Ink More Art

Rotterdam im Aufstieg- Autographs is a heterogeneous lot, composed of 3 items, signed by Ossip Zadkine to Nesto Jacometti. Generally excellent condition, except for aging signs or ...

Happy Easter Card by Gianni Granzotto, to the Countess Anna Laetitia Pecci-Blunt. Bologna, Easter, 1937. In Italian. One page, single-sided. With wishing autograph notes by a great...

L'Artiste Marc Vanclair is the main content of this Autograph Letter signed by François Le Grix, to the Countess Anna Laetitia Pecci Blunt. Paris, May 31st 1954. One page, double-s...

Autograph Letter Signed by Charles Albert Cingria to Nesto Jacometti. Around 1930's-40's. In French. One page, single-sided. In excellent condition, perfectly readable, except for ...

Autograph Happy New Year Card Signed and Dated by Afro Basaldella to the Countess Anna Laetitia.Pecci-Blunt. Rome, 1967. 12 x 16 cm. In 24°. In Italian. Excellent condition. Origi...

Memories from Marina di Pisa is an Autograph Postcard Signed by the Italian painter Giovanni Costa (Rome, 1826 – Marina di Pisa, 1903), best-known as Nino Costa, to Adele Verducci. ...

Autograph Card Signed by Afro Basaldella to the Countess Anna Laetitia.Pecci-Blunt. Rome, 1950's (1958-1959) . In 24°. In Italian. Excellent condition...

This is an Autograph Letter Signed by Enrico Prampolini to the Countess A.L. Pecci Blunt. Paris, June 12th 1935. One page, double-sided. Excellent c...

Autograph Letter Signed by arturo Martini to Gaetano Chiurazzi Milan, January 25th 1938. One page, single-sided. on letterhead paper " Nuovo indirizzo -Via Jacopo della Quercia, 7,...

The Misunderstanding of Capogrossi is the name of a lot composed of two autograph letters dated and signed by Giuseppe Capogrossi to the Countess Anna Laetizia Pecci- Blunt. Rome, ...

Dubuffet's Autographs are a beautiful lot of correspondence between Jean Dubuffet and Nesto Jacometti, written in 1955. Two autographs lettes signed and dated by the founder of Art ...

Not dated nor located, this interesting collection of letters is addressed to Nesto Jacometti Graphic Art Editor and Collector. It's entirely hand written and in very good condition...

Bao Xiang is a beautiful artistic calligraphy in China ink on Xuan paper realized by a Chinese artist commonly called Ya Chun in the early 1900. The signature of the artist appears ...

Bolgum Nagesh Goud - Astalakshmi ( Goddess Lakshmi ) Metallic Acrylic, Pen & Ink on Canvas, Deep Edge Stretcher 30 x 30 x 2 inches (unframed) , 2023 ( Rolled & Delivered ) Born July...

It happened ... Paper, ink, pencil, 20x26 cm As a black and white comic, the absence of color allows the artist to focus on using shading, line work, and contrast to convey the narrative and emotions effectively. Black and white comics creates a distinct and dramatic atmosphere, emphasizing the story's mood and capturing the readers' attention. Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art...

Suhas Roy - To Jarna with Love Marker on Paper , 11 x 9.6 inches , 2012 ( Unframed & Delivered ) Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a series of work where he sees an ethereal mystic godlike and innocent spirit in every woman he meets. Style : He is one of the biggest and the most enduring names in the genre of Indian modern art. Often dubbed the father of female figurative forms. Radha Series and the Christ Series in soft pastel on paper and intense Oil on canvas paintings .Consequently, his recent body of works, "Drops of Silence", executed in oil, pastels and pen-and-ink etchings on backdrops in watercolours, are all studies of "mysterious slightly surreal nude women floating in a void". Roy's forte is Radhika - dark, enigmatic, beautiful Indian women with the slightest smile and ethereal in its quality . About the Artist & his work : Born : 1936, Bangladesh. Education : 1953-58 : Diploma in Painting, Indian College of Art and Draughtsmanship, Calcutta. 1956-66 : Studied graphic art under the guidance of S.W. Hayter, Atelier 17 and mural art at cole Superior Des Beaux Art, Paris. Exhibitions : His works have been exhibited all over the world through exhibitions like the Asian Graphic Prints Traveling Exhibition, USA, the Tokyo Print Biennale, Japan, Contemporary Indian Art...

Oil, enamel, and ink on canvas Signed in black, l.r. This artwork is offered by ClampArt, located in New York City. Inscriptions read: THE WALL, NOGALES In Nogales, I walk across...

Bolgum Nagesh Goud - Lord Hanuman Metallic Acrylic, Pen & Ink on Canvas, Deep Edge Stretcher 30 x 30 x 2 inches (unframed), 2023 ( Rolled & Delivered ) Born July 18, 1965 Educat...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through t...

Anonymous Self Portrait XXXVI 2018 Signed and dated on label, verso Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board 55 x 41.5 inches $17,000 Thi...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Somnath Hore - Untitled (Face of a Man) Pen, Ink & Watercolour on Paper 7.6 x 6 inches (Famed & Delivered) An untitled portrait by Somnath Hore, this pen, ink, and watercolor study ...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Francesca Henderson Cox’s Apple 1 Original Still Life Illustration Drawing Black Ink on Premium Acid Free Paper Image Size: H12cm x W17.5cm x D0.1cm Mounted Si...

Large Gumdrop Mirror by Courtney Kinnare 2025 Resin, Acrylic, & Ink on Mirror Dia 30" The Gumdrop Mirror features vibrant, candy-like orbs in rich cherry and blush tones, adding ...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.5 X 19.5 Dated August 13, 1954 in top right corner. Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

Archival ink-jet print on Baryta fine art paper 19 x 13 in. (framed)

Archival ink jet

This is a diptych of Western Lullabies N°6 and FLORA ODYSSEY N°2. This diptych includes two on paper artworks that are the same size. Diasec® mounting is a time proven system that ...

Artist: Richard Lilley Medium: Ink on Paper (double sided) Dimensions: 21 x 29.5 in This item is framed by our artist Richard Lilley and is on display in his current exhibition! Rich Lilley, a now New York based artist began his practice in Pennsylvania in the theater program and studied art with Milan Melicharek before moving to New York City to continue his education at Parsons. It was here that Lilley studied under Mohammed Omar Khalil and Luther Davis with a primary focus in metal etching and printmaking. Drawing inspiration from J.R Crumb...

The artist loves to capture the shape of trees during the winter days. The river Windrush flows through many of the North Cotswold villages. the drawing is made in black ink with the...

Small Colorful Contemporary Wall Object in Vegetable Fibers. The artwork is part of the series "Impulse of Life" by Silvana Ilieva. This contemporary organic wall sculpture is define...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 19.5 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

original Ink on paper Image size: H:39 cm x W:29 cm Complete Size of Unframed Work: H:39 cm x W:29 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indica...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Small Contemporary Wall Object in Dyed Pink and Green Vegetable Fibers The artwork is part of the series "Impulse of Life" by Silvana Ilieva. This contemporary organic wall sculpture...

Jatin Das - Untitled - 5 x 8 inches (unframed size) Ink on Paper Inclusive of shipment in a roll form. Style : The multi-faceted Jatin Das has been a part of the Indian art scene for more than four decades, with his paintings, murals and sculptures. The human body holds an endless fascination for him and he pursues his quest for dynamic figures tirelessly, using a linear structure and quick brushwork. The man-woman relationship, in particular, with all its attendant pain and joy is a constant source of inspiration to him. He believes that painting is an intensely personal experience, the results of which cannot always be shared with others. About the Artist and his work : Born : Jatin Das is one of India's most prominent painters. He was born in Mayurbhanj Orissa in 1941. Education : He has completed his education in 1962 from Sir J. J. School of Fine Arts, Mumbai. He has been also involved with art institutions, in several capacities as a teacher at the College of Art, New Delhi, and at the National School of Drama, New Delhi; as a consultant for the Handicrafts Board, and for the Folk Art Museum, Orissa, to mention a few of the positions he held. Solo exhibition : He has held many solo exhibition including : 2010-11 'Hand-held Space', Museum Gallery; Gallery Art and Soul, Mumbai, 2009 The Artists Alley Gallery, San Francisco, USA, 2009 Chelsea Arts Club, London, 1976 Kumar Art Gallery, New Delhi, 1975 Gallery de Sfinx, Amsterdam, 1975 Commonwealth Institute Art Gallery, London, UK, 1975 Schloss Bellevue, Kassel, West Germany, 1975 City Museum and Art Gallery, Birmingham, UK. Group exhibition : He has participated in many group exhibition including : 1982 ‘Moderene Kunst Heute’, Museum of Modern Art, Darmstad, Kunsthalle, West Germany, 1980 Contemporary Paintings in Miniature Format, Lalit Kala Akademi, New Delhi, 1979 All India Exhibition of Prints, Chandigarh, 1979 Asian Arts Exhibition, Fukoaka Art Museum, Japan, 1978 National Gallery of Modern Art (N.G.M.A) Collection, Warsaw, Alleppo, Damascus, Narodini Gallery V, Loden, Prague, Cultural Centre, Niavaran, Budapest. Honours and Awards : 2012 Padma Bhushan by the Government of India. 2007 Conferred the D.Litt. (Honoris Causa), Utkal University of Culture, Bhubaneswar. 2007 Seminar Management Institution, Bhubaneswar. 2007 Bharat Nirman Award. 2007 Order of the Star...

Overboard... 1994. Paper, ink. 17x25 cm Illustrated in the magazine "School and Family" in 1994.

Michael Sanders A Bracing Walk Large Canvas Print Edition 50 Sold Unframed Limited edition canvas prints by Michael Sanders. These stunning prints are created using fine art archiva...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.25 X 18.25 Like her contemporaries, Aggie Ma...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 18 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant...

Sunil Das - Bull Series - 10 x 7 inches (unframed size) Pen & Ink on Paper, 2010 (Set of 2 works) Inclusive of shipment in ready to hang form. The exceptions are the faces such as the profiles of bearded men in which the content is a mere excuse for the lines to create a pattern of untrammeled playfulness. Of course the Japanese face...

Prakash Karmakar - Beach Series 14.5 x 11 inches (unframed size) Ink on Paper 2006 ( Framed and Delivered ) Style : Legendary master artist Lt. Prokash Karmakar from Bengal was sole...

Dennis Oppenheim Dennis Oppenheim: Selected Works 1967-90 : And the Mind Grew Fingers (with handwritten signed letter laid in separately), 1992 Softback book with separate hand signe...

K. M. Adimoolam - Warrior King - 19 x 13 inches (Unframed Size) Pen & Ink on Paper, 1998 (Framed & Delivered) About the Artist and his work : Born : K. M. Adimoolam (1938 – 2008) was a well-known Indian abstract artist. He was born in Tiruchirapalli, Tamil Nadu. Education : 1959 - He moved to Chennai where under the influence of the sculptor Dhanapal, he enrolled in the School of Arts and Crafts. 1966 - Completed his Diploma in Advanced Painting. Art Career : He had a natural aptitude for drawing at an early age. After completing his Diploma in Advanced Painting, Adimoolam started a series of black and white portraits of Mahatma Gandhi...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Hanslip Fletcher (1874-1955) St John's College, Cambridge 20x30cm Pen and Wash

Siren Mirror by Courtney Kinnare 2024 Genuine Abalone, Mother of Pearl, Resin, Foil, Pigment Powder, Acrylic and Silver Leaf on Mirror Dia 36" An amalgamation of recent materials...

Eacles imperialis

"Long Grass and Blue Mountain" by brooks Salzwedel is an original work depicting a warm, subtle landscape. Brooks is a Los Angeles-based artist whose work navigates the emotional t...

Learn to Swim, 2020

Solitude

Splat

Welcome ... 1994. Paper, ink. 18x25.3 cm Illustrated in the magazine "School and Family" in 1994.

The artist Pinajian signed lower right with ink. it is ink on paper.

"Reflections in the Pond" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworld...

Jogen Chowdhury - Untitled - 10.8 x 8.5 inches (unframed size) Ink & Pastel on Paper, 2021 Signed in Bengali ( Unframed & delivered ) Style : He has immense contribution in inspir...

Richard Anuszkiewicz ANUSZKIEWICZ by Karl Lunde (hand signed and inscribed by Richard Anuszkiewicz), 1977 Hardback monograph with dust jacket (hand signed and inscribed by Richard An...

Hans Haacke Mia San Mia (Hand signed by Hans Haacke), 2001 Hardback monograph (hand signed by Hans Haacke) Signed by Hans Haacke in black marker on the title page 10 × 8 × 1 inches Provenance Hand signed by Hans Haacke for the present owner at a special event held at 192 Books in Manhattan (owned by Paula Cooper) This exquisite European hardcover monograph with dust jacket was hand signed by Hans Haacke in black marker on the title page for the present owner at a special event held at 192 Books in Manhattan (owned by Paula Cooper). Highly collectible. Makes an excellent gift. Published by the Generali Foundation, Austria on the occasion of the eponymous exhibition. About the exhibition: Hans Haacke (born in 1936 in Cologne, GER, has lived in New York, USA, since 1965) focused on "a single problem area: how the country deals with its history and national identity. More than I care for, these questions stir up emotions both in Austria and Germany." Haacke had been originally concerned with physical and biological systems. Very early on, his artistic practice also included the analysis of and reflection on socio-political phenomena. Haacke's work deals with social and political themes. He considers the debates arising from his works - fierce at times - to be an integral part of them. "Mia san mia" (We Are Who We Are...