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Donald Baechler Wasted Time and Money: A Month in India with Ranbir Singh, and Getting There (Hand signed and inscribed to art critic Anthony Haden-Guest), 1989 Softcover catalogue with stapled wraps (Hand signed by Donald Baechler and inscribed to art critic Anthony Haden-Guest) Hand signed and inscribed to art critic Anthony Haden-Guest by Donald Baechler on the title page 10 1/2 × 8 inches This super rare softcover catalogue with stapled wraps is hand signed and inscribed to art critic Anthony Haden-Guest by Donald Baechler on the title page. The inscription reads: For Anthony 3 April 91 Donald Baechler Book information: Publisher: Ajax Press, New York, 1989 Printing: John Hauser...

Nesting, a facade. With its envelope. Greeting letter in which the writer communicates the countess the forthcoming publication of a new novel.

Anish Kapoor Anish Kapoor (Hand signed and inscribed to Nadine by Anish Kapoor), 1998 Hardback monograph (Hand signed and inscribed to Nadine by Anish Kapoor) Hand signed and inscri...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

"1940 - Number Nine" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes colo...

Takashi Homma Tokyo (hand signed, inscribed in Japanese and dated by Takashi Homma), 2008 Softback monograph with dust jacket, roughcut and deckled edges...

A sculptural bust in vivid turquoise cement, “LarA 017” is an original collectible artwork by Spanish artist José Perozo, part of his celebrated LarA series. Blending architectural g...

Vita col padre is the main content of these 4 Autograph Letters Signed by Gerardo Guerrieri to Maria de Matteis. Not Dated. Around 1947. In Italian. Excellent condition. Including a map of the scene, sketched in black ink. Suggesting theatrical mood, theatrical staging, stage, costume ideas and stage colors, intellectual references (Orson Welles and Rex Whistler), the Italian dramaturg asks the collaboration of the yung and talented costume designer, Maria De Matteis. Under the supervision of Luchino Visconti, Gerardo Guerrieri signs the direction of Vita col padre, by Howard Lindsay and Russell Crouse (premiered on January 28, 1947, Teatro Eliseo, Rome). These letters refers to all preparations and adaptations for the theater, from the stage to the costumes. " Io vorrei una scena leggera, a tinte tenui, ariosa(..) Anche per i costumi direi di tenerci su un tono più sottile e spumoso: tutta scena e personaggi svampiti che stiano per volare per aria come coppe di champagne delicatissimi!". "I would like a light scene, with soft colors, airy (..) Also for the costumes I would say to keep us on a more subtle and frothy tone: all scene and dizzy characters who are about to fly in the air like very delicate champagne glasses! Gerardo Guerrieri (Matera,1920 – Rome,1986) The Italian film director, playwright, screenwriter, translator, theater critic, and essayist, Gerardo Guerrieri is particularly remembered for translating in Italian numerous plays by Anton Chekhov, Arthur Miller, Tennessee Williams, August Strindberg, Eugene O'Neill, William Saroyan...

George Segal (Hand signed, dated and inscribed), 1979 Hardback monograph with dust jacket, hand signed, dated and warmly inscribed to David by George Segal Hand signed, dated and ins...

Small abstract paper collage in chalkboard black by Bay Area artist Michael Pauker (American, b. 1957). This piece is created from a few pieces of antique paper, assembled in an aesthetically pleasing ratio, with a stark contrast between codex marks on a black background. These are all numbered sequentially, into the thousands - Pauker created a series of these pieces over the course of a decade. Numbered and titled, "Codex Asien," on verso . Acquired with a collection of the artist's work. Presented in a new mat with foamcore backing. Paper size: 7.75"H x 4.75"W Mat size: 13"H x10"W “I’m driven by curiosity...where it comes from I can’t tell you; it’s just there. And early 20th-century modernist art is the thing that I keep returning to.” - Michael Pauker Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40,” Adam Baumgold Gallery, N.Y., NY 2002 “Works on Paper,” Bryant St. Gallery, Palo Alto, CA 2002 Dolby Chadwick Gallery...

LeRoy Neiman Carnaval gift book in bespoke box (Hand Signed and Numbered), 1981 Hardback Monograph with Vinyl Dust Jacket. Hand Signed by Artist on Colophon on Vellum parchment pape...

This set is composed by 2 Autograph Letters Signed by Renato Guttuso and addressed to Gaetano Chiurazzi. In 8. In Italian. One page, One side. Signed and dated. On ivory colored pa...

Two letters from Milena Barilli to the Countess Pecci Blunt. The first one is one piece, plus envelope included (dimensions 27 x 17 cm). The other on...

Autograph Letter Signed by Charles Albert Cingria to Nesto Jacometti. Around 1930's-40's. In French. One page, single-sided. In excellent condition, perfectly readable, except for ...

Mariusz Szalajdewicz (b. 1974) Studied at the Faculty of Architecture at Warsaw University of Technology, where he mastered the drawing skill. Architect and urbanist, illustrator.

This is a diptych of Western Lullabies N°6 and FLORA ODYSSEY N°2. This diptych includes two on paper artworks that are the same size. Diasec® mounting is a time proven system that ...

Mariusz Szalajdewicz (b. 1974) Studied at the Faculty of Architecture at Warsaw University of Technology, where he mastered the drawing skill. Arc...

Autograph Letter Signed with Original Sketch by Hans Erni to Nesto Jacometti. March 5th, 1949. Signed "ton Erni". One page, one-sided. On ivory colored tissue paper. In French. In very good conditions, except for an horizontal tape connecting two parts of the sheet. Perfectly readabe, although the nervous calligraphy. An original red ink sketch...

This heterogeneous lot “Ungaretti –Futur Prix Nobel” deals with the Ungaretti's ambitious race for the Nobel Prize for literature in 1954. A Correspondence, with different senders a...

Vita Americana (American Life) is a Autograph Letter Signed by Afro, to the Countess Anna Laetitia Pecci-Blunt (Rome, 1885 - Marlia, 1971). New York, July 3rd 1950. Two pages, doubl...

Small abstract paper collage in chalkboard black by Bay Area artist Michael Pauker (American, b. 1957). This piece is created from a few pieces of antique paper, assembled in an aesthetically pleasing ratio, with a stark contrast between codex marks on a black background. These are all numbered sequentially, into the thousands - Pauker created a series of these pieces over the course of a decade. Numbered and titled, "Rahway," on verso . Acquired with a collection of the artist's work. Presented in a new mat with foamcore backing. Paper size: 7.75"H x 4.75"W Mat size: 13"H x10"W “I’m driven by curiosity...where it comes from I can’t tell you; it’s just there. And early 20th-century modernist art is the thing that I keep returning to.” - Michael Pauker Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40,” Adam Baumgold Gallery, N.Y., NY 2002 “Works on Paper,” Bryant St. Gallery, Palo Alto, CA 2002 Dolby Chadwick Gallery...

Letter addressed to the Countess Laetitia Pecci Blunt. Rome, 25 June 1935. 1p.A4 in pen. In Italian. Nice letter of thanks and attention "of the constant...

Mr DOB By Takashi Murakami Takashi Murakami is a Japanese contemporary artist renowned for his vibrant and whimsical creations that blend traditional Japanese art with popular cult...

A new Passport for Sir Solti - A.L.S. is the main content of this unique Autograph Letter Signed by Georg Solti to Nesto Jacometti. Paris, July 4th 1946. ...

This is an Autograph Letter Signed by Carlo Levi to the Countess A.L. Pecci Blunt. Rome, December 9th 1950. In Italian. One page, single-sided. Excellent condition, perfecly readable. Including original envelope. Carlo Levi (Tourin,1902 – Rome, 1975), the Italian painter, writer, activist, anti-fascist, best-known for his "Cristo si è fermato a Eboli" (Christ Stopped at Eboli),writes this letter to the Countess and patron of arts, A.L. Pecci Blunt to introduce the Italian playwright and director Alessandro Fersen (Łódź, 1911 - Rome, 2001). Artistic Intentions and common initiatives could arise. The background: In the same year of this letter, in 1950, Alessandro Fersen together with Walter Cantatore and Emanuele Luzzati...

Letter from Giovanni Comisso (1895-1969). Content of the letter: The writer is probably addressing a friend ("My dear.."), speaking of his journey to Vienna on the 10.30 pm train, i...

Thanksgiving letter signed from Giorgio Morandi to Mino Maccari. Envelope included.

Letter written by the artist Jean Lurcat and addressed to Nesto Giacometti. The text talks about work and printing prices. Attached is the photo of Jean Lurcat. Handsigned Jean Lu...

"No. 602" Miniature Collage by Michael Pauker Period Typography Miniature abstract paper collage in teal and white by Bay Area artist Michael Pauker (Am...

This is a Autograph Card Signed by Virna Lisi to Maria De Matteis. Udine, July 22nd 1966. In Italian. On letterhead paper "Virna Lisi". Excellent condition...

This is a Confidential Autograph Letter Signed by the Italian editor, Valentino Bompiani (Ascoli Piceno, 1898 - Milan, 1992) to an unknown recipient. Undated. Around 1930s. In Itali...

Autograph Christmas Card Signed by Afro Basaldella and his wife Maria to the Countess A.L.Pecci-Blunt. Around 1940. In 24°. In Italian. Excellent condition: As good as New. The Italian artist wrote this kind autograph card to his mentor and patron of arts, best-known to the artists as "Mimì", the Countess Pecci-Bluunt, the volcanic woman that, together with the Italian poet Libero De Libero, founded in 1935 the Cometa Gallery and promoted the Roman School. An internationl world was been born in Rome, in which artists and intellectuals like Afro, Mirko, Cagli Mafai, Guttuso and Capogrossi, Severini, Martini, Janni, Melli, Ziveri, Pirandello, Savinio graviteted. At the sime time the Countess, organised literary presentations by writers like Cecchi, Moravia, Montale, lectures by Valéry and Mauriac; music night by Stravinskij, Petrassi, Milhaud, Honegger, Poulenc, Auric. During the summer, cosmopolitan worldliness was hold at the grand villa...

Archival ink jet

Telegram by Eduardo De Filippo (1900-1984), Italian playwright, director, actor and poet addressed to the Countess Anna -Laetitia Pecci-Blunt. One-page. V...

Condolence telegram by Giorgio Morand'si sisters with pen-additions. Bologna, June 26, 1964. (10.5x7 cm). Perfect conditions.

La Tapisserie Française Moderne is the title of the solo exhibition of Jean Lurçat, hold at the Kunsthalle Bern, from June 25th to the first July ...

This is a Autograph Letter Signed by Fabrizio Clerici to the Countess A.L. Pecci-Blunt. November 20th, 1958. Signed "Fabrizio". One page, double-sided. In Italian. Excellent conditi...

Collect this unique Autograph Letter Signed by Nino Franchina to the Countess Pecci-Blunt. Rome, March 1st 1952. One page, single-sided, on light blue ...

Autograph Happy Easter Card by Carlo Quaglia to Silvio Perina. Paris, April 15th 1952. In Italian. Perfectly readable, excellent condition. Signed "Quaglia". A postcard of Happy Easter, sent from Paris by the Italian painter to the Director of CIM warehouses of Rome. Carlo Quaglia (Terni, 1903 - Rome,1970) The Italian painter Carlo Quaglia discovered his passions when he was an official in Libya, in the thirties, in Benghazi, Sirte and Derna. At the beginning of the Second World War, in 1940, he was taken prisoner by the British and transferred to India at Camp 27 of Yol on the slopes of the Himalayas. He spent five years of imprisonment devoting himself to the study of the arts, practicing the first painting tests that will lead him to take the decision to become a painter. Upon returning to Italy he took his leave and began his career as an artist. His was a short and successful career that led him to critical and public success. In his painting we find the colors of the Roman School of Scipio, Mario Mafai and Antonietta Raphaël...

Autograph Letter Signed by Carlo Carrà to the Countess Anna Laetitia Pecci-Blunt. Milan, Avril 4th 1938. In Italian. In 8°. On ivory colored paper. In perf...

Autograph Letter Signed by de Pisis - "Love and Flowers" to Gaetano Chiurazzi. Venice, February 10th 1934. In Italian. With stamps and postmarks. Very good condition, with minor aging signs. Original envelope included. Perfectly readable, on ivory color paper and on letterhead "et spiritualis unctio". With autograph notes signed in blue ink at the end of the back, by an undefined author. An affectionate greeting letter written with a rapid calligraphy and in a cryptical way, with quotations understandable only within the friendship relationship between the poet-artist of "Loves and Flowers" and the Italian gallerist, Gaetano Chiurazzi (Naples,1899 - Rome,1967), best-known as "Tanino". De Pisis is today best-known for his cityscapes, metaphysically-inspired maritime scenes, and still lifes, especially those depicting flowers. His work has a particularly airy quality, and is laden with a sort of pathetic pleasure. This letter demonstrates how de Pisis spent his life: between Rome, Paris and Venice, living a very extravagant lifestyle; he had a pet parrot named Coco, and in Venice he was one of a handful of residents at the time who used a gondola. He had two personal gondoliers on 24 hour duty, who wore black-and-gold livery. Filippo de Pisis (born Luigi Filippo Tibertelli, Ferrara 1896 – Brugherio 1956) When he was 20 years old, the young painter from Ferrara had a meeting that changed his life. During his military service, he met the "Dioscuri", the brothers De Chirico and then Carrà. He was sure impressed by their way of seeing painting and, at the beginning, shared the metaphysical style. After a short stay in Rome and Paris, at the beginning of the 1920's, he started to rework his style, made of suggestions and original subjects, where the pictorial line is fragmented and, therefore, defined by Eugenio Montale as "fly-paw painting". The friendship with Julius Evola...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 18 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant...

This beautiful Lot of Manuscripts by Mario Tozzi to the Countess and patron of arts, Pecci Blunt, between 1936 and 1938, is composed by three items. In de...

La Dame de Fer, Paris, France, 2015 by Roberta Fineberg is a photopolymer monoprint of the Eiffel Tower. The iconic landmark is reimagined through abstract, geometric, and organic fo...

Beautiful L.A.F. (signed autograph letter) of two handwritten pages, made by Pietro Mascagni on 18-8-1909 on the headed paper of the Teatro Costanzi in Rome and addressed to Prof. U...

Artist: Richard Lilley Medium: Ink on Paper (double sided) Dimensions: 21 x 29.5 in This item is framed by our artist Richard Lilley and is on display in his current exhibition! Rich Lilley, a now New York based artist began his practice in Pennsylvania in the theater program and studied art with Milan Melicharek before moving to New York City to continue his education at Parsons. It was here that Lilley studied under Mohammed Omar Khalil and Luther Davis with a primary focus in metal etching and printmaking. Drawing inspiration from J.R Crumb...

Letter written by the painter Antoni Clavè (1913-2005). Wooden frame with picture of the artist added. Paper 27 x 19 cm. Good conditions.

Cagli write to inform the Countess Pecci Blunt about the end of his exams and his return to Rome. The letter also talks about the projects to be carried out together with the Countes...

Colonna Rivista - A.L.S. is a Autograph Letter Signed by Alberto Savinio to the Countess A.L Pecci-Blunt. Milan, April 14th 1934. In Italian. One page, single-sided, on letterhead p...

This is a unique Correspondence Signed by Dino Grandi to the Countess Pecci- Blunt, written at the end of 1950's (1957-1958) Including 6 items, In Italian, in very good conditions. ...

This "Viva La Cometa!" Correspondence by Enrico Paulucci to the Countess Pecci Blunt, written in Italian, from 1932 to 1937, is composed of 4 Authograph Lett...

L.A.S. s. l. n. d addressed to Countess Pecci Blunt. (13.5x22 cm). Ripped on the bottom edge. As a regular client of the "Aragno" café, "oversaw" by Cardarelli and Francesco Trombadori, the young De Libero finds his place inside the new school of Via Cavour. In that environment, painters like M. Mafai, Antonietta Raphaël...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 19.5 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

Confidential Letter by Le Grix is a Autograph Letter Signed by François Le Grix, to the Countess Anna Laetitia Pecci Blunt. Rome, September 30th 1934. In French. Two pages, double-si...

This is the Serge Lifar's Business Card with authograph notes to the Countess Pecci-Blunt. A message of greetings to the great patron of arts, loved and kn...

This is the typewritten correspondence between Stefano Cairoli, the historical Milanese gallerist of Galleria della Spiga e Corrente (Siena, 1897- Milan, 1972) and Beppe Guzzi, writt...

HOMAGE TO CHANEL - This original artwork on paper combines layered brushstrokes with textile collage elements. Surrounded by heavy texture, the focal point is a detailed Chanel logo ...

This is a unique Autograph Card Signed by Vittorio Gorresio (Modena, 1910 - Rome1982) to the Countess A.L. Pecci Blunt. Around 1954. In Italian. With ...

Guan Zi Zai is a beautiful artistic calligraphy in China ink on Xuan paper realized by the Chinese artist Sheng Zuoshan in March 1920. The signature of the artist appears on the low...

In this letter the poet speaks of some of his books to the countess. Good conditions, perfectly readable and dated Paris 20/12/1929.