Art by Medium: Stone

Jaguar Cultivated Marble Casted Sculpture Wildlife In Stock Chris Tap (1973, Amsterdam) attended university where he studied economy and cultural anthropology, before he became a fu...

Artist: Sam Peacock Title: Bury Materials: Oil, Coffee and Parafin on steel Medium: Mild steel sheet Size: 85 x 35 cm Edition: Original Artwork Year: 2018 ____________________...

Nude Male Torso Bronze Sculpture on Marble Base Nicola Rivelli large bronze sculpture of a male torso mounted on a rectangular gray stone/marble base, artist signed on back lower ri...

This monumental abstract sculpture named “Cycles” is created and curved by Lutfi Romhein. Its polished surface provides a perfectly smooth and soft touch...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

Bacchic revelry. A sexy and nude curvaceous young Nymph/Bacchante makes amorous advances to a Herm - whose facial expression reflects her erotic touch. The Herm is stylized where his...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

Maternity 1982 Patinated bronze on marble base. artist signed edition VI/VII; 1982 Filipe Castaneda was born in 1933 in La Palma in the state of Michoacan, Mexico. The area in which...

Provenance: Private Collection, Uruguay, for the last 90 years. Dated 1673 on the reverse (Fig. 1), this exceptional relief is an early example of a distinctly Spanish American art...

In exquisite detail, William Hung’s contemporary sculptures explore both human physicality and emotion, often capturing figures in motion. This dynamic ...

Psyche is a unique installation of three mirror-polished stainless steel sculptures on a concrete base and three painted stainless steel stabiles and bases by contemporary artist Fra...

ITALIAN RENAISSANCE CAPITAL WITH MYTHOLOGICAL FIGURES, 15th Century marble H 18 x Diam 33.5 cm H 7 x Diam 13 1/4 in

Charna Rickey 1923 - 2000 Mexican-American Jewish Woman artist. Signed Bronze House of Books, Architecture Bronze sculpture, signed Charna Rickey and on the front "House of the book." It depicts an open Torah. Original patina. Approx. dimensions: 7 in. H x 9 in. W x 8.5 in. D. Weight: 13.1 lbs. Modernist Judaica Sculpture Born Charna Barsky (Charna Ysabel or Isabel Rickey Barsky) in Chihuahua, Mexico, the future artist lived in Hermosillo and immigrated to Los Angeles when she was 11. She was educated at UCLA and Cal State L.A., she married furniture retailer David Rickey and explored art while raising their three daughters. Moving through phases in terra cotta, bronze, marble and aluminum, she found success later in life. Rickey became one of the original art teachers at Everywoman's Village, a pioneering learning center for women established by three housewives in Van Nuys in 1963. She also taught sculpture at the University of Judaism from 1965 to 1981. As Rickey became more successful, her sculptures were exhibited in such venues as Artspace Gallery in Woodland Hills and the Courtyard of Century Plaza Towers as part of a 1989 Sculpture Walk produced by the Los Angeles Arts Council. Her sculptures have also found their way into the private collections of such celebrities as Sharon Stone. Another of Rickey's international creations originally stood at Santa Monica College. In 1985, her 12-foot-high musical sculpture shaped like the Hebrew letter "shin" was moved to the Rubin Academy of Music and Dance at Hebrew University in Jerusalem. The free standing architectural Judaic aluminum work has strings that vibrate in the wind to produce sounds. Rickey also created art pieces for the city of Brea. They commissioned some amazing art pieces by Laddie John Dill, Walter Dusenbery...

From a single piece of silver cloud alabaster, the artist has carved a poetic and modern depiction of a reclining figure. The composition of negative and positive spaces changes as t...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

Beautifully hand carved Carrara marble bust of a Roman Emperor on a variegated marble base, elaborately robed with a laurel wreath adorning his head.

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Implement Stout Handle II Bronze and slate 24" (height) x 33" (width) x 10" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. Th...

Canadian sculptor WW Hung has chosen another poignant and powerful pose to explore the human condition in this contemporary mixed-media piece. A nude male sit...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

The sculpture “Metamorphosis” embodies the idea of ​​change, transformation and movement of life. Its smooth, elegant lines create a sense of dynamics, and the combination of a mirro...

MARIA DOMPE, (Italian, b. 1958), Gentleman Sculpture, marble and travertine, 1995, height: 20 in. One of a pair, (Gentleman and Lady) being sold separately. Maria Dompe was born in ...

Sax Berlin is emphatically back in the studio!  Emblem of Peace has been woven onto the canvas with the rarest of pigments, precious metal and glistening marble. These precious ingre...

Linda Stein started her Knights of Protection series in 2002 after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Knights are shield-like forms ...

Saltationus Casus Bronze Contemporary Sculpture Nude Boy Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises his profession as a sculptor. Only when his work would measure up to his own standards, he decided to present it to the rest of the world...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended t...

Title: Meditating St.Tropez Date: 2022 Technique: Recycled Resin (PETG), Chromatic and Candy Paint Dimensions: 47 x 47,5 x 25 cm Signature: Hand Signed (Ri...

Hydrocal, concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

White stone head in the art deco style. Born in Lithuania at the end of the nineteenth century, Boris Lovet-Lorski studied art at the Imperial Academy of Art in St. Petersburg before working briefly as an architect. He immigrated to New York in 1920 and became an American citizen five years later. His sculptures epitomize the ideals of the Art Deco decades: comprised of sleek lines and smooth surfaces, the streamlined compositions reflect the new technological forms of the machine age. Despite their modernist treatment, Lovet-Lorski’s elegant, stylized figures reference both ancient and classical sources and are characterized by a universal and serene sensibility. Concentrating on figural busts, familial groups, and standing female nudes as his subject matter, the artist rendered them in a variety of media. The materials range from the traditional bronze and marble to exotic woods and unusual stones; each is carefully selected so that its surface texture and color contribute to the emotive aura of the work. Carved out of a block of limestone, Untitled (Head) depicts a female visage nearly androgynous in its idealization. The delicate features of her face, the long, straight nose, thin pursed lips and high cheekbones, are made even more diminutive by the massive bulk of the stone that serves as their backdrop. The prominent widow’s peak of her hairline and the strong arch of her brow, two of Lovet-Lorski’s most distinctive characteristics, are elongated to accentuate the linear rhythms of the composition. The layers of her hair are delineated by stepped striations reminiscent of archaic precedents, which meld into structural columns and connect the form architecturally to the stone’s mass. Unlike the majority of Lovet-Lorski’s sculptures, in which the heads of the figures are tilted to the side or downward to convey a pensive mood, the woman in Untitled (Head) looks straight ahead. Her frontal positioning gives the composition a nearly perfect symmetry, in turn endowing the work with a still, eternal sensibility. The notched surface of the surrounding limestone stands in sharp contrast to the smoothness of her skin. In the twenties, the artist tended to finish his sculptures to a highly polished degree of refinement, but in the thirties he began to experiment with contrasts of texture and the aesthetic of the fragment. In this respect, the work is vaguely evocative of Egyptian funerary sculptures, in which the figures were carved with an eye for three-dimensionality but were left intact in a larger piece of stone to give them physical durability and permanence. Embodying classical ideals of stoicism and universal beauty, the sculpture ultimately exudes a surface allure that is difficult to resist. A similar example of this approach can be seen in the 1937 sculpture Diana, which resides in the permanent collection of the Hirshhorn Museum and Sculpture Garden, Washington D.C. Carved from a piece of black Belgian marble, the work is a stylized bust of the Greek goddess Diana...

A rare South American painting from the second half of the 17th century. This oil on marble portrait depicts a noble gentleman belonging to colonial high society, following the canon...

An evocative figural composition reminiscent of an ancient fertility object, or Mother Earth deity, depicting a pregnant woman carved from natural dark-hued rock. In the creation of ...

A fine antique French gilt bronze sculpture of a swordsmith, by the French- Polish artist & sculptor Henryk II Kossowski (1855-1921), the bronze dating to 1890. The bronze depicts a ...

Large scale modern abstract minimal art painting, textured acrylic, acrylic gel, and concrete on canvas, 36 x 36 inches Let It Move holds a quiet invitation to stay in motion. The w...

When this beautiful piece was created Berlin had been staging a one man renaissance of the early 20th Century School of Paris. For 8 years in this wing of study he used the shapes of...

Unique. Paul Snell is an Australian artist who blurs the boundaries between photography and painting, creating contemplative works that replace constant image saturation with moment...

"Susanna surprised at her bath" by Giovanni Battista LOMBARDI (1822-1880) Sculpture made in white Carrara marble Signed and dated "GB. Lombardi, Roma 1873" Italy 1873 height 91 cm...

PAIR OF ROMANESQUE MARBLE COLUMNS Italy, 13th/14th Century marble 86 x 16 x 13 cm 33 3/4 x 6 1/4 x 5 in

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

Very occasionally a painting invites deep study; nothing exists within it without reason, each form has purpose, every shade has nuance, every line has meaning. Berlin has presented...

Wearing a chiton with a himation draped at the left shoulder, and a modius on the crown of his head, the god's characteristic luxuriant wavy hair falling in ri...

Stunningly hand carved, large, circa 1825, solid Carrara marble statue of the crowned, Roman goddess, Juno- known in ancient times as the ruler of marriage, home, and family, a champ...

Sorbe Small Bronze Sculpture Nude Boy Drinking Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high sc...

'Protected by Spirits' is an original springstone sculpture by the Zimbabwean artists Tendai Marowa and Stanley Chideu. The sculpture presents a tall and curving face with a ring-sha...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Awofadeju Solom...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

Inuit carvings, created by the Inuit people living in or near the Arctic Circle, are a kind of sculpture (done with bone, ivory, wood or stone) depicting their traditional way of lif...

« Upon returning from the summer, I wanted to convey my joy of transparent water, the well-being of the sun, the light side of life in the garden, on the beach, with family and frien...

This listing is just for the sculpture. (the picture of the ad is for reference and is not included.) Marie Zoe Greene-Mercier was an artist, writer and arts activist who worked in t...

The shape of the sculpture is a complex intertwining of smooth, curved metal lines, resembling an abstract symbol of infinity. The mirror-like surface of the bronze reflects light, c...

Finely carved mythological subject in white Carrara marble of Apollo bust .

Matrix White Carrara Marble sculpture on beige marble base, singed and titled in plate. Created 1972. Solo exhibition in 1976 Le Galeria De Arte Moderno Dominican Republic. It will...

A good antique Italian Grand Tour Bronze and marble bust of Dante Alighieri, circa 1880. The bronze is most likely Florentine and mod...

limestone and oils 27 x 23 x 6 in c. 2005 What's more comfortable than a jean jacket? When I was working on the "What is America?" series, a jean jacket was at the top of the list of iconic clothes...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

Nude Male Torso Bronze Sculpture on Marble Base Nicola Rivelli large bronze sculpture of a male torso mounted on a rectangular gray stone/marble base, artist signed on back lower ri...

M10-B edition of 71 Miniature sculpture inspired by the Deflated Moon Series, Designed and fully produced by the artist - Edgar Askelovic - Aspencrow. Reflecting on how humans trea...

As a direct carver, Goulet would take her material as-is and begin to work without making any preparatory studies or maquettes. In Arcadia, the artist was able to uncover a loving co...