Stone Mixed Media

Lunge 9-22 (Red Tail) NY State slate/pigmented and sealed steel 23" (height) x 26" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central...

Sentinel (Rocker) NY State slate/pigmented and sealed steel 39" (height) x 17" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in ...

POINTE 2016 Slate/pigmented and sealed steel 22.5" (height) x 23" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture....

Sisyphean Circle (Tefilllin) Granite and galvanized and powder coated steel 30.5" (height) x 42" (width) x 7" (depth) Stone and metal, usually granite or slate, and found object ste...

Lunge 2-20 Slate/pigmented and sealed steel 14" (height) x 27" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. Th...

Lunge 17 Slate/pigmented and sealed steel 17" (height) x 27" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The ...

Sisyphean Circle (Rocker 16) Slate/pigmented and sealed steel 33" (height) x 40" (width) x 9" (depth) Stone and metal, usually granite or slate, and found object steel are central i...

Kim Jeong Yeon - Contemporary Conceptual Korean painter and installation Artist, based in Seoul South Korea. Kim is recognized for her installations ...

Art Sz: 16 1/2"H x 23 1/4"W Frame Sz: 19 1/4"H x 26"W Ex- Adirondack camp estate

Implement Stout Handle II Bronze and slate 24" (height) x 33" (width) x 10" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. Th...

Twister '23 II slate and pigmented and sealed steel 34.5" (height) x 11.5" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my s...

Sagitta (Link) granite and galvanized and powder-coated steel 42.5" (height) x 37" (width) x 12" (depth) Stone and metal, usually granite or slate, and found object steel are centra...

Medium: Slate, Pigmented and Sealed Steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major...

"Big Little #144" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and white palette acrylic, ...

"Big Little #142" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and blue palette acrylic, p...

These two highly decorative triptychs feature 94 samples of antique marble, presumably collected by the same collector in the early 20th century from archaeological sites in Rome and...

Acrylic paints, oil paints, and gold leaf My paintings explore the relationship between elements such as the skies, the oceans, the natural environment such as the formation of rocks, cliffs, and weathered material. In my work, I aim to bring together certain properties of each of these elements to create an experience and understanding of the world and the contrasting relationships between each of these ideas. The use of texture in my work is formed using material which has been subjected to the forces of the weather, and I love to use ‘untouched’ and ‘natural’ material in my work to form the basis of all my paintings. It is the idea of bringing together a number of natural materials in my work that inspires me. The contrast between elements such as the roughness of the texture, the smoothness of the ink or paint. and the reflection of the metallics brings about a composition and structure that is unique. The impact of the weather, space, and seasons has been important in determining the structure of each of the paintings and the way the different elements and materials react to one another. The use of ink in my work has been a work in progress that I have been experimenting with over the past year. The use of this new medium has proved to be invaluable to the message and direction that I would like my work to take. On each of the works, I manipulate the Ink using air from my mouth as I want to form a stronger relationship with the canvas and the way that the ink Is manipulated. I have particularly enjoyed the added contrast which has been created between the variety of mediums being used. Textured mixed media original abstract painting by Rajan Seth.

James Spencer Russell "#4" 1958 Collage with paper, sand, gouache Signed in pencil 19.25x13.5" James Spencer Russell (1915-2000) was born in Monticello, Indiana, but spent much of h...

Marble, granite and limestone sculpture

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NESTING LOTUS #3" is a prime...

This painting is an abstract art work from the Topography series by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to em...

Born in 1923, alumnus of the Warsaw Academy of Fine Arts. Student of the Warsaw University of Technology, is an extraordinary artist, searching for his own artistic way. Ambitious,...

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...

Romero Britto Friar's Club Award for Tony Bennett, 2016 Mixed Media Enamel and Iron Sculpture on marble base This sculpture is signed by the artist with permanent marker on the base ...

Sinuosity sculpture. Wall hanging in any direction, 360 degrees or pedestal mount. Hot Pink metallic finish keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, u...

Sisyphean Circle (Twirl III) NY State slate/pigmented and sealed steel 14" (height) x 24" (width) x 4.5" (depth) Stone and metal, usually granite or slate, and found object steel ar...

Pointe (Kyklos III) slate and pigmented and sealed steel 46" (height) x 20" (width) x 8" (depth) Stone and metal, usually granite or slate, and found object steel are central in my ...

Tiller VI 15"h x23"w x5"d Small bronze and slate Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is ...

Something so special it's hardly ever seen - creative silver and gold leafing. The face passed through seven stages before it was complete and crushed marble is used to adorn her fac...

“Refraction 2022–25” is a 30 x 24 inch mixed-media painting by contemporary artist Fenway Fan, composed of oil and marble dust on canvas. Created in a deep state of meditation, this ...

Big Little 117 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of blue & burgundy ...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the tech...

Stunning mid century textile abstract mixed media painting of apples by Anna Ballarian (American, 1911-2010). Signed " Anna Ballarian" lower ...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

Dimitri Hadzi Uxmal, 1991 Cast bronze on custom made granite base 17 × 30 1/2 × 14 inches The title UXMAL, refers to the ancient Mayan city of Uxmal, which is known for its "Pyramid of the Magician" Provenance: Acquired by the original owner from the prestigious Gremillion Gallery in Houston, Texas (accompanied by a copy of the original receipt) Measurements: Base: 26.5 by 11 by 1.75 inches Work longest 30.5 inches Widest 14 inches Highest. 17 inches More about Dimitri Hadzi" Derived from the figure and mythic narratives, Hadzi’s sculpture references antiquity and classical artifacts – abstracted anatomical forms, columnar and other architectural elements, helmets, weaponry and body armor function as visual metaphors for ancient cultures. “I was interested in mythology, and I was interested in movement,” Hadzi remarked on his years in Rome, “I was attempting through formal methods to exaggerate sexual tension or apprehension. Suddenly I was myself in an atmosphere of freedom.” [1] Powerfully rendered in bronze his sculptures convey raw emotion, brute strength and mass, tempered with a delicate rush of whimsy, vivacity and sensuality. Born in New York City on March 21, 1921, Hadzi graduated from Cooper Union in 1950 and received a Fulbright Fellowship in the same year. After studying sculpture in Greece, he moved to Rome under the GI Bill where he lived for twenty-five years. Hadzi returned to the U.S. where he taught at Harvard University for fourteen years. He continued to create sculpture until his death in 2006. Hadzi is included in the permanent collections of the Museum of Modern Art; the Whitney Museum of American Art; the Museum of Fine Arts, Boston; the Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Receiving over twenty sculpture commissions, Hadzi’s work appears in public squares, concert halls, federal and private plazas, and universities throughout the world. --------------- [1] Elsen, Albert. “On Artistic Freedom: An Interview,” Dimitri Hadzi, (New York: Hudson Hills Press, 1996), 30. Additional Biography: Dimitri Hadzi (1921 – 2006) is among the most distinguished modernist sculptors, creator of works in bronze and stone that are powerfully abstract and expressionist in character. His contribution to the international language of sculpture continues to influence and inspire through permanent installations and collections, and exhibitions worldwide. Born to Greek-American immigrant parents in New York City, he had a talent for drawing at an early age and won a prize for his young ability. But, it wasn't until after serving in the Air-force in the South Pacific during WWII that he turned his sights fully to painting and sculpture, going on to study both at Cooper Union. Eventually, he would become a mainstay of the Cambridge, MA art community. He was a Guggenheim Fellow (1957), the winner of the Venice Biennale Award (1962), and the Rome Prize (1974). His most notable sculptures are: Copley Place Waterfall (Boston, MA), Owen Glass Co. (Toledo, OH), as well as Thermopolis, adjacent to Boston’s City Hall Plaza, and the former Omphalos in Harvard Square (Cambridge, MA). Hadzi is included in the permanent collections of the Museum of Modern Art; National Gallery of Art; Whitney Museum of American Art; Museum of Fine Art, Boston; Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Additionally, Hadzi was also a prolific painter, and printmaker. He also taught at Harvard University for over a decade. Famously, David Hockney attended one of Hadzi’s classes at the Carpenter Center at Harvard, where Hadzi served as director. The two of them spent time together painting and discussing techniques. Hockney gifted Hadzi one of his paintings. He worked alongside his good friend, Nobel Prize winning Irish poet...

Big Little 119 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of Yellow Pink & bu...

Artist: Laddie John Dill, American (1943 - ) Title: untitled Year: 1984 Medium: Glass, Cement and Polymer on panel Size: 30 x 50 x 2.5 in. (76.2 x 127 x 6.35 cm)

This unique piece was made by Roan Van Oort in 2024. With a strong focus on simplicity and timelessness, he consciously chooses natural materials, characterized by a certain fragilit...

Composition XXI - A abstarct square painting in light, grey, peach and red burgundy color. The author used oil on canvas with sawdust mixed with alabaster and sand creating a special...

Add joy and character to your space with this one-of-a-kind three-dimensional mixed media artwork featuring a mosaic flower and the word “LAUGH” at its center. Crafted from textured ...

Gold Landscape mixed media on canvas 60x60 cm material painting ready to hang original artworks it is sold with a certificate of authenticity

This painting is art work by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to mixed art and other ways to underline a u...

Angelo Canevari’s Mirabile ( Enchanting ) is a 39.5 x 39.5 inch leather and stone abstract sculpture. This piece is part of a limited number of works where Canevari engaged in a different medium than bronze. The title "Mirabile” comes from a 17th century quote describing the work of the famous Baroque Italian artist Gian Lorenzo Bernini. It refers to Bernini's astonishing fusion of architecture, sculpture and painting. In this work Canevari skillfully plays with different shades of leather and a river pebble to blur the distinction between painting, sculpture or architectural piece. The piece projects a magnetic presence. It reminds the immensity and peacefulness of the golden sand mounds in the Sahara desert when looked upon from an aerial view. Angelo Canevari is an Italian sculptor who comes from a long lineage of artists active in Rome since the 17th century. He has been commissioned several works by the Vatican including the Bronze Doors of the Cathedral of Belluno and the Vatican Coins.

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...

CUBE, PYRAMID & SPHERE is a major work created over a five-year period. It is a variable installation, composed of 4 geometric sculptures of high-fired clay pigmented with oxides, a block of wood found in the ocean, river gravel, limestone, and slate shattered to fragments. Note the surface textures, the ground of natural stone, the colors black, umber, copper and tan throughout, the pattern of slate fragments. CUBE, PYRAMID & SPHERE is characteristic of Wortman's practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. CUBE, PYRAMID & SPHERE was exhibited at BASE: Immersive Art Experiences, Industry City, Brooklyn, NY, 2017. It was also reproduced in Tussle Magazine, alongside "An Interview with Harold Wortsman...

Pyxis Awry 2021 (Plunge X) Bronze 14.5" (height) x 9.5" (width) x 9" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The inter...

The title means to ‘shine a light’ or illuminate. Alice Vander Vennen’s beautiful contemporary compositions are designed to tell a story. Fashioned by hand, the canoe-like shape of t...

Portrait of British actor Mark Rylance in his now famous role as Thomas Cromwell. Gouache on Italian slate. Well framed in ornate black wood frame. Framed 30" x 30" Image 23' x 23"

The desire for fantasy... We are weighed down, anxious by the news of what is happening in the world. I really need something fancy, something light, something that suggests imaginar...

Sax Berlin is emphatically back in the studio!  Emblem of Peace has been woven onto the canvas with the rarest of pigments, precious metal and glistening marble. These precious ingre...

Soulful and spiritual she gazes deep into the innermost sanctum of being. She is not a portrait of one woman she is a representation of all women. Strength with nurture, solace with ...

Variation VII (V) was created from the leftover elements of Construction VII, a monumental 3.3-meter-high sculpture also by Conrad Willems. This Aqueduc piece is produced for the exh...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

*Please inquire for commissions of any other size, color or surface rendering keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, crease...

Diptych (2 paintings together) - «Meeting in the Night» & «The Night of Love», The diptych is dedicated to the love of people who are forced to...

In these testing times it's become easy to turn inwards rather than looking outwards into the world. In a painting that is archetypical of Sax Berlin Angel of Peace is a reflection ...

We are excited to bring this incredible painting to public attention. Berlin is renowned for his use of colour, pigments and texture but this piece is truly exceptional. Sumptuous in...

Martha Winter employs a unique technique to create visually stunning 3 dimensional pieces where painting meets sculpture. By building textures and patter...

Portrait of actor Mark Rylance preparing for one of his earlier roles Gouache on Italian Slate in a contemporary Black frame.