Art by Medium: Wood Panel

This French marquetry picture, circa 1930-40, offers a stunning blend of architectural beauty and serene simplicity, showcasing the remarkable craftsmanship that defines the Art Deco...

Oil, xerox transfer, and blue and gold metal foil on wood panel Animal painting, miniature oil painting Extinct animals Elephant Certificate of authenticity Hand signed by artist Fra...

"Light Thread" (2024) by Stephanie Hartshorn is an original handmade oil painting on wood panel.

Romona Youngquist was born on January 11, 1960 in Yuba City, California, but grew up in Eastern Oklahoma. Youngquist essentially started out in life as a child of nature, spending her time exploring the woods with her dog and collecting critters. While exploring, she also studied the design and color of nature. She recalls many times standing in a field just staring in fascination at the values of the deciduous trees against a dark Oklahoma sky before a storm then rushing home to draw what she had seen. Technically self-taught, she thinks of nature as her real teacher. In 1994 she was awarded a grant from the Alaska State Council for the Arts to study with Oregon landscape painter Michael Gibbons. In the late 1990’s she studied with Michael Workman, a leading Landscape painter from Utah. She has taken their valuable lessons and strengthened her own individual style. Romona also admires the work of Russell Chatham, Emil Carlson...

Tania Rivilis Portrait of Love Four panels of 40x40 cm all together framed in one piece of 94x94 cm Oilpaint on wood panel Tania Rivilis (b. 1986) 2022 winner of the 'William Locke Price' ( £ 30.000 ) from the Royal Society of Portrait Painters UK. Tania Rivilis began painting at the age of 27, after moving to Germany from Russia in 2012. Working hard on technique and creating her own signature style, just one year later Tania entered the art world with her first solo shows. Tania’s works range from classical to modern expressive style. For several years of working with painting and graphics, the artist held exhibitions in Germany, the Netherlands, and Russia. In 2016 began a collaboration between Tania Rivilis and Russian jeweler Petr Axenov, which led to many special projects, both for private and state collections. Her two drawings based on “War and Peace” novel by Leo Tolstoy...

Coral to bright orange low fired glazed ceramic on wood sculptural wall work of art from Pop Art pioneer Jane B. Grimm, whose artistic career began in the 1960’s, when her free-form sculptural jewelry exploded onto the fashion scene in NYC. Her designs spoke to a new generation well into the 1970's, when they were regularly featured in, and graced the covers of, Harper's Bazaar and Vogue magazines. In the 1980's, Grimm shifted her focus to clay while earning her MFA from the California College of Arts...

"My work is about Place. There has always existed within me an urgency to define myself through place that stems from an upbringing full of uprooting and re homing. In the absence o...

Yuko Montgomery's "Extravagant Coat" is an original, handmade oil painting that depicts a close up portrait of a vulture in front of a surreal landscape with an eclipse in the sky ab...

"Pink Reflection" is a dreamy contemporary American seascape in blue and pink oil paint. 31.75 x 37.5 inches framed Kelly Carmody’s work has been widely exhibited and collected. On...

A wonderful portrait of a young boy seated in his room looking out over the expansive landscape. Painted circa 1840 this piece has all the style of middle European art. French, Swis...

"Atlas Dips His Toes In the Sky" depicts the energy of a city that sits in a valley. As with most of Todd Carpenter's paintings, this scene is of no particular place, but rather his...

Crowell's abstract paintings are in the challenging media of oil paint and cold wax. "Techniques I originated in my practice 20 years ago are now widely recognized and taught. My pro...

This piece titled "Lizard Barbie" is an original artwork by PJ Linden and is made from acrylic, dimensional paint on a wood panel. This piece measures 38”h x 25.25”w framed. In the ...

This painting is made on the wooden block showing a horse that symbolizing the memory that can go to anyone with deep thoughts and love. It can be placed either on wall or any other place including shelf. In the modern world, the artist is a peculiar explorer of the time that he lives In. The “main character” of this world is a man whose gaze is turned inward. This view projects its existential reality, where the figurative language of painting is a method of transmitting abstract images of the experiences of the main characters and the time in which they exist on an equal footing with the viewer. Pictures of Daria Kotlyarova have no plot, at first glance, they have no action, but there is a moment. The moment before the second “before” ... and the viewer stops and freezes in tension, this is almost a psychological “cinema reception” that refers us to David Hockney’s paintings...

Underwater nude photograph of Russian celebrity singer Katya Lee. The minimalistic photograph is mostly black and white except for the cherry scarf. Orig...

Ana Guzman is known for work that is fresh, colorful, vibrant, and often playful. Her drawing resonates with electric energy, and her subject matter has the ability to transport the ...

Ana Guzman is known for work that is fresh, colorful, vibrant, and often playful. Her drawing resonates with electric energy, and her subject matter has the ability to transport the ...

'Bowing Figure No. 1, 2020' is professionally framed in simple maple hardwood. The artwork is 30 x 18 inches with the outer frame dimension being 31 x 19 inches. Artist signed, dated...

Dip (Abstract Painting) Gesso wash, pencil, and oil on wood panel — Unframed. Feinberg works with a variety of techniques and mediums, including painting, paper collage and installa...

1677 Antique carnival sign hand painted in oil on wood panel with pediment top. The world's tallest man and tom tumb

Louis van der Pol (1896-1982) Dutch Harbor Scene by well known listed artist Oil on wood panel 8 x 11.75 unframed, 11.75 x 15.25 framed

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Rob Alexander's "Sunlit Heights" is an original, handmade oil painting that depicts snow capped blue mountains rising from the mist. This painting is c...

Tropical Still Life with Green Pot and Ukulele in Oil on Canvas Vibrant still life by Santa Cruz County artist N. Weber (20th Century). There are ...

Josh George's (US based) "Understanding of Bat Wing Revolution" is an original, handmade mixed media painting that depicts an urban cityscape, of buildings...

Mid-Summer Dance Cheryl D. McClure acrylic on canvas 40 x 40 x 1.5 in To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

JJ Galloway is an internationally collected artist known for her whimsical paintings and sculptures that combine people, animals, and food. Using oils, watercolors, and mixed media, ...

Robin Hextrum's "Resting Place" is an original, handmade oil painting that features larger than life floral varieties and a Water bird floating on icebe...

Untitled 01, 2015 - 2016 Mixed technique: oil paint, adhesive on OSB (Signed on reverse) 8 15/32 H x 5.9 W in 21 H x 15 W cm Zsolt Berszán’s work speaks of repulsion and fascination...

"Hopscotch to the Moon" is an original, handmade paper collage on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful geometri...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...

Artist: Voskan Galstian Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic Mixed Media on Panel Year: 2007 Style: Abstract Art, Title: Oringe Motion 3 Size: ...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

"Lanterns (Acoustic)" (2024) by Stephanie Hartshorn is an original handmade oil painting on wood panel that depicts a street corner in Chinatown. Artist Statement As a nod to my pr...

Carrie Goller's (US based) "Good Morning" (2024) is an original, mixed media using encaustic on wood panel that depicts an abstracted waterscape. Born and raised on Washington’s tin...

Kimberly Blackstock’s vibrant abstract painting, "My Grandpa Was a Toy Salesman," is a joyous celebration of color, texture, and playful design, offering a sense of wonder and deligh...

Maria Poroy (American, born 1952) "Dark Woods" 2025 Acrylic Paint, Wood Panel The artist signed the bottom right of the painting. "Dark Woods" by Maria Poroy is a captivating 24" x ...

oil on canvas stretched over wood panel

An ethereal underwater portrait of a woman with golden hair, gently wrapped in shimmering air bubbles, illuminated against a soft light green background. This piece invites viewers t...

Once upon a time, a wonderful girl posed for Evgeniy, outwardly very similar to the well-known blonde from Game of Thrones. Almost a doppelganger of her fairy-tale sister .. And then...

Yuko Montgomery's "The Omen of Nature" is an original, handmade oil painting that depicts a close up portrait of a owl with a surreal sky background. Born in Chiba, Japan, Yuko was ...

Annieo Klaas Hank Aaron Loop (Skyscape, Baseball, Icon, Legend) 2024 Oil on Wood Panel 8 x 8 inches (20.32 x 20.32 cm) Signed lower left COA provided *Ready to hang Annieo Klaas’s ...

Josh George's (US based) "Cherish the Chariot" is an original, handmade mixed media painting that depicts an urban cityscape of crowded, colorful buildings with a trusty truck parked...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

This is an original painting by one of LA's original Graffiti artists Karlos Marquez. This contemporary abstract work features vibrant red and black on wood panels. Signed by artist....

"Trees 3" (2024) by Brian Sostrom is an original handmade acrylic painting that depicts a pine trees in front of a colorful sunset with flowing clouds above. Brian Sostrom grew up ...

Edition of 8 Fixed is a series of photographs made by Rachel Phillips' alter-ego Madge Cameron: Until this project, Madge Cameron (b. 1935) had always seen photography as a sep...

Well painted late 19th century/early 20th century English Impressionist landscape oil painting. Ernest Charles Walbourn was born on 16 February 1872 at Dalston, Middlesex. The secon...

"Winter Light on Mutton Cove" by the renowned Cornish artist Jon Doran is a breathtaking oil painting that perfectly captures the raw beauty and stark contrasts of a coastal winter's...

Steven Nederveen's art is a testament to the complex and ever-evolving relationship between humans and nature. His vivid nature scenes, often seemingly uplifting and idyllic, also reveal the darker aspects of our connection with the natural world. Through his work, Nederveen explores the dualities of our relationship with nature - the love and destruction that can coexist within us. His masterful use of color and light illuminates the beauty and mystery of natural environments such as oceans and...

This piece titled "Desert Cloud Man" is an original piece by Bunnie Reiss and is made from acrylic on wood panel. This piece measures 18”h x 24“w unframed. Bunnie Reiss was raised with the wide blue skies of Colorado, and often describes her childhood as similar to the song ‘Little Fluffy Clouds’ by The Orb. She has a large Polish/Russian family, so eating, loud talking and community shaped her world. She was a tiny rebel with a large imagination, and knew at a young age that she would build things much bigger than herselfShe moved to rural Colorado, studied literature, and worked for NPR and other various publications, while quietly painting on the side. Magic, mysticism, nature and the stars slowly crept into her conscious, and she began almost obsessively studying anything she could get her hands on. Her need to travel and obtain information slowly pushed her all over the world and she eventually left Colorado to relocate to San Francisco. Her 20+ years in The Bay Area included an MFA from San Francisco Arts Institute and years of creative incubation in wild streets full of weird art and people painting everywhere. She grew into herself, and found a community of artists that she would spend many years building, living and creating things together. After a small stint in France and a few other areas around the US, Bunnie relocated to Los Angeles. Her busy life blossomed even more, taking her murals and art all over the world. Her time in Los Angeles was crucial to her development as a professional artist, but she began yearning for a more quiet life with space to grow. She eventually purchased her dream home in the Mojave desert, and has been slowly building up a 5-acre art farm affectionately known as Lilac Lane Farms. Her painting studio, animals, vegetable/flower garden and balance of life and art have helped her to imagine a world she never knew could be possible. Bunnie has shown extensively in both the United States and around the world, in galleries, alternative spaces, bookstores, abandoned buildings, fields and forests, or any place that seems to need a little extra magic. Her brightly colored folk murals...

"RJ's Place" (2024) by Stephanie Hartshorn is an original handmade oil painting on wood panel.

Marinas No. 12, oil painting on wood panel by Spanish contemporary artist Calo Carratalá. 22 cm × 35 cm. This landscape painting takes the viewer to the coasts of Tanzania on the Ind...

Two Pears Realism oil painting on panel 12" x 12" David Harrison, is a master in the style of Realism painting. Two Pears shows the simple beauty of Realism paintings. Harrison, a...

In early September, a festival is held on the Borodino field where military historical clubs take part and many lovers of horse riding and horses gather. Among the many horses waitin...

Artist: Voskan Galstian Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic Mixed Media on Panel Year: 2007 Style: Abstract Art, Title: Oringe Motion Size: 27...

Genevieve Hamel Perfect Match Oil on Wood Panel Year: 2024 Size: 12 x 12 x 1.5 inches Signed by hand COA provided *wired and ready to hang Genevieve Hamel’s passions for design an...

Road going to Baqueira is a unique oil on laminated wood painting by Spanish contemporary artist Calo Carratalá, dimensions are 38 × 58 cm (15 × 22.8 in). The artwork is signed, sol...