Art by Medium: Stone

Original stone & bronze popsicle sculpture by Betsy Enzensberger

Artist: Kuno Vollet Title: Infinitum Big This elegant original cast bronze sculpture by German artist Kuno Vollet brings energy into any art collection. Each sculpture is differen...

Linda Stein, Triumph 174 - Wood, Metal, Stone, Bone, Mixed Media Contemporary Sculpture In the 1980s, Linda Stein began a series called Ceremonial Scepters, where she imagined an ...

Untitled (Man, Woman and Child Dancing) bronze on marble plinth base. signed and numbered Gerard Koch was a French Post War & Contemporary sculptor who was born in 1926. Gérard K...

This delightful Fisherman sculpture captures a humorous, story-driven moment that instantly draws the eye. The fisherman proudly holds his catch while gripping a fishing rod, unaware...

Investor is a bold and characterful bronze sculpture that embodies strength, confidence, and determination. Crafted from bronze with refined cold enamel accents, the work depicts a r...

Sisyphean Circle (Sieve) Granite and galvanized and powder-coated steel 88" (height) x 84" (width) x 18" (depth) Stone and metal, usually granite or slate, and found object steel ar...

Hydrocal, pigmented concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Untitled "Marble Fragment 5" 2019, oil on Italian marble, landscape, wall sculpture, clouds, purple, blue

Artist: Kuno Vollet Title: Light as Air Materials: Bronze sculpture polished to a sparkling gold on granite base Size: 65cm height of upper sculpture, base: 18x 18 cm Takes aroun...

A 1:28 scale reproduction of the original statue in Piazza Affari in Milan, L.O.V.E. stands for Libertà, Odio, Vendetta, Eternità and is an anti-fascist statement. Maurizio Cattelan...

Soulful and spiritual she gazes deep into the innermost sanctum of being. She is not a portrait of one woman she is a representation of all women. Strength with nurture, solace with ...

This charming Hunter sculpture brings a touch of humor and storytelling to classic craftsmanship. The scene captures a hunter peering intently through binoculars while holding his ri...

Martha Winter employs a unique technique to create visually stunning 3 dimensional pieces where painting meets sculpture. By building textures and patter...

Untitled "Marble Fragment 10" 2019, oil, Italian marble, landscape, wall sculpture, clouds, purple, blue, green

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

A finely patinated bronze statuette of the Venus de' Medici, cast in Italy during the 19th century. This Grand Tour piece is an exacting reduction of the famous Hellenistic marble in...

Graceful and serene, the Diver and Dolphin sculpture captures a poetic underwater encounter between human curiosity and marine life. The composition depicts a diver at the very momen...

This figurative sculpture by Lutfi Romhein depicts a female nude bust in Belgian black marble mounted on a grey marble base. It has a very fine grain which provides a really soft tou...

'Excited Girl' is an original black serpentine sculpture by the celebrated second generation Shona artist Colleen Madamombe. The sculpture presents a character common to Madamombe's ...

RYSZARD PIOTROWSKI (born in 1952) Sculptor. He graduated from the Academy of Fine Arts in Warsaw. His works include intimate, small forms in marble, bronze and silver. He specializes...

I received a video of a little niece of a few months old who reacts to her father’s voice and whose face lights up with a smile. This look, this smile, goes straight to my heart and ...

Hydrocal, pigmented concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

Cast concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Here for your consideration is a original sculpted marble elongated figure by the artist Joseph L. Rotella. Signed on the bottom back of the sculpture as well as the underside of the...

We are excited to bring this incredible painting to public attention. Berlin is renowned for his use of colour, pigments and texture but this piece is truly exceptional. Sumptuous in...

Big Little 119 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of Yellow Pink & bu...

Focused, calm, and precise, the Billiard Player sculpture captures the quiet tension that defines the game just before the shot is taken. The figure stands with cue in hand, eyes fix...

Francesco Stanga Bust Of Child In Marble Of Carrara 1837 signed and dated on the back of the bust. The sculpture depicts a four-year-old and nine-month-old child with a joyful dispos...

Original work of FILI PLAZA. Made in resin on marble. Exemplary 12/20 copies. The art of Fili Plaza comes from her sensitivity as a woman, her continuous observation of the human be...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

"In the Same Time" is a nod to Emmanuel Macron's favorite phrase and a visual testament to my perception of the sluggish atmosphere brought about by the confinement and curfew. I tr...

Contemporary Ceramic Sculpture, Marble Base, Brass Rod, Mixed Media, Feathers Since graduating from the University of Colorado in 2010, Pichaske has risen to attention in the art wo...

"Classical theme of a Greek art inspires me. I am a big fan of a Greek mythology, so I depict it often". This sculpture shows beautiful woman in wet fabrics that emphasize body curve...

Berlin's series of remarkable images of mythically, spiritual women is now augmented by this latest work. The Inner Heart to the Dove of Peace is an intense piece, a paean of hope. H...

Crafted in bronze and set on a solid basalt stone base, Investment Banker is a bold and playful sculpture that captures the spirit of the financial world through powerful symbolism. ...

Bronze bookends by Kent Ullberg "Mountain Lords" Bronze Limited Edition of 100, signed and numbered 23 10.5" x 4.5 " x 5 " Representational sculpting of a Bald Eagle and Mountain Lion This particular casting is available on the secondary market from an original purchaser. It is in excellent condition, sold as pictured. ABOUT THE ARTIST: A native of Sweden, Kent Ullberg is recognized as one of the world's foremost wildlife sculptors. He studied at the Swedish University College of Art in Stockholm and worked at museums in Germany, the Netherlands, France, Africa and Denver, CO. After living in Botswana, Africa, for seven years he has made his home permanently in the United States where he now lives on Padre Island, Corpus Christi, TX. He also maintains a studio in Loveland, CO. Ullberg is a member of numerous art organizations and has been honored with many prestigious awards. In 1990 his peers elected him a Full Academician (NA), thus making him the first wildlife artist since John James Audubon to receive one of the greatest tributes in American art. A selection of his memberships include the National Sculpture Society; the American Society of Marine Art; the Allied Artists of America; Nature in Art, Sandhurst, UK; the National Academy of Western Art in Oklahoma City, OK which awarded him the Prix de West, the foremost recognition in Western Art. In 2010 he received the Briscoe Legacy Award and in 2016 the lifetime achievement award from the Society of Animal Artists. Best known for his monumental works executed for museums and municipalities across the globe, his Fort Lauderdale, FL, and his Omaha, NE installations are the largest bronze wildlife compositions ever done, spanning several city blocks. Both earned him the coveted Henry Hering...

Very Rare Vesuvius lava stone writing set. Torre del Greco (Naples). 19th century. 4 objects with small sculptures (cameos) depicting the poet Petrarch, mythological female figures, ...

Toro Bull Patinated Bronze sculpture on marble base, artist signed, 16.5h x 8w x 6d, base 6"h x7.5"w x6"d Heriberto Juárez (March 16, 1932 – August 26, 2008) was a self-taught Mex...

Hand Forged Iron and Drilled Stone Candelabra Holocaust Memorial Judaic Menorah Sculpture David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Land of Israel with his parents in 1923. They lived in the Nahalat Shiva neighborhood of Jerusalem. In 1940 he began his studies at Bezalel Academy of Arts and Design, and from 1942 was a student of sculptor Ze’ev Ben-Zvi. For a period of time, Palombo was an assistant at Ben-Zvi’s studio and also taught at Bezalel. During this period he was also a member of the “Histadrut HaNoar HaOved VeHaLomed” (The General Federation of Students and Young Workers in Israel). In the 1940s he took art lessons at night. In 1948 he went to Paris, where he visited the studio of the sculptor Constantin Brancusi whose work influenced him. Around 1958 he married the artist Shulamit Sirota. In 1960 he quit his job to devote himself to art. In 1964 he married for the second time to the artist Yona Palombo. The two of them went to live in an abandoned home on Mount Zion in Jerusalem. In 1966 he was killed when the motorcycle on which he was riding ran into a chain stretched across the street to prevent the desecration of Shabbat. His widow opened a museum in their home that was active until the year 2000. Work by Palombo is included in the Judaic collection of the Jewish Museum (a well known Hanukkah menora). Palombo executed the impressive metal gates of the Tent of Remembrance at the Yad Vashem, the memorial to the martyrs of the holocaust, as well as the gates to the Knesset Building the United Nations Educational Scientific and Cultural Organization (Unesco award) awarded him a scholarship for study in Japan. He worked in marble, granite, bronze, iron and steel. as well as with glass mosaic tiles. Palombo’s early works, in the 1950s, were influenced by modernist sculptors such as Brancusi. These works were composed of abstract images from nature and were carved out of stone or wood. At the end of the 1950s he began making metal sculptors, using the technique of welding. His work took on a more abstract and expressive character. Education 1940 Painting with Isidor Ascheim, New Bezalel School for Arts and Crafts, Jerusalem 1942 Sculpture with Zeev Ben Zvi, Jerusalem 1956 Mosaic, Ravenna, Italy 1958 Welding Course Awards And Prizes 1966 UNESCO Award Exhibitions: Sculpture in Israel, 1948-1958 Mishkan Museum of Art, Kibbutz Ein Harod Artists: Zvi Aldouby, Yitzhak Danziger, Arieh Merzer, Dov Feigin, Aaron Priver, David Palumbo, Menashe Kadishman, Kosso Eloul, Yehiel Shemi, Zahara Schatz. The Spring Exhibition of Jerusalem Artists, Artists' House, Jerusalem Artists: Palombo, David Bezalel Schatz, Mordechai Levanon, Fima, Ludwig Blum 12 Artists, The Bezalel National Museum, Jerusalem Avraham Ofek, Aviva Uri, Avigdor Arikha, Yosl Bergner, Lea Nikel, Palombo, Ruth Zarfati...

Architectural hanging cement head sculpture combining portraiture, concrete relief and anthropotectural concepts inspired by the relationship between body ...

Rosa Portugal marble torso of a woman. Unsigned. Late 20th century. In excellent condition. American School. 18.5 inches high by 10 wise by 7 inche...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

Sisyphean Circle (OX) Fallen Obelisk Granite and galvanized and powder-coated steel 123" (height) x 102" (width) x 43" (depth) Stone and metal, usually granite or slate, and found o...

Astronomic vintage armillary sphere crafted in cast aluminum with a patinated bronze finish in classic celestial form held up by Atlas mounted on a sienna marble veneer stone base.

The Music - Sculpture is a magnificent artwork realized by the Italian artist Benedetto Robazza (Rome, 1936-2020). Travertine sculpture realized by the fusion of auburn pewter. Limited edition of 15 exemplars. Dimensions: cm 11 x 11 x 3 (base); cm 9 x 5 x 32 (sculpture). Very good conditions. This sculpture is a splendid creation by one of the most appreciated sculptors all over the world. Bendetto Robazza was a great sculptor but also a talented portrait painter, demanded among the politicians, people in finance, the military, ecclesiastical and showbusiness world: he had the honour of being invited to portray American President Regan, whose bust is displayed in in the prestigious Roosevelt room in the White House. He enjoyed portraying big stars of yesterday and today: Rudolf Valentino...

Pair of early 17th-century medallion profiles in antique yellow marble and onyx Pair of medallions depicting Agrippina and Faustina, Rome, 17th century. Ra...

Mid Century carved marble flute player by Rodney Marshall Winfield (American, b. 1925). Presented in a rustic wooden frame. Unsigned. Image size: 14"H x 10"W. Framed: 20"H x 16"W. Wear to frame and age wear to marble. A painter in acrylic, designer in stain glass and silver, sculptor and long-time teacher, Rodney Winfield has had a diverse career. He was born in New York City. As a young man, he was artistically inclined and composed music, drew and painted, danced, wrote poetry and created sculpture. Choosing to focus on art, he enrolled in Cooper Union School in New York City. From 1953 to 1970, he was a stain-glass designer for Emil Frei...

Committed by Denny Haskew Figurative Bronze on Sandstone Base Limited Edition of 35 20h 8.5w 7d inches #15 pictured "I give to you all that I am. My faith in Spirit is unchanging. E...

'Feeling Heart Beat' is an original black serpentine sculpture by the celebrated second generation Shona artist Colleen Madamombe. The sculpture presents a character common to Madamo...

"Round Mountain Landscape" by John Van Alstine Granite and steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while explorin...

Architectural ceramic sculpture combining a human head with inhabited wooden architecture, exploring the body as a place of dwelling, memory and identity. Fogar I belongs to José Per...

Sinuous modern carving of a Mesoamerican. Aztec? Mayan? Striated sandstone, circa mid-20th century.

"Sisyphean Circle (tank top)" by John Van Alstine Riverstone, stainless, galvanized, and powder-coated steel The sculpture of John Van Alstine beautifully, and powerfully, balances ...

Translucent alabaster head sculpture with expressive natural veins, carved in direct carving for a unique interplay of light, stone and human form. This unique alabaster head sculpt...

'Landing Dove' is an original opal serpentine stone sculpture signed by the contemporary Zimbabwean artist Joel Nhete. The artist presents in this sculpture a highly abstracted figur...

"Mirror" is a site specific installation that was exhibited in the show "Dialects of Place(s) by Land Report Collective at COOP Gallery in Nashville, TN. In this piece, Jobe uses industrial materials such as insulation foam, concrete, window screen, and graphite tracing paper to create a patterned structure that protrudes from the corner and carries the viewer's eye upward. At the bottom of the piece, we see delicately balanced concrete on top of pale blue insulation foam. The patterned concrete and insulation foam carries the viewer's eye upwards towards another pop of blue on top of the aluminum window screen frame. The screen gives the viewer a window in which to look through the piece. On one side, this mesh frames the graphite paper and on the other side the viewer can see the patterned concrete and insulation foam. Review from "The Rib" about "Mirror" One of the more surprising works here is Nashville-based Brian Jobe...

Randolph John Rogers (American, 1825 - 1892) Randolph Rogers' Nydia, the Blind Flower Girl of Pompeii debuted in 1856 to critical and public acclaim, solidifying Rogers’ position as a pre-eminent American sculptor and it remains one of the artist’s most celebrated works today. The subject of Nydia is drawn from Edward Bulwer-Lytton's The Last Days of Pompeii 1834. After touring the ruins of the ancient city in 1833, and inspired by the stories of blinding volcanic ash, he composed the tale of Nydia, a slave who led her master, Glaucus, to safety. Rogers depicts Nydia at the moment that she and Glaucus have become separated in their perilous journey through the rubble and Nydia seeks familiarity in the surrounding chaos, her distress evident in her pained expression. The grace of the sculpture is at odds with the turmoil portrayed; a toppled Corinthian capital lies at her feet and obstructs her next step, indicated by the tilt of her back foot and grip on her walking stick. Examples of this model can be found in major American collections, including The Metropolitan Museum of Art, the Art Institute of Chicago, the Detroit Institute of Arts, the Los Angeles County Museum of Art, and the Museum of Fine Arts, Boston. Literature, Millard F Rogers, Jr. Randolph Rogers, American Sculptor in Rome. University of Massachusetts Press, 1971, American Figurative Sculpture in the Museum of Fine Arts Boston. Museum of Fine Arts, Boston, 1986. Joyce K Schiller. "Nydia, A Forgotten Icon of the Nineteenth Century." Bulletin of the Detroit Institute of Arts, Born in Waterloo, New York, Randolph John Rogers became an expatriate* sculptor of idealized figures, portraits, and commemorative works in Neo-Classical* and Realist* styles. He worked in clay, plaster, marble and bronze, and lived both in Italy and the United States. He made 167 examples of Nydia in two sizes (varies depending on base height) 36" and 54'. Rogers was raised in Ann Arbor, Michigan, and as a young man did woodcuts* for the local newspaper, The Michigan Argus, and also worked as a baker's assistant and a dry goods clerk. In 1847, he moved to New York City, where he hoped to find work as an engraver*, but failing to do so, worked in a dry goods store owned by John Steward...

RYSZARD PIOTROWSKI (born in 1952) Sculptor. He graduated from the Academy of Fine Arts in Warsaw. His works include intimate, small forms in marble, bronze and silver. He specializes...