Nick Krushenick

White Smoke, Red Sky

1968

Signage for Ralph Calvetti's Californians nightclub featuring palm tree & orange stripe awning graphics c1930s Print Sz: 15 1/2"H x 12 1/2"W Frame Sz: 20"H x 17"W w/ gilt bamboo ...

w/ blind stamp lower left: Fine Art Trade Guild Copyright, The Modern Art Society (England) Ltd and The Field Press Ltd Entered in the Library of Congress, Washington, D.C. 1921 I...

circa 1910s Plate Sz: 20.5"H x 14.25"W 29 plates 3 double-plates 25 single plates 1 double-sided plate 12.25"H x 17.75"W Georges Goursat (1863–1934), known as Sem, was a French...

Each plate 20 1/4" x 13 1/2" 1 4-fold plate 2 2-fold plates Georges Goursat (1863–1934), known as Sem, was a French caricaturist famous during the Belle Époque. Life and works Yo...

Proof No. 7 of a limited printing of 10. Permission of Mrs. George F. Getty II, owner of the painting Print Sz: 24 1/2"H x 37 1/2"W Frame Sz: 27 3/4"H x 40 1/2"W

Classic colour plate pencil signed by Sir Alfred J Munnings 'The Pytchley Huntsman- "Frank Freeman on Pilot" published 1930 by Frost & Reed London with a blind stamp (LL) Image Sz:...

In 1985 Christo & Jeanne Claude had the idea to wrap a personal computer. After having made plans for wrapping buildings, sculptures and also parts of the landscape or trees, they st...

It was a project for the Charles M. Schulz Museum in Santa Rosa California, to "wrap" Snoopy's dog house. The artwork comes to live together with this small cartoon, showing Snoopy t...

"Up Here Down There" by JR, Oliver Jeffers. 2016. Hand embellished lithograph in colours on 270 grm BFK Rives paper 28.9 x 20.3 inches unframed (please inquire about framed dimensio...

deluxe limited edition of 25 medium: etching, aquatint, with carborundum, collage on paper year: 1980 paper size: 58" x 38" image size: 58" x 38" (145 x 98 cm.) frame size: 65.5" x...

’Geranium’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 5/20 Signed - Yes Size - 510mm x 660mm Date - 1978 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

’Complementaries’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 19/20 Signed - Yes Size - 615mm x 780mm Date - 1976 Condition - Good. 9 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...