen. Painting is stretched. Artwork is in excellent condition. Additional images ar...

Original painting using hand cut stencils and Montana Gold spray paint and emulsion on stretched cotton canvas. Hand signed and titled on verso ...

Colourful tri-pochoir plate No.13 by E.H Raskin Published 1926 by F Dumas, Editeur Paris Image Sz: 13-5/8"H x 9-1/4"W Frame Sz: 18"H x 14"W w/ coral mat in gilt bamboo frame

Edition version – custom made to order edition of either classic VW camper or VW beetle. Surface – Cold pressed 300gsm paper Edition size – 5 of each Size 20 x 16 " Year – 2024 ...

Edition version – custom made to order edition of either classic VW camper or VW beetle. Surface – Cold pressed 300gsm paper Edition size – 5 of each Size 20 x 16 " Year – 2024 ...

Colourful pochoir Pl. 17 by E.H. Raskin from the folio Fantaisies Oceanographiques Published 1926 Image Sz: 13-1/4"H x 10"W Frame ...

Two Turkeys by Georges Manzana Pissarro (1871 - 1961) Pochoir with hand-coloured metallic paint 42 x 59.5 cm (16 ½ x 23 ⅜ inches) Signed with Estate stamp, lower left Numbered 1/25 C...

Commissioned unique variant. Painted using hand cut stencils and Montana Gold spray paint and emulsion on stretched cotton canvas. Hand signed, titled and numbered 1/1 on verso. Can...

Mixed Medium Original Acrylics and spray paint on deep edge canvas Titled, signed, and numbered on the reverse Size: 23.6 x 23.6 Edition of 10

Mixed Medium Original Acrylics and spray paint on deep-edge canvas Titled, signed, and numbered on the reverse Size: 50 x 50 cm Edition of 5

Original Canvas painted with acrylic & spray paint Signed on the back of the canvas Size 11.8 x 15.75 (30 x 40 cm) with Frame 12.99 x 16.92 (33 x 43) Comes with a Certificate of A...

Spray Paint and Bronze Patina on Wood Panel Framed 60.125 x 45.5 inches Signed by the Artist Comes with a COA

Acrylic, Spray Paint on Canvas 40 x 30 inches On Custom stretched canvas

Spray Paint on Canvas 32 x 30 inches

Spray Paint on Canvas 30 x 24 inches Edition of 10 Each Hand Signed and numbered

Diptych (2 panels) Spray paint on wood panel 24 × 18 × 1 1/2 in 61 × 45.7 × 3.8 cm Year: 2017 Signed by BD White

Edition version – roof grey background with visible mirror circle on glass mirror Surface – Glass mirror Edition size – lilac dress x5/ blue dress x9 Si...