Art by Medium: Stone

Heron II is a unique acrystal, concrete and nylon rope sculpture by contemporary artist Pavlína Kvita, dimensions are 70 × 33 × 16 cm (27.6 × 13 × 6.3 in). The sculpture is signed a...

"Love of Horses" Bronze and Marble Sculpture 16" x 7" in by Ibrahim Abd Elmalak Love of Horses, 2000 Bronze & Marble (Double Face) 40 x 18 cm, Signed & Dated Sculptures that mostl...

ARCHITECTURAL RELIEFS WITH CHIMERAS Central Italy, 16th Century green marble 26 x 25 cm 10 1/4 x 9 3/4 in

"At Eagle's Glance" by Denny Haskew Figurative Native American subject matter. 15x11x17" ed/30, bronze with sandstone base, signed and numbered 4. Depicts two men performing a cerem...

Happiness Small Bronze Mother Body Child Figurative Nude Sculpture Contemporary Jits Bakker was a versatile Dutch artist: sculptor, painter, watercolorist, drawer, glass artist, sil...

Concrete Scaffolding 02 is a limited-edition photograph by contemporary artist Bruno Fontana. This photograph is a screen printing with gold ink on concrete stoneware. Dimensions are...

"Rain and sun " abstract acrylic , marble, collage, 100x81cm, linen canvas Winter days with alternating neutral light and sunlight... I love the rain when it is soft and I am delig...

In this piece, the artist cultivates a tonic allure to accentuate elegance. Every stroke is a dance, seeking equilibrium between strength and grace. It unfolds as a nuanced explorat...

Discover the striking beauty of “Metamorphosis,” an original abstract painting by celebrated mid-century artist Pawel Kontny (also known as Paul Kontny). Created in the late 1960s to...

Exxon (Stranger than Paradise) - 1999 58x57cm, Edition of 10 (last Edition), plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based ...

Moeder Studie 2 Mother Study 2 Figurative Bronze Woman Sculpture In Stock Jits Bakker was a versatile Dutch artist: sculptor, painter, watercolorist, drawer, glass artist, silversmi...

2016 Limestone, marble, calcite and mixed media Hamburger: 11”h X 13”w X 12”d With base size 13”h X 26”w X 22”d What is America? American sculptor Robin Antar has been called “Brooklyn’s answer to Andy Warhol.” Her mission is to create a visual record of modern American culture through commonplace objects as she explores the question, “What is America?” Meticulously carved in stone, a hamburger with fries, an American-made work boot, denim jeans and a giant "Ballpark Frank...

Astian Rey "FOREST SPIRIT"

fine bone china 10.5" diameter; 26.7 cm edition of 175 printed signature and edition details on verso custom artist box with printed signature produced by Prospect

Artist: Leonardo Nierman (1932 - ) Title: Untitled Year: circa 1979 Medium: White Onyx, signature engraved Size: 24 x 43.5 x 7.25 inches Base: 4 x 13.25 x 13.25 inches

Artist: Anthony Quinn Title: Nefertiti Medium: Unique hand-carved black Marble sculpture on marble base, signature inscribed Size: 34.5 x 8 x 7.5 inches (39 in. with base)

Three Raku Striped Bottles by Tamsin Levene. Three raku striped bottles. Set contains small bottle, medium bottle, and large bottle.  ADDITIONAL INFORMATION: Ceramic on Stone 22.5...

Abstract Transformation Circle This painting features an abstract artwork that combines resin techniques with circular relief on its surface. The resin, applied over the canvas, cr...

Abstract Transformation Circle This painting features an abstract artwork that combines resin techniques with circular relief on its surface. The resin, applied over the canvas, cr...

Abstract Transformation Circle This painting features an abstract artwork that combines resin techniques with circular relief on its surface. The resin, applied over the canvas, cr...

Three Duck Egg Blue Horse Hair Raku Fired Ball Vases by Tamsin Levene. Three Duck Egg blue horse hair raku fired ball vases. Set contains small vase, medium vase, and large vase.  ...

St James' White frame with neutral ceramics. Frame contains both stoneware and porcelain ceramics. ADDITIONAL INFORMATION: Ceramic on Stone 80 H x 80 W x 7 D cm (31.50 x 31.50 x 2.7...

"Coveted spheres" abstract acrylic collage 50x50cm 2022 the moon and the earth are reduced to objects that we covet and want to appropriate I worked as if it were porcelain objects...

The Source Oil, bitumen, graphite, marble powder, burlap on canvas 60" X 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium ...

This sculpture depicts a bellowing bull, full of strength and muscular power. This artwork was made in direct cuts, then the bull's hair were finished using a smal power tool. It is not polished. The separated base is made of black veined marble. A graduate from the Academy of Fine Arts of Carrare, in Italy, Lutfi Romhein...

This still-life fresco painting is part of a series depicting ancient Greek amphoras and pottery vases from the archaeological site of Paliopol...

Flux # 202301 (Abstract photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas, backed with extruded polystyrene, concrete, acrylic, enamel and pigments Backed with Dibond ...

A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...

Working to drawings and sketches, Fox brings the flow of his pencil lines to life, with the form and void of each sculpture giving them a natural rhythm. In his wooden works, Fox sh...

"Persever" abstract acrylic sand marble powder on linen canvas 100x100cm send in wood crate at cost climate (and social) storm week, wind, foam Emmanuelle vroelant have always been f...

A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...

Mattia Listowski(b. 1987, Paris, France) is a French sculptor, draughtsman, and photographer with French, Italian, and Polish origins, coming from a creative family. He lives and wor...

Best Laid Plans Oil, bitumen, collage, marble powder, burlap on canvas 96" x 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. We often speak of a "brain drain," but in this case we are truly happy to be able to say that this is a "return," and an important one: an artist of international caliber who has decided to entrust her return to her homeland to Almach Art...

Standout vintage object of art tree sculpture handcrafted in brass attached to an organic quartz rock and signed Curtis Jere on the bottom.

Margaret Foley (American, 1827-1877) Marble Bust "Head of Prophet Zephaniah" A rare and important marble bust head relief portrait on The Prophet Ze...

Victor Prodanchuk "Festive" 2006

By Bob Ragan 34.5" x 17" x 17" Texas Limestone 620 lbs

"Balance 1" abstract acrylic paint on linen panel 120x120cm 2022 While walking in Japan, I spent a long time in a temple contemplating a wall where traces of time created black, g...

Sydney Kumalo. Features a bronze stylized female figural form sculpture fixed to a marble plinth and wood base. Bears signature on base. Measures 9 1/2" x 4 1/4". There is no edition number on the piece. Sydney Kumalo (1935 - 1988) was born in Sophiatown, Johannesburg, on 13 April 1935. His was one of the families who had to move out of the "white" city to the South Western Townships, or Soweto. Raised in Diepkloof and educated at Madibane High School, he took with him from old Sophiatown the curious and diverse heritage of its heyday. Art classes in the Catholic school, "Sof' town" blues and jazz, the vibrant street culture and growing defiance of its population of various races who were gradually forced out into separate race-group areas. So it was that these various aspects of his early life created for Kumalo a cultural mix of a Zulu family related to the traditional royal house; city schooling, nascent township music and lingo; growing urbanised political defiance and the deep-rooted Zulu pride and respect for the legends and ancient stories of a tribal people. This mix of old and new cultures was reinforced when he began his studies at the Polly Street Art Centre in 1953 where he became a member of Cecil Skotnes group of serious artists who were encouraged to acquire professional skills. Skotnes introduced a basic training programme with modelling as a component, which marked the introduction of sculpting (in brick-clay) at Polly Street. Kumalo was Skotnes’ assistant at Polly Street from 1957 to 1964, and having recognised his great talent as a sculptor, Skotnes encouraged him to become a professional artist. After Kumalo’s very successful assistance with a commission to decorate the St Peter Claver church at Seeisoville near Kroonstad, with painting designs, sculpture and relief panels in 1957, Skotnes arranged for Kumalo to continue his art training by working in Edoardo Villa ’s studio from 1958 to 1960. Working with Villa, he received professional guidance and began to familiarize himself with the technical aspects of sculpting and bronze casting. In 1960 he became an instructor at the Polly Street Art Centre. Kumalo started exhibiting his work with some of the leading commercial Johannesburg galleries in 1958, and had his first solo exhibition with the Egon Guenther Gallery in 1962. He was a leader of the generation who managed to leave behind the forms of African curios, reject the European-held paternalism which encouraged notions of "naive" and "tribal" African art, and yet still hold fast to the core of the old legends and spiritual values of his people. He introduced these subjects into his bronze sculptures and pastel drawings, evolving his own expressive, contemporary African "style". Together with Skotnes, Villa, Cecily Sash and Giuseppe Cattaneo, Kumalo became part of the Amadlozi group in 1963. This was a group of artists promoted by the African art collector and gallery director Egon Guenther, and characterised by their exploration of an African idiom in their art. Elza Miles writes that Cecil Skotnes’ friendship with Egon Guenther had a seminal influence on the aspirant artists of Polly Street: “Guenther broadened their experience by introducing them to German Expressionism as well as the sculptural traditions of West and Central Africa. He familiarised them with the work of Ernst Barlach, Käthe Kollwitz, Gustav Seitz, Willi Baumeister and Rudolf Sharf.” It is therefore not surprising that some of Kumalo’s sculptures show an affinity with Barlach’s powerful expressionist works. Guenther organised for the Amadlozi group to hold exhibitions around Italy, in Rome, Venice, Milan and Florence, in both 1963 and 1964. Kumalo’s career took off in the mid 1960s, with his regular participation in exhibitions in Johannesburg, London, New York and Europe. He also represented South Africa at the Venice Biennale in 1966, and in 1967 participated in the São Paulo Biennale. EJ De Jager (1992) describes Kumalo’s sculpture as retaining much of the “canon and formal aesthetic qualities of classical African sculpture. His work contains the same monumentality and simplicity of form.” His main medium for modelling was terra cotta, which was then cast in bronze, always paying careful attention to the finish of both the model as well as the final cast. He began casting the pieces he modelled in clay or plaster into bronze at the Renzo Vignali Artistic Foundry in Pretoria North. He worked throughout his life with its owners, the Gamberini family, and enjoyed learning the technical aspects of the casting process, refining his surfaces according to what he learned would produce the best results in metal. De Jager further writes that Kumalo’s distinctive texturing of the bronze or terra cotta is reminiscent of traditional carving techniques of various African cultures. “In many respects Kumalo thus innovated a genuine contemporary or modern indigenous South African sculpture”. Kumalo came to admire the works of the Cubists, and of British sculptors Henry Moore and Lynn Chadwick. He became noted for adapting shapes from them into his own figures. The success of his use of the then current monumental simplicity and purely aesthetic abstractions of natural forms has been emulated by many South African sculptors since the 1970s. He was in many ways the doyen of South African Black art. As such he was an important influence especially on younger African sculptors, by whom he is greatly revered. Through his teaching at Polly Street and at the Jubilee Centre, as well as through his personal example of integrity, dedication and ability, he inspired and guided students who in their own right became outstanding artists, for example, Ezrom Legae, Leonard Matsoso and Louis Maqhubela From 1969 onward, he allied himself with Linda Givon, founder of The Goodman Gallery in Johannesburg, where he exhibited regularly until his death in December 1988. Working with Givon also perpetuated his associations with his many friends of strong principles. Skotnes, Villa, Legae and later such peers from the Polly Street era as Leonard Matsoso, Durant Sihlali and David Koloane have all exhibited at The Goodman Gallery. Kumalo, Legae, and later Fikile (Magadlela) and Dumile (Feni) were among the leading exponents of a new Afrocentric art...

Divyendu Anand - Mystical Woodland - H 20.5 x W 28 x D 10 inches Edition 3/9 Metal Skin Over Composite of Stone Glass and Polyester Resin, White Marble...

Adaizan Oil, Marble Powder, Asphalt, Burlap On Canvas 73.3 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...

abstract "Traces" acrylic oxidation marble powder linen canvas 100x120cm send in wood crate traces left by torn-away posters, traces of cultural and political expressions.

A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...

A bronze sculpture by Mark Eastridge. A surrealist composition of a bronze case gas mask sitting atop a glove. Artist: Mark Eastridge, American Title: Nonsense (Gas Mask) Medium: Br...

abstract acrylic marble linen canvas 50x100cm send in wood crate at cost All the battles, the bloodshed for so many reasons.

Dean Kugler The Black Road: Crystal, 2022 resin, steel, limestone 31h x 13w x 12d in 78.74h x 33.02w x 30.48d cm DK0044 Dean Kugler is a seasoned interdisciplinary artist, painter, ...

One of a kind original sculpture by local San Diego artist, Duke Windsor. This sculpture depicts a figure facedown with gold bricks on their backs. The artist uses gold leaf to highl...

Marble

This is a gorgeous hand-carved black marble pair of gloves. The marble is polished and has an amazing tactile feeling. This piece celebrates our ...

In this piece, seven octagonal terra-cotta bricks of cylindrical shape are on the floor in a V shape. Two concrete bricks are placed amongst these cylinders. All of these objects are bound together by a string that is tied around the objects. Brian Russell...

"At Eagle's Glance" by Denny Haskew Bronze on Granite and Wood turntable style base Figurative Native American subject matter 24x18x18" ed/26, available...

This dramatic work-on-paper is an abstract geometric painting that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The rich, dark background i...

"Sisyphean Circle (diagonally down)" by John Van Alstine Slate, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone...

"beneficial complementarity" abstract acrylic on linen panel 100x100cm I want to use vegetable fibres. I needed a large format to have freedom of action. I started with the flexibi...

Vase blue flower. 2017. Stone mass, h 17,5 cm, diam. 21.5 cm

Abstract Transformation Circle This painting features an abstract artwork that combines resin techniques with circular relief on its surface. The resin, applied over the canvas, cr...

A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...

My Jupiter Series is part of a new series of pieces started while quarantining in this pandemic time. They are hand cast solid bronze relief sculptures mounted on black granite bases...