Cardboard Mixed Media

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

In creating this piece, I sought to explore the balance between emotional intensity and meditative calm. By using geometric and symbolic forms in bold gouache and colored pencil, eac...

Highway 96 is part of the “Path to Eminence” series by Meghan Wilbar. During the pandemic, the uncertainty and isolation led Wilbar on a new series of work depicting the roads that ...

Prequel-Middle of the Road is part of the “Path to Eminence” series by Meghan Wilbar. During the pandemic, the uncertainty and isolation led Wilbar on a new series of work depicting...

This stunning abstract artwork was made in 1967, by the well known Italian artist Ermete Lancini. The artwork is a painting and a collage with newspaper sheet and other glued element...

Contemporary abstract geometric sculptural wall applique "Haut Relief Totem' by French artist Joseph Alessandri, signed and dated 2011 with reference number to the reverse. Superb a...

Vivien Abrams Collens is a mid-career abstract artist born in Cleveland, Ohio, whose current practice includes site specific installations, sculpture and painting. After graduatin...

Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunit...

This poured wax painting by Joanne Ungar, is composed with the geometric forms of recycled packaging, layered and infused with pigmented wax. The blue and violet purple in this pigm...

Figurative abstract collage with goats and other media layered to form an interesting visual texture by Karen Druker (American, 1945). Signed "Druker" in the lower right corner. Pres...

Meridian, 2016 Mixed technique: acrylic on cardboard, wooden box 35.43 H x 48.03 W x 11.61 D in 90 H x 122 W x 29.5 D cm The object collage from 2016 is almost an installation due ...

August, 2016 Mixed technique: acrylic on cardboard, wooden box 40.55 H x 50.78 W x 11.81 D in 103 H x 129 W x 30 D cm Signed The object-collage by the artist Alexandru Radvan tit...

beeswax, paraffin, cardboard on wood 8.25"x7.75" Joanne Ungar’s use of wax obscures and mystifies the origin of the materials she has imbedded. In this work, the composition is d...

beeswax, paraffin, cardboard on wood 8" x 8.5" Joanne Ungar’s use of wax obscures and mystifies the origin of the materials she has imbedded. In this work, the composition is det...

Golfam Jozdani Saint Minecraft IV 2024 Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated...

"Altai Argaliu" is a beautiful contemporary sculpture created by the Canadian artist Yulia Shtern. Her work depicts beautifully decaying remnants of species on our planet that are cu...

This stunning abstract artwork was made in 1960, by the well known Italian artist Ermete Lancini. The artwork is a painting and a collage with newspaper sheet and other glued element...

Mark Wallinger It's the Thought that Counts, 2001 Mixed media Christmas cracker, colored paper/ cardboard and ribbon with snap Plate signed by Mark W...

John Baldessari Pillow Cases in Bespoke Presentation Box (one pillowcase hand signed by John Baldessari) for The Thing Quarterly Issue 22, 2014 Silkscreen on 100% cotton 320 thread count sateen pillowcases (Hand signed by John Baldessari) Boldly signed in ink by John Baldessari on one of the pillowcases (see photo) Unframed One of the pillowcases is hand signed in ink by John Baldessari: John Baldessari was one of the artists who were invited to contribute an object (or "thing") with text for a special project for "The Thing" publication (read on for more on "The Thing") ; the conceptual object therefore had to incorporate text. Baldessari's contribution in 2014 was a silkscreened pillowcase with text. A limited (unknown) number of these pillowcases were marketed and sold as a set of two in a bespoke box. However, exceptionally, Baldessari hand signed a very few of pillowcases in ink. This is one of the very special sets bearing one hand signed pillow case - purchased directly from "The Thing". (a copy of the 2014 receipt is shown here.) The rest of these boxed sets were not hand signed. The pillowcase is brand new, and will look gorgeous once pressed and framed by a professional framer. More about this boxed set: Issue 22 of THE THING Quarterly is by LA-based conceptual artist John Baldessari. It consists of two 100% cotton sateen pillowcases featuring an image of a woman clutching a pillow. The black and white image is taken from a Hollywood film still in Baldessari's collection and has been silkscreened on each pillowcase with environmentally-friendly, water-based ink. The pillowcases are standard-sized and envelope-style. For those who like their thread count high, the issue clocks in at a solid 320 thread count. Measurements: Box 10.5 inches by 13 inches by 2 inches Pillow 20 inches vertical by 26 inches What was The Thing Quarterly? THE THING was an experimental publication created in collaboration with Will Rogan as part of an artist residency. We saw it as a quarterly periodical in the form of an object. Each year, four artists, writers, musicians or filmmakers were invited to create an everyday object that somehow incorporates text. The object is reproduced and hand wrapped at wrapping parties and then mailed to the homes of the subscribers with the help of the United States Postal Service. It began as part of an artist residency in San Francisco’s Southern Exposure. Will and I had met in grad school at UC Berkeley and discovered our mutual affinity for quarterlies. He was a librarian at SFAI for five years and I had been a high school teacher for five years. WE were both interested pushing the boundaries of publication. Our plan was to create a 1 year publication with four artists, but from the very start the project generated so much interest and international excitement that we found ourselves running a publication complete with a brick and mortar storefront and a staff of four individuals. After 10 years, 34 issues, 59 projects and countless live events, we decided to end the publication in order to pursue our individual projects. We are still working together on a less ambitious new project, and hope to launch it at some point in 2021. CONTRIBUTORS: have included John Baldessari, Dave Eggers, Miranda July...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

Marcus Centmayer - "Tango in the Big Mango". Abstract acrylic works on corrugated cardboard from the series Rouge et Noir. Edition project in cooperation with the photographer peternitsch. Originally designs for a packaging (corrugated cardboard folding box...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Jute Nebula - 3D Abstract Expressionist Mixed Media on Cardboard Abstract in bold red, yellow and sky blue on a soft black background, by California-based artist Ricardo de Silva (B...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Calvin Marcus Monument 8, 2018 Wood, glass, hot glue, cardboard, plastic, paper pulp, sulfur, ash, gesso, Cel-Vinyl, flashe, watercolor and other media sculpture 22" high x 13 1/4" w...

"Grévy's Zebra" is a wonderfully morbid sculpture created by the Canadian artist Yulia Shtern. This piece is part of her Mini Zoo Series depicting beautifully decaying remnants of sp...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Hand Signed. Mixed technique and collage on cardboard. Passepartout included. This artwork is from the series "Cirque du Soleil" that the Italian artist Sergio Barletta dedicated to ...

Frogire is an original Contemporary artwork ink and collage on cardboard, realized by Sergio Barletta in the 1980s. Hand-signed in pencil on the lower right: Sergio Barletta. Titled...

mixed media and collage on cardboard. Depiction of Butterfly Fantasy

"Bonobo II" is a beautiful contemporary sculpture created by the Canadian artist Yulia Shtern. Her work depicts beautifully decaying remnants of species on our planet that are curren...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

Giorgio Ceragioli performs a scenographic painting is a gelatin-bromide photographic print applied on cardboard This very large format print was made by enlargement, maintaining exc...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

Portrait is an original photo of a print on cardboard realized in 1850 ca. by an Anonymous artist. Good conditions, except for some foxings of original print. The artwork represent...

May Wilson (1905–1986) was an American artist and figure in the 1960s New York City avant-garde art world. A pioneer of the feminist and mail art movement, she is best known for her Surrealist junk assemblages and her "Ridiculous Portrait" photo collages. Wilson was born in Baltimore, Maryland, into an underprivileged family. Her father died when she was young. She was reared by her Irish Catholic mother, who sewed piecework at home. Wilson left school after the ninth grade to become a stenographer/secretary to help support her family. When she turned 20, she married a young lawyer, William S. Wilson, Jr., and give birth to her first child. She continued to work until the birth of her second child, after which she devoted her energies primarily to mothering and homemaking. In 1942, the couple had prospered enough to move to Towson, Maryland, where she began to take correspondence courses in art and art history from several schools, including the University of Chicago. In 1948, after the marriage of their daughter, the couple moved to a gentleman's farm north of Towson, where she pursued painting and gave private art lessons to neighbors. She exhibited her paintings, scenes of everyday life painted in a flat, purposefully primitive manner in local galleries and restaurants. In 1952 and 1958, she won awards for work submitted to juried exhibitions at the Baltimore Museum of Art. In 1956, her son, the writer Williams S. Wilson, gave to Ray Johnson, the founder of the New York Correspondence School, his mother's address. This began a friendship and artistic collaboration between Johnson and Wilson, which would last the remainder of her life. Wilson became an integral part of Johnson's mail art circle and was initiated into the New York avant-garde through letters and small works that she exchanged with Robert Watts, George Brecht, Ad Reinhardt, Leonard Cohen, Arman, and many others. When her marriage dissolved, she moved to New York City in the spring of 1966, aged 61, taking up residence first in the Chelsea Hotel and then in a studio next door, where she threw legendary soirées and became known as the "Grandma Moses of the Underground". By the time she arrived, Wilson was already working with photomontage collage techniques. Encouraged by Johnson, who had sent her magazines through the mail, she scissored patterns into images of pin-up girls and muscle men until they resembled doilies or snowflakes, as Wilson called them. She decorated her hotel room and later her studio on West 23rd Street with these and other manipulated, found object images. Around this time, she also began her series of neo Dada "Ridiculous Portraits", for which she would ride the subway to Times Square, where she made exaggerated faces in photo booths. She then would cut and paste her photo-booth face onto postcards, along with Old Master reproductions, fashion shoots, and softcore Playboy magazine pornography. Long before artists such as Cindy Sherman and Yasumasa Morimura embarked on similar critical projects, Wilson's "Ridiculous Portraits" sent up the ubiquitous sexism and ageism that exists in popular and fine-art images of women. At the age of 70, she converted a nude photograph of herself into a stamp that she pasted on envelopes. Her collages and humorous self-portraits were made as gifts and mail-art items for her friends and were not widely known until after her death. Her work was contemporaneous with the Arte Povera artists Jannis Kounellis and ‎Michelangelo Pistoletto. She was also an innovator of junk art assemblages that incorporated real objects, such as high-heel shoes, bed sheets, sauce pans, toasters, liquor bottles, ice trays, and wrapped baby dolls. Her sculptures were inspired by Surrealist and Dada practices and are similar in spirit to Yayoi Kusama's contemporary accumulations. Wilson was the subject of a 1969 experimental documentary by Amalie R. Rothschild, "Woo Hoo? May Wilson". Since her death, May Wilson's work has been featured in numerous exhibitions and retrospectives at the Baltimore Museum of Art, Maryland; Gracie Mansion Gallery, New York; the Morris Museum, Morristown, N.J.; the Pavel Zoubok Gallery, New York City; and The University of the Arts, Philadelphia. Selected Exhibitions 2010 "Seductive Subversion: Women Pop Artists, 1958-1968", University of the Arts, Philadelphia (traveling exhibition) 2008 "1968/2008: The Culture of Collage", Pavel Zoubok Gallery, New York, City 2008 "Ridiculous Portrait: The Art of May Wilson", Morris Museum, Morristown, New Jersey 2008 "Woo Who? May Wilson", Pavel Zoubok Gallery, New York City 1995 [Retrospective], The Baltimore Museum of Art, Maryland 2001 "May Wilson: Ridiculous Portraits and Snowflakes", Gracie Mansion Gallery, New York, City 2001 "Inside Out: Outside In-The Correspondence of Ray Johnson and May Wilson", Sonoma Museum of Visual Art, California 1991 "May Wilson: The New York Years", Gracie Mansion Gallery, New York City 1973 "Sneakers", Kornblee Gallery, New York City 1973 "Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art", RISD Museum, Providence, Rhode Island 1971 Corcoran Gallery of Art, Washington, D.C. 1970 "Sculpture Annual 1970", Whitney Museum of American Art, New York City 1965 The Baltimore Museum of Art, Baltimore, Maryland 1962 The Johns Hopkins University, Baltimore, Maryland 1957 Bookshop Gallery, Baltimore, Maryland Public collections Whitney Museum of American Art (New York City) The Baltimore Museum of Art (Baltimore, Maryland) Brooklyn Museum (Brooklyn, New York) References William S. Wilson, "May Wilson: Constructing Woman (1905-1986)", in Ann Aptaker, ed., Ridiculous Portrait: The Art of May Wilson, ed. Ann Aptaker, Morristown, N.J.: Morris Museum, Camhi, Leslie, "Late Bloomer", Village Voice, December 18, 2001 Giles, Gretchen, "Cosmic Litterers: Artists Ray Johnson and May Wilson: Taking the Cake", "Northern California Bohemian," June 14–20, 2001 McCarthy, Gerard, "May Wilson: Homespun Rebel", Art in America, vol. 96, no. 8, September 2008, pp. 142–47 Sachs, Sid and Kalliopi Minioudaki, Seductive Subversion: Women Pop Artists, 1958-1968. Philadelphia: The University of the Arts, 2010, ISBN 978-0789210654 Wilson, William S. Art is a Jealous Lover: May Wilson: 1905-1986, andy warhol...

Marcus Centmayer - "007_1 Flood of Images". Abstract acrylic works on cardboard from the Ukraine series Flood of Images 2022. The works were part of a contribution to Flux4Art 2022/...

Marcus Centmayer - "004_1 Flood of Images". Abstract acrylic works on cardboard from the Ukraine series Flood of Images 2022. The works were part of a contribution to Flux4Art 2022/...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

Hand Signed. Mixed technique and collage on cardboard. Lightly damaged on bottom left sheet. Passepartout included. This artwork is from the series "Cirque du Soleil...

Marcus Centmayer - "Cairo of the Mameluks". Abstract acrylic works on corrugated cardboard from the series Rouge et Noir. Concrete Art that develops its own artistic expression with materials from the art movements of Street Art and Ready Made...

Marcus Centmayer - "Small Diptych". Abstract acrylic works on corrugated cardboard from the series Rouge et Noir. Concrete Art that develops its own art...

"Scimitar Oryx" is a beautiful contemporary sculpture created by the Canadian artist Yulia Shtern. Her work depicts beautifully decaying remnants of species on our planet that are currently endangered. Shtern utilizes common household materials such as produce netting and colored cardboards in her up-cycled process to authenticate her message. An unfortunate truth of our current society that is often forgotten. Shtern creates these beautiful pieces to draw the viewer in and force them to engage with reality head-on. This work is eye-catching with a delicate texture and vibrant colors and would brighten up any room. Artist's Inspiration: "Scimitar oryx is a species of oryx antelope that was once widespread throughout Northern Africa. They are named after the shape of their long curved horns that resemble a scimitar sword...

Acrylic on Cardboard on Wood Panel. Orange Mustard blue Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interiors and decorating. This work of 20 yrs lead him to his fascination with textiles and paint, along with custom furniture. After creating and selling dozens of unique pieces of furniture, here began his transition from wall, to wood on furniture, to canvas. Painting on canvas was the culmination of his creative outlet. William feels that his lack of formal training in Fine Art has afforded him a freedom to paint what he envisions and feels, rather than conform to specific style or genre that he feels is limiting Inspired by hard edge abstraction and color field art such as Kenneth Noland, Joseph Albers, Gene Davis, Frank Stella, Anne Truitt, Imi knobel. William is showing his work locally and nationally and being collected in Palm Beach Island, Washington and New York. William is also represented with DTR Modern Galleries on Worth Ave Palm Beach, Fl and New York, and Gary...

Arman, French/American (1928-2005) 2003 mixed media paint on found metal in a cardboard cut out of a violin inscribed to interior signed lower right and signed to the interior 'Arman...

Anniversary. 1997, pressed cardboard, acrylic, collage, 122x118 cm ALEKSANDRS DEMBO (1931. Paris – 1999. Riga) Born in 1931 in Paris, France, died in 1999 in Riga, Latvia. Professio...

Keith Haring was an American artist and representative of American Pop Art of the 1980s. He first came to public attention with his chalk drawings in the New York underground, which ...

Golfam Jozdani Saint Minecraft VII 2024 Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and date...

Golfam Jozdani Saint Minecraft III 2024 Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and date...

cardboard and string, Signed lower right original work framed 61 x 51 x 3 cm

This abstract work by Chicago artist Patrick Fitzgerald belongs to a series of “track paintings” that materialize the imagined tracks navigated by his miniature soap-box car sculptur...

Collage by Swiss artist Albert Chubac, signed and numbered 1/8, measuring 127cm x 87cm.

Colorful blue and orange abstract contemporary collage sculpture that incorporates collage, cardboard, wood, acrylic paint, and wood glue. The organic, amorphous form features spiked spires that resemble a rock formation. Artist Biography: The son of a Lutheran pastor and a psychotherapist, Brent...

mixed media and collage on cardboard. Butterfly

Born in Manuel, Cuba in 1973, Juan Lazaro Gutierrez Mamblas is a painter who focuses his vision on the bicycle. His abstract works with forms floating on a virtually monochrome groun...

Collage by Swiss artist Albert Chubac, signed and numbered 7/8, measuring 127cm x 87cm.

Models 2022., cardboard, author's technique, 29x30 cm This artwork is collage painting on board with silver and gold leaf elements. Center of composition is nude models- girls with beautiful bodies. Inspiration for these figures was graphic work of Latvian artist of 20th century Karlis Padegs. Around circle of figures is scripts and geometric shapes in cubistic genre. Some elements of text is visible - they are in Latvian language and text is quote from Leonardo Da Vinci about power of artist. There was added bigger and bolder numbers like "21" and "7" and big letters...

- The artwork is a untitled material image / collage / assemblage - Material: pencil, newspaper and magazine clippings and tobacco leaves, mounted on cardboard - Signed "Juan del Rio" and dated "96 " (1996) - Back protection with label of the former gallery Clasing in Münster. - Mounted behind glass in a walnut veneered frame. - Cardboard approx. 13.7 x 14.5 cm Juan Alberto del Rio was born in Buenos Aires in 1956, where he studied at the State Art Academy "Prilidiano Pueyrredon". Del Rio has exhibited in Buenos Aires, Frankfurt/M., Munich, Berlin and Hamburg. His artistic work moves between material works, collage and classical painting with acrylic and oil on cardboard. With his collages, Del Rio creates a strong sense of materiality. For example, he collected leftover moulded wood and other wood scraps for his small ship objects...