Stone Mixed Media

At the beginning, the choice of handmade art paper based on linen rags in a mill in Brittany made me want not to intervene too much on these sheets which is self-sufficient as a p...

COLUMN 7-16 Granite/galvanized and powder-coated steel 98" (height) x 27" (width) x 15" (depth) Stone and metal, usually granite or slate, and found object steel are central in my s...

James Spencer Russell "#2" 1958 Pastel, gouache and sand collage on paper Signed in pencil lower right 24x18" James Spencer Russell (1915-2000) was born in Monticello, Indiana, but ...

Lunge 2-20 Slate/pigmented and sealed steel 14" (height) x 27" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. Th...

I have, at one point in mylife, practiced art therapy, blue is the color of refocusing, one must be centered and have a positive relationship to oneself to be benevolent.

Stunning mid century textile abstract mixed media painting of apples by Anna Ballarian (American, 1911-2010). Signed " Anna Ballarian" lower ...

Tiller VI 15"h x23"w x5"d Small bronze and slate Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is ...

Auger Falls Landscape (Gear Bottom) Green granite and sealed steel 15" (height) x 18" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are cent...

Stormwarning VI NY State slate/pigmented and sealed steel 25" (height) x 12" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my...

Auger Falls Landscape (Gear Bottom) Green granite and sealed steel 15" (height) x 18" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are cent...

Rockslide 7-21 NY State skate and bronze 17.5" (height) x 16" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The...

Kerf V Granite/pigmented and sealed steel 12" (height) x 14" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The ...

Cala Pragonda Oil, bitumen, graphite, marble powder, burlap on canvas 66" X 56" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medi...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Lunge 17 Slate/pigmented and sealed steel 17" (height) x 27" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The ...

Smooth abstract composition mounted on slate by an unknown artist. Unsigned. No frame.

Sisyphean Circle (Tefilllin) Granite and galvanized and powder coated steel 30.5" (height) x 42" (width) x 7" (depth) Stone and metal, usually granite or slate, and found object ste...

Medium: salvaged slate on aluminum ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native an...

TWIN TUMBLE Enamel on granite and steel 18" (height) x 30" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The in...

Hamilton Co. Rockslide Granite and galvanized and powder-coated steel 35" (height) x 15.5" (width) x 8" (depth) Stone and metal, usually granite or slate, and found object steel are...

Twister '23 Slate/pigmented and sealed steel 32" (height) x 12" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. T...

Spanish Windows IV Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

Large scale modern abstract, minimal art painting. Somewhere Somehow carries a quiet sense of recognition, where color becomes a kind of location and the surface becomes a record of...

Medium: Slate, Pigmented and Sealed Steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major...

Wild Running Horse Three-Dimensional Painting on Wood 40H X 30" W 2019 in Los Angeles Collaborative Artwork - Irena Orlov-Zeev Orlov SPECIFICATIONS: Combines Painting and Sculptur...

The Parade Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium ...

"In the Same Time" is a nod to Emmanuel Macron's favorite phrase and a visual testament to my perception of the sluggish atmosphere brought about by the confinement and curfew. I tr...

Best Laid Plans Oil, bitumen, collage, marble powder, burlap on canvas 96" x 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

From the age of 75 onwards, we are surrounded by relatives and friends who are facing the aging process: loss of vital energy and radiance, the body drying up. It takes a lot of cour...

24 Hours at Sea Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the me...

Upside Down by Brook Soss is a richly textured contemporary abstract painting that blends sandstone and acrylic on canvas to create a layered, atmospheric composition. Measuring 40 x...

Winter days with alternating neutral light and sunlight... I love the rain when it is soft and I am delighted each time with the pleasure that the brush of the sun gives me. It is no...

While walking in Japan, I spent a long time in a temple contemplating a wall where traces of time created black, grey, beige drawings… This inspired the texture and the atmosphere o...

Marlies Hoevers SYMBIOSIS 001 concrete, stain, oil, mixed media 11.81 X 9.06 in $1,100.00

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the tech...

Pradeep Jogdand - Untitled Black Marble H 28 x W 24 x D 14 inches ( Delivered ) Pradeep Jogdand (born 1987) is a young sculptor based in Mumbai. He did his BFA in sculpture from J.J...

Sinuosity sculpture. Wall mount or pedestal mount. Mid Blue metallic finish. 21"x18"x7" keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common material...

Sinuosity sculpture. Pedestal mount. No wall mount available. Chiffon metallic finish. keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common material...

Soulful and spiritual she gazes deep into the innermost sanctum of being. She is not a portrait of one woman she is a representation of all women. Strength with nurture, solace with ...

Original 1960s abstract mixed media painting “Cosmos” by Polish‑American modernist Pawel Kontny (1923–2002), a notable mid‑century artist whose work blends expressive abstraction wit...

Alison Groom Harbour Ripples. Original textured landscape painting. Oil on textured acrylic medium on board. Total Artwork Size: H 59cm x W 83cm x D2cm. Sold Unframed. Harbour Ripp...

TIM TIM POR TIM TIM II, is part of Bossa, a minimalist exploration of rhythm, color, and subtle movement. The composition is built through repetition and balance, staying clear and s...

TIM TIM POR TIM TIM I, is part of Bossa, a minimalist exploration of rhythm, color, and subtle movement. The composition is built through repetition and balance, staying clear and st...

CHEGA DE SAUDADE I is part of Bossa, a minimalist exploration of rhythm, color, and subtle movement. The composition holds a soft repetition and remains clear and balanced, searching...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

« I started after watching a report on the National Assembly where reigns a cacophony and egos that rub shoulders, each claiming their own truth. This increases the impression that ...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the tech...

Something so special it's hardly ever seen - creative silver and gold leafing. The face passed through seven stages before it was complete and crushed marble is used to adorn her fac...

Manana Blanca II Oil, bitumen, graphite, marble powder, burlap on canvas 73" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the m...

Medium: salvaged slate on aluminum ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native an...

Box of Strings Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Edges of a Summit II Oil, bitumen, graphite, marble powder, burlap on canvas 60" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

Spanish Windows II Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. ...

Phillip King Yellow Disc, 2007 Hand painted steel on a marble base Signed and numbered 21/35 on base. Provenance: Bernard Jacobson Gallery, London Private Collection, UK 5 3/5 × 12 ...

Work on the impact of elements on urban structures and organisation. I endeavored to give thickness to the texture that coats and engulfs.

In his “Heavenly” series of small-scale mosaics, Toyoharu Kii honors the fullness of life and its continual rebirth. In some works, white tesserae assume abstract profiles with smoot...

In his “Heavenly” series of small-scale mosaics, Toyoharu Kii honors the fullness of life and its continual rebirth. In some works, white tesserae assume abstract profiles with smoot...

In his “Heavenly” series of small-scale mosaics, Toyoharu Kii honors the fullness of life and its continual rebirth. In some works, white tesserae assume abstract profiles with smoot...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. ...