Abstract Mixed Media

Swiss artist Edith Konrad paints figurative abstract compositions with mixed media on canvas. She layers her expression of her emotional response to the subjects with dynamic texture...

Terry Adkins Untitled Number 14, 1990 Signed and dated on reverse Mixed media on paper 39 x 27 1/4 inches Provenance The artist Gifted to Jackie Battle, New York c. 1990 Acquired fr...

Terence La Noue was born in Hammond, Indiana in 1941. He received a Bachelor of Fine Arts from Ohio Wesleyan University in 1964. After going to Berlin as a Fulbright Meister Student ...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Fabrics and collage on board, edited in 1969. Limited edition of 200 copies, numbered 107/200 in lower left corner. Hand-signed by artist in lower right corner. Paper size: 78 x 57.5 cm Frame size: 87 x 67 cm Very good conditions, slight oxidation. The frame has defects. Made with M24 furnishing fabrics by Du Pont. Studio Marconi, Publisher, Milan. Bibliography: Jean Petit...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. The “visible” spectrum, is probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelengths between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. The “visible” spectrum, is probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelengths between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. The “visible” spectrum, is probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelengths between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

Mixed media on paper by New York artist Peter Opheim, titled "Lakes and Cupboards," created in 2008. This signed original work measures 30 x 23 inches and represents an important per...

This series of contemporary black acrylic and pencil on paper was created by Yvonne Lammerich. The masterful Canadian artist has spent decades exploring the nature of the human condi...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

203, mixed media/canvas, 150x150 cm, 2025

Deborah T Colter is a contemporary abstract painter who lives on the Island of Martha’s Vineyard. Deborah graduated from the Rhode Island School of Design with a Bachelor Degree of ...

Torn Layered Papers Collage

Artist Comments
The artwork depicts a serene and meditative composition, blending abstraction with landscape photography. The textured white field envelopes an oval image remi...

Petra Rös-Nickel’s vibrant geometric abstract painting, created with bold colors, a dynamic composition, and textured layers results in a striking, modern artwork. Her original oil a...

Kim Fonder loves texture and touch. Her paintings and furniture reflect her infatuation with these two characteristics. From the materials Fonder selects, to the way she crafts each ...

For those not already acquainted: Stephen Gammell, in addition to being a very prolific studio artist, is also a great teller, appreciator, and illustrator of stories. For one so con...

Nancy Cohen Weighted, 2025 paper pulp and handmade paper 24 x 10 in. (coh114)

Nancy Cohen Light Tangle, 2024 paper pulp and handmade paper 55.5 x 38 in. (coh116)

200, mixed media/canvas, 150x150 cm, 2025

'Anoonsblush' by Stanley Boxer, 1998. Oil and mixed media on canvas, 27.75 x 52.75 in. / Frame: 28.75 x 29.75 in. Signed, titled, and dated on verso. This painting has an active su...

Nancy Cohen Night View, 2025 paper pulp and handmade paper 24.5 x 10 in. (coh112)

Nancy Cohen Barrier, 2023 paper pulp and handmade paper 54.5 x 38 in. (coh120)

Nancy Cohen Seeing Through, 2022 paper pulp and handmade paper 20 x 54 in. (coh115)

This artwork is dedicated to the moment of wheat blossoming — one of the most vital plants that feeds humanity. The green spikes unfolding in shades of white and yellow symbolize ren...

Nancy Cohen Amidst, 2025 paper pulp and handmade paper 26 x 19.25 in. (coh122)

Lamar Briggs Untitled color abstraction, ca. 2008 Mixed media oil and gouache on paper Hand signed by Lamar Briggs on the lower center front Frame included: held in the original off ...

This is a one-of-a-kind original abstract painting by San Diego artist, Alexander Arshansky. Its dimensions are 24" x 24" x 1.5". It is unframed. A Certificate of Authenticity will f...

Untitled Collage of small oil on canvas fragments, c. 2006 Unsigned Provenance: Estate of the artist Image size: 15 x 9 7/16 inches Sheet size:: 17 x 14 inches Peter Marks (1935 -2...

Artist Comments
Artist Linda Shaffer created this vibrant, multi-layered mixed media abstract using black, red, and gray tones. The work incorporates monoprints, washi paper, m...

Michael Azgour is an artist and educator whose work addresses the impact of digital imagery on contemporary culture. His paintings combine evocative, expressive representation with g...

Item Description: Tesselat 67P Mixed media, giglée print, bright screen and frame 14 x 22 x 3.5 inches video loop 4.5 minutes Edition 1 of 6 + AP Clearly stepping away from standar...

For those not already acquainted: Stephen Gammell, in addition to being a very prolific studio artist, is also a great teller, appreciator, and illustrator of stories. For one so con...

*Card pictured after painting not included. Dongkuk Ahn (1937-2013), better known as Don Ahn, was a South Korean artist and t'ai chi master who resided in New York City. Don Ahn (A...

Daniel Louradour "Carnival in Venice" after the 15th century opera Dimensions 26.5" wide x 19.5" high The lightly distressed frame measures 36" wi...

Color lithograph with color paper collage, 1987. Pencil signed lower right and dated, and numbered lower left 5/24. Litho depicts a poem titled "Ariadne" by T. Weiss. Published by ...

Lisa House – Contemporary artist – Northeast UK Summer Hill 50 x 50 cm x 4 cm depth Original oils/mixed media A soft and atmospheric painting from my 201...

Katheryn Holt (American, born 1951) "Greener Pastures" 2022 Oil paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. Framed Artwork: 26" x 37" x 1.25" "...

FRACTIONS The Fractions are a large body of small works on paper that Larry Bell made using collaged pieces of discarded Mirage works. Each Fraction is composed of one or more 3×3” s...

Artist: Frank Rowland, American (1927 - ) Title: Untitled II Year: circa 1980 Medium: Acrylic and Collage on Paper, signed Size: 31.5 x 47.5 in. (80.01 x 120.65 cm)

"I started after watching a report on the National Assembly where reigns a cacophony and egos that rub shoulders, each claiming their own truth. This increases the impression that a...

Circles in the Yellow Space, Ron Agam Kinetic Wall Sculpture Metal on Wood, 2026 Acrylic paint on wood panel and metal 11 x 11 inch Ron Agam transforms simple geometric forms into a...

Brides at Night is a collage by Margit Ilika who is an American artist. It has a new custom made frame and conservatorship glass. It measures 29 x 35 wit...

This is a one-of-a-kind original abstract painting by San Diego artist, Alexander Arshansky. Its dimensions are 24" x 24" x 1.5". It is unframed. A Certificate of Authenticity will f...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Vestiges spectrales I is a large-scale mixed-media painting on canvas that conjures a ghostly seascape where traces of time and matter converge. Using collage, impasto, and embedded ...

Item Description: Pantheism 17.90 Mixed media, UV print, modified bright screen 13.2 x 16.1 x 2.5 inches video loop 6.18 minutes Edition 1 of 6 + AP this item is frame in black woo...

*Card pictured after painting not included. Dongkuk Ahn (1937-2013), better known as Don Ahn, was a South Korean artist and t'ai chi master who resided in New York City. Don Ahn (Ahn Dong Kuk) was born in Seoul, Korea. He studied at Seoul University (BFA), graduate student at Miami University, Oxford Ohio 1962...

It is a small Zen and dreamlike garden where everything is calm and smiling with a benevolent sun. It is a small garden like one would find in children’s tales, a refuge for Jradin. ...

Artist Comments
This mixed media abstract brings together fluid shapes and clear linear structure. The composition balances organic movement with measured geometry using collag...

Artist Comments
The collage incorporates yellowed book pages, fabric, and cotton with layered pastel acrylic paint. The blend of soft colors, simple shapes, and found objects c...

Artist Comments
Scratches and scrapes create texture across this warm abstract landscape. Vibrant rust and orange tones stand out against a soft light blue sky, giving the scen...

Spanish Windows II Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

This is a mixed media painting with acrylic on canvas with texture, and one of the six circles with a reflective surface (blue, lower right). These pieces work particularly well in a...