Art by Medium: Stone

Ben McLeod (b. 1948, Aberdeen, Scotland) is a preeminent Canadian sculptor whose over five-decade practice is characterized by a profoundly self-propelled trajectory and the cultivat...

Limited edition of 8 + 4 artist's proofs. Each cast is signed and numbered. Sold with a granite base. Dimensions of the bronze sculpture: 67 H x 37 L x 18 D cm Dimensions of the bas...

"Celebrations (C-56)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece, and it weighs 228 pounds. This piece features a woman with a ...

Smooth black granite has been engineered to resemble a treble clef in this elegant outdoor sculpture by Canadian artist Jeremy Guy. An overture is a musical composition; usually the ...

This modern outdoor sculpture was created in marble by Jeremy Guy. Smooth-surfaced, engineered white marble flecked almost imperceptibly with grey and black sparkles in the light. T...

From the estate of Jerry and Ruth Opper Untitled 1950s Stone Lithograph on paper 13 1/4"x19 1/4" unframed Unsigned This piece is unsigned and came from a collection of Jerry and Rut...

Sentinel (Rocker) NY State slate/pigmented and sealed steel 39" (height) x 17" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in ...

Contemporary bronze sculpture on marble base by Polish artist Stan Wysocki. Artwork comes from limited edition of 8. Sculpture depicts female figure filtered through geometric, synth...

Mark Morrison (1895-1964) Dove, ca. 1960 Carved and polished stone 10" wide, 6.25" deep, height is 12" Tail exhibits a small area of loss. Our conservator can repair this at no ex...

This architectural layered cement head sculpture examines the body as a durable dwelling, constructed through stacked volumes and structural fragments. Part of José Perozo’s Proyecto...

20 inches tall x 11 inches wide at base. Signed. Numbered 6/100 A cast bronze sculpture that depicts an adult female, rural worker, mid-stride, holding a large bundle of wood on her...

"Aqueduc" is part of an edition of 5 pieces. Mattia Listowski (b. 1987, Paris, France) is a French sculptor, draughtsman, and photographer with French, Italian, and Polish origins, ...

Listening, bronze sculpture, childs portrait, black granite base, green patina 35 lbs

Untitled "Marble Fragment 3" 2019, acrylic, landscape, wall sculpture, clouds, purple, blue

Small bronze ornament - Bust of a woman. Italy, early 19th century. 8 x 8 x h 29 cm, without base h 23 cm (not signed). Made entirely of patinated and gilded bronze. Depicting a fe...

Taking its name from the seven-tablet Babylonian creation myth, Enūma Elish unfolds across sculpture, video, engraving, and performance — summoning ancient mythologies into contempor...

Mark Morrison (1895-1964) Young Penguin, ca. 1950 Carved Tennessee Marble 8.5" x 7" by 3.5", height is 13 inches. Provenance: Estate of Mrs. Mark Morrison. Born: Kingfisher, O...

Light Element is a unique Belgium black marble and LED sculpture by contemporary artist Francesca Bernardini. The dimensions are 12 × 30 × 24 cm (4.7 × 11.8 × 9.4 in). The sculpture...

Signed: A. Carrier-Belluese Two large bronze matching busts of an unknown male and female 22 x 10 x 11" male 23 x 10 x 9" female Both show signs of wear with their age but are in fa...

"Mur" is part of an edition of 5 pieces. Mattia Listowski (b. 1987, Paris, France) is a French sculptor, draughtsman, and photographer with French, Italian, and Polish origins, comi...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

Francis Bevilacqua (American, b. 1911) Working Laborers, n.d. Oil and pigment on black granite 44 x 21 inches Signed lower right Born in 1911, Francis Bevilacqua was predominantly influenced by the 1930s. The period of the 1930s is epitomized by the conflict between many political ideologies, including Marxist Socialism, Capitalist Democracy, and the Totalitarianism of both Communism and Fascism. In the Soviet Union, Stalin’s government needed urgent funds to implement the rapid industrialization demanded by the first Five Year Plan. It initiated a secret strategy to sell off treasures from the State Hermitage Museum in Leningrad (St. Petersburg), including a primary list of two hundred and fifty irreplaceable paintings by the Old Masters, a number of which ended up in the collection of Andrew Mellon...

Sezione Aurea A7 is a unique sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 72 × 53.5 × 4 cm (28.3 × 21.1 ×...

Beautiful Art Nouveau marble. Campagne, Pierre Étienne Daniel French , 19th century , male. Active in Paris. Born 1851 , in Gontaud (Lot-et-Garonne). S...

Pietro Bazzanti - Barzanti (Italian, 1825-1895) "After the Bath" - A very Fine and large carved white Carrara marble figure of a semi-nude young maiden standing by the sea-shore. The smiling and posing young beauty, with bare breasts and back, her right arm juxtaposed over her head, while holding a blanket over her waist with her left hand and standing barefoot by a rocky seawall and wavy shoreline. Signed 'P. Barzanti/Florence' (on reverse) and raised on a cylindrical swiveling carved verde antico solid marble pedestal. circa: Florence, 1880-1890. Pietro Bazzanti or Barzanti (Italian, 1825-1895) was a 19th Century Italian sculptor born in Florence. Together with his brother, Niccolò Bazzanti (Firenze, 1802-1869) who was also a sculptor, they both worked the sprawling Florentine studio 'Pietro Bazzanti e Figlio' a hugely successful sculpture studio, operated within the family at their gallery on Lungarno Corsini until the mid-twentieth century. The studio was a place where many talented professors and apprentice sculptors specialized in sculpting marble genre scenes and allegorical figures as well as copies of antique and Renaissance sculpture catered to a prominent international clientele which included European and Russian aristocracy, and the Industrial fortunes being made in England and Americas drove considerable export demand. In 1861 the studio was awarded the medal for 'Ercole con cinghiale sulla spalla' (Hercules with boar on shoulder), 'Due Cani' (Two dogs) and 'Cinghiale' (Boar) sculptures at the National Exposition in Florence. In 1874 he exhibits his works in London and in 1876 in Philadelphia. Bazzanti frequently returned to the subject of 'After the Bath' or 'The Bather' in his works, having carved examples of the bathing Venus after the Antique and in dynamic and dramatic compositions such as the present sculpture. The finely-detailed work relates closely to popular figures produced by Bazzanti’s contemporary, Cesar Lapini, whose La Sopresa depicts a young woman stepping back from approaching waves. The sculptor’s penchant for realism is on full display with the contrasting matte and highly-polished finishes of the gently lapping waves at the figure’s feet, to the jutting rocks and soft skin. Elegant handling of textures is further exemplified in the draped fringe of the cloth. This monumental and Fine work is illustrated in situ at Bazzanti’s studio circa 1900 among other fashionable works of the period. Notes: Pietro Bazzanti was also known as Pietro Barzanti. There are conflicting dates of Pietro Bazzanti/Barzanti's birth/death year. Some auction houses and art galleries have described 'Pietro Barzanti' as Italian, 1842–1881 and Pietro Bazzanti as Italian, 1825-1895. However, according to Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78, 'Pietro Barzanti' was in fact 'Pietro Bazzanti' one and the same, and it questions his year of his birth/death as "Firenze (?), ?, ?." thus we believe that the Italian, 1825-1895 description is the most plausible. Literature: Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78. Auctions: Another example of this sculpture, probably also Pietro Bazzanti but almost a foot shorter (Height 44¾ in. (113.5 cm), unsigned and without its pedestal, was sold at Christie's New York, 19th Century Furniture, Sculpture, Works of Art and Ceramics Sale...

Artist: Kuno Vollet Title: Bronze Gingko with 8 leaves sculpture Materials: Cast bronze, white marble base Size: 80 x 10 x 10 cm _________________________________________________...

White marble sculpture - The Kiss. ​​19th century. 15 x 20 x h 20 cm including base, 12 x 17 x h 18 cm excluding base. Entirely in white marble, some small breaks and repairs. - ...

From the estate of Jerry and Ruth Opper Abstract Fireworks 1950's Stone Lithograph on Paper 12.5" x 19", Unframed Came from a portfolio of his work from his estate. Jerry Opper (192...

Medium: mahogany, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual lang...

Untitled, 2000 – 2012 is a unique and special composition by the sculptor. Instead of letting myriad folds be the focal point, it is the verticality and beauty of the stone and its ...

The graceful form of a female figure emerges from hand-chiselled black granite in this classically elegant sculpture by Jeremy Guy. The British artist’s contemporary work has long be...

Emma Maiden b. 1966 Breezy Bird, 2025 Portland Whitbed stone 71 x 49 x 13 cm 28 x 19 1/4 x 5 1/8 in Emma Maiden has exhibited her sculptures throughtout the UK since the mid-1990s, ...

Georges Lavroff, Russian (1895 - 1991) - Tigre à l'affût, Year: circa 1925, Medium: Bronze sculpture on marble base, signature inscribed at base, Size: 4.5 x 21 x 4 in. (11.43 x 5...

Artist: Kuno Vollet Title: Bronze Gingko with 8 leaves sculpture Materials: Cast bronze, white marble base Size: 80 x 10 x 10 cm _________________________________________________...

Kora is a unique oil, acrylic and wax on Carrara marble sculpture by contemporary artist Richard Perry, dimensions are 26 × 27.5 × 25.5 cm (10.2 × 10.8 × 10 in). The sculpture is si...

Smooth-surfaced, black granite has been engineered and sculpted into an elegant and classic depiction of a human figure by Jeremy Guy. The formalist play of positive and negative spa...

Sculpted from Spanish black marble, this enigmatic and powerful piece was created by Viktor Mitic. The Toronto based artist is known for his imaginative form and use of colour. This ...

Cambre 7-21 Slate and Bronze 21.5 x 13.5 x 4.5 Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a m...

It is marvelous to find discoveries such as Lorrie Goulet's female form, one of our few American women sculptors who direct carved in marble. Goulet has an attractive technique of u...

Teakwood and black lava sand make this beautiful turning globe a real stunning sculpture. Made from a whole piece of wood the way the sculpture is shaped is defined by how the tree g...

Bacio (Kiss) by Lorenzo Vignoli striking hand carved marble sculpture of rare Portuguese rosa marble by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical refere...

Unknown Artist - Owl, Medium: Bronze Sculpture on Marble Base, Size: 12 x 4 x 3.25 in. (30.48 x 10.16 x 8.26 cm), Frame Size: BASE SIZE: 2 x 4.75 x 4.75 inches

Demetre Haralamb Chiparus (also known as Dumitru Chiparus) (16 September 1886 in Dorohoi, Romania - 22 January 1947 in Paris, France) was a Romanian Art Deco* era sculptor who lived and worked in Paris. He was born in Romania, the son of Haralamb and Saveta. In 1909 he went to Italy, where he attended the classes of Italian sculptor Raffaello Romanelli. In 1912 he traveled to Paris to attend the Ecole des Beaux Arts* to pursue his art at the classes of Antonin Mercie and Jean Boucher. Demetre Chiparus died in 1947 and was buried in Bagneux cemetery, just south of Paris. The first sculptures of Chiparus were created in the realistic style and were exhibited at the Salon of 1914. He employed the combination of bronze and ivory, called chryselephantine*, to great effect. Most of his renowned works were made between 1914 and 1933. The first series of sculptures manufactured by Chiparus were the series of the children. The mature style of Chiparus took shape beginning in the 1920s. His sculptures are remarkable for their bright and outstanding decorative effect. Dancers of the Russian Ballet, French theatre, and early motion pictures were among his more notable subjects and were typified by a long, slender, stylized appearance. His work was influenced by an interest in Egypt, after Pharaoh Tutankhamen's tomb was excavated. He worked primarily with the Edmond Etling and Cie Foundry in Paris administrated by Julien Dreyfus. Les Neveux de J. Lehmann was the second foundry which constantly worked with Chiparus and produced the sculptures of his models. Chiparus rarely exhibited at the Salon. In 1923 he showed his Javelin Thrower, and in 1928 exhibited his Ta-Keo dancer. During the period of Nazi persecution and the World War II, the foundries discontinued production of work by Chiparus. The economic situation of that time was not favorable to the development of decorative arts and circumstances for many sculptors worsened. Since the early 1940s almost no works of Chiparus were sold, but he continued sculpting for his own pleasure, depicting animals in the Art Deco style. At the 1942 Paris Salon, the plaster sculptures Polar Bear and American Bison were exhibited, and in 1943 he showed a marble Polar Bear and plaster Pelican. Sculptures of Dimitri Chiparus represent the classical manifestation of Art Deco style in decorative bronze ivory sculpture. Traditionally, four factors of influence over the creative activity of the artist can be distinguished: Serge Diaghilev's Ballets Russes, ancient Egyptian art, and French theatre. Early motion pictures were among his more notable subjects and were typified by figures with a long, slender, stylized appearance. Some of his sculptures were directly inspired by Russian dancers. Quite often, Chiparus used the photos of Russian and French dancers, stars and models from fashion magazines of his time. After the tomb of Tutankhamun was discovered in 1922, the art of ancient Egypt...

Mark Morrison (1895-1964) Black Swan , ca. 1950 Carved and polished black pearl granite 7" wide, 11.5" deep, height is 29" Provenance: Estate of Mrs. Mark Morrison. Born: Kin...

Rockslide 7-21 Bronze and Slate 17.5 x 16 x 6 Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a ma...

Venus Italica, imposing sculpture in white Carrara marble, mid-nineteenth-century Roman atelier. Antonio Canova made several sculptures depicting Venus. The first was made as compen...

This reproduction of a classical Hellenistic sculpture, a timeless piece for interior and a garden decoration. Measurement: Torso cm 100 base cm 70.

"Sisyphean Circle (tank top)" by John Van Alstine Riverstone, stainless, galvanized, and powder-coated steel The sculpture of John Van Alstine beautifully, and powerfully, balances ...

This captivating winter landscape was painted in early 20th century, signed lower left "W.L. Palmer", attributed to American Impressionist Walter Launt Palmer (1854–1932). Trained in...

Substantial, hand carved, solid marble bust of Roman Emperor Vitellius (24-69 C.E.) on a custom, iron base. Likely a 16th century copy of a 2nd century o...

Medium: mahogany, marble As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual langua...

Charna Rickey 1923 - 2000 Mexican-American Jewish Woman artist. Signed Bronze House of Books, Architecture Bronze sculpture, signed Charna Rickey and on the front "House of the book." It depicts an open Torah. Original patina. Approx. dimensions: 7 in. H x 9 in. W x 8.5 in. D. Weight: 13.1 lbs. Modernist Judaica Sculpture Born Charna Barsky (Charna Ysabel or Isabel Rickey Barsky) in Chihuahua, Mexico, the future artist lived in Hermosillo and immigrated to Los Angeles when she was 11. She was educated at UCLA and Cal State L.A., she married furniture retailer David Rickey and explored art while raising their three daughters. Moving through phases in terra cotta, bronze, marble and aluminum, she found success later in life. Rickey became one of the original art teachers at Everywoman's Village, a pioneering learning center for women established by three housewives in Van Nuys in 1963. She also taught sculpture at the University of Judaism from 1965 to 1981. As Rickey became more successful, her sculptures were exhibited in such venues as Artspace Gallery in Woodland Hills and the Courtyard of Century Plaza Towers as part of a 1989 Sculpture Walk produced by the Los Angeles Arts Council. Her sculptures have also found their way into the private collections of such celebrities as Sharon Stone. Another of Rickey's international creations originally stood at Santa Monica College. In 1985, her 12-foot-high musical sculpture shaped like the Hebrew letter "shin" was moved to the Rubin Academy of Music and Dance at Hebrew University in Jerusalem. The free standing architectural Judaic aluminum work has strings that vibrate in the wind to produce sounds. Rickey also created art pieces for the city of Brea. They commissioned some amazing art pieces by Laddie John Dill, Walter Dusenbery...

"Vortex 014" invites the viewer into an abstract, cosmic dreamscape where emotion and texture entwine. Subtle hues of aqua, dusty rose, and silvery beige swirl like distant galaxies,...

Smooth-surfaced, engineered black granite is sculpted into an elegant, spinning form by Jeremy Guy. This lively shape that appears to spin dynamically on its narrow base, like a piro...

Zvi Yehuda Aldouby (1904 - 1996) was active/lived in Israel. Zvi Aldouby is known for Artist, teaching. Biography photo for Zvi Jehuda Aldouby Zvi Yehuda Aldouby (Hirsch Leib Zupnick), sculptor, born 1904, Galicia. Immigrated 1924. Upon aliyah in 1924 he worked in agriculture and construction. 1936-51 studied art and the history of art with Trude Haim, Professor J. Schwartzman, Ds. Schiff, Pinkerfeld, Aviyona, Javetz, and others. After WWII he worked for the Jewish Agency as an envoy in Italy under the aegis of the UNWRA, on the welfare of the survivors of the Holocaust in the DP Camps. In 1948 in Paris, he evaluated advanced studies in European Art Centers. He was a member of the Israel Painters and Sculptors Association. He was a member of the Artists' Village in Ein Harod from its inception. EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordecai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi, Yosl Bergner and others. The graphic arts collection contains drawings and graphic works by Camille Pissarro, Modigliani, Jules Pascin, Marc Chagall (almost all of his graphic work), and numerous other artists. The sculpture collection includes works by Jewish sculptors from all over the world including leading Israeli sculptors; Ben Zvi, Lishansky, David Palombo (brutalist), Yehiel Shemi, Aharon Bezalel and Igael Tumarkin (surrealist). Many Jewish sculptors from all parts of the world, beginning with Mark Antokolsky, are represented in the collection. In the sculpture courtyard there are works by Chana Orloff, Jacob Epstein (the works he bequeathed to the Museum), Enrico Glicenstein, Loutchansky, Constant and Indenbaum from Western Europe; Glid from Yugoslavia; William Zorach, Chaim Gross and Minna Harkavy from the United States; and most of the outstanding sculptors of Israel : Zev Ben-Zvi, Lishansky, Ziffer, Rudi Lehmann, Dov Feigin, Moshe Sternschuss, Zvi Aldouby, Yehiel Shemi, Aharon Bezalel, Hava Mehutan, Igael Tumarkin. Education: 1924-28 Hebrew University, Jerusalem, graduated 1931-37 Teachers' Seminar, Jerusalem, Teacher's Certificate 1938-29 Advanced studies, with Trude Haim Joseph Schwarzman, School of Art 1948-50 Advanced studies in Italy and France Teaching Taught history of art and sculpture Holon Awards And Prizes 1957 Herman Struck Prize, Artists' Association of Haifa and the North, Haifa Municipality 1963 Dizengoff Prize for Painting and Sculpture, Municipality of Tel Aviv-Jaffa 1964 Medal from Monaco International Exhibition 1965 Prize for the ''Breakthrough into the Negev'' proposal for a monument, Givati Corps, 52nd Brigade 1967 The Histadrut Executive Prize 1991 Worthy Citizen of Tel Aviv Award, Municipality of Tel Aviv-Jaffa Environmental Sculptures 1961 Levant Fair, Tel Aviv, "A Sculpture in a Garden" 1968 Atlit Youth Club, Bas- Relief- "Davd Playing Before King Saul" 1969 Netivot (Negev), "Yizkor"- Monument memorializing Aliyat Hanoar youngsters from Tunisia who perished in an air crash. 1944 Collective Annual Exhibition by Palestinian Artists Art Gallery of the ''Habima'' Building, Tel Aviv Artists: Hermann Struck, Moshe Sternschuss, Arie Reznik, Aaron Priver, Yitzhak Itzhak Danziger, Zvi Aldouby, Menachem Shemi, Moshe Castel, Shmuel Ovadyahu, Yohanan Simon, Marcel Janco. Group Exhibition - Etched Voices, Yad Vashem, Jerusalem painting...

Artist: Kuno Vollet Title: High Schwerelos Materials: Bronze sculpture with a dark patina on black granite base Size: 90 cm height, base, 6 x 17 x 14 cm Edition of 15

Mark Morrison (1895-1964) Mountain Goat, ca. 1950. Carved granite. 6.25" long, 3.25" wide, height is 6.25" Born: Kingfisher, OK Education: University of Missouri John Flannag...

Ausum Bronze Contemporary Sculpture Marble Stone Nude Boy Male Figure Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high scho...

Cursus Bronze Sculpture Contemporary Nude Boys Male Figures Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession...

Medium: Charred poplar, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visua...