Lithograph Mixed Media

EDITION SIZE : 99 Edition 2/99 DIMENSIONS : 83 cm x 60 cm (32.67 inches x 23.62 inches) PAPER : BFK Rives 270 g. TECHNIQUE : Lithographs on stone...

Artist: Pietro Bulloni, Italian (1947- ) Title: Il Mito Year: 2007 Medium: Oil over Lithograph on Canvas, signed verso Canvas Size: 27.5 x 27.5 inches

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Artwork size: 16 x 12 inches. Frame size...

Ponte Sant’Angelo, Wrapped, Project for Rome - Christo, Contemporary, 21st Century, Collage, Limited Edition Collage on lithograph with acrylic frame Edition of 160 Arab and 90 Roman...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Frame size 18 x 15.5 inches. Artwork siz...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Frame size approx 21 x 17 inches. Artwor...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Frame size 18 x 15.5 inches. Artwork siz...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Frame size 18 x 15.5 inches. Artwork siz...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Frame size 18 x 15.5 inches. Artwork siz...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Frame size 18 x 15.5 inches. Artwork siz...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Frame size 18 x 15.5 inches. Artwork siz...

The painting is being offered with a work and authenticity certificate

"Opening Doors" by Joan Giordano Photo lithograph on heavy, acid-free paper Award-winning artist Joan Giordano has created a new series of unique, mixed media works on paper. "Sec...

"The Antoinette Sample Garment" by Joan Giordano Mixed Media, Photo Lithograph on Yupo Paper Award-winning artist Joan Giordano has created a new series of unique, mixed media wo...

"Wind Lanterns" by Joan Giordano Mixed Media Abstract Photo Lithograph on Yupo Paper Award-winning artist Joan Giordano has created a new series of unique, mixed media works on pape...

"Majestic" by Joan Giordano Mixed Media, Photo Lithograph on Yupo Paper Award-winning artist Joan Giordano has created a new series of unique, mixed media works on paper. "Sections ...

A fine abstract expressionist paper collage with windmills by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This collage consists of antique sepia...

Nicholas Krushenick (May 31, 1929 – February 5, 1999) was an American abstract painter whose artistic style straddled the line between Op Art, Pop Art, Abstract Expressionism, Minima...

Lithograph with embellishment (glitter paint) on paper. Hand signed, dated and numbered by the artist. Edition of 49. Image size 36.5 x 28 inches. Sheet size 41 x 32 inches. Sm...

Florentine 2 by Richard Smith, 1973 Additional information: Medium: lithograph on heavy wove paper, with carbon tracing paper and plastic strings 19 3/4 x 27 1/2 in 50 x 70 cm signed, dated and numbered 46/75 in pencil Charles Richard "Dick" Smith was an English printmaker and painter. Smith was born in Letchworth, Hertfordshire, to Doris (née Chandler), a nurse and daughter of a chemical company director. He studied at Hitchin Grammar School and Luton School of Art. After military service with the Royal Air Force in Hong Kong, he attended St Albans School of Art followed by post-graduate studies at the Royal College of Art, London, from 1954-57. Smith shared a flat-cum-studio with Peter Blake in his second year at the RCA, and then again for two years after he left the college in 1957. When Terence Conran's Soup Kitchen opened on Fleet Street in the late 1950s, it featured a letter-collage mural by Smith and Blake. Michael Chow would later commission Smith to design installations for his restaurant in Los Angeles, and Chow and Conran have remained two of his biggest supporters. In 1959 he moved to New York to teach on a Harkness Fellowship, staying for two years, where he produced paintings combining the formal qualities of many of the American abstract painters which made references to American commercial culture. The artist's first solo exhibition was at the Green Gallery. As his work matured it tended to be more minimal, often painted using one colour with a second only as an accent. In trying to find ways of transposing ideas, Smith began to question the two-dimensional properties of art itself and to find ways by which a painting could express the shape of reality as he saw it. He began to take the canvas off the stretcher, letting it hang loose, or tied with knots, to suggest sails or kites - objects which could change with new directions rather than being held rigid against a wall, and taking painting close to the realm of sculpture. These principles he carried into his graphic work by introducing cut, folded and stapled elements into his prints; some works were multi-leaved screenprinting, and others printed onto three-dimensional fabricated metal. Smith returned to England in 1963 - specifically East Tytherton, Wiltshire where Howard Hodgkin was a neighbour - and gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery. Evocative titles such as Panatella and Revlon, and cosmetic, synthetic colours alluded to the consumer landscapes of urban America which had proved so influential. He showed at the Kasmin Gallery, a venture between Kas and the Marquess of Dufferin and Ava in New Bond Street, throughout the 60s, more-widely known as David Hockney's first gallery. After being awarded the Grand Prize at the 9th São Paulo Biennial in 1967 and important exhibitions at Kasmin in 1963, Tate in 1964, and Richard Feigen Gallery in 1966, Smith was invited to exhibit at the XXXV Venice Biennale as the official British artist in 1970. Smith was chosen by a committee of art experts, who were Director of Tate Norman Reid, art historian Alan Bowness, art collector David Thompson, the British Council’s Lilian Somerville and art historian Norbert Lynton. Smith taught with Richard Hamilton at Gateshead in 1965, where he met Mark Lancaster and Stephen Buckley, and again in 2000, becoming close to the artist and his wife, Terry. By the late 1960s Smith's ambition to produce paintings which shared a common sensibility with other media, such as film and photography, began to wane and he focused on the formal qualities of painting. The freestanding installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Frame size 18 x 15.5 inches. Artwork siz...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Frame size 18 x 15.5 inches. Artwork siz...

The painting is being offered with a work and authenticity certificate

A fine abstract expressionist mixed media collage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy,...

A fine abstract expressionist paper construction by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This construction consists of a cut-out of a horse, a celestial map, several small animal figures, with a yellow brick wall paper background, monogrammed lower right “VB,” signed, dated 2002, and titled on verso “The Great...

Signage for Ralph Calvetti's Californians nightclub featuring palm tree & orange stripe awning graphics c1930s Print Sz: 15 1/2"H x 12 1/2"W Frame Sz: 20"H x 17"W w/ gilt bamboo ...

Damien Hirst Skull record art 2006: Damien Hirst illustrated album cover art for The Hours 2006 - a set of two original record sleeves and vinyl records featuring Hirst's iconic skul...