Stuart Möller

Fold - Acrylic on Wood Original Art

2019

Optimism Painting I - acrylic & mixed media on wood, 2019 16 x 16" inches / 41 x 41 cm mint condition - original and unique piece. Christian Möller, German and born in Kabul Afgha...

Orb I - acrylic on wood panel, 2020 20 x 20 x 4.5" inches Circular wood panel mounted on square wood box panel. original and unique piece. Christian Möller...

Gfeller + Hellsgård - Untitled 67 Screen-print on paper - signed & numbered - 2016 This is a rare A.P (artist proof) from the Untitled 67 print run. It's handprinted 5 colours as split-fountain. Size 80 x 60 cm, with a 5 cm white border, the condition is good, it will be shipped rolled in a hard tube. Artist info: Gfeller + Hellsgård is an artist duo working in Berlin. They've created an unique painterly screen-print-style which includes colour overlaps, smudges, bleeding, glitches and transparencies. In 1995 while studying at Ecole Supérieur des Arts Décoratifs de Strasbourg, Christian Gfeller (born 1973, Alsace) started publishing screen-printed graph'zines and artists' books under the moniker Bongoût (good taste). Bongoût found it's roots in the french D.I.Y art punk scene and, together with an handful of people, also organised concerts, party's and performances in an old warehouse named Lactina in Kehl, across the Rhine from France. The location became cult with its first techno parties, noise concerts and art performances, as well as exhibitions. Christian's first screen-print studio was located in Lactina and beside zine and book making, he designed and printed posters for the events as well as record covers for the cult garage trash punk label Yakisakana Rcds. In 2000, FLTMSTPC in Paris published a polaroid book by Christian, where this vivid time at Lactina was well documented. During this period Christian also played in several local bands: Pitfall, Elcamino and The Cheeraks. Christian Gfeller met Anna Hellsgård (born 1980, Stockholm) at a concert in Berlin on September 11th 2001. After Anna's short art study at Konstskolan in Stockholm, she was eager to develop her photographic interest and become an assistant to a commercial photographer for 2 years. In the meantine Anna also was Dj-ing in several clubs and bars in Stockholm. A vague memory from 1991 of her first Berlin visit and her music interest draw her to move to Berlin in 2001. There she continued with her B/W photographs and shot hundreds of pictures during her first time in Berlin. When she met Christian, she got immediately drawn to the french underground scene and its subversive graphic art content. Whenever she visited Christian in Strasbourg she would help him with his printing at the Lactina studio. In 2002 the couple moved to Bordeaux and built up a screen-print studio there. This is where they started to work full time together as an artist-duo, publishing their own zines, artist's books as well as designing gig posters and record covers. The year and a half in Bordeaux was very prolific and they grounded together a strong artistic direction and a unique style. Bongoût editions continued to grow there as well.The artist-duo produced over 40 screen-printed books in collaboration with other artists during this time. In 2004 they decided to move back to Berlin, and relocated their studio to the Friedrichshain neighbourhood. Over the years, the duo released over 200 screen-printed zines and artists' books, some by themselves and others in collaboration with artists from around the world: David Sandlin...

' Io Gardens ' 2020 oil on aluminium with backing frame for hanging 20x16 inches x 1 inch depth signed on reverse by artist. Unique work. About the artist : Katherine Russell is a London based Master Painter. Her works are held in The Priseman Seabrook Collection of 21st Century Painting and in private collections in the U.K, France, Spain, America and Australia. She is a member of the Contemporary British Painting Group and has exhibited in National Museum shows in Poland, across China and Great Britain. Moving away from previous body of work which focused on mass media and was primarily figurative. This body of work oscillates between the figurative and the abstract in dissolving the constraints of the concrete with an exploration of colour and form and movement not previously approached in this fashion by the artist. Simplicity and free expression through colour, form and movement. Education: 2014-15 MA Fine Art Painting; City and Guilds London Art School 99-02: BA (Hons) Fine Art Degree; University of Northumbria at Newcastle 98-99: BTEC Diploma Foundation Studies in Art and Design; Wimbledon School of Art and Design Selected Exhibitions: 2019 Made In Britain 82 Painters of the 21st Century, The National Museum Gdańsk, Poland, 14 March - 2 June Contemporary British Painting An Exhibition of 34 Painters, The Hostry, Norwich Cathedral...

Fold (Abstract painting) Acrylic on linen. Unframed. The textured appearance of her paintings emanates from the intervention of common household products such as paper towels durin...

Fold (Abstract Painting) Acrylic on linen. The textured appearance of her paintings emanates from the intervention of common household products such as paper towels during the pain...

Acrylic graphite, mica, paper on linen.

Clipped (Abstract painting) Oil on panel Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion. Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work. Her use of reds and pinks link to flesh and blood...