Stone Mixed Media

Art Sz: 16 1/2"H x 23 1/4"W Frame Sz: 19 1/4"H x 26"W Ex- Adirondack camp estate

Add joy and character to your space with this one-of-a-kind three-dimensional mixed media artwork featuring a mosaic flower and the word “LAUGH” at its center. Crafted from textured ...

Sentinel (Rocker) NY State slate/pigmented and sealed steel 39" (height) x 17" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in ...

Lunge 2-20 Slate/pigmented and sealed steel 14" (height) x 27" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. Th...

African American Artist Alvin Hollingsworth creates a mixed-media abstract painting/collage that abounds with inventiveness and creativity. Large s...

CUBE, PYRAMID & SPHERE is a major work created over a five-year period. It is a variable installation, composed of 4 geometric sculptures of high-fired clay pigmented with oxides, a block of wood found in the ocean, river gravel, limestone, and slate shattered to fragments. Note the surface textures, the ground of natural stone, the colors black, umber, copper and tan throughout, the pattern of slate fragments. CUBE, PYRAMID & SPHERE is characteristic of Wortman's practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. CUBE, PYRAMID & SPHERE was exhibited at BASE: Immersive Art Experiences, Industry City, Brooklyn, NY, 2017. It was also reproduced in Tussle Magazine, alongside "An Interview with Harold Wortsman...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Lee Gatch (1902 – 1968) Lee Gatch was an important modernist and abstract artist who spent most of his caree...

Untitled Column (Timeless Remnants), 2025 Natural stone, 386 bricks This sculptural column remains unbound, nomadic, and ever-evolving. Its elements are arranged alternately along t...

The title means to ‘shine a light’ or illuminate. Alice Vander Vennen’s beautiful contemporary compositions are designed to tell a story. Fashioned by hand, the canoe-like shape of t...

Artist: Laddie John Dill, American (1943 - ) Title: untitled Year: 1984 Medium: Glass, Cement and Polymer on panel Size: 30 x 50 x 2.5 in. (76.2 x 127 x 6.35 cm)

Spanish Windows IV Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

Enigmatic and engaging, Alice Vander Vennen’s contemporary compositions always tell a story. Created by hand, this intricately detailed mixed media piece is made from an eclectic ass...

From Sax Berlin's "Sharp Edge 21st Century New York City Style Series" Berlin has loved Manhattan & New York City for decades. This love is passionately brought to life in the dynam...

Marble, granite and limestone sculpture

BLADE III Enamel on granite and steel 13" (height) x 19" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The inte...

This painting is art work by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to mixed art and other ways to underline a u...

Big Little 117 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of blue & burgundy ...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the tech...

"Big Little #144" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and white palette acrylic, ...

UPPERCUT II Enamel on granite and steel 16" (height) x 16" (width) x 10" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The i...

Rockslide 7-21 NY State skate and bronze 17.5" (height) x 16" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The...

Pyxis Awry 2021 (Plunge X) Bronze 14.5" (height) x 9.5" (width) x 9" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The inter...

Stormwarning VI NY State slate/pigmented and sealed steel 25" (height) x 12" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my...

Kerf V Granite/pigmented and sealed steel 12" (height) x 14" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The ...

Contemporary abstract mixed media on paper by Belgian artist Francis Besson, signed bottom right. Francis was born in Dundee (Scotland) in 1943 however...

Sax Berlin is emphatically back in the studio!  Emblem of Peace has been woven onto the canvas with the rarest of pigments, precious metal and glistening marble. These precious ingre...

"Big Little #142" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and blue palette acrylic, p...

Gold Landscape mixed media on canvas 60x60 cm material painting ready to hang original artworks it is sold with a certificate of authenticity

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

Black Globe Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...

Something so special it's hardly ever seen - creative silver and gold leafing. The face passed through seven stages before it was complete and crushed marble is used to adorn her fac...

We are excited to bring this incredible painting to public attention. Berlin is renowned for his use of colour, pigments and texture but this piece is truly exceptional. Sumptuous in...

Sisyphean Circle (Tefilllin) Granite and galvanized and powder coated steel 30.5" (height) x 42" (width) x 7" (depth) Stone and metal, usually granite or slate, and found object ste...

Bronze and petrified Arizona wood Edition number : 1/8 ; Draws 8 + 4 Certificate : seal and signature by Dominique Mufraggi on the work and on the original certificate Dominique Mu...

Pointe (Kyklos III) slate and pigmented and sealed steel 46" (height) x 20" (width) x 8" (depth) Stone and metal, usually granite or slate, and found object steel are central in my ...

Composition XXI - A abstarct square painting in light, grey, peach and red burgundy color. The author used oil on canvas with sawdust mixed with alabaster and sand creating a special...

James Spencer Russell "#4" 1958 Collage with paper, sand, gouache Signed in pencil 19.25x13.5" James Spencer Russell (1915-2000) was born in Monticello, Indiana, but spent much of h...

Portrait of British actor Mark Rylance in his now famous role as Thomas Cromwell. Gouache on Italian slate. Well framed in ornate black wood frame. Framed 30" x 30" Image 23' x 23"

Big Little 119 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of Yellow Pink & bu...

This painting is an abstract art work from the Topography series by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to em...

Oil paint and marble dust. Signed inscribed and dated to verso Gareth Edwards is a contemporary landscape painter. He is a graduate of Goldsmiths Coll...

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NESTING LOTUS #3" is a prime...

Implement Stout Handle II Bronze and slate 24" (height) x 33" (width) x 10" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. Th...

Diptych (2 paintings together) - «Meeting in the Night» & «The Night of Love», The diptych is dedicated to the love of people who are forced to...

Berlin's series of remarkable images of mythically, spiritual women is now augmented by this latest work. The Inner Heart to the Dove of Peace is an intense piece, a paean of hope. H...

Balsam, ground marble and hand ground pigments give this work great depth. This piece from Sax Berlin works on different levels; the beautiful, subtle palette & the contemplative dra...

Very occasionally a painting invites deep study; nothing exists within it without reason, each form has purpose, every shade has nuance, every line has meaning. Berlin has presented...

The layout of this work was imposed upon the artist during one night, likely in resonance with what remains after the passage of fanaticism and barbarism. Through this composition, ...

Sagitta (Link) granite and galvanized and powder-coated steel 42.5" (height) x 37" (width) x 12" (depth) Stone and metal, usually granite or slate, and found object steel are centra...

Portrait of actor Mark Rylance preparing for one of his earlier roles Gouache on Italian Slate in a contemporary Black frame.

Lunge 17 Slate/pigmented and sealed steel 17" (height) x 27" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The ...

Medium: Slate, Pigmented and Sealed Steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major...

Twister '23 Slate/pigmented and sealed steel 32" (height) x 12" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. T...

Hamilton Co. Rockslide Granite and galvanized and powder-coated steel 35" (height) x 15.5" (width) x 8" (depth) Stone and metal, usually granite or slate, and found object steel are...

POINTE 2016 Slate/pigmented and sealed steel 22.5" (height) x 23" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture....

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Tiller VI 15"h x23"w x5"d Small bronze and slate Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is ...

Twister '23 II slate and pigmented and sealed steel 34.5" (height) x 11.5" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my s...

The desire for fantasy... We are weighed down, anxious by the news of what is happening in the world. I really need something fancy, something light, something that suggests imaginar...

Wild Running Horse Three-Dimensional Painting on Wood 40H X 30" W 2019 in Los Angeles Collaborative Artwork - Irena Orlov-Zeev Orlov SPECIFICATIONS: Combines Painting and Sculptur...