Cardboard Mixed Media

Calvin Marcus Monument 8, 2018 Wood, glass, hot glue, cardboard, plastic, paper pulp, sulfur, ash, gesso, Cel-Vinyl, flashe, watercolor and other media sculpture 22" high x 13 1/4" w...

In creating this artwork, I explored the juxtaposition of the vintage and modern, the real and the imagined. Using collage materials juxtaposed with delicate pencil and bold ink, I s...

Artist : Kory Twaddle Title : Basement Systems Materials : Acrylic, tempera, gouache, and glitter glue on cardboard drawing pad back Date : 2019 Dimensions : 18 x 12 x .2 in. Kory ...

"Okapi" is a wonderfully morbid sculpture created by the Canadian artist Yulia Shtern. This piece is part of her Mini Zoo Series depicting beautifully decaying remnants of species on...

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art ...

August, 2016 Mixed technique: acrylic on cardboard, wooden box 40.55 H x 50.78 W x 11.81 D in 103 H x 129 W x 30 D cm Signed The object-collage by the artist Alexandru Radvan tit...

Golfam Jozdani Saint Minecraft III 2024 Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and date...

Golfam Jozdani Saint Minecraft IV 2024 Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated...

Golfam Jozdani Saint Minecraft VII 2024 Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and date...

"FEEL" is an abstract mix media painting on cardboard, measuring 77 x 57 x 3,5 cm, by contemporary Polish artist Monika Widenka. It invites you to feel — beyond what’s visible, in ...

This stunning abstract artwork was made in 1960, by the well known Italian artist Ermete Lancini. The artwork is a painting and a collage with newspaper sheet and other glued element...

Vivien Abrams Collens is a mid-career abstract artist born in Cleveland, Ohio, whose current practice includes site specific installations, sculpture and painting. After graduatin...

n Lloyd Brown’s examination of America, we see small town intersections, train crossings, and rural stretches of road, in paintings made after he traveled across the United States on...

Mark Wallinger It's the Thought that Counts, 2001 Mixed media Christmas cracker, colored paper/ cardboard and ribbon with snap Plate signed by Mark W...

Artist : Kory Twaddle Title : Map from Home to Kaz's Gallery Materials : Oil, acrylic, charcoal, conté crayon, oil pastel, pastel, paper, marker, and mixed media on paper Date : 200...

Shusaku Arakawa Still Life, from To and From Rrose Selavy, for Marcel Duchamp, 1967 Limited Edition Silkscreen on velincarton (thin board) paper 10 1/2 × 13 1/4 inches Limited Edition of 60 Hand signed, titled and dated on the front Unframed The entire portfolio, including the present work, is referenced in the Marcel Duchamp catalogue raisonne: Arturo Schwarz The Complete Works of Marcel Duchamp, Abrams, P.532, 344c Eager to share Marcel Duchamp with Japanese audiences, Shuzo Takiguchi - a Japanese-born poet, critic, and artist with ties to Surrealist circles, assembled an international portfolio of graphic works by various artists with strong ties to Duchamp, to accompany the deluxe version of his monograph, "To and From Rrose Sélavy". The present work was created for this portfolio by one of Marcel Duchamp's friends, Shusaku Arakawa. It is signed, dated and titled on the front - and can be exhibited both vertically and horizontally - (see photos). The present work, along with others in the portfolio, was published in Japan and is rarely found stateside. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan...

Artist : Kory Twaddle Title : Nerve Center Materials : Acrylic, gouache, postage stamps, and mixed media on paper Date : 2018 Dimensions : 24 x 36 x 0.3 inches Kory Twaddle is a Ka...

Artist : Kory Twaddle Title : Biogram of the Kansas City Zoo Materials : Pastel, oil pastel, acrylic, watercolor, gouache, tempera, glitter glue, foam stickers, paper, marker, color...

Artist : Kory Twaddle Title : First Floor Systems Materials : Acrylic, tempera, gouache, paintbrushes, and mixed media on drawing paper pad back with spiral Date : 2018 Dimensions ...

Amazing unique piece framed with thin black lacquered slat depicting the famous rock star Bruce Springsteen playing his guitar. Enamels and mixed media on cardboard and board. Hand...

Highly textured composition by an unknown artist (20th Century). Thick diagonal swatches of blue and white are layered over an off white background in a nearly parallel pattern. Sand...

May Wilson (1905–1986) was an American artist and figure in the 1960s New York City avant-garde art world. A pioneer of the feminist and mail art movement, she is best known for her Surrealist junk assemblages and her "Ridiculous Portrait" photo collages. Wilson was born in Baltimore, Maryland, into an underprivileged family. Her father died when she was young. She was reared by her Irish Catholic mother, who sewed piecework at home. Wilson left school after the ninth grade to become a stenographer/secretary to help support her family. When she turned 20, she married a young lawyer, William S. Wilson, Jr., and give birth to her first child. She continued to work until the birth of her second child, after which she devoted her energies primarily to mothering and homemaking. In 1942, the couple had prospered enough to move to Towson, Maryland, where she began to take correspondence courses in art and art history from several schools, including the University of Chicago. In 1948, after the marriage of their daughter, the couple moved to a gentleman's farm north of Towson, where she pursued painting and gave private art lessons to neighbors. She exhibited her paintings, scenes of everyday life painted in a flat, purposefully primitive manner in local galleries and restaurants. In 1952 and 1958, she won awards for work submitted to juried exhibitions at the Baltimore Museum of Art. In 1956, her son, the writer Williams S. Wilson, gave to Ray Johnson, the founder of the New York Correspondence School, his mother's address. This began a friendship and artistic collaboration between Johnson and Wilson, which would last the remainder of her life. Wilson became an integral part of Johnson's mail art circle and was initiated into the New York avant-garde through letters and small works that she exchanged with Robert Watts, George Brecht, Ad Reinhardt, Leonard Cohen, Arman, and many others. When her marriage dissolved, she moved to New York City in the spring of 1966, aged 61, taking up residence first in the Chelsea Hotel and then in a studio next door, where she threw legendary soirées and became known as the "Grandma Moses of the Underground". By the time she arrived, Wilson was already working with photomontage collage techniques. Encouraged by Johnson, who had sent her magazines through the mail, she scissored patterns into images of pin-up girls and muscle men until they resembled doilies or snowflakes, as Wilson called them. She decorated her hotel room and later her studio on West 23rd Street with these and other manipulated, found object images. Around this time, she also began her series of neo Dada "Ridiculous Portraits", for which she would ride the subway to Times Square, where she made exaggerated faces in photo booths. She then would cut and paste her photo-booth face onto postcards, along with Old Master reproductions, fashion shoots, and softcore Playboy magazine pornography. Long before artists such as Cindy Sherman and Yasumasa Morimura embarked on similar critical projects, Wilson's "Ridiculous Portraits" sent up the ubiquitous sexism and ageism that exists in popular and fine-art images of women. At the age of 70, she converted a nude photograph of herself into a stamp that she pasted on envelopes. Her collages and humorous self-portraits were made as gifts and mail-art items for her friends and were not widely known until after her death. Her work was contemporaneous with the Arte Povera artists Jannis Kounellis and ‎Michelangelo Pistoletto. She was also an innovator of junk art assemblages that incorporated real objects, such as high-heel shoes, bed sheets, sauce pans, toasters, liquor bottles, ice trays, and wrapped baby dolls. Her sculptures were inspired by Surrealist and Dada practices and are similar in spirit to Yayoi Kusama's contemporary accumulations. Wilson was the subject of a 1969 experimental documentary by Amalie R. Rothschild, "Woo Hoo? May Wilson". Since her death, May Wilson's work has been featured in numerous exhibitions and retrospectives at the Baltimore Museum of Art, Maryland; Gracie Mansion Gallery, New York; the Morris Museum, Morristown, N.J.; the Pavel Zoubok Gallery, New York City; and The University of the Arts, Philadelphia. Selected Exhibitions 2010 "Seductive Subversion: Women Pop Artists, 1958-1968", University of the Arts, Philadelphia (traveling exhibition) 2008 "1968/2008: The Culture of Collage", Pavel Zoubok Gallery, New York, City 2008 "Ridiculous Portrait: The Art of May Wilson", Morris Museum, Morristown, New Jersey 2008 "Woo Who? May Wilson", Pavel Zoubok Gallery, New York City 1995 [Retrospective], The Baltimore Museum of Art, Maryland 2001 "May Wilson: Ridiculous Portraits and Snowflakes", Gracie Mansion Gallery, New York, City 2001 "Inside Out: Outside In-The Correspondence of Ray Johnson and May Wilson", Sonoma Museum of Visual Art, California 1991 "May Wilson: The New York Years", Gracie Mansion Gallery, New York City 1973 "Sneakers", Kornblee Gallery, New York City 1973 "Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art", RISD Museum, Providence, Rhode Island 1971 Corcoran Gallery of Art, Washington, D.C. 1970 "Sculpture Annual 1970", Whitney Museum of American Art, New York City 1965 The Baltimore Museum of Art, Baltimore, Maryland 1962 The Johns Hopkins University, Baltimore, Maryland 1957 Bookshop Gallery, Baltimore, Maryland Public collections Whitney Museum of American Art (New York City) The Baltimore Museum of Art (Baltimore, Maryland) Brooklyn Museum (Brooklyn, New York) References William S. Wilson, "May Wilson: Constructing Woman (1905-1986)", in Ann Aptaker, ed., Ridiculous Portrait: The Art of May Wilson, ed. Ann Aptaker, Morristown, N.J.: Morris Museum, Camhi, Leslie, "Late Bloomer", Village Voice, December 18, 2001 Giles, Gretchen, "Cosmic Litterers: Artists Ray Johnson and May Wilson: Taking the Cake", "Northern California Bohemian," June 14–20, 2001 McCarthy, Gerard, "May Wilson: Homespun Rebel", Art in America, vol. 96, no. 8, September 2008, pp. 142–47 Sachs, Sid and Kalliopi Minioudaki, Seductive Subversion: Women Pop Artists, 1958-1968. Philadelphia: The University of the Arts, 2010, ISBN 978-0789210654 Wilson, William S. Art is a Jealous Lover: May Wilson: 1905-1986, andy warhol...

Olga Vassilievna CHOUMANSKY Collage on cardboard 80,5 x 61,3 cm (85,4 x 65,7 cm with frame) 31.6 x 24.1 in (33.6 x 25.8 in with frame)

Jute Nebula - 3D Abstract Expressionist Mixed Media on Cardboard Abstract in bold red, yellow and sky blue on a soft black background, by California-based artist Ricardo de Silva (B...

Alcune lettere respinte al mittente  is an artwork realized in 1987 by Gianfranco Baruchello . Mixed media on paper (China ink and enamel on cardboard). Hand-signed and dated on the...

Marcus Centmayer - "003_1 Flood of Images". Abstract acrylic works on cardboard from the Ukraine series Flood of Images 2022. The works were part of a contribution to Flux4Art 2022/...

Men? is an original Contemporary artwork realized in the 1970s by Sergio Barletta. Original Photo-lithograph and collage on cardboard (total dimensions: cm 18 x 18.5). Excellent ...

Marcus Centmayer - "007_1 Flood of Images". Abstract acrylic works on cardboard from the Ukraine series Flood of Images 2022. The works were part of a contribution to Flux4Art 2022/...

Marcus Centmayer - "002_1 Flood of Images". Abstract acrylic works on cardboard from the Ukraine series Flood of Images 2022. The works were part of a contribution to Flux4Art 2022/...

Marcus Centmayer - "Small Diptych". Abstract acrylic works on corrugated cardboard from the series Rouge et Noir. Concrete Art that develops its own art...

Figurative abstract collage with goats and other media layered to form an interesting visual texture by Karen Druker (American, 1945). Signed "Druker" in the lower right corner. Pres...

Marcus Centmayer - "Out of the Box". Abstract acrylic works using a folding box for suspension files, herlitz series. Concrete Art that develops its own a...

Marcus Centmayer - "Cairo of the Mameluks". Abstract acrylic works on corrugated cardboard from the series Rouge et Noir. Concrete Art that develops its own artistic expression with materials from the art movements of Street Art and Ready Made...

Marcus Centmayer - "Tango in the Big Mango". Abstract acrylic works on corrugated cardboard from the series Rouge et Noir. Edition project in cooperation with the photographer peternitsch. Originally designs for a packaging (corrugated cardboard folding box...

"Bonobo II" is a beautiful contemporary sculpture created by the Canadian artist Yulia Shtern. Her work depicts beautifully decaying remnants of species on our planet that are curren...

"Grévy's Zebra" is a wonderfully morbid sculpture created by the Canadian artist Yulia Shtern. This piece is part of her Mini Zoo Series depicting beautifully decaying remnants of sp...

Giorgio Ceragioli performs a scenographic painting is a gelatin-bromide photographic print applied on cardboard This very large format print was made by enlargement, maintaining exc...

Frogire is an original Contemporary artwork ink and collage on cardboard, realized by Sergio Barletta in the 1980s. Hand-signed in pencil on the lower right: Sergio Barletta. Titled...

Portrait is an original photo of a print on cardboard realized in 1850 ca. by an Anonymous artist. Good conditions, except for some foxings of original print. The artwork represent...

The Passage is an original painting in mixed media on cardboard realized by an Anonymous artist of the XX century. Hand-signed on the lower right,illegible. Good conditions, except...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Arman, French/American (1928-2005) 2003 mixed media paint on found metal in a cardboard cut out of a violin inscribed to interior signed lower right and signed to the interior 'Arman...

"Lulu" is a beautiful contemporary sculpture created by the Canadian artist Yulia Shtern. Her work depicts beautifully decaying remnants of species on our planet that are currently endangered. Shtern utilizes common household materials such as produce netting and colored cardboards in her up-cycled process to authenticate her message. An unfortunate truth of our current society that is often forgotten. Shtern creates these beautiful pieces to draw the viewer in and force them to engage with reality head-on. This work is eye-catching with a delicate texture and vibrant colors and would brighten up any room. Artist's Inspiration: "Saudi Gazelle was native to the northern and western parts of the Arabian peninsula, preferring rocky habitats with shrubs and acacia trees. It lived alongside Mountain Gazelle and Arabian Sand Gazelle. The populations of these other two gazelle species of the Arabian peninsula have been severely diminished over the last few decades, and they both are classified as vulnerable. Gazelles were some of the most frequently depicted animals in the Neolithic art...

Hand Signed. Mixed technique and collage on cardboard. Passepartout included. This artwork is from the series "Cirque du Soleil" that the Italian artist Sergio Barletta dedicated to ...

"Scimitar Oryx" is a beautiful contemporary sculpture created by the Canadian artist Yulia Shtern. Her work depicts beautifully decaying remnants of species on our planet that are currently endangered. Shtern utilizes common household materials such as produce netting and colored cardboards in her up-cycled process to authenticate her message. An unfortunate truth of our current society that is often forgotten. Shtern creates these beautiful pieces to draw the viewer in and force them to engage with reality head-on. This work is eye-catching with a delicate texture and vibrant colors and would brighten up any room. Artist's Inspiration: "Scimitar oryx is a species of oryx antelope that was once widespread throughout Northern Africa. They are named after the shape of their long curved horns that resemble a scimitar sword...

Joanne Ungar's unique process involves layering pigmented wax over cardboard forms to create a geometric composition of color. Ungar's process begins by the artist flattening three-...

mixed media and collage on cardboard. Depiction of Butterfly Fantasy

Original spray paint and stencil on cardboard. Hand signed and dated on verso by Kunstrasen. Artwork size 8.5 x 10.75 inches. Frame size 13 x 14.5 inches. Artwork is in excellen...

Born in Manuel, Cuba in 1973, Juan Lazaro Gutierrez Mamblas is a painter who focuses his vision on the bicycle. His abstract works with forms floating on a virtually monochrome groun...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Christo Max Magazin (Wrapped Reichstag), 1994 Magazine cover 13 x 18 in Provenance: Jeschke Jádi Auctions Berlin GmbH, Berlin, Germany. Modern and Contemporary Art, 05 jul 2025. Lot...

“Signals of Stillness” is an original 54 x 47 cm acrylic painting on cardboard by Finnish multidisciplinary artist Emmi Iida, celebrated for her intuitive mark-making and emotional m...

“The Memory of Warmth” is an original 54 x 47 cm acrylic painting on cardboard by Finnish multidisciplinary artist Emmi Iida, whose work explores the dialogue between emotion, energy...

“Fire Remembered” is an original 54 x 47 cm painting on cardboard by Finnish multidisciplinary artist Emmi Iida, known for her emotionally charged abstractions that merge movement, i...

“Echo in Motion” is an original abstract work on paper by Finnish multidisciplinary artist Emmi Iida, known for her emotionally charged and intuitive compositions that merge gesture,...

Anniversary. 1997, pressed cardboard, acrylic, collage, 122x118 cm ALEKSANDRS DEMBO (1931. Paris – 1999. Riga) Born in 1931 in Paris, France, died in 1999 in Riga, Latvia. Professio...

Renee Ritter American, 1935-Present Spirit House, Late 20th century-early 21st century Acrylic collage on board 41 × 24 1/2 in Signed in center “Renee Gaylin Ritter”

This wall hanging sculptural artwork by John Monn was created using a rainbow clearcoat over a shiny chrome polymer. It measures 12 inches high and 11 inches wide and 3 inches deep. It is hand signed on the back. It has wooden cleates on the back for hanging installation...

Mixed media on rock David Paul Kay is an American contemporary artist born in 1982 who lives and works in New York City, USA. With a focus on vibrant lines and intricate composition...

Marcus Centmayer - "004_1 Flood of Images". Abstract acrylic works on cardboard from the Ukraine series Flood of Images 2022. The works were part of a contribution to Flux4Art 2022/...