Art by Medium: Stone

Divyendu Anand - Eternal Beauty Liquid Metal Coating over Composite of Stone Glass & polyester Resin Black Granite H 31 x W 18.5 x D 19 inches, 2020 Gr...

Naked Raku Pottery, Duck Egg Blue Vase- Small is a ceramic work by Tamsin Levene ADDITIONAL INFORMATION: Clay 16.3 cm H x 5.5 cm D Sold unframed ARTIST BIOGRAPHY: Tamsin Levene st...

'Teacher or Preacher' is an original black serpentine sculpture by the celebrated second generation Shona artist Colleen Madamombe. The sculpture presents a character common to Madam...

Round Mountain Landscape, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a majo...

"Lingbi - One Hole Scholar's Rock"' is a sculpture, stone on wood base from the Late Qing Dynasty, China.

Traces VII is a unique concrete sculpture by contemporary English sculptor Oliver Ashworth-Martin, dimensions are 39 × 13 × 13 cm (15.4 × 5.1 × 5.1 in). This sculpture is signed by t...

With its fluid and elegant lines, this abstract stone sculpture by Jeremy Guy appears to resemble a figure eight. Guy is known for his powerful contemporary form that often emulates ...

Lubomir Tomaszewski (Polish-American, 1923-2018) Eagle Stone and copper Signed on back 18 x 11 x 7 inches Lubomir Wojciech Tomaszewski was a Polish-American painter, sculptor and designer born in Warsaw, Poland. Son of Lubomir and Lucyna née Bartłomiejczyk. He was an alumnus of the Warsaw Academy of Fine Arts. Student of the Warsaw University of Technology In 1966 he emigrated to New York City in the United States. In the 1970s, he moved to Easton, Connecticut where he lived until his death in 2018. He fought as a soldier of Polish Home Army through all the 63 days of Warsaw Uprising. He was a commander of anti-tank unit. He witnessed the death of his younger brother and many friends. Tomaszewski started his artistic work in the 1950s in Institute of Industrial Design in Warsaw, an innovative institution with an aim to create modern living in post-war Poland. He cooperated with designers like Henryk Jędrasiak, Mieczysław Naruszewicz i Hanna Orthwein. He created popular porcelain figurines and "Ina" and "Dorota" coffee sets, which were exhibited at the International Exhibition of the Board of the Industrial Designers’ Association (ICSID) in Paris in 1963. In 1994, he established an international art movement called Emotionalism, together with a group of painters, sculptors, photographers and even dancers and musicians. He started creating his unique fire and smoke paintings. His sculptures were recognized by The New York Times in 1975: “The most effective among the pieces are the animals or birds that convey the state of tension or movement or brute strength, something that struggles against gravity to maintain its force.” Tomaszewski took part in over 150 individual and group exhibitions around the world. His works are in renowned museum and private art collections of, among others: National Museum in Warsaw, National Museum in Cracow, Warsaw Uprising Museum, Hale Museum in Germany, Robert Marston, Rockefeller Family and Jimmy Carter. Awards: 1955 – First prize for sculpture in surrounding of the Palace of Culture and Science in Warsaw 1964 – Golden Cross for accomplishments in industrial design, Poland 1984 – Award for Achievement in Sculpture, Perspective Magazine, USA 1991 – Best in Show O.A.F., Bruce Museum, USA 2005 – First reward for sculpture ‘Spectrum’, New Canaan Society for the Arts, USA 2006 – People’s Choice Award, National Sculpture Society, New York 2008 – First Award for a sculpture ‘Mythical Giant’, New Canaan Society for the Arts, USA 2010 – American Society of Contemporary Artists, New York, award for sculpture ‘Joy of Dance’ 2011 – Second prize for sculpture ‘Illusion’, New Canaan Society for the Arts, USA 2013 – First prize for the sculpture ‘Flight above the Stage’ od New Canaan Society for the Arts 2014 – First prize for ‘Music of the Forest’ from New Canaan Society for the Arts, USA 2014 – ‘Lifetime Achievement Award’, University of Bridgeport 2014 – Award for ‘Merit in Inventiveness’ 2014 – Gold Medal ‘Gloria Artis’ 2016 – ‘Outstanding Pole’ 2017 – Medal ‘Ignacy Paderewski Arts and Music Award’ USA Exhibitions: 1964 – Sculpture...

Tollit Bronze Sculpture Nude Boy Contemporary Male Figure Balance Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his bu...

Coming from a family with a long artistic tradition. Vincent Du Bois accomplished to synthesize both classical background and comtemporary vision. From...

Gallulus Bronze Sculpture Nude Boy Male Figure Green Patina Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profess...

Cast bronze sculpture with classic green patina on black marble base. Edition of 3 at this size. Other sizes and patina finishes are also available by commission, please inquire for more details. Pisapia's "Expedition Series," inspired by sea voyages, is about meeting life’s challenges with courage and purpose. It connects to the idea expressed by J.W. Goethe: “Character is formed in the stormy billows of the world.” Taking up life’s tasks can require one to go against the wind. The feeling of determination to achieve and continue steering through obstacles is poured into the pure forms; a dynamic balancing of the straight and curve on different axes. "With a rounded starting point," Pisapia explains, "I add on a variety of disparate angles, diverse curves, and twisting planes. I carve and smooth the surfaces, bringing out particular tensions and transitions." Flavius Valone Pisapia is an Italian-Romanian artist born in Bucharest in 1981. He completed his higher education in the UK, with an MA in Transpersonal Arts & Therapy, 2014; a Diploma in Transformative Arts, 2011; and a BA (Hons) in Film and Video, 2005. Pisapia studied sculpture throughout his higher education and appreciated several sculptor mentors in the UK. Since 2016, he has resided in India, where he is currently an artist in residence at Studio Sukriti in Jaipur. He has had several solo exhibitions in India and his artwork is found in private collections worldwide. "It's important for me to experience the world at a deeper level by penetrating the veil of the senses. Through an immersive process the essence, beauty and the pure form of an idea are gradually revealed to me. The emerging awareness flows into my artwork imbuing it with a higher reality. To achieve this awareness in my creative process, I go through three stages: imagination, inspiration and intuition." - Flavius Pisapia

Smooth surfaced, black granite has been engineered into an elegant figure eight shape by sculptor Jeremy Guy. Poised on a flat, brushed aluminum base, the sculpture tapers slightly a...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. An artist of international caliber who has decided to entrust her return to her homeland to Almach Art Gallery in Milan, while maintaining connections with important galleries, such as Marlborough Fine Art in London and Galerie Koch in Hanover. The artwork represents an ideal abandoned church...

Sezione Aurea 2024-010 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and gold leaf, dimensions are 29 × 24 × 5.5 ...

Eliseo Tuderte Fattorini (Italian, 1830-1887). A very fine and life-size Italian, 19th century marble Life-size Orientalist Marble Sculpture of an Assyrian Princess (Previously descr...

This outstanding art work was carefully traced and assembled in order to create a combination of organic forms and textures. The white color and silver touch contrasts perfectly with...

Vertical House is a unique Calacatta Carrara marble and stainless steel sculpture by contemporary artist Francesca Bernardini, dimensions are 150 × 35 × 35 cm (59.1 × 13.8 × 13.8 in)...

Smooth black granite engineered to resemble a time signature in music becomes an elegant outdoor sculpture by artist Jeremy Guy. "In my own abstract work I am acutely aware that na...

Vivid, deep blue and abstract…this compelling acrylic and mixed media piece by Ivo Stoyanov illustrates his masterful use of expressive form, colour and texture. The Canadian artist ...

A very beautiful antique Art Nouveau bronzed Carrara marble sculpture bust of a young maiden circa 1900, by Gustave Van Vaerenbergh (1871-1927). The sculpture portrays a beautiful young maiden made from Cararra marble, she is wearing a laurel wreath in her hair. She wears a bronzed bodice with leaf decoration in relief and is raised on a varigated grey & white socle base. The sculpture is signed to the rear " G. V. Vaerenbergh" and numbered "1173", the bust is in excellent condition. Gustave Van Vaerenbergh attended classes at the Academy of Fine Arts in Ghent, Belgium from 1888 to 1890. Like many artists from a modest background (he was the son of a shoemaker) , Gustave Van Vaerenbergh went to work in companies where he could use his artistic talent and education for commercial purposes. In 1901 he moved to Saint-Josse-ten-Noode , and a year later to Schaerbeek where he would live for the rest of his life. He went to work there as a " mouleur en plâtre " (modeller or maker of matrices for plaster statues) at the company A. Carli Frères in the L'Olivierstraat in Schaerbeek, a company that produced commercial statues. This successful company, which was active from the beginning to the middle of the twentieth century , initially had about 20 employees and at its peak about 100 employees. The statues were distributed worldwide. Antonio Carli, a sculptor, was the founder of the Atelier A. Carli Frères, together with family members. They came from Bagni di Lucca...

From the estate of Jerry and Ruth Opper Untitled 1950s Stone Lithograph on paper 13 1/4"x19 1/4" unframed Unsigned This piece is unsigned and came from a collection of Jerry and Rut...

Artist: Kristina Oganezz Work: Art Installation / Art decor Medium: Porcelaine Year: 2024 Color: Metal Gold Title: Apple of Eden Size: H 4,75" x Diameter 3,75" inch, 337 Gram, Eleg...

"Here" is a contemporary modern abstract wall sculpture by UK artist Mari-Ruth Oda. Made from Bath Stone Jesmonite, a fine art composite material based on acrylic resin, fiberglass a...

Without Bonds is a unique Portland limestone, stainless steel on beech wood base sculpture by contemporary artist Peter Brooke-Ball, dimensions are 51 × 26 × 20.5 cm (20.1 × 10.2 × 8...

PIETRO BARZANTI Italian, 1825-1895 Allegory Of Spring Signed ‘P. Milanes/Galleria/P.Bazzanti/Florence.’ Carved White Italian marble circa 19TH C...

Standing figure of Julius Caesar wearing a Tunic and holding a billowing drapery with a composition marble square-section pedestal. . The other figure is of Hannibal. Provenance fro...

BUST In Marble Probably From Carrara Representing King Henry IV Late 18th Century" Marble BUST probably from Carrara representing King Henry IV with a laurel wreath. late 18th centur...

"Triplets (C-25)" is an original black serpentine sculpture by Colleen Madamombe. The artist signed the piece. This artwork features three women in large, textured dresses, gesturing and standing close to one another. 9 1/2" x 13" x 8" art Colleen Madamombe was born in 1964 in Harare, Zimbabwe. Considered to be among the finest new talents from Zimbabwe, she has won the award of Best Female Artist of Zimbabwe for the past three consecutive years, and is quickly becoming an established figure of the Second Generation of Zimbabwean stone...

Pablo Atchugarry "Untitled" 2016 Pink marble from Portugal Signed to the base 13 1/2 x 13 x 6 1/2 in Provenance: Gallery Enlace Arte Contemporaneo Exhibited: “PABLO ATCHUGARRY. Mem...

o.T. (GRF15LV) is a unique small size contemporary modern wall sculpture painting relief by German artist Dieter Kränzlein. This sculpture relief is carved from a single block of lim...

Mask III is a polished and coloured artificial stone wall sculpture by contemporary artist Pavlína Kvita, dimensions are 70 × 48 cm (27.6 × 18.9 in). The sculpture is signed and com...

Chinese Contemporary art sculpture. Weight lifter, body builder with bar bell. Yaohui Wu was born on November 2, 1964 in China. Passionate about paintin...

Raffaello Romanelli 1856 - 1928 Raffaello e Fornarina signed Raffaello Romanelli Firenze and inscribed Raffaello et Fornarina marble height 38 in.; 96.5cm. diameter 16 in.; ...

Abstract Geometric, small abstract bronze, dark brown patina, life cast, marble limited edition Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selec...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

This reproduction of a classical Hellenistic sculpture of Hercules . A timeless piece for interior and a garden decoration. We can raise with a base on request .

Pietro Bazzanti - Barzanti (Italian, 1825-1895) "After the Bath" - A very Fine and large carved white Carrara marble figure of a semi-nude young maiden standing by the sea-shore. The smiling and posing young beauty, with bare breasts and back, her right arm juxtaposed over her head, while holding a blanket over her waist with her left hand and standing barefoot by a rocky seawall and wavy shoreline. Signed 'P. Barzanti/Florence' (on reverse) and raised on a cylindrical swiveling carved verde antico solid marble pedestal. circa: Florence, 1880-1890. Pietro Bazzanti or Barzanti (Italian, 1825-1895) was a 19th Century Italian sculptor born in Florence. Together with his brother, Niccolò Bazzanti (Firenze, 1802-1869) who was also a sculptor, they both worked the sprawling Florentine studio 'Pietro Bazzanti e Figlio' a hugely successful sculpture studio, operated within the family at their gallery on Lungarno Corsini until the mid-twentieth century. The studio was a place where many talented professors and apprentice sculptors specialized in sculpting marble genre scenes and allegorical figures as well as copies of antique and Renaissance sculpture catered to a prominent international clientele which included European and Russian aristocracy, and the Industrial fortunes being made in England and Americas drove considerable export demand. In 1861 the studio was awarded the medal for 'Ercole con cinghiale sulla spalla' (Hercules with boar on shoulder), 'Due Cani' (Two dogs) and 'Cinghiale' (Boar) sculptures at the National Exposition in Florence. In 1874 he exhibits his works in London and in 1876 in Philadelphia. Bazzanti frequently returned to the subject of 'After the Bath' or 'The Bather' in his works, having carved examples of the bathing Venus after the Antique and in dynamic and dramatic compositions such as the present sculpture. The finely-detailed work relates closely to popular figures produced by Bazzanti’s contemporary, Cesar Lapini, whose La Sopresa depicts a young woman stepping back from approaching waves. The sculptor’s penchant for realism is on full display with the contrasting matte and highly-polished finishes of the gently lapping waves at the figure’s feet, to the jutting rocks and soft skin. Elegant handling of textures is further exemplified in the draped fringe of the cloth. This monumental and Fine work is illustrated in situ at Bazzanti’s studio circa 1900 among other fashionable works of the period. Notes: Pietro Bazzanti was also known as Pietro Barzanti. There are conflicting dates of Pietro Bazzanti/Barzanti's birth/death year. Some auction houses and art galleries have described 'Pietro Barzanti' as Italian, 1842–1881 and Pietro Bazzanti as Italian, 1825-1895. However, according to Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78, 'Pietro Barzanti' was in fact 'Pietro Bazzanti' one and the same, and it questions his year of his birth/death as "Firenze (?), ?, ?." thus we believe that the Italian, 1825-1895 description is the most plausible. Literature: Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78. Auctions: Another example of this sculpture, probably also Pietro Bazzanti but almost a foot shorter (Height 44¾ in. (113.5 cm), unsigned and without its pedestal, was sold at Christie's New York, 19th Century Furniture, Sculpture, Works of Art and Ceramics Sale...

Belgium black marble sculpture, iron base. 50 cm × 24 cm × 18 cm // 19.7 in x 9.4 in x 7.1 in. The indicated dimensions include the iron base of the sculpture. The sculpture is main...

Beautifully detailed and lifelike, Venus and Cupid share a soft embrace in this remarkable Italian white marble sculpture. The feminine beauty gracefully leans against roughened rock...

Artist: (Garo) Karapet Balakeseryan Medium: Natural Onyx Stone, All one piece of work, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Tiger, Size: 15" x 11'' x...

Crouching Venus, neoclassical Carrara marble sculpture, early 19th century. An 18th-century English tourist to Florence wrote that of all the Venuses in the Uffizi, "only one grace...

Artist: Jack Graves III (American, 1988-) Title: "Apollo Sculpture" Series: Sculpture *Signed, titled, and dated by Graves on bottom Year: 2022 Mediu...

Ira Bronze Sculpture Contemporary Nude Boy Marble Stone Sitting Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession a...

Divyendu Anand - Roots Liquid Metal Coating over Composite of Stone Glass & Polyester Resin Black Granite H 32 x W 20 x D 18 inches, 2019 Growing up wi...

Bronze bust with brown patina on marble socle base. Red patina detail on head scarf. In beautiful condition, expertly cast and modeled. Perfect for an art collector looking for European work that depicts Black and African people...

Wood, stone, iron. The raw material and the material of a sculptor. ancestor of any architectural practice. But the architect, the sculptor and the artist do not remain alone in thei...

This extraordinary Florentine work of art has the appearance of a painted scene, but upon closer inspection is revealed to be a superb example of the art of pietre dure. Composed by ...

Born March 15, 1943 in Szekelyudvarhely, Transylvania, Hungary (now Romania), Marton Varo studied sculpture at Ion Andreescu Institute of Arts in Cluj, Romania from 1960 to 1966. In...

"LarA 003" is a unique sculpture from the LarA series, created by Spanish sculptor José Perozo in 2024. Measuring 21 x 29 x 17 cm and hand-tinted in an intense blue tone, this piece ...

Sculpted from Spanish black marble, this enigmatic and powerful piece was created by Viktor Mitic. The Toronto based artist is known for his imaginative form and use of colour. This ...

Amazone met Twee Paarden Bronze Contemporary Animal Horse Sculpture New In Stock About Jits Bakker (1937–2014) Jits Bakker was a versatile Dutch artist: sculptor, painter, watercolo...

Vintage stylized figural sculpture by J James Akston (1898-1983 Poland/New York/Florida) Crafted of cast bronze with a rich dark brown patina. A sports figure, depicting a snow skii...

A 1:28 scale reproduction of the original statue in Piazza Affari in Milan, L.O.V.E. stands for Libertà, Odio, Vendetta, Eternità and is an anti-fascist statement. Maurizio Cattelan L.O.V. E. 2015 Concrete 40 × 18 × 18 cm (15.7 × 7.1 × 7.1 in) Stamped by artist's estate Edition of 1800 In mint condition, in the original wooden crate and accompanied by a certificate of authenticity The statue, which bears the title of L.O.V.E., stands for Libertà, Odio, Vendetta, Eternità (Freedom, Hate, Vengeance, Eternity),was created in 2010 to stay in Piazza Affari (business district) in Milan. The artist himself states that the statue is an anti-fascist statement, transforming Italy’s Fascist hand salute from the 1930s by cutting off the fingers and mutilating the hand. The fingers, except the medium one, are not flexed but cut off. Nevertheless the impression is an unambiguous “fuck you” to the world of bankers and CEOs.This edition, 1:28 scale reproductions of the original statue, was released by Seletti in May 2015 and is made of gray concrete. “I do not know exactly why, but it seems to me that images do not belong to anybody but are instead there, at the disposal of all.„ —Maurizio Cattelan ABOUT THE ARTIST Born in Padua, Italy, in 1960, Cattelan has no formal training and considers himself an “art worker” rather than an artist. He has said that in addition to reading art...

A stunning French Art Deco figural group depicting a Huntress and her Borzoi. The bronze has a beautiful warm patina and the base is two types of marble. It is signed on the base and...

Mask I is a glass fiber reinforced concrete wall sculpture by contemporary artist Pavlína Kvita, dimensions are 69 × 41 cm (27.2 × 16.1 in). The sculpture is signed and comes with a...

Earth by British sculptor Ian Thomson. Thomson's travels have provided inspiration for his work. He holds degrees in Architecture and Philosophy & describe...

Inspired by the intriguing natural form of a sea creature called an anemone, Doug Robinson created this table top sculpture from a piece of Roman Travert...