Ink More Art

This is an Autograph Letter Signed by Enrico Prampolini to the Countess A.L. Pecci Blunt. Paris, June 12th 1935. One page, double-sided. Excellent c...

This set is composed of Two Autographs Signed by Virgilio Guzzi, addressed to Silvio Perina, the director of the C.I.M, Roman warehouses, during the Fifties. Excellent condition, pe...

Bertini meets Filippo Fichera after he received the magazine sent by him. In the letter Bertini expresses his thanks.

Modigliani Exhibition is a lot, composed of two items between Palma Bucarelli and the Countess Pecci Blunt, concerning the extension of the successfull Modigliani's exhibition at the National Modern Art Gallery in Rome in 1954. In Italian. Very good conditions,except for minor aging signs. In details: a Typewritten document of the Superintendence at the National Gallery of Modern Art, addressed to the Countess Mimì Pecci Blunt. A formal letter of request, asking for the extension of the courtesy of Pecci Blunt's Portrait of Jean Cocteau...

This Correspondence by Jacques de Lacretelle to the Countess Anna Laetitia Pecci-Blunt, is composed of 2 autograph letters signed, written between 1931 and 1932, in French, on letterhead paper "13, Avenue d'Eylau, Passy 79-29". In excellent condition, including origial envelopes. A.L.S. June 12 1932. A.L.S. September 1931 A lot of letters of greeting between the French novelist of Silbermann and his mentor and patron of arts, anna Laetitia Pecci Blunt! At the same time these are letter of apology:Jacques de Lacretelle has to declive the Countess invitation because of he has to " ècrire, ècrire, ècrire.. jusqu'à la fin de l'annés. Background: Awarded with the Grand Prix du roman de l'Académie française...

These 3 Autographs Signed by Mario Praz / all Oppé to the Countess Pecci-Blunt Written In Italian, from 1950 to 1953, are perfectly readable and in excellent conditions with origin...

Autograph Poscard Signed by Mario Praz to the Countess Pecci Blunt. Rome, January 31st 1936. In Italian and English. Perfectly readable, very good condition except for minor aging signs. From Udine, the Italian critic of art and literature, Mario Praz sends this postcard to the Countess Pecci-Blunt, the patron of arts and the closed-friend of artists and intellectuals, reporting the title of the recommended book. "The Renessaince of Architecture in Southern Italy, a Study of Frederick II...

Confidential Autograph Letters Signed by the French poet, Abel Bonnard (Poitier, 1883-Madrid 1968) to the Countess A.L.Pecci-Blunt. In French. One page, single-sided. On letterhea...

Autograph Letter of Thanks by Renato Guttuso to Libero de Libero. Signed. After 1937. In Italian. In 8. One page, double-sided. On light blue colored paper and on letterhead "Galleria Mediterranea / Palazzo de seta...

Greeting card with a nice drawing to wish a Merry Christmas (1959). Anna Salvatore (1923-1978) was a populäre Italian painter and novelist.

Ticket a map to reach the Villa Reale in Lucca, Countess Pecci-Blunt's country residence . With sketches and notes by the great Italian writer. Good conditions.

Autograph Card Signed by Pietro Garinei and Sandro Giovannini to their costume designer, Mara De Matteis. Around 1950s. One page, double-sided. In Ital...

L.A.S. addressed to Countess Pecci Blunt. Portofino, September 16, 1937. In English.

L.T.S. addressed to Countess Pecci Blunt, on letterhead Reform Club, Pall Mall. November 3, 1937. In English. Letter in which they decide the fee in lire and the date of the confere...

This is a Autograph Greeting Letter Signed by Georges Goyan to the Countess Pecci-Blunt. Arcachon, January 5th, 1923. On ivory-colored and laid paper. In French. One page, single-si...

This Letter from Hilaire Belloc to the Countess Pecci Blunt is a P.S. dictated and signed telegram, on letterhead Kings Land, Shipley, Horsham, addresse...

2000 Augury is an happy new year card with autograph notes by Luigi Ontani.. A folding card, on laid paper, including the original envelpe. Excellent co...

Joie de Vivre Mexicaine - A.L.S. is a Autograph Letter Signed by Jean-Pierre Guillermet to Nesto Jacometti. Mexico, May 15th, 1961. Three pages, double-sided. In French. Excellent c...

Springs Concerts is the main content of this correspondence, composed of three autograph letters signed by the Italian composer Vittorio Rieti to the Co...

This Postcard Signed by Andreina Pagnani is (C.P.S. s.l.n.d.) a greeting postcard from the National Museum of Carriage in Lisbon, to the Countess Anna Laetitia Pecci Blunt. Around ...

A Night Walk – A.L.S. is a lot of 2 Autograph Letters Signed by Vittorio Rieti to the Countess A.L. Pecci-Blunt, written in Italian during the year 1949. Excellent condition, includ...

This is a set of 2 Autograph Letters Signed by Vittorio Rieti to the Countess A.L. Pecci-Blunt, written in Italian, 1953. Excellent condition, includi...

Tragica Notte by Soldati is a lot composed of two items: Telegram by Mario Soldati to Maria De Matteis. In Italian. May 1941 (from the postmarks on the back). Autograph Letter Sign...

Garibaldian Memories is a Autograph Card Signed by Clelia Garibaldi to Clelia Gonella or Gemella. Including the original envelope and a card reporting “...

L'Artiste Marc Vanclair is the main content of this Autograph Letter signed by François Le Grix, to the Countess Anna Laetitia Pecci Blunt. Paris, May 31st 1954. One page, double-s...

Jogen Chowdhury - Untitled - 10.8 x 8.5 inches (unframed size) Ink & Pastel on Paper, 2021 Signed in Bengali ( Unframed & delivered ) Style : He has immense contribution in inspir...

Autograph Letter Signed by Artuto Tosi to Libero de Libero. Rovetta, October 20th 1937. In Italian. In 8°. On ivory colored paper. In Very good condition, except minor aging signs. Completely readable. With an upset and fluid calligraphy, the Italian artist writes this greeting letter with some logistic details for an exhibition. "Mai dire di no alle persone gentili come la contessa (...)". ( Never say no to the gentle people like the Countess) Arturo Tosi...

Autograph Letter of Invitation written and signed by Mario Tozzi to the Countess Anna Laetitia Pecci-Blunt. Signed. Rome, March 7th 1934. In Italian. In Pe...

This is an Autograph Letter Signed by Enrico Prampolini to the Countess A.L. Pecci Blunt. Paris, June 12th 1935. One page, double-sided. Excellent c...

Confidential Autograph Letters Signed by the French poet, Abel Bonnard (Poitier, 1883-Madrid 1968) to the Countess A. L. Pecci-Blunt. Around 1930's. In French. One page, single-sid...

Grands Compositions sur Papier is a Correspondence between Mario Prassinos and Nesto Jacometti, written in French, from 1957 to 1959, is composed of 12 items, prefectly readable a...

Take a look at this "Grand Pavois - Correspondence" between Maurice Estève and Nesto Jacometti. Composed of three items written in 1956, in French, perfectly readable. In details: ...

Autograph Letter Signed with Original Sketch by Hans Erni to Nesto Jacometti. October 26th, 1938. Signed "ton Erni". One page, double-sided. On ivory colored paper with black paper ...

North African Maghribi Manuscript Leaf Gold Illumination, c. 14-15th Century North African, c. 14-15th century Print: Height 39cm, width 31cm Frame: Height 73cm, width 62cm, depth 4cm This Qur’anic manuscript leaf originates from North Africa and is written in the characteristic Maghribi script, recognisable through its rounded contours and extended horizontal profiles. Workshops across the western Islamic world developed this calligraphic style, creating manuscripts where geometry and devotional clarity worked in harmony. The present leaf originates from that tradition, reflecting a script that was developed and refined over many generations of scribes. The parchment carries black ink text with red diacritics, punctuated by gold and polychrome rosettes that divide the verses. Along the right margin, larger teardrop motifs enriched with blue, white, and gold create a sense of both structure and ornamentation. These features are typical for Qur’anic manuscripts produced in North Africa in the late medieval period, when symmetrical and elaborately illuminated pages became the hallmark of regional craftsmanship. Set within a giltwood frame and layered mount, the leaf’s colours gain a striking clarity, making the piece even more impressive. Its craftsmanship and historical resonance give it a natural place within any serious collection of Islamic manuscript...

Not dated nor located, this interesting collection of letters is addressed to Nesto Jacometti Graphic Art Editor and Collector. It's entirely hand written and in very good condition...

Anonymous Self Portrait XXXVI 2018 Signed and dated on label, verso Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board 55 x 41.5 inches $17,000 Thi...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.5 X 19.5 Dated August 13, 1954 in top right corner. Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

Jatin Das - Untitled - 5 x 8 inches (unframed size) Ink on Paper Inclusive of shipment in a roll form. Style : The multi-faceted Jatin Das has been a part of the Indian art scene for more than four decades, with his paintings, murals and sculptures. The human body holds an endless fascination for him and he pursues his quest for dynamic figures tirelessly, using a linear structure and quick brushwork. The man-woman relationship, in particular, with all its attendant pain and joy is a constant source of inspiration to him. He believes that painting is an intensely personal experience, the results of which cannot always be shared with others. About the Artist and his work : Born : Jatin Das is one of India's most prominent painters. He was born in Mayurbhanj Orissa in 1941. Education : He has completed his education in 1962 from Sir J. J. School of Fine Arts, Mumbai. He has been also involved with art institutions, in several capacities as a teacher at the College of Art, New Delhi, and at the National School of Drama, New Delhi; as a consultant for the Handicrafts Board, and for the Folk Art Museum, Orissa, to mention a few of the positions he held. Solo exhibition : He has held many solo exhibition including : 2010-11 'Hand-held Space', Museum Gallery; Gallery Art and Soul, Mumbai, 2009 The Artists Alley Gallery, San Francisco, USA, 2009 Chelsea Arts Club, London, 1976 Kumar Art Gallery, New Delhi, 1975 Gallery de Sfinx, Amsterdam, 1975 Commonwealth Institute Art Gallery, London, UK, 1975 Schloss Bellevue, Kassel, West Germany, 1975 City Museum and Art Gallery, Birmingham, UK. Group exhibition : He has participated in many group exhibition including : 1982 ‘Moderene Kunst Heute’, Museum of Modern Art, Darmstad, Kunsthalle, West Germany, 1980 Contemporary Paintings in Miniature Format, Lalit Kala Akademi, New Delhi, 1979 All India Exhibition of Prints, Chandigarh, 1979 Asian Arts Exhibition, Fukoaka Art Museum, Japan, 1978 National Gallery of Modern Art (N.G.M.A) Collection, Warsaw, Alleppo, Damascus, Narodini Gallery V, Loden, Prague, Cultural Centre, Niavaran, Budapest. Honours and Awards : 2012 Padma Bhushan by the Government of India. 2007 Conferred the D.Litt. (Honoris Causa), Utkal University of Culture, Bhubaneswar. 2007 Seminar Management Institution, Bhubaneswar. 2007 Bharat Nirman Award. 2007 Order of the Star...

Jatin Das - Untitled - 5 x 8 inches (unframed size) Ink on Paper Inclusive of shipment in a roll form. Style : The multi-faceted Jatin Das has been a part of the Indian art scene for more than four decades, with his paintings, murals and sculptures. The human body holds an endless fascination for him and he pursues his quest for dynamic figures tirelessly, using a linear structure and quick brushwork. The man-woman relationship, in particular, with all its attendant pain and joy is a constant source of inspiration to him. He believes that painting is an intensely personal experience, the results of which cannot always be shared with others. About the Artist and his work : Born : Jatin Das is one of India's most prominent painters. He was born in Mayurbhanj Orissa in 1941. Education : He has completed his education in 1962 from Sir J. J. School of Fine Arts, Mumbai. He has been also involved with art institutions, in several capacities as a teacher at the College of Art, New Delhi, and at the National School of Drama, New Delhi; as a consultant for the Handicrafts Board, and for the Folk Art Museum, Orissa, to mention a few of the positions he held. Solo exhibition : He has held many solo exhibition including : 2010-11 'Hand-held Space', Museum Gallery; Gallery Art and Soul, Mumbai, 2009 The Artists Alley Gallery, San Francisco, USA, 2009 Chelsea Arts Club, London, 1976 Kumar Art Gallery, New Delhi, 1975 Gallery de Sfinx, Amsterdam, 1975 Commonwealth Institute Art Gallery, London, UK, 1975 Schloss Bellevue, Kassel, West Germany, 1975 City Museum and Art Gallery, Birmingham, UK. Group exhibition : He has participated in many group exhibition including : 1982 ‘Moderene Kunst Heute’, Museum of Modern Art, Darmstad, Kunsthalle, West Germany, 1980 Contemporary Paintings in Miniature Format, Lalit Kala Akademi, New Delhi, 1979 All India Exhibition of Prints, Chandigarh, 1979 Asian Arts Exhibition, Fukoaka Art Museum, Japan, 1978 National Gallery of Modern Art (N.G.M.A) Collection, Warsaw, Alleppo, Damascus, Narodini Gallery V, Loden, Prague, Cultural Centre, Niavaran, Budapest. Honours and Awards : 2012 Padma Bhushan by the Government of India. 2007 Conferred the D.Litt. (Honoris Causa), Utkal University of Culture, Bhubaneswar. 2007 Seminar Management Institution, Bhubaneswar. 2007 Bharat Nirman Award. 2007 Order of the Star...

Full title: "Ship of Cools, or, A Jolly Load of Boatmen Flat-Out Crossing the Mainstream, Some Being Kings, and Some Being 'Vagabonds' (We Await Your Applause) (#1318)" Watercolor, acrylic, and ink on paper (Diptych) Signed in black ink, l.l. This artwork references George Caleb Bingham’s 1846 painting “The Jolly Flatboatmen...

Ink on paper Work on paper, unframed

It happened ... Paper, ink, pencil, 20x26 cm As a black and white comic, the absence of color allows the artist to focus on using shading, line work, and contrast to convey the narrative and emotions effectively. Black and white comics creates a distinct and dramatic atmosphere, emphasizing the story's mood and capturing the readers' attention. Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art...

Limited Edition Street Art France, 2021 Hardcover Book 10 1/2 × 8 × 2 in 26.7 × 20.3 × 5.1 cm Edition of 3000 This work is part of a limited edition set. Medium Books and Portfolio...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.75 X 19.75 Dated August 3, 1954 in top right corner. Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Margaret Putnam (1913-1989) San Antonio Artist Image Size: 11.5 x 11.5 Frame Size: 14 x 14 Medium: Batik "Hymn to the Red Moon" Margaret Putnam (1913-1989) Margaret Putnam left an ar...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

North African Maghribi Manuscript Leaf Gold Illumination, c.15th Century North African, c. 15th century Print: Height 39cm, width 31cm Frame: Height 73cm, width 62cm, depth 4cm Prod...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Yusuf Arakkal - Travel Drawing Series - Moscow Pen & Ink on Paper , 21 x 14 inches About the Artist & his work : Born : Yusuf Arakkal (1945 – 2016) was born in Kerala. Education & Art Career : Both his parents died when he was young. Leaving the comforts of his house behind, he left for Bangalore, lonely but with a passion to become a painter. The hardships that he faced at Bangalore honed the artist in him and sharpened his sensibility. He took a diploma in painting from Karnataka Chitrakala Parishat (KCP), Bangalore and later specialized in graphic print making from National Academy community studios, Garhi, Delhi. Solo International Show : 1992 - Relays De Monts - Siux, Limousin, France. 1993 - Gallerie Taormina Del Arte - Le Hwre, France. 1994 - Srijana Contemporary Art Gallery - Kathmandu, Nepal & Art Forum Gallery, Singapore. 1996 - Wallace Gallery, Chelsea, New York & Air Gallery, Dower Street, London. Group International Shows : 1985 - Thirty contemporary Indian Artists at Habana, Cuba ; Contemporary Indian Art show at the National Museum Mexico City, Mexico ; Second Asian Art show, Fukuoka, Japan & Indian Printmaking, Festival of India, USA. 1986 - Sixth biennale de beau Art, Beaumount, France ; Third Asian Art Biennale, Dhaka, Bangladesh ; Inaugural exhibition of the National Museum of Modern Art, Seol, Korea. 1994 - Indian printmaking show, Maltwood Art Museum & Gallery Victoria, British Columbia & Indian Contemporary Art Show, Gallery Maya, Hong Kong. 1996 - Indian Contemporary Art show, Nagai Garo, Tokyo, Japan ; 32 Contemporary Indian artists - exhibition and auction by Christies, London & Women in Indian Art, by The Gallery, Visual Art Centre, Hong Kong. 1997 - Auction of Indian Contemporary Art by Christies, London. Awards : 2005 : Lorenso-De-Medici Gold...

Forsyth’s work conveys his love of the drama of nature, seeking to expand the beauty of natural forms that we sometimes overlook in everyday life showing an extra dimension in his wo...

A book by Andy Warhol. Signed and sketched by the artist on the first page of the book. Signed on the bottom of the first page. The Philosophy of Andy Warhol (From A to B & Back Aga...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.5 X 17.75 Like her contemporaries, Aggie Mac...

The artist loves to capture the shape of trees during the winter days. The river Windrush flows through many of the North Cotswold villages. the drawing is made in black ink with the...

Charming hand drawn ink and watercolor map of the Forest of Andely, in the Normandy area, France, circa 1890. Original artwork on paper displayed on...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 18 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant...