Art by Medium: Stone

The concrete works of David Umemoto stand as studies about volume. At the juncture of sculpture and architecture, these miniature pieces evoke temporary buildings or monuments standi...

Linda Stein started her Knights of Protection series in 2002 after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Knights are shield-like forms ...

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Portrait on Slate of Pope Innocent XI (Benedetto Odescalchi), 17th century Technique: Oil on slate ( Black stone) Dimensions 14 × 11.5 cm. Work to be restored. This small-format p...

Wall mount or pedestal mount. Absinthe metallic finish. 20"x16"x8" keywords; sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled an...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

The Divine Dragon Inkstone was carved in 2012 by master craftsman Wei Ming Huang, using stone from Songkeng, one of the four famous Duanxi quarries. Discovered and mined since the Northern Song dynasty, Songkeng stone is known for its dense, smooth texture and distinctive features such as golden star-like specks, “fire spots,” and the prized “coin fire” patterns. With a high mica content, it produces ink of exceptional quality, making it highly valued for carved inkstones. This piece reveals natural star-like “stone eyes” across the surface, resembling a night sky. A dragon, executed in high and openwork relief, emerges among clouds, evoking the majestic vision of a divine dragon soaring through the heavens. Symbolizing wisdom, power, and auspicious protection, the work harmonizes nature and artistry. Wei Ming Huang, from Zhaoqing, Guangdong, has devoted over twenty years to Duan inkstone...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

Finely carved mythological subject in Vicenza limestone of Hercules in excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: ...

Artist: Ellen Brenner-Sorensen, American Year: circa 1970 Title: Abstract Medium: White Marble Sculpture Size: 24 x 18 x 18 in. (60.96 x 45.72 x 45.72 cm)

Limited edition cast elephant that captures the essence of these noble animals. This composition edition is presented on a classical wood base signed Louis Paul Jonas and numbered 14...

Biomorphic abstract sculpture by Canadian artist John McKinnon. The work features a mother figure holding her child in a loving embrace. Inspired by other modern artists such as Henr...

Brian Russell Jobe (American, b. 1981) is an artist and non-profit director based in Knoxville, Tennessee. Jobe's studio practice is focused on sculptur...

Stunningly hand carved, large, circa 1825, solid Carrara marble statue of the crowned, Roman goddess, Juno- known in ancient times as the ruler of marriage, home, and family, a champ...

A dramatic early 20th century Austrian Art Deco bronze Inkwell of a muscular male holding a scythe with one arm and wiping his brow with the other. The bronze has a rich dark brown p...

This bronze patina sculpture is set on a warm toned marble base. The sculptor, Ruth Gutman, has created an expressionist rendering of a woman praying. ...

White stone head in the art deco style. Born in Lithuania at the end of the nineteenth century, Boris Lovet-Lorski studied art at the Imperial Academy of Art in St. Petersburg before working briefly as an architect. He immigrated to New York in 1920 and became an American citizen five years later. His sculptures epitomize the ideals of the Art Deco decades: comprised of sleek lines and smooth surfaces, the streamlined compositions reflect the new technological forms of the machine age. Despite their modernist treatment, Lovet-Lorski’s elegant, stylized figures reference both ancient and classical sources and are characterized by a universal and serene sensibility. Concentrating on figural busts, familial groups, and standing female nudes as his subject matter, the artist rendered them in a variety of media. The materials range from the traditional bronze and marble to exotic woods and unusual stones; each is carefully selected so that its surface texture and color contribute to the emotive aura of the work. Carved out of a block of limestone, Untitled (Head) depicts a female visage nearly androgynous in its idealization. The delicate features of her face, the long, straight nose, thin pursed lips and high cheekbones, are made even more diminutive by the massive bulk of the stone that serves as their backdrop. The prominent widow’s peak of her hairline and the strong arch of her brow, two of Lovet-Lorski’s most distinctive characteristics, are elongated to accentuate the linear rhythms of the composition. The layers of her hair are delineated by stepped striations reminiscent of archaic precedents, which meld into structural columns and connect the form architecturally to the stone’s mass. Unlike the majority of Lovet-Lorski’s sculptures, in which the heads of the figures are tilted to the side or downward to convey a pensive mood, the woman in Untitled (Head) looks straight ahead. Her frontal positioning gives the composition a nearly perfect symmetry, in turn endowing the work with a still, eternal sensibility. The notched surface of the surrounding limestone stands in sharp contrast to the smoothness of her skin. In the twenties, the artist tended to finish his sculptures to a highly polished degree of refinement, but in the thirties he began to experiment with contrasts of texture and the aesthetic of the fragment. In this respect, the work is vaguely evocative of Egyptian funerary sculptures, in which the figures were carved with an eye for three-dimensionality but were left intact in a larger piece of stone to give them physical durability and permanence. Embodying classical ideals of stoicism and universal beauty, the sculpture ultimately exudes a surface allure that is difficult to resist. A similar example of this approach can be seen in the 1937 sculpture Diana, which resides in the permanent collection of the Hirshhorn Museum and Sculpture Garden, Washington D.C. Carved from a piece of black Belgian marble, the work is a stylized bust of the Greek goddess Diana...

"Land & Sea" Bronze sculpture 16" x 14" inch by Ibrahim Abd Elmalak Double-faced Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic figu...

Brook Soss, "Home I" – Contemporary Abstract Artwork in Sandstone and Acrylic Elevate your space with "Home I", a stunning contemporary mixed-media artwork by acclaimed artist Brook ...

Florentine Pietra Dura Plaque, inlaid with various types of hardstone to depict a mountainous landscape scene, signed "Prof. T. Valenti" to verso, giltwood frame. Image: 4" H x 2.7...

Hand Forged Iron and Drilled Stone Candelabra Holocaust Memorial Judaic Menorah Sculpture David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional...

Ira Bronze Sculpture Contemporary Nude Boy Marble Stone Sitting Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession a...

Grey Amphora is a glass fiber and reinforced concrete sculpture by Czech contemporary artist Pavlína Kvita, notable for its distinctive surface details—unusual within the artist’s br...

This mixed-media painting by contemporary artist Patrick Burns is a departure from his "Concrete Gardens" flower paintings, yet continues his use of heavy texture and reverberating, ...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

jd Hansen is an American sculptor whose work explores the tension and interplay between vulnerability and strength, using human and animal forms rendered in bronze and stainless stee...

Araña Noir, created in collaboration with Panorammma Atelier, extends the language of the larger sculpture within the series. Carved from black marble, this smaller form echoes the s...

Carved from Duanxi Kengziyan stone, prized for its fine and dense texture that produces smooth ink without harming the brush, this inkstone follows the natural shape of the stone to form the pool. At the water inlet, a high-relief dragon surges through clouds and waves, with the interplay of cloud and water rendered in both intaglio and relief to create an open composition. The dragon symbolizes auspiciousness and protection, echoing the scholar’s tradition of “nurturing the brush and carrying the Way through objects.” Han jing Mo’s style achieves a balance between meticulous precision and freehand expressiveness, skillfully integrating natural stone colors, skins, and fissures into the design so that material and imagery resonate as one. Master craftsman Han jing Mo, from Zhaoqing, Guangdong, has devoted more than twenty years to Duan inkstone...

Matt Devine 1763 Study #1 Steel w/ Powdercoat on Marble Base (Indoors Only) 24" x 10" x 8" Matt Devine is a self-taught sculptor working with steel, aluminum and bronze. Born and r...

Bronze & Marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emotions, whe...

Horseback Riding Out West, a stone sculpture by Robin Anatar. This piece was carved out of Alabaster and stained with custom oil stains. Robin trave...

Tokyo Yamagata Japon (after) Marc Chagall Marc Chagall was a Belarusian-French artist known for his dreamlike, poetic paintings that blended folk traditions, religious themes, and e...

This is part of the series of American-made work boots that are a tribute to the American spirit. Onward and Forward shows a "Never Give Up" attitude that exemplifies the strength of that spirit. This piece is carved in Limestone and tinted with oil stains. Dimensions: 12"h X 8"w X 4"d American sculptor Robin Antar has been called “Brooklyn’s answer to Andy Warhol.” Her mission is to create a visual record of modern American culture through commonplace objects as she explores the question, “What is America?” Meticulously carved in stone, a hamburger with fries, an American-made work boot, denim jeans and a giant "Ballpark Frank...

An 18th c. hand-carved, solid Carrara marble bust, likely of a holy Roman Emperor on a specimen marble base of the period. Inscribed "OTTONI".

Drawing inspiration from cultural icons and global events, Soren Grau's street art-infused Neo-expressionism invites art enthusiasts to be a part of a narrative larger than life. In ...

This is a gorgeous hand-carved black marble object. The marble is polished and has an amazing tactile feeling. This piece is celebrates our conne...

An original 1960s mid‑century abstract mixed media painting titled Cosmos by Polish‑American modernist Pawel Kontny (1923–2002). This compelling work is executed in mixed media combi...

La Perla; The Pearl  A mesmerizing alabaster table lamp depicting the birth of venus by Umberto Stiaccini. Three winged putti stand on a piece of coral as they carry a scallop shell...

18th/19th Century Italian Infant Hercules Wrestling a Snake Alabaster 18 x 18 x 6 inches 40 lb. In Greek mythology, the infant Hercules (Heracles) is famously depicted wrestling wit...

Matrix White Carrara Marble on marble base, singed and titled in plate. Created 1972 Solo exhibition in 1976 Le Galeria De Arte Moderno Dominican Republic. It will be shipped in tw...

'Family' is an original stone sculpture signed by Zimbabwean artist Wonder Mazhindu Bumhira. The composition is an example of the family groupings, with each figure arranged as though they were a flower in a bouquet, that are so desired from Shona sculptors. Though the figures are ambiguous and stylized, the figures are arranged using a hierarchy of scale: the matriarch (perhaps a grandmother) towers over the other members of her family, with her children and grandchildren below. Thusly, sculptures like this present a vision of family structure and unity. opal stone (serpentine) 36 x 13.5 x 11 inches signed 'W. Maz' along base Overall good condition. Please contact us for a complete condition assessment. Born on January 17th, 1982 in East Mashonaland, Harare, Wonder (often spelled Wander) is the fifth born of a family of 6...

Sensitively carved, solid marble bust of a young boy mounted on a custom, Lucite base. Carved fully in the round, though originally the figure was pa...

A 1:28 scale reproduction of the original statue in Piazza Affari in Milan, L.O.V.E. stands for Libertà, Odio, Vendetta, Eternità and is an anti-fascist statement. Maurizio Cattelan L.O.V. E. White 2014 Concrete sculpture 40 × 18 × 18 cm (15.7 × 7.1 × 7.1 in) Stamped by artist's estate Edition of 200 In mint condition With original packaging and accompanied by a certificate of authenticity The statue, which bears the title of L.O.V.E., stands for Libertà, Odio, Vendetta, Eternità (Freedom, Hate, Vengeance, Eternity),was created in 2010 to stay in Piazza Affari (business district) in Milan. The artist himself states that the statue is an anti-fascist statement, transforming Italy’s Fascist hand salute from the 1930s by cutting off the fingers and mutilating the hand. The fingers, except the medium one, are not flexed but cut off. Nevertheless the impression is an unambiguous “fuck you” to the world of bankers and CEOs.This edition, 1:28 scale reproductions of the original statue, was released by Seletti in May 2014 and is made of concrete painted white. “My ideas are all the same but look different.„ —Maurizio Cattelan ABOUT THE ARTIST Born in Padua, Italy, in 1960, Cattelan has no formal training and considers himself an “art worker” rather than an artist. He has said that in addition to reading art...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

This captivating mid-20th-century abstract bronze sculpture by Edward (Eduardo) Arcenio Chavez (1917–1995) is a powerful example of the artist’s modernist sculptural language. Cast i...

Discover the striking beauty of “Metamorphosis,” an original abstract painting by celebrated mid-century artist Pawel Kontny (also known as Paul Kontny). Created in the late 1960s to...

Bronzetto on onyx base depicting a nude female figure, standing with her hair loose and looking skyward, leaning on a draped support. The very sensual pose and figure seem to contras...

In this piece, seven octagonal terra-cotta bricks of cylindrical shape are on the floor in a V shape. Two concrete bricks are placed amongst these cylinders. All of these objects are bound together by a string that is tied around the objects. Brian Russell...

Magnificent hand carved Carrara marble sculpture of a lioness head from Rome. Mounted on a metal base. Base 13.75"W x 12.25"D.

Mid sized. Absinthe Green Metallic keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract ...

Wanawhite (Abstract painting) Cement & marble powder on foam panel. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in th...

The Lily by Auguste CLESINGER (1814-1883) Outstanding bust sculpted in white Carrara marble Signed on the ribbon " J. Clésinger, 1871 " Presented on a rounded white marble base France 1871 height 76,5 cm width 48 cm depth 35 cm Noted in "Clésinger – Sa vie, ses œuvres - Le catalogue de ses œuvres", A. Estignard, Librairie H. Floury, Paris, 1900, p.169. Biography : Jean-Baptiste Auguste Clésinger, known as Auguste Clésinger (1814-1883), was a French romantic sculptor. His father, Georges-Philippe Clésinger, himself a sculptor, trained him at the School of Fine Arts in Besançon where he was a teacher. Auguste also studied sculpture under the direction of Bertel Thorwaldsen...

African American Artist Alvin Hollingsworth creates a mixed-media abstract painting/collage that abounds with inventiveness and creativity. Large s...

Large scale modern abstract art painting, textured acrylic, acrylic gel, and concrete on canvas, 36 x 36 inches. Let It Stay leans into quietness and restraint, holding a strong yet...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

Four Caryatids sculptures with classically draped figures and their distinguishing symbols. Autumn, winter, spring and summer. Measures: Height with square form bases cm 220. Time...

A pair of large, detailed cast bronze Roman figures of a senator (likely Julius Caesar) and possibly an emperor. Each in cascading drapery with beautifully rendered facial expression...

Rare and remarkable Italian pietra dura bayscape with birds, boats and a lighthouse handcrafted in inlaid stone and marble and presented in a marble frame.

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

Kathleen Hope MODULAR 82 cement, pigment, plaster 8.00 X 8.00 in $250.00