Lithograph Mixed Media

Marty Greenbaum (1934-2020) ''Brooklyn Local in Weege Wisconsin'' Lithograph, with hand-coloring, blind stitching, stitching, burning, tape collage and paint with Jewish, Hasidic, ...

Marty Greenbaum (1934-2020) ''Brooklyn Local in Wisconsin'' Lithograph, with hand-coloring, blind stitching, stitching, burning, tape collage and paint with Jewish, Hasidic, Sleepy...

RICHARD ANUSZKIEWICZ Grey Tinted Rainbow, 1992 Assemblage with 14 Color Silkscreen and Lithograph Pencil signed and numbered 11/40 on the front Frame included: elegantly framed in a ...

Jamie Nares When the Language was Young, 2010 Lithograph in red on polymer Pencil signed, dated and numbered 13/50 lower front Lithograph in red on acrylic Pencil signed, dated and ...

Joan Miró vinyl album art: set of two, 1966 & 1979: Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 1979, Miró...

General Sir Eire Coote is an original print realized in 1816 ca. Original mixed colored hand watercolored lithograph . Title printed on plate on the lower margin. Published by Ric...

Katherine S. Dreier, 'Variation 5, Vol. I' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...

Red Grooms Redgrooms, 2004 Hardback monograph with 3-D sculptural pop-up (signed and numbered in red marker on the artist's designed book plate) Signed and numbered 101/400 in red marker on the artist's designed book plate 13 × 10 × 1 1/2 inches Makes a superb gift! Lavishly illustrated with a pop-up/multiple taken out of the book with its signed & numbered label is often removed, exhibited under plexiglass, and sold separately for several thousand dollars. This fully pre-assembled pop-up with integral base at rear is a re-working of Grooms' iconic New York Taxi of 1986 - which in turn was based on his earlier giant Ruckus NY taxi sculpture...

Romero Britto PINK FACE 3D Sculptograph Signed Limited Edition with coa. In good condition measures 31x30

Katherine S. Dreier, 'Variation 4, Vol. I' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...

1963 Mixed Media by Mateo Manaure (Venezuelan, 1926-2018) Frame: 12.25" X 15.25" Image: 11" X 13.75" Hand signed Thought provoking abstract, mixed media modern graphic art Not sure of the exact technique but it seems photo based. Mateo Manaure (11926 – 2018) was a Venezuelan modern artist. In Venezuela he is considered a master of modernist abstractionism, and is known for his works in the University City of Caracas and for creating the largest glass murals in the world. Mateo Manaure was born on 18 October 1926 in Uracoa, in Monagas state. Between 1941 and 1946 he studied at the Escuela de Artes Plásticas y Artes Aplicadas under the instruction of Antonio Edmundo Monsanto. Here, he studied graphic arts in the workshop of Pedro Ángel González, to whom he was an assistant. He also began participating in the artist salon of the Museo Bellas Artes in Caracas. In 1947 he won the inaugural National Prize for Plastic Arts and traveled to Paris. He made a trip back to Caracas the next year to work with the Taller Libre de Arte, before returning to Paris in 1950 and being involved with the artistic movement of Los disidentes. (The Dissidents), a coalition of Venezuelan artists (active from 1945-50) that also included -Jesús Rafael Soto, Narciso Debourg, Alejandro Otero, Pascual Navarro, Rubén Núñez, Nena Palacios, J.M. Guillermos Péres, Alirio Oramas, Luis Guevara Moreno, Aime Battistini, Armando Barrios, Omar Carreño (refer to lot 222), and Carlos Gonzáles Bogen. Through their journal of the same name and their accompanying radical manifesto No (1950), Los Disidentes championed a progressive vision, that eschewed the conservative academicism embodied by the Escuela de Artes Plásticas and the Escuela Paisajista in Caracas, and in its place advocated for experimentation and geometric abstraction. Upon his return to Caracas in 1952, Manaure set out in earnest to put these ideas into practice and found an immediate affinity with the modernist project unfolding so indicative of that era's unprecedented growth and development. The latter was most evident in the architectural and public art works designed by the legendary modernist architect Carlos Raúl Villanueva, whose Cuidad Universitaria, the main campus of the Central University of Venezuela, is considered a landmark of city planning and architecture. Villanueva commissioned Manaure to execute several murals, painted wood reliefs, and stained glass windows for Ciudad Universitaria all reflective of the young artist's newly adapted aesthetic. By 1956, the year both of these works were painted, Manaure was a leading figure of the abstractionist movement, exhibiting abroad at the Venice Biennial and locally at the Museo de Bellas Artes. His geometric abstraction painting infuse his compositions with a kinetic power and lyrical sensibility. Manaure's desire to evoke a sense of the local or regional amid the universal. He returned to Caracas in 1952 to found the Galería Cuatro Muros with Carlos González Bogan, and gave the first exhibition of abstract art in Venezuela. He also began collaborating with architect Carlos Raúl Villanueva, first on the University City of Caracas, to which he contributed 26 works of art and was "promoted" to art supervisor of the campus, and then to other public spaces like the redesign of the neighborhood of 23 de Enero. For the next several years, Manaure continued to develop within abstract art, which made up the Venezuelan artistic avant-garde of that time. He later returned to more traditional graphic art forms, especially lithograph prints, though still did some work in abstract expression. He is a Venezuelan Latin American art Master along with Gego, Lia Bermudez, Alejandro Colina, Narciso Debourg, Alejandro Otero, Gerd Leufert, Armando Reverón, Braulio Salazar, Jesús Rafael Soto and Martín Tovar y Tovar. His work was included in the MoMA show Sur moderno, Journeys of Abstraction— Patricia Phelps de Cisneros. It included artists: Israeli, Yaacov Agam, Brazilian, Lina Bo Bardi, Hércules...

In 1972 the Propylaen Verlag, Berlin approached Petersburg Press asking if some of the artists we were working with would contribute a print to the Hommage à Picasso portfolio they w...

Emperor of Austria is an original print realized in 1816 ca. Original mixed colored hand water-colored lithograph . Title printed on plate on the lower margin. Published by Richar...

Mark di Suvero Untitled Abstract Expressionist Print, ca. 2010 Digital photo lithograph Boldly signed and numbered in graphite pencil from the limited edition of only 58. 13 x 17 in...

Artist: Peter Max (1937) Title: Zero Man in Love Year: 1997 Medium: Acrylic, lithograph on Arches paper Size: 8.5 x 10.5 inches Inscription: Hand signed Notes: Published, printed by ...

The Magicians Message From Cuevas' Comedies. Screenprint with collage additions and five lithographs from a portfolio of ten lithographs (one with screenprint and embossing, one with embossing) and five screenprints (two double-sided, one with collage additions). Pencil signed and dated 1971, edition 84/100, blindstamp visible, published by Collector's Press, San Francisco. Framed under Plexiglas. Jose Louis Cuevas was born in Mexico City in 1933 -2017. A master draftsman, Jose Luis Cuevas played a pivotal role in Latin America's drawing and printmaking renaissance of the sixties and seventies. He is also associated with Latin America's neofigurative movement, along with artists such as Fernando Botero and Antonio Segui. By the age of fourteen, he had illustrated numerous periodicals and books and had had his first exhibition in Mexico City. In 1953 Cuevas published La cortina del nopal (The Cactus Curtain), an article condemning aspects of the Mexican Mural movement and advocating greater artistic freedom. This philosophy inspired the founding in 1960 of the group Nueva Presencia, which he joined for a brief time. It promoted individual expression and figurative art reflecting the contemporary human condition. Cuevas' work was influenced by the graphic art of Goya and Picasso as well as by Posada and Orozco, whose representations of deformed creatures, degraded humanity and prostitutes were of particular thematic interest. Over the years, he has paid homage to his favorite painters as well as writers, such as Dostoevsky, Kafka, Quevedo and Sade, in numerous series of drawings and prints. Cuevas has said that his drawing represents the solitude and isolation of contemporary man and man's inability to communicate. It is for this reason that he often distorts and transforms the human figure to the point of uniqueness. Cuevas has had solo exhibitions in museums and galleries throughout the world including the: University of Texas, Austin, 1961, the San Francisco Museum of Art, California,1970, the Museo de Arte Moderno, Mexico City, 1972, Museo de Arte Contemporaneo, Caracas, 1974, Phoenix Art Museum, Arizona, 1975, Musee d'Art Moderne, Paris, 1976. His work was included in Four Masters of Line: Jose Luis Cuevas, Alexander Calder, Stuart Davis, and Morris Graves, Musee de la Napoule, France, 1957 and in The Emergent Decade, Cornell University and Solomon R. Guggenheim Museum, New York, 1965. Among his many awards are First International Prize for Drawing, Biennial of Sao Paulo, 1959, First Prize, International Black and White Exhibition, Lugano, Switzerland, 1962, First International Prize for Printmaking, Triennial of Graphic Arts, New Delhi, India, 1968, First Prize, III Latin American Print...

Alo Manas by Lawrence Fodor (American, b. 1951). A lithograph of Hopi Medicine Men. Shortly after Summer Solstice each year the Hopi ceremony called the Niman Kachina, also known as “The Going Home of the Kachina.” Presented in a wooden frame. Signed "Larry Fodor...

Sean Scully Sean Scully Night and Day (hardback monograph, hand signed by Sean Scully), 2013 Hardback monograph with cloth covers and no dust jacket (hand signed by Sean Scully) Hand...

John Cage I–VI (Hand signed box set), 1990 Boxed set: Mixed media hand signed hardback monograph accompanied with 2 audio cassettes and dust jacket and ...

1980s Keith Haring Record Art (set of 4 works): Four individual 12 inch albums - all illustrated by Haring during his lifetime - making for standout vintage 1980s Keith Haring wall ...

Mixed media with acrylic painting and color lithography on paper with original sketch by Peter Max. A unique variation. Hand signed on front by Peter Max. Artwork size: 24 x 30 in...

An original mixed media study by American artist Peter Max. Max experimented with color and form in this mixed media acrylic and pencil over lithograph. Max would use these studie...

Color lithograph with color paper collage, 1987. Pencil signed lower right and dated, and numbered lower left 5/24. Litho depicts a poem titled "Ariadne" by T. Weiss. Published by ...

Peter Max (German, b. 1937) Liberty Head II Signed Lower Right 9.5 x 7.25 inches 23.5 x 21.5 inches with frame Peter Max, born Peter Max Finkelstein, is a multi-dimensional artist ...

Keith Haring Record Art 1984: Medium: Offset Lithograph on record jacket, vinyl record Dimensions: 12 x 12 inches. Cover: Fair to good overall...

The Prince Regent of Great Britain is an original print realized in 1816 ca. Original mixed colored hand water-colored lithograph. Title printed on pla...

The King is an original photo-lithograph artwork on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981), in the Late 20th Century. The state of preservati...

1986 Andy Warhol record art featuring Debbie Harry. Featured prominently in 'Andy Warhol: The Record Covers, 1949-1987, a Catalog Raisonne' by Warhol scholar Paul Marechal. Off-set lithograph on vinyl record cover. 12 x 12 Inches (30.48 x 30.48 cm). Excellent condition. Includes original record (likewise excellent). Looks super cool framed. Further Background: Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories Stephen Sprouse graffiti. Warhol Debbie Harry. Blondie. 1980s pop art...

Still Life is an original photo-lithograph artwork realized by the Italian artist Luigi Bartolini in 1942 ca. Signed on the plate and dated. Very good conditions. The artwork represents still life, created by quick and confident strokes. masterly expressed through well-defined hatching of the objects Luigi Bartolini (Cupramontana, Ancona, 1892 – Rome, 1963) was a famous Italian engraver, painter, and writer. Through his etchings, which often accompany his writings, the artist led a research on light and on the signs of expressionist intonation. Among the literary works: Ladri di Biciclette (1946); Il mezzano Alipio (1951); Racconti Scabrosi (1963). Only after World War I, he dedicated himself entirely to engraving, achieving his first success in 1932 at the Italian engraving exhibition in Florence...

1980s Keith Haring Record Art: David BOWIE "Without You" A Rare Highly Sought After Vinyl Art Cover featuring original cover artwork by Keith Haring. Year: 1983. Medium: Off-Set Li...

Wim Jonkman "Imbiss". Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second...

Bow Tie Hand signed and numbered, ,limited edition lithograph collage assemblage. Barbara Kohl-Spiro is a Milwaukee, Wisconsin-based artist whose work has spanned over five decades...

Keith Haring Paris, 1987: Well-suited for framing, this vibrant oversized illustrated bag was designed by Keith Haring during his lifetime for the P...

Ilmar Blumbergs Serving, silkscreen, 1995, 89x59.

Artist: Schwebel, Ivan (Israeli 1932 - 2011) Title: Tel Aviv Dragon Slayer Dimensions: 22.5 x 30 inches Signature: signed and dated Schwebel 75 lower Right Corner Ivan Schwebel, Painter. Was born 1932, U.S.A. and immigrated to Israel 1963 after living in Spain, France and Greece. Studies: 1953-55 with Kimura Kyoen whilst serving with the U.S.Army in Japan; 1955-61 Institute of Fine Arts, with Philip Guston; New York University. Larry Abramson, who is very much in the mainstream of Israeli art, curated an exhibition of Schwebel’s work at the Jerusalem Print Workshop in the early 1980s; in the accompanying text, he described him as “an artist from the New York School ship-wrecked on a hill near Jerusalem.” IN SCHWEBEL’S BEST WORK, THE paint speaks for itself: the pools and explosions of rich color, achieved with pigment that he would grind and mix himself, the luminous figures emerging out of dark shadows, the quirky, dramatic compositions. Schwebel was erudite, with a passion for the bible and Jewish and Israeli history. He delved into all of it for his subject matter, bringing together characters and narratives regardless of time, and setting them in modern- day Tel Aviv or Jerusalem, the Judean hills, or New York City. He liked to play with ideas, and thoroughly mixed his visual metaphors. He showed David and Bat-Sheva next to a Nazi deportation train, and Job despairing over his relationship with the Palestinians. He based his characters on photographs of himself, friends and family, or movie stars. On his website, he describes a series of paintings about anti-Semitism in which the Holocaust is merged with the Spanish Inquisition: “Abarbanel who tried to negotiate with Ferdinand and Isabella is reincarnated in Rumkovski – the German appointed Head of the Lodz Ghetto. The bridge connecting two parts of the Ghetto is spanned over a present-day Tel Aviv cityscape. His “Tel Aviv” series, in contast, is fun: “Chen Cinema” shows a couple of actors who seem to have stepped out of an old romantic movie to cuddle in the shabby street outside the cinema. In his final “Safe Place” series of paintings, he goes beyond self-conscious narrative to create his own Garden of Eden. He had major shows over the years – at the Israel Museum and Tefen, and last year at the Ramat Gan Museum; his work had been exhibited at the Tel Aviv Museum and is represented in their collection. Retrospective 1966-1980 Gordon Gallery, Tel Aviv. Artists: Yehiel Shemi, Zvi Mairovich, Yosef Zaritsky, Ivan Schwebel, Benni Efrat, Leopold Krakauer, Moshe Kupferman, Avigdor Arikha, Dani Karavan, Avigdor Stematsky,Michael Druks, Raffi Lavie, Aviva Uri...

Artist: Pietro Bulloni, Italian (1947- ) Title: Il Mito Year: 2007 Medium: Oil over Lithograph on Canvas, signed verso Canvas Size: 27.5 x 27.5 inches

Ponte Sant’Angelo, Wrapped, Project for Rome - Christo, Contemporary, 21st Century, Collage, Limited Edition Collage on lithograph with acrylic frame Edition of 160 Arab and 90 Roman...

Josef Albers Album Art circa late 1950s: A set of 2 vinyl record covers (containing their records) brilliantly designed by Josef Albers circa 1959 and 196...

DEREK BOSHIER "Culture Carriers Stamp Out Art", (Hand Signed), from the Collection of Art Critic Anthony Haden-Guest, 1971 Lithograph mounted on franked envelope of wove paper (Hand Signed) 6 × 9 in 15.2 × 22.9 cm Limited Edition of 250; hand signed and numbered 24/250 Signed in ink lower left of the lithographic stamp affixed to the envelope, and hand numbered 24/250. From the series The Post Office Worker's Strike Commemoration Stamps Unframed The artwork consists not just of the signed, limited edition Boshier postage "stamp", but also the franked envelope, which it is affixed to, with the stamps as described above. The entire mixed media piece is far more desirable than the stamp alone. As a consequence of the prolonged strike by the Royal Mail postal workers in the United Kingdom, Derek Boshier along with a group of British artists including Allen Jones, David Hockney, Christopher Logue, Eduardo Paolozzi and Richard Hamilton, published ''Culture Carriers Stamp Out Art''to raise funds for the striking workers. The "stamps" were published in a limited edition of only 250, with Derek Boshier signing each by hand in black ink with his initials on the lower left. This particular stamp is also numbered 24/250. The stamp itself measures 3.25 by 2.75 inches, and it is affixed to a franked (postmarked) envelope which measures 6 inches by 9 inches, bearing the stamped text "Culture Carriers 23 Feb 1971" on the top left, and the stamp "CULTURE CARRIERS STAMP OUT ART" on the lower left (front). and the stamp "STRIKE ISSUE" lower right front of the envelope. Very desirable as an ensemble. these were known as The Post Office Worker's Strike Commemoration Stamps. This particular piece has superb and interesting provenance, as it came from the private collection of the American art critic Anthony Haden-Guest. As additional provenance, we will furnish the buyer with a xerox copy of the receipt from Flair Magazine...

Collagraph layered with mulberry paper by Patricia A. Pearce (American, b. 1948). Unsigned but acquired in a portfolio of artist's work. Presented in a new white mat. Mat size: 3...

Vintage original Barbara Kruger Record Art, 1994 Off-set lithograph on vinyl record cover Measure: 12 x 12 inches Minor shelf wear; in otherwise good vintage condition. Very cool fr...

"Double Reflection" by Joan Giordano Mixed media, photo lithograph on yupo paper Award-winning artist Joan Giordano has created a new series of unique, mixed media works on paper...

"Listen (Dust is the Only Secret)" is an original lithograph with nylon string by Lesley Dill. The artist signed the piece lower left. It depicts the silhouette of a man constructed ...

Peter Max (German, b. 1937) Flag with Heart on Blends Signed Lower Right 16.25 x 12 inches 31 x 26.5 inches with frame Peter Max, born Peter Max Finkelstein, is a multi-dimensional...

Color offset lithograph - created on the occasion of the tennis tournament 1998 monogrammed in print In great condition

Artist: Peter Max (1937) Title: Two Sages Year: 1997 Medium: Acrylic, lithograph on Arches paper Size: 12 x 14 inches Inscription: Hand signed Notes: Published, printed by Via Max, N...

Ancient View of Der Grossglockner is an original modern artwork realized in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower ma...

The Bride is an original lithograph realized by Gabrijel Stupika in the late 20th Century. Mixed colored lithograph. Good Conditions. Gabrijel Stupika: Yugoslavian painter (Drazgose 1913-1990). He trained in the popular tradition, to the point of becoming one of the most notable representatives, with Pregely, Hededusič and V. Velickovič, of the neo-figurative current of Yugoslav painting...

Miroir de Paris, n. 11 is a satirical illustration by the French draftsman Edmé-Jean Pigal (1798-1872). Original colored lithograph with pouchoir details. In very good condition. ...

Wim Jonkman "Go with the Flow". Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. Th...

Wim Jonkman "Impertinente Impasse". Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose onesel...

Wim Jonkman "Jump 4 joy". Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The se...

Peter Max (German, b. 1937) Asia on Blends Signed Lower Right 18 x 14 inches 32.5 x 28.5 inches with frame Peter Max, born Peter Max Finkelstein, is a...

Collage and lithograph in colours "America - La France Variantions IX" by Robert Motherwell from 1983-1984. The edition on handmade paper comprises 78 copies. The present copy is...

Wim Jonkman "Explorer". Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The seco...

Wim Jonkman "Self-Reflection". Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. T...

Joan Miro Spanish, 1893-1983 Affiche pour l'Exposition Miro-Artigas, 1963 Lithograph on Rives paper 33" x 22 1/4" W/frame 33 ¾ by 23 in. Pencil signed lower right from an edition of 174/200. Joan Miró Ferra was born April 20, 1893, in Barcelona Spain, the son of a goldsmith and watchmaker.  At the age of 14, he went to business school in Barcelona and also attended La Lonja's Escuela Superior de Artes Industriales in the same city.  Upon completing three years of art studies, and under pressure from his parents, he took a position as an accounting clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Galí's Escola d'Art in Barcelona from 1912 to 1915.  Miró's work before 1920 showed the latest artistic influences, including the bright colors of the Fauves* and the geometric forms of Cubism*. It was in Paris through the 1920s-1930s where, under the influence of Surrealist* poets and writers, Miró evolved his mature style.  His latest works drew on the Surrealist principles of memory, fantasy, and the irrational to create visual art.  Miró's works were also shaped by the flat, two-dimensionality of his native Catalan folk art, Spanish Romanesque...

Florentine 2 by Richard Smith, 1973 Additional information: Medium: lithograph on heavy wove paper, with carbon tracing paper and plastic strings 19 3/4 x 27 1/2 in 50 x 70 cm signed, dated and numbered 46/75 in pencil Charles Richard "Dick" Smith was an English printmaker and painter. Smith was born in Letchworth, Hertfordshire, to Doris (née Chandler), a nurse and daughter of a chemical company director. He studied at Hitchin Grammar School and Luton School of Art. After military service with the Royal Air Force in Hong Kong, he attended St Albans School of Art followed by post-graduate studies at the Royal College of Art, London, from 1954-57. Smith shared a flat-cum-studio with Peter Blake in his second year at the RCA, and then again for two years after he left the college in 1957. When Terence Conran's Soup Kitchen opened on Fleet Street in the late 1950s, it featured a letter-collage mural by Smith and Blake. Michael Chow would later commission Smith to design installations for his restaurant in Los Angeles, and Chow and Conran have remained two of his biggest supporters. In 1959 he moved to New York to teach on a Harkness Fellowship, staying for two years, where he produced paintings combining the formal qualities of many of the American abstract painters which made references to American commercial culture. The artist's first solo exhibition was at the Green Gallery. As his work matured it tended to be more minimal, often painted using one colour with a second only as an accent. In trying to find ways of transposing ideas, Smith began to question the two-dimensional properties of art itself and to find ways by which a painting could express the shape of reality as he saw it. He began to take the canvas off the stretcher, letting it hang loose, or tied with knots, to suggest sails or kites - objects which could change with new directions rather than being held rigid against a wall, and taking painting close to the realm of sculpture. These principles he carried into his graphic work by introducing cut, folded and stapled elements into his prints; some works were multi-leaved screenprinting, and others printed onto three-dimensional fabricated metal. Smith returned to England in 1963 - specifically East Tytherton, Wiltshire where Howard Hodgkin was a neighbour - and gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery. Evocative titles such as Panatella and Revlon, and cosmetic, synthetic colours alluded to the consumer landscapes of urban America which had proved so influential. He showed at the Kasmin Gallery, a venture between Kas and the Marquess of Dufferin and Ava in New Bond Street, throughout the 60s, more-widely known as David Hockney's first gallery. After being awarded the Grand Prize at the 9th São Paulo Biennial in 1967 and important exhibitions at Kasmin in 1963, Tate in 1964, and Richard Feigen Gallery in 1966, Smith was invited to exhibit at the XXXV Venice Biennale as the official British artist in 1970. Smith was chosen by a committee of art experts, who were Director of Tate Norman Reid, art historian Alan Bowness, art collector David Thompson, the British Council’s Lilian Somerville and art historian Norbert Lynton. Smith taught with Richard Hamilton at Gateshead in 1965, where he met Mark Lancaster and Stephen Buckley, and again in 2000, becoming close to the artist and his wife, Terry. By the late 1960s Smith's ambition to produce paintings which shared a common sensibility with other media, such as film and photography, began to wane and he focused on the formal qualities of painting. The freestanding installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design...

Peter Max (German, b. 1937) Woodstock Series, Profile on B Signed Lower Right 9 x 7 inches 25.5 x 23.5 inches with frame Peter Max, born Peter Max Finkelstein, is a multi-dimension...

EDITION SIZE : 99 Edition 2/99 DIMENSIONS : 83 cm x 60 cm (32.67 inches x 23.62 inches) PAPER : BFK Rives 270 g. TECHNIQUE : Lithographs on stone...