Ink Mixed Media

Jogen Chowdhury Untitled, Figurative, Ink & Pastel on Paper 5 x 6.5 inches , 2003 Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Title: Guide 32 color screenprint on 100% rag handmade, shaped deckle edged paper. with applied glitter. hand signed in pencil, stamped and numbered from edition of 33. Sandy Kinnee...

Bijan Choudhury - Untitled - 13 x 10 inches (unframed size) Ink on Paper , 2010 ( UNFRAMED ALL IN DOOR DELIVERED ) Style : The Marxist orientatio...

Jungle fantasy Scene, Ink, Colored ink and color watercolor surreal fantasy scene, birds, giraffes, alligators, snakes, turtles, storks, unicorn and maiden in a tepee, lions and elephants. Laurence L. Donovan Jr. (1927-2001) was a poet, artist, and English professor at the University of Miami, best known for his poetry, much of which was inspired by Florida’s natural beauty. Donovan grew up in southern Florida. His parents were Ruth and Laurence Donovan...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

Bridge To Total Freedom No.3 (Diminishing Returns) (2017) by Gary Sczerbaniewicz. Wood, laser-cut MDF, cast plastic, plaster, ink, acrylic, paper.

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

Pop Art- Comics watercolor. Fame and fun humoristic artist vision mixed media, crystal beads, watercolor, ink on paper. New Series Keith Carrington’s experiences have led him to expr...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Suman Roy - Christ - 36 x 48 inches (unframed size) Oil on Acrylic, 2006 Inclusive of shipment in rolled form. Style : His style is simple as he confident that the so called techni...

2022 Acrylic , alcohol ink , paper. One of a kind piece of art. On the canvas unfolds a marvelous world: magnificent butterflies, as if dancing in the stream of air. The grace of ea...

Linda Stein, Manhattan Outreach 005 - Mixed Media Contemporary Wall Sculpture These wall constructions and dioramas were made in the 1970s when Linda Stein was also working on her B...

Kapil Anant - Rajsthani Rural Sister's - 17.2 x 21.5 inches (unframed size) Acrylic & Ink on Paper, 2020 Inclusive of shipment in rolled form. Kapil Anant was born in 1998. Compl...

Megan Klim's mixed media work juxtaposes several materials on one picture plane. She highlights their inherent qualities to create surface tension which sparks a conversation and in...

Hilding Werner (1880-1944) Sweden Hulda in a Room at Ruds Säteri mixed media on paper unframed 27 x 22.5 cm (10.63 x 8.86 inches) framed 38 x 33.5 cm (14.96 x 13.19 inches) Prov...

Inspired by multiple landmarks, this work distills the essence of Detroit. Hovering between representational, heightened realism and abstraction, color fields bring cohesion to thoughts, sentiments, and Motor City...

Julia Adams Easy Elegance Original Interior Painting Mixed Media with Acrylic Inks on Canvas Canvas Size: H 50cm x W 50cm Sold Unframed Please note that in situ images are purely an ...

Charles Fazzino (American, b. 1955), Katz's Delicatessen, Mixed Media on Paper, 1981, ink, marker, and acrylic, signed and dated lower right, cerused wood frame. Image: 9" H x 12" W;...

Burning Man 2023 was delayed by a few days, postponing the iconic burning of the man in effigy. An empath absorbed the magic sparking reflection on one's own guiding force. To create...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally drop...

Monoprint with water based ink and graphite

Naman Mahipal - Untitled Mixed Media Ink & Acrylic on Canvas, 48 x 36 inches, 2020 Inclusive of shipment in roll form. Naman expresses his subjects and ...

Katrina Revenaugh Nightcap Archival Pigment Ink, Acrylic, Oil Pastel and Spray Paint on Birch Panel Year: 2021 Size: 24×12in Signed: On Verso COA provided Ref.: 924802-1956 *on Birc...

Katrina Revenaugh Morning Glory Diptych Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel with a UV Matte Varnish with Natural Wood Edges. Year: 2022 Size: 24×24in (each) ...

Orchard Blossom. Adele Riley Artist [2021] Original Landscape Acrylic and acrylic inks on boxed canvas. Image size: H:50 cm x W:100 cm Framed Size: H:55 c...

This 19x14 mixed media abstract draws you into the depths, with fluid tones and layered textures that create a sense of movement and mystery. The intricate details capture the essenc...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Harmoniously balanced color fields come together, inviting viewers to witness wisteria in full bloom within a hidden urban summer garden. Blending representation with abstraction, th...

Ramananda Bandopadhayay - Mother & Child Pastel & Ink on Paper, 15 x 11 inches ( unframed size ) This typically frames to be a 25x 22 inches ( Get a quote with the frame from us ) A beautiful rendition of the Bengal Maestro adept in making works in the Bengal Style of Art . Ramananda Bandopadhayay is one of the remaining senior artists of Bengal . Inclusive of shipment without the frame. Style : Lyrical and romantic, his work is typical of the Bengal School and reminiscent of Nandalal Bose...

Silvie Kinart’s "Offline" is a 36" x 36" mixed media piece that captures the raw, pulsating essence of contemporary urban street art. The canvas is a riot of colors—electric blues, v...

"Second Mesa (Hopi Pueblo, Arizona)" is a stunning mixed media artwork by Bert Van Bork (1928-2014), created using watercolor, ink, and charcoal on paper...

Passion is an ink and acrylic on canvas work by Belgian artist Jean Francois Debongnie. This painting captures the blossoming scene of the little wild red flowers in the field during...

Untitled III XII Charcoal, ink and paper collage, 1987 Initialed "R. C." and dated '87 verso in pencil From: Libor II Mono Logo Provenance: Janie C. Lee Master Drawings, New York (partial label) From: Libor II Mono Logo Exhibited: Collages and Drawings by Roberto Caracciolo and Chuck Dugan...

Marc Baseman is a visual artist. Marc Baseman has had several gallery and museum exhibitions, including at The Harwood Museum of Art, University of New Mexico.He has been exhibiting with Dickinson Roundell and Edward Nahem in New York, and Nahem has helped him find an eager audience among collectors in London and Europe. Marc Baseman has Exhibited with these artists: Larry Bell, Lynda Benglis, Vija Celmins, Ronald Davis, Wes Mills, Lee Mullican, Ken Price Mateo Romero, Fritz Scholder and Charles Strong...

Black and white fine art cityscape photography. Gondolier in small water canal with beautiful houses in Venice, Italy. Archival pigment ink print, edition of 9. Signed, titled, dated...

This is a beautiful piece by Alexis Portilla. The rich inky grey, black and white colors of this piece contrasts against the symbolism of vessels and pictographs. Vessels are a recur...

David Hare Cronus View from the Cave, 1971 Graphite, Ink wash, Paper Collage on Paper on Board 25 x 33 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

"Meditation of Victory" acrylic, spray paint and ink on canvas mixed media artwork by artist Skyler Grey. Depicts Karl Lagerfeld/MIckey Mouse meditating in a field of flowers with a ...

Sunil Das - Penographic I - 17 x 13 inches (unframed size) Penographic Series. Single Edition 1 / 1 (each). ( Framed & Delivered ) Sunil Das (1939-2015) was a Master Modern Indian A...

Drawing / Geometric Abstraction / Mythology and Religion / Bright and Vivid Colors / Black and White Enamel, ink, colored pencil and alcohol ink on paper....

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of 'Four Figures from the Bay...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with ...

Coloured inks and pastel on paper Signed Gestural abstraction Outsider art Artist’s statement : "Painting, for me, is an expressive endeavor in which one depicts the evolution of the various facets of the artistic self. There is, on each canvas, a tension where violence and stillness naturally coexist. By playing with different materials, I seek to establish a sort of unexpected dialogue between these states, and aspire to express this tension through profusion of color. The canvas is the stage that allows me to unite narration with the action of painting the fantastic—even the outrageous---and the everyday. I develop scenarios borrowed from the imagination, which join fantasy, even fables, with the everyday. Pulling threads from each domain, I bring together the mythical and the quotidian, so that the worlds of reality and fantasy merge. I rely on “creatures,” improbable little characters that could exist in some other realm or dimension. They materialize, issuing forth from the surprising, unbelievable and wondrous world of childhood. Human or animal, both find themselves entangled in inextricable and melancholic situations. These inextricable situations create distance; the humor comes through this breach. It is the absurdity of their predicaments that manifests the humor in the work. In each of my paintings, the sentiments are heightened by an intentional, provocative tone that transforms the work. An Otherness is attributed to objects; objects become personified, and by their very presence, they become witnesses or guinea pigs torn between and bound to their dilemma. The titles of my paintings, whether invented or quotations taken out of context, come from literature, theater, or song lyrics. Accident and chance are often major actors in my work.” Emmanuelle Messika BIOGRAPHY : Emmanuelle Messika was born in France in 1979. She works and lives in Paris. STUDIES 1999-2005 École Nationale Supérieure des Beaux-Arts de Paris Diplômée en Juin 2005 2004 Échange universitaire à Hunter College, New York NY, USA 1993-1999 Ateliers des Beaux-Arts de la Ville de Paris, Montparnasse PERSONAL EXHIBITIONS : 2019 Claire Corcia Gallery, Paris 2018 Claire Corcia Gallery, Paris Outsider Art Fair, Paris 2012 Art Contemporain Sèvres, "La Chartreuse", Sèvres 2011 Espace Seven, Galerie De Vos, Paris 2010 Les Trois Baudets, Paris Galerie Mariska Hammoudi, Paris Galerie Crous -Beaux-Arts, Paris L'Apparemment Café, Paris 2009 Espace Rachi, Paris 2008 Galerie Console, Paris 2007 Exposition Place du Québec, Mairie du sixième, Paris 2006 Galerie Eonnet-Dupuis, Paris 2005 Galerie Crous Beaux Arts, Paris 2004 The Mark Bar, "Bring your own flashlight", Brooklin, New York 2003 Le Glaz’art, Paris 2002 9 rue Dauphine, Paris 2001 Galerie Gauche, École des Beaux-Arts, Paris 2000 La grosse caisse, Paris La liberté, Paris GROUP SHOWS 2011 Chic Art Fair, Galerie Mariska Hammoudi Galerie De Vos, Espace Seven 2010 Galerie Mariska Hammoudi, Paris Chic Dessin, avec Cherry Gallery...

DAVID JAMES GILHOOLY (American, 1943-2013), Mixed media collage 6 x 4 inches, Hand signed and dated verso titled: "Many frivolous titles come to mind" A man on horseback, man and horse. cut and pasted cardstock assemblage, collaged art. David Gilhooly RCA (1943 – 2013), was an American ceramicist, sculptor, painter, printmaker, and professor. He is best known for pioneering the Funk art movement. He made a series of ceramic frogs called FrogWorld, as well as ceramic food, planets, and other creatures. David James Gilhooly III was born on April 15, 1943, in Auburn, California. He was raised in Los Altos, California; Saint Croix in the Virgin Islands; and Humacao, Puerto Rico. He enrolled in University of California, Davis (UC Davis) initially studying biology, followed by anthropology, and ending with a focus on fine art. While attending UC Davis, Gilhooly served as artist Robert Arneson assistant starting in 1963. He graduated from UC Davis with a BA degree in 1965, and an MA degree in 1967. Gilhooly, together with Robert Arneson, Peter Vandenberge...

This is a beautiful contemporary photograph of the iconic Brooklyn Bridge. The photograph is processed in a way that the grain of the wood eventually becomes the "canvas" and backdrop for this image. It is processed directly on Baltic birch wood using archival inks and is then sealed with a durable semi-gloss lacquer. The set is composed of 9 pieces and they are very easy to install and transport. It is a set of 25 and only 5 editions remain available. HUGO G. URRUTIA Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and active member of the Architectural Association in the United Kingdom, Urrutia’s work creates a distinct spatiality located at the interstice of art and architecture. His work explores and uses the technology for design and fabrication, with a sensitive and conscious reminder of the creativity of human endeavor. Urrutia graduated from the Architectural Association in 2013, earning a Master of Architecture in the Design & Make programme. In 2000, he graduated from Texas Tech University, with a Bachelor of Architecture and Design and received the 2000 Outstanding Thesis Award. In 2004, he founded Decorazon Gallery in Dallas’ historic Bishop Arts District where he directed, curated and exhibited numerous art/architectural exhibitions for national and international artists. His personal artwork has been exhibited in the United States, United Kingdom, Thailand, Colombia, and Hong Kong. His participation in art and architectural competitions and public projects include; the AIA Cincinnati, where he received the Design Award for the 2000 National Urban Poetry I competition and the 2005 ARQUINE - International Architecture Competition in Mexico City. His art installations – The Mexican Tsunami, and Making a Killing – have both been featured at the Art Santa Fe 2010 Contemporary Art Fair, curated by Charlotte Jackson...

DAVID JAMES GILHOOLY (American, 1943-2013), Mixed media collage 6 x 4 inches, Hand signed and dated verso titled: "a marriage made in heaven, potatoes and gravy" A handshake, a silver gravy boat and potatoes floating. cut and pasted cardstock assemblage, collaged art. David Gilhooly RCA (1943 – 2013), was an American ceramicist, sculptor, painter, printmaker, and professor. He is best known for pioneering the Funk surrealism art movement. He made a series of ceramic frogs called FrogWorld, as well as ceramic food, planets, and other creatures. David James Gilhooly III was born on April 15, 1943, in Auburn, California. He was raised in Los Altos, California; Saint Croix in the Virgin Islands; and Humacao, Puerto Rico. He enrolled in University of California, Davis (UC Davis) initially studying biology, followed by anthropology, and ending with a focus on fine art. While attending UC Davis, Gilhooly served as artist Robert Arneson assistant starting in 1963. He graduated from UC Davis with a BA degree in 1965, and an MA degree in 1967. Gilhooly, together with Robert Arneson, Peter Vandenberge...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Panoply 5 Mounted on a Cradled Birchwood panel, 16 plaster of Paris squares each 4 X 4 x 3/4 inches. The full piece is 24 X 24 x 2.5 inches. Acrylic paint and ink. Jose Castro was ...

J. Ivcevich portrays urban deterioration and grit in much of his work. Taking inspiration from the abstract forms found in shredded advertisement posters around New York, Ivcevich ph...

"Speed Racer Stop Sign (Large)" acrylic and ink on metal stop sign framed in plexiglass mixed media artwork by artist Skyler Grey. Signed Skyler Grey © '19 on lower left recto.

Fleurs is an ink and acrylic on canvas work by Belgian artist Jean Francois Debongnie. This painting captures a blossoming scene of dancing little blue flowers. The subtle blue hue ...

Artist: Oak Oak Title: Notes Size: 7.75 x 10.5 Inches (Framed: 9.5 x 12.875 Inches) Medium: Mixed Media on Paper Edition: Unique Year: 2020 Notes: Hand Signed Bottom Right

Imani Bilal is a contemporary abstract painter and poet based in Jersey City, New Jersey. Her work is deeply inspired by the many states of the human condition and is rooted in her spiritual (Islamic) practices. As she explains, “I strive to convey the notion of Tawheed (oneness), the idea of primordial matter, chaos, and calm; of all things sharing a source and being connected to an infinite mound, inclusive of the human experience.” Her language is versatile and her approach, unconventional, working with acrylic, ink, and resin to articulate emotion and promote connectivity through color and movement. Bilal, who has been experimenting with paint since childhood, has developed a unique process of her own. She often paints while seated on the floor to pour her whole body into the composition, using her hands, mouth, and found objects to create an array of effects that become part of an intricate yet fluid work of art. Bilal’s first solo show in New York City, Fingerprints of Ruh (2020), curated by Nemo Librizzi, was met with enthusiasm and led to gallery representation by Chase Contemporary Gallery and recently, Mazlish Gallery...

Original painting signed by the Artist on the lower right.