Art by Medium: Stone

My Jupiter Series is part of a new series of pieces started while quarantining in this pandemic time. They are hand cast solid bronze relief sculptures mounted on black granite bases...

Original stone & bronze popsicle sculpture by Betsy Enzensberger

"The Unspoken" abstract painting, acrylic and collage on Linen 81x65 cm 2024 Painted in April 2024, this vertical 81 × 65 cm linen builds its surface like a chalky wall, thickened wi...

Here for your consideration is a original sculpted marble elongated figure by the artist Joseph L. Rotella. Signed on the bottom back of the sculpture as well as the underside of the...

Prodanchuk Victor is an artist with his own artistic language and a recognisable style. Techniques of his own invention, the transformation of symbols and an unconventional treatment...

"Cutouts" by Jane DeDecker Figurative Bronze, 41x40x20" Sandstone bench is included. A girl sits quietly unfolding her paper cutouts. Great piece for a...

From the estate of Jerry and Ruth Opper JO 14-1 1950's Stone Lithograph on Paper 12.5" x 19", Unframed Came from a portfolio of his work from his estate. Jerry Opper (1924-2014) He...

Technique: Mixed media - plexiglass, bronze, aluminum, marble, Murano glass, and more Dimensions: 27 cm (base is 7,5 x 8,5 x 1.5 cm) Weight: 1.2kg Edition:  limited edition 5/8 pi...

Pique A Terre VIII, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focu...

Cambre 7-21 Slate and Bronze 21.5 x 13.5 x 4.5 Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a m...

‘First Egg’ is a mirror polished stainless steel sculpture by Architect-trained sculptor, David C. Morris. Morris earned an...

Contemporary mixed media sculpture titled "Mini-Brut" (in a nod to Brutalism) by Spanish artist Rubén Sánchez in collaboration with Amber Stories. This sculptural work combines black...

Abstract painting acrylic on linen Canvas, 50 x 100 cm, 20 The bottom of the painting is overrun by a deep red rising in long vertical streaks, like dense vegetation or a raw wound...

By Bob Ragan Shaft: 16” x 16” x 71” -Weight: 1400 lbs Base: 18” x 18” x 18” -Weight: 472 lbs About the Artist: Bob Ragan is a nationally recognized master stone carver who has spent a lifetime studying art and architecture. During extensive travels throughout Europe and Central America, he researched the works and carving techniques of Old World masters. ​ Ragan and his partner Mary Condon founded the architectural and sculpture stone-carving firm Texas Carved Stone forty years ago. As a member of the National Stone Carvers’ Guild, he regularly teaches stone carving classes and mentors young people in the field. Ragan's sculptures communicate a deep sense of spontaneity, originality, and creativity. He transfigures large blocks of stone into intricate designs that feel remarkably buoyant and often contain humorous elements. Bob Ragan has been featured in numerous local publications, and state and national publications including Fine Homebuilding (June/July 1989), Southern Living (November 1991), Building Stone Magazine (Winter 2005), Tex Appeal (December 2012), the San Antonio Express News (June 5, 2005), the Dallas Morning News (May 20, 2003), the Texas Monthly (July 1996, July 1998), the Indiana Limestone Symposium, Stone World, Masonry Magazine, and Stone Update. A show about Ragan and his work is considered by the Texas Country...

'Mother and Child' is an original springstone sculpture signed by the Zimbabwean artist Nelson Mutumbuki. The sculpture presents a theme beloved by Shona artists: motherhood. In the ...

Fantasy 1 Abstract Painting, Acrylic and Gold Leaf on Linen, 80x80cm, 2010+ Emmanuelle Vroelant starts from an observation shared by many: “we’re weighed down, made anxious by the ne...

Large marble bust from Carrara, 0.81 cm in height, depicting Diane de Poitiers. French school, circa 1880. The sculptor drew his inspiration here from the fountain at the Château d’A...

Scultore attivo probabilmente in Francia alla fine del XIX secolo. La scultura raffigura un soggetto particolarmente famoso di Jean-Baptiste Carpeaux (1827-1875), intitolato "Le Rieu...

"CAMBRE V" by John Van Alstine Slate, Steel & Pigment Stone, Metal, Sculpture, Abstract, Contemporary, Large, Outdoor, Industrial, Industry, Nature, Orange The sculpture of John Va...

Concrete Sculptural Planter inspired by En Iwamura Vessels 8 inch Tall / Hand casted and pigmented. 1 of 1 (Last picture is not actual vessel, it is a different variant but is pict...

Wood and iron sculpture realized by Tatiana Pomus in 1977. Exhibited at Quadriennale Nazionale d'Arte di Roma in the same year. Placed on a marble base. Height without base: 196 c...

'Eye Witness' is an original opal serpentine sculpture signed by the Zimbabwean artist Josphat Makenzi. Makenzi was trained in the contemporary Shona stone carving tradition, and thus his works take on themes from African as well as from European art history. His sculptures of the human face have the abstracted qualities of traditional African sculptures and masks...

Artist: Anthony Quinn Title: Nefertiti Medium: Unique hand-carved black Marble sculpture on marble base, signature inscribed Size: 34.5 x 8 x 7.5 inches (39 in. with base)

'Cobalt Bird' is an original signed sculpture by the Zimbabwean artist Wonder Mazhindu Bumhira. Trained in the Shona carving tradition, Mazhindu often sculpts abstracted birds, as in this example. This sculpture is playfully interactive: Even though the bird has one body, there is a head carved on each side, asking the viewer to walk around to see it peeking back at them. At the same time as he is considering the viewer's interaction with the artwork, the sculptor is likewise displaying his skills as a sculptor. Cobalt stone is notoriously brittle, as well as rare, making it difficult to work with and to acquire. The efforts are however rewarding, as the polished stone reveals dramatic patterns of greens and blacks. cobalt stone 17 x 12 x 5.5 inches 50 lbs signed 'Wonder M.' along base Overall good condition with no losses, cracks or signs of wear. Born on January 17th, 1982 in East Mashonaland, Harare, Wonder (often spelled Wander) is the fifth born of a family of 6...

Abstract painting Acrylic on Linen Canvas, 100x100cm contemporary A warm light bathes the entire surface, made up of saffron yellows, ochres and oranges that intensify along the top...

"MATRIS TERRA" — ÉRUEL A monumental sculptural mixed-media relief inspired by geological formations and the hidden structures of the Earth. Its deeply textured white surface and tran...

"AUGER (cornu)" by John Van Alstine Vermont slate and bronze The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while exploring th...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

This signed Polish bronze sculpture, created circa 1970, is a distinctive example of mid-century modernist sculpture combining a richly textured gilt patina with natural amber and st...

This signed bronze sculpture by Polish artist Tadeusz Foltyn, dating to circa 1970, combines surrealist figuration, architectural forms and natural stone in an intriguing sculptural ...

'Face' is an original cobalt sculpture by the Zimbabwean artist Obert Mukumbi. This sculpture demonstrates the artist's influence from the great Shona...

Black Globe Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...

St. Jerome 347 Stridon, Croatia - 420 Bethlehem Around 1500/20 Limestone Remains of the original polychromy Height 45 cm The man with the holy name! 347 Stridon, Croation – 420 Be...

Bronze sculpture signed signed R. Sandifer Alford in cast to skirt, and with plate titling Katie to base Provenance From the Gene Worrell Collection, Virginia Museum of Animal Art ...

Stunning carved stone bird mounted on Quartz specimen. Carved from orange Calcite and trimmed in Lapis, having tiger eye beaks. This exotic bird is a brilliant decorative combination...

Chaim Gross (American, 1904-1991) Patinated cast bronze sculpture, Three Acrobats, signed mounted on black marble plinth 24.5"h x 14"w x 7"d (bronze alone) Chaim Gross (March ...

WEDGE I Marble and stainless steel 30" (height) x 36" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interac...

Wild Running Horse Three-Dimensional Painting on Wood 40H X 30" W 2019 in Los Angeles Collaborative Artwork - Irena Orlov-Zeev Orlov SPECIFICATIONS: Combines Painting and Sculptur...

Victor Prodanchuk "Festive" 2006

Wonderful original granite sculpture by well known contemporary artist Michael Patterson. This work of the female form was completed in 2013. The sculpture is attached to a white m...

Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014. Ellen Hackl Fagan_SeekingtheSoundofCobaltBlue_Found Object...

Medium: Bleached basswood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual langu...

Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014. Using domestic construction materials from her garage, extras from home improvement projects or the garden, have been captured, much like a photogram, but with paint, not silver. By blending photography and painting, Fagan finds that the patterns created with industrial, mass-produced objects around the house and garage, speak to her interest in producing paintings that link to sound. These works are portraits of the artist’s home, its history, and the materials used to build that maintain her home. Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings with music...

Silver leaf, amethyst crystals, epoxy polymer clay, marble base. Original Piece

Recast - Composition 1 Concrete 36 x 24 in This artwork is conceived as an exploration of architectural imagination, where concrete forms become sculptural narratives. Its modul...

Chinese Contemporary art sculpture. Weight lifter, body builder with bar bell. Yaohui Wu was born on November 2, 1964 in China. Passionate about painting, calligraphy and sculpture, ...

Gold leaf, amethyst crystals, epoxy polymer clay, marble base.

POINTE 2016 Slate/pigmented and sealed steel 22.5" (height) x 23" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture....

Minimalist Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy and represented by the Grège Gallery. Her artistic practice reflects a deep explora...

“The Role of Pebbles” unfurls a veritable collection of stones of disparate textures and hues. A mass of deep ultramarine blue dominates the upper part of the canvas, crossed by an a...

Sydney Kumalo. Features a bronze stylized female figural form sculpture fixed to a marble plinth and wood base. Bears signature on base. Measures 9 1/2" x 4 1/4". There is no edition number on the piece. Sydney Kumalo (1935 - 1988) was born in Sophiatown, Johannesburg, on 13 April 1935. His was one of the families who had to move out of the "white" city to the South Western Townships, or Soweto. Raised in Diepkloof and educated at Madibane High School, he took with him from old Sophiatown the curious and diverse heritage of its heyday. Art classes in the Catholic school, "Sof' town" blues and jazz, the vibrant street culture and growing defiance of its population of various races who were gradually forced out into separate race-group areas. So it was that these various aspects of his early life created for Kumalo a cultural mix of a Zulu family related to the traditional royal house; city schooling, nascent township music and lingo; growing urbanised political defiance and the deep-rooted Zulu pride and respect for the legends and ancient stories of a tribal people. This mix of old and new cultures was reinforced when he began his studies at the Polly Street Art Centre in 1953 where he became a member of Cecil Skotnes group of serious artists who were encouraged to acquire professional skills. Skotnes introduced a basic training programme with modelling as a component, which marked the introduction of sculpting (in brick-clay) at Polly Street. Kumalo was Skotnes’ assistant at Polly Street from 1957 to 1964, and having recognised his great talent as a sculptor, Skotnes encouraged him to become a professional artist. After Kumalo’s very successful assistance with a commission to decorate the St Peter Claver church at Seeisoville near Kroonstad, with painting designs, sculpture and relief panels in 1957, Skotnes arranged for Kumalo to continue his art training by working in Edoardo Villa ’s studio from 1958 to 1960. Working with Villa, he received professional guidance and began to familiarize himself with the technical aspects of sculpting and bronze casting. In 1960 he became an instructor at the Polly Street Art Centre. Kumalo started exhibiting his work with some of the leading commercial Johannesburg galleries in 1958, and had his first solo exhibition with the Egon Guenther Gallery in 1962. He was a leader of the generation who managed to leave behind the forms of African curios, reject the European-held paternalism which encouraged notions of "naive" and "tribal" African art, and yet still hold fast to the core of the old legends and spiritual values of his people. He introduced these subjects into his bronze sculptures and pastel drawings, evolving his own expressive, contemporary African "style". Together with Skotnes, Villa, Cecily Sash and Giuseppe Cattaneo, Kumalo became part of the Amadlozi group in 1963. This was a group of artists promoted by the African art collector and gallery director Egon Guenther, and characterised by their exploration of an African idiom in their art. Elza Miles writes that Cecil Skotnes’ friendship with Egon Guenther had a seminal influence on the aspirant artists of Polly Street: “Guenther broadened their experience by introducing them to German Expressionism as well as the sculptural traditions of West and Central Africa. He familiarised them with the work of Ernst Barlach, Käthe Kollwitz, Gustav Seitz, Willi Baumeister and Rudolf Sharf.” It is therefore not surprising that some of Kumalo’s sculptures show an affinity with Barlach’s powerful expressionist works. Guenther organised for the Amadlozi group to hold exhibitions around Italy, in Rome, Venice, Milan and Florence, in both 1963 and 1964. Kumalo’s career took off in the mid 1960s, with his regular participation in exhibitions in Johannesburg, London, New York and Europe. He also represented South Africa at the Venice Biennale in 1966, and in 1967 participated in the São Paulo Biennale. EJ De Jager (1992) describes Kumalo’s sculpture as retaining much of the “canon and formal aesthetic qualities of classical African sculpture. His work contains the same monumentality and simplicity of form.” His main medium for modelling was terra cotta, which was then cast in bronze, always paying careful attention to the finish of both the model as well as the final cast. He began casting the pieces he modelled in clay or plaster into bronze at the Renzo Vignali Artistic Foundry in Pretoria North. He worked throughout his life with its owners, the Gamberini family, and enjoyed learning the technical aspects of the casting process, refining his surfaces according to what he learned would produce the best results in metal. De Jager further writes that Kumalo’s distinctive texturing of the bronze or terra cotta is reminiscent of traditional carving techniques of various African cultures. “In many respects Kumalo thus innovated a genuine contemporary or modern indigenous South African sculpture”. Kumalo came to admire the works of the Cubists, and of British sculptors Henry Moore and Lynn Chadwick. He became noted for adapting shapes from them into his own figures. The success of his use of the then current monumental simplicity and purely aesthetic abstractions of natural forms has been emulated by many South African sculptors since the 1970s. He was in many ways the doyen of South African Black art. As such he was an important influence especially on younger African sculptors, by whom he is greatly revered. Through his teaching at Polly Street and at the Jubilee Centre, as well as through his personal example of integrity, dedication and ability, he inspired and guided students who in their own right became outstanding artists, for example, Ezrom Legae, Leonard Matsoso and Louis Maqhubela From 1969 onward, he allied himself with Linda Givon, founder of The Goodman Gallery in Johannesburg, where he exhibited regularly until his death in December 1988. Working with Givon also perpetuated his associations with his many friends of strong principles. Skotnes, Villa, Legae and later such peers from the Polly Street era as Leonard Matsoso, Durant Sihlali and David Koloane have all exhibited at The Goodman Gallery. Kumalo, Legae, and later Fikile (Magadlela) and Dumile (Feni) were among the leading exponents of a new Afrocentric art...

"Giving a Sign (C-33)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece at the base. This artwork features a woman in a large, textured dress gesturing to her side. 11" x 11" x 6" art Colleen Madamombe was born in 1964 in Harare, Zimbabwe. Considered to be among the finest new talents from Zimbabwe, she has won the award of Best Female Artist of Zimbabwe for the past three consecutive years, and is quickly becoming an established figure of the Second Generation of Zimbabwean stone...

BLADE III Enamel on granite and steel 13" (height) x 19" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The inte...

Dr. Lisa's Ego Championship Trophies Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist. Lisa's visual career started when she was 3 1/2 ...

Bronze bust with brown patina on marble socle base. Red patina detail on head scarf. In beautiful condition, expertly cast and modeled. Perfect for an art collector looking for European work that depicts Black and African people...

Red travertine David Natidze is a Belgium-based sculptor born in 1969 in Georgia known for his refined stone sculptures that blend modernist tradition with minimalist abstraction. ...

SISYPHEAN CIRCLE 7-16 Granite/galvanized and powder-coated steel 62" (height) x 64" (width) x 18" (depth) Stone and metal, usually granite or slate, and found object steel are centr...

Freedom is a unique Alabaster and rope sculpture by contemporary artist Peter Brooke-Ball, dimensions are 23 × 21.5 × 17.5 cm (9.1 × 8.5 × 6.9 in). The sculpture comes with a certi...

A 1:28 scale reproduction of the original statue in Piazza Affari in Milan, L.O.V.E. stands for Libertà, Odio, Vendetta, Eternità and is an anti-fascist statement. Maurizio Cattelan...