Ink More Art

This set is composed of Two Autographs Signed by Virgilio Guzzi, addressed to Silvio Perina, the director of the C.I.M, Roman warehouses, during the Fifties. Excellent condition, pe...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 19.5 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

Small abstract paper collage in chalkboard black by Bay Area artist Michael Pauker (American, b. 1957). This piece is created from a few pieces of antique paper, assembled in an aesthetically pleasing ratio, with a stark contrast between codex marks on a black background. These are all numbered sequentially, into the thousands - Pauker created a series of these pieces over the course of a decade. Numbered and titled, "Rahway," on verso . Acquired with a collection of the artist's work. Presented in a new mat with foamcore backing. Paper size: 7.75"H x 4.75"W Mat size: 13"H x10"W “I’m driven by curiosity...where it comes from I can’t tell you; it’s just there. And early 20th-century modernist art is the thing that I keep returning to.” - Michael Pauker Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40,” Adam Baumgold Gallery, N.Y., NY 2002 “Works on Paper,” Bryant St. Gallery, Palo Alto, CA 2002 Dolby Chadwick Gallery...

This is a Autograph Letter Signed by Carlo Ludovico Ragghianti to the Countess A.L. Pecci-Blunt. Florence, October 22nd, 1946. One page, single-sided. In Italian. On letterhead pape...

Letter from Louis Marcoussis to Countess Pecci Blunt is an original manuscript. The letter is addressed to Countess Pecci Blunt and it's written from Hotel Minerva, Florence Marco...

The set includes 3 autograph letters addressed to the painter Mino Maccari: -L.A.S Bologna, June 29, 1949, (28x22cm), perfect state -L.A.S Bologna, July 14, 1946, (22x30cm), perfec...

Back Cover is an original China ink and Watercolor artwork realized by Gabriele Galantara in 1913. In good conditions, there is some pencil notes on the back of the card. Gabriele ...

This is a Autograph Postcard Signed by Virgilio Guzzi, addressed to Silvio Perina, the director of the C.I.M, Roman warehouses. Rome, Christmas 1977. In Italian. Very good condition...

Nesting, a facade. With its envelope. Greeting letter in which the writer communicates the countess the forthcoming publication of a new novel.

C.P.A.S. headed “Avanti! Socialist Journal ", addressed to the writer and art critic Ugo Ojetti. Rome, 28 October 1903 (14x9 cm). Perfect condition. Leonida Bissolati was one of th...

This is an Autograph Letter Signed by Carlo Levi to the Countess A.L. Pecci Blunt. Rome, December 9th 1950. In Italian. One page, single-sided. Excellent condition, perfecly readable. Including original envelope. Carlo Levi (Tourin,1902 – Rome, 1975), the Italian painter, writer, activist, anti-fascist, best-known for his "Cristo si è fermato a Eboli" (Christ Stopped at Eboli),writes this letter to the Countess and patron of arts, A.L. Pecci Blunt to introduce the Italian playwright and director Alessandro Fersen (Łódź, 1911 - Rome, 2001). Artistic Intentions and common initiatives could arise. The background: In the same year of this letter, in 1950, Alessandro Fersen together with Walter Cantatore and Emanuele Luzzati...

This is a Autograph Greeting Letter Signed by Georges Goyan to the Countess Pecci-Blunt. Arcachon, January 5th, 1923. On ivory-colored and laid paper. In French. One page, single-si...

This detailed artwork on paper puts emphasis on design and composition. Using pencil, colour pencil and ink, a Navajo inspired rug motif is created using traditional design elements....

From the 'Dreams of the West' series of photographs by Bowman Ashe. Sepia toned archival print. Limited edition of 25 prints. :: Photograph :: Sepia :: This piece comes with an off...

Beautiful L.A.F. (signed autograph letter) of two handwritten pages, made by Pietro Mascagni on 18-8-1909 on the headed paper of the Teatro Costanzi in Rome and addressed to Prof. U...

Autograph Letter of Invitation written and signed by Mario Tozzi to the Countess Anna Laetitia Pecci-Blunt. Signed. Rome, March 7th 1934. In Italian. In Pe...

These Letters of Invitation by Jacques de Lacretelle to the Countess Anna Laetitia Pecci-Blunt, are 3 autograph letters signed, written between 1928- 1935, in French. In very good condition, except for the lettter written in 1928 with a visible strain. Including origial envelopes. A.L.S. June 28th 1928. A.L.S. March 19th 1933 A.L.S. April 6th, 1935 This correspondence between the French novelist of Silbermann and his mentor and patron of arts, Anna Laetitia Pecci Blunt is cmposed of three letter of invitation for a literary conference in Rome and for a pleasant trip around the natural beauty of Castelfusano and the architectural beauty of the capital. Background: Awarded with the Grand Prix du roman de l'Académie française...

A sculptural bust in vivid turquoise cement, “LarA 017” is an original collectible artwork by Spanish artist José Perozo, part of his celebrated LarA series. Blending architectural g...

This "Viva La Cometa!" Correspondence by Enrico Paulucci to the Countess Pecci Blunt, written in Italian, from 1932 to 1937, is composed of 4 Authograph Lett...

These 3 Autographs Signed by Mario Praz / all Oppé to the Countess Pecci-Blunt Written In Italian, from 1950 to 1953, are perfectly readable and in excellent conditions with origin...

This is a unique Set of Autographs Signed by Dino Grandi to the Countess Pecci- Blunt, written between 1955 and 1968. Including 3 items, In Italian, in excellent conditions. Perfect...

Letter from Giovanni Comisso (1895-1969). Content of the letter: The writer is probably addressing a friend ("My dear.."), speaking of his journey to Vienna on the 10.30 pm train, i...

L.T.S. addressed to Countess Pecci Blunt, on letterhead Reform Club, Pall Mall. August 23, 1937. In English. Excited to meet his future patron, Belloc co...

L.T.S. addressed to Countess Pecci Blunt, on Letterhead Reform Club, Pall Mall, February 3, 1938. In English. Thanksgiving letter for the remuneration received and for timely deliv...

Autograph Letter Signed by Artuto Tosi to Libero de Libero. Rovetta, October 20th 1937. In Italian. In 8°. On ivory colored paper. In Very good condition, except minor aging signs. Completely readable. With an upset and fluid calligraphy, the Italian artist writes this greeting letter with some logistic details for an exhibition. "Mai dire di no alle persone gentili come la contessa (...)". ( Never say no to the gentle people like the Countess) Arturo Tosi...

This lot is composed of 2 items, 1960's by Gina Lollobrigida to Maria De Matteis: a Typewritten Letter Signed by Gina Lollobrigida to Maria De Matteis. Rome...

S. written by Sandro Volta, editor-in-chief of the weekly "Oggi", addressed to Mino Maccari. Rome, April 27th XVII. 1p 21x29cm, on “Oggi. Direction and editorial staff ". Perfect state. Request for collaboration for the new publication. Having placed the seals on Leo Longanesi's Omnibus, because it was a magazine not aligned with the regime, the publisher Angelo Rizzoli devises a way not to waste the intelligence and wealth of professionalism that had made the newspaper a new way of doing journalism. He founded a new newspaper that looked at news, literature and history, namely the "Oggi", with the format and setting of the Omnibus, at the direction of which there were two new recruits: Arrigo Benedetti and Mario Pannunzio, who will become the most celebrated couple of Italian journalism. On June 3, 1939, the first issue of Oggi was published, a newspaper that will launch young writers who will reach international fame such as Elio Vittorini, Tommaso Landolfi, Ennio Flaiano, Elsa Morante...

Condolence telegram by Giorgio Morand'si sisters with pen-additions. Bologna, June 26, 1964. (10.5x7 cm). Perfect conditions.

This is a Confidential Autograph Letter Signed by the Italian editor, Valentino Bompiani (Ascoli Piceno, 1898 - Milan, 1992) to an unknown recipient. Undated. Around 1930s. In Itali...

S. Teresa del Bambin Gesù is a Autograph Letter Signed by the Italian artist Alberto Gerardi to the Countess Pecci-Blunt. Rome, April 24th 1939. One page, single-sinded. In Italian. Excellent condition. Perfectly readable, thanks to an elegant calligraphy. Touching letter addressed to the Countess and patron of arts, thanking her for her purchase proposal of a hand study drawing...

Confidential Autograph Letters Signed by the French poet, Abel Bonnard (Poitier, 1883-Madrid 1968) to the Countess A. L. Pecci-Blunt. Around 1930's. In French. One page, single-sid...

This is a wonderful Set of Two Letters composed by two items part of the official and unofficial correspondence between the French writer Marthe Bibesco...

PLAN OF A PART OF NEWPORT, R.I. SHOWING CHANGES IN HIGHWAYS ASKED FOR BY O.H.P. BELMONT, ESQ. The original ink and watercolor plan on paper from 1907. The plan is extremely large; if fully assembled it would measure no less than 11.5 feet in height and 6.5 feet in breadth. Segmented and backed on modern linen in four sections – each section is 70 x 39 inches. This grand oversized folding map can be folded down to four sections each 17.5 x 11 inches and stored in a modern made leather and marble paper case 18 x 11.75 x 3 inches. Text continues, "Prepared for Charles Warren Lippitt at the office of J. P. Cotton, C.E. Newport, R.I. Oct. 28, 1907." A fine manuscript plan of the Bellevue neighborhood of Newport, depicting the street layout and the detailed footprints of the area’s many mansions. The plan was produced at the behest of Charles Warren Lippett (1846-1924), who served as governor of Rhode Island from 1895-1897. The Lippett “Breakwater” mansion is also shown on this plan, situated at the southernmost tip of the peninsula. Though the circumstances are unclear, Lippitt seems to have requested the plan be drawn out of some concern for road construction proposed by Oliver Hazard Perry...

Autograph Letter Signed by Alberto Moravia to the Countess Pecci Blunt. Salzburg, August 28th 1933. One page, double-sided. In Italian. Perfectly readable, very good condition except for a lower-right corner detached. Including original envelope. An ending autograph notes by Alberto Moravia. From Salzburg, Alberto Moravia writes this letter of greeting and thanks to the Countess Pecci-Blunt, or Mimi, the patron of arts and the closed-friend of artists and intellectuals. The Italian writer tries to reach her at one of the Countess' residences or at common friends houses. The background: During the period of this correspondence, Moravia has just started his carres as journalist, but his life changed when he published in 1929 Gli Indifferenti, noteced by the critic. In 1930 Moravia started collaborating for the newspaper La Stampa, then edited by author Curzio Malaparte...

Memories from Marina di Pisa is an Autograph Postcard Signed by the Italian painter Giovanni Costa (Rome, 1826 – Marina di Pisa, 1903), best-known as Nino Costa, to Adele Verducci. ...

Autograph Merry Christmas and Happy New Year Card Signed by Nicolas Nabokov to the Countess Anna Laetitia Pecci-Blunt. Paris, December 23rd 1954 . In 24°. In French. Excellent condition: As good as New. A Mr. and Mrs. Nicols Nabokov Business card with autograph notes of thanks, attached ( on letterhead paper "American Academy in Rome". Original envelope included. Collect or present this unique pieces of the Russian master. Background: During the Fifties, Nicolas Nabokov became General Secretaryof the newly formed Congress for Cultural Freedom (CCF), backed by the CIA, and remained in the job for more than fifteen years, organizing music and cultural festivals, and was musical director of the American Academy in Rome (Villino Aurelia, Porta S. Pancrazio). Never forgot to write to the mentor and patron of art A.L. Pecci Blunt, with this touching postcard he reveals the "naissance du petit Alexandre". Nicolas Nabokov (Russia 1903 –1978) The Russian-born composer and cultural figure, was the first cousin of the talented writer of "Speaks Memory", Vladimir Nabokov...

This unique Autograph Correspondence by Paul Valery to the Countess Pecci Blunt is composed of 4 items, realized at the end of 1930's. In excellent condit...

Autograph Letter Signed by Carlo Carrà to the Countess Anna Laetitia Pecci-Blunt. Milan, Avril 4th 1938. In Italian. In 8°. On ivory colored paper. In perf...

This lot, concerning the Hunter College's Benefit Evening, consists of three items written in Italian and English, in 1945, by Vittorio Ceroni Gonzaga,...

Letter addressed to the Countess Laetitia Pecci Blunt. Rome, 25 June 1935. 1p.A4 in pen. In Italian. Nice letter of thanks and attention "of the constant...

L.A.S. addressed to Countess Pecci Blunt. Fregari, April 8, 1955. 1p. 21x29 cm. With an envelope with a difficult-to-read stamp. 1p. 21x29 cm. Perfect conditions. Cover letter. The...

Confidential Letter by the General of the Armies, John Joseph Pershing to Cecil Charles Blunt. Typewritten Letter Signed. Washington, November 16th, 1920. One page, single-sided. In English. On letterhead paper "General of the Armies Washington". Excellent condition, including original envelope. Letter of apology sent to the Count Cecil Charles Blumentahal, later changed to Blunt, a wealthy Jewish banker from New York: "I reget very much that I was unable to see you while you were in Washington". John Joseph Pershing (Laclede, 1860 - Washington, 1948) John Joseph Pershing, best-known as "Black Jack", was an American general. He distinguished himself in the Spanish-American war for his courage and after a long and brilliant career in the Philippines and Mexico against the rebels of the two countries. Pershing led the US expedition in World War I and later served as chief of staff of the United States Army. for this reason he is considered the mentor of a generation of US generals who fought in World War II such as George Marshall, Dwight D. Eisenhower, Omar Bradley, Lesley James McNair, George Smith Patton and Douglas MacArthur. Like George Washington, he was the only soldier to obtain the highest US military rank, that of General of the Armies of the United States. Pershing was one of the first generals in history to be able to coordinate light infantry with twentieth-century war inventions such as tanks and armored cars for the great offensives during the punitive expedition to Mexico against Pancho Villa...

This is the Correspondance between Jean-Pierre Guillermet (Porrentruy, Switzerland, 1921- San José 2017) and Nesto Jacometti (Locarno, 1898- 1973). Composed of 8 items written in Fr...

This is a unique Autograph Card Signed by Vittorio Gorresio (Modena, 1910 - Rome1982) to the Countess A.L. Pecci Blunt. Around 1954. In Italian. With ...

This is a Autograph Letter Signed by François Le Grix, to the Countess Anna Laetitia Pecci Blunt. Paris, June 9th 1939. In French. Two pages, double-sided. Excellent condition, incl...

Photographic portrait with autograph dedication signed by the American jazz singer Ella Fitzgerald (Newport, 1917 - Beverly Hills, 1996). In fine cond...

Autographs by Ossip Zadkine to Nesto Jacometti, is a lot composed of 5 items, written in French, 1958-1959, concerning Zadkine's exhibitions. In detail: Autograph Letter Signed. Pa...

L.A.S. addressed to Countess Pecci Blunt. Portofino, September 16, 1937. In English.

This is an unique Autograph Invitation Letters by the Italian artist, Corrado Cagli (1910-1976) to the Countess and patron of arts, Anna Laetitia Pecci-Blunt. Paris, November 28th ...

Bertini meets Filippo Fichera after he received the magazine sent by him. In the letter Bertini expresses his thanks.

This is the Autograph Postcard Signed by Plinio Nomellini to Beppe Guzzi. Impruneta, June 22nd 1931 - IX. One page-double-sided. In Italian. Excellent condition, except for aging signs. Informative postcard: the Italian painter of Divisionism, Plinio Nomellini is sending to Beppe Guzzi an artwork reproducing a wave for an eventual exhibition and ask him to fill in a technical form. The background: During the period of this correspondence, Beppe Guzzi (Genoa, 1902 - Rome, 1982) knows his success: from 1930 to 1954 he partecipates to 11 editions of the Venice Biennale and from the third edition 6 times at the Rome Quadriennale, being awarded during the VII edition, as well as he realizes exhibitions in Livorno. From here Guzzi calls Nomellini for a collective exhibition. Plinio Nomellini (Livorno, 1866 –Firenze, 1943) The Italian painter of the Divisionist mouvement, Plinio Nomellini, in 1885 enrolled at the Florence Academy of Fine Arts, where he was the pupil of Giovanni Fattori and formed friendships with Telemaco Signorini and Silvestro Lega...

Autograph Letter Signed by Alberto Savinio to the Countess A.L Pecci-Blunt. 1934 c.a. In Italian. One page, single-sided. Excellent condition, including original envelpe. The Itali...

Correspondance is a lot of 2 Autograph Letters Signed by Ossip Zadkine to Nesto Jacometti, written in French, 1946-47. A.L.S. Les Argues par Cazals, France, 1946. Two pages. A.L.S....

This Postcard Signed by Andreina Pagnani is (C.P.S. s.l.n.d.) a greeting postcard from the National Museum of Carriage in Lisbon, to the Countess Anna Laetitia Pecci Blunt. Around ...

Autograph Happy New Year Card Signed by Afro Basaldella to the Countess Anna Laetitia.Pecci-Blunt. Rome, January 2nd 1963 . In 24°. In Italian. Excellent condition: As good as New....

Cagli write to inform the Countess Pecci Blunt about the end of his exams and his return to Rome. The letter also talks about the projects to be carried out together with the Countes...

This is a Apology Letter by Giuliano Balbino to the Countess Pecci-Blunt. Rome, June 11, 1938 (from the stamps). One page, double-sided, on letterhead paper "Senato del Regno". On l...

An air of femininity is expressed in this dress painting on art board, capturing a nostalgic nod to timeless glamour. Delicate detail (with a hint of shimmer) blends with a textured,...

L'Oeuvre Gravée - Correspondance between the French artist Édouard Pignon and Nesto Jacometti, his graphic art editor, written during the 1955 and composed of 2 items: Typewritten L...

This lot, concerning the Hunter College's Benefit Evening, consists of three items written in Italian and English, in 1945, by Vittorio Ceroni Gonzaga,...