Wall Abstract Paintings

Landscape mixed media on canvas 40x50 cm Original Art Ready to hang Marilina Marchica orients her pictorial research to the theme of subtraction, her attention is focused on the ae...

Type: Original Painting (Triptych) Title: White Landscape Artist: Marilina Marchica Medium: Mixed media on canvas Size: 30x90 cm (each panel: 30x30 cm) Year: 2028 Style: Minimalist, ...

Pigment wood putty, acrylic, Dorland's wax medium on wood panel signature and year on verso Constructed paintings comprise the Concentric and Post Concentric Episode Series. They ar...

signature on verso images and video copyright by artist and Bentley Gallery, Inc. b. Long Beach, CA (April 9, 1926 – January 17, 2018) Ed Moses was a prominent figure in the Los Angeles art scene and key promoter of Post-War, West Coast art for almost 60 years. Best known for his eclectic range, his canvases are formal abstractions that use a variety of processes to experiment with surface—creating striations, cracks, marks and blurs at times juxtaposed with hard-edge geometric abstraction. As he described, “Painting is like discovery, trying this, trying that, bending this, twirling that, and then, every once in a while, it goes bing!” As a young man, Moses joined the military during World War II as a Navy Medical Corps surgical technician and discovered an aptitude for treating injuries. After his tour ended, he enrolled in Long Beach City College's pre-med program with the intent of becoming a doctor. After a painting course with Pedro Miller, Moses switched his major to art. He then went on to study at the University of California, Los Angeles, where he would receive both his bachelor’s and master’s degrees. While enrolled in his master’s program, fellow artist Craig Kauffman introduced Moses to Walter Hopps, future owner of the influential Ferus Gallery. Though he’d been exhibiting since 1949, Moses first showed at Ferus in 1958—while still enrolled at UCLA—and quickly became part of the “Cool School” with artists Robert Irwin, Larry Bell, Ed Ruscha, John Altoon, and others. Following graduation, Moses moved to New York City where he became friends with Franz Kline, Milton Resnick, William de Kooning, and Mark Rothko, with whom he would exhibit in New York, Washington, D.C., and elsewhere. In 1959, Moses married Avilda Peters and moved back to Los Angeles to start a family, travel, and continue his painting career. Always working with process and experimenting with materials as a painter, Moses was critically lauded for his bold composition and innovation. In 1968, he received a Tamarind Lithography Fellowship as well as the offer of a teaching position at the University of California, Los Angeles, his alma mater, where he would teach until 1972. After travels in Europe, he would return to UCLA to teach until 1976, the same year he was recognized with a National Endowment for the Arts Fellowship Grant and his first museum shows: a show of drawings from 1958-1970s at the Wight Gallery at UCLA, and a show of new abstract and cubist red paintings at LACMA curated by Stephanie Barron, the latter marking a transitional moment in his career. While drawing was prominent in his work in the 1960s and early 70s, by the mid-70s, Moses was turning increasingly to painting. In 1980, Moses was awarded a Guggenheim Fellowship and traveled in Japan. Moses worked with Peter Goulds...

Title: Bucket With Dripping Red Medium: Oil on canvas Size: 27 x 23 inches Frame: Framing options available! Year: 2000 Circa Artist: Unclear Provenance: Direct from the art...

A series of experimental paintings. I like to look for new horizons in art, color, form, objects. Beautiful paintings for the interior. The paintings are painted on cardboard glued t...

Andrew Gray's "Splash I, 2024" is an energetic work from his 'Currents of Color' series, represented in his recent solo exhibition. Measuring 26 x 21 inches and framed to 27 x 22 inc...

C. Dimitri’ exhuberant paintings blend abstraction with human and nature forms. His uninhibited painterly brushwork and color palette create exceptional and compelling energy

"Being and Nothingness" is a 2023 trompe l'oeil modernist oil painting. Mastromatteo pays homage to Malevich’s black square, and even positions it at the top left quarter of the canvas. The modernist symbol is austere, and formidable, yet it lays flat on the two-dimensional plane. Outside the square, amidst a wall of white, are little butterflies. Their angled wings...

"White Picket Fence (Aspirational Memoir)" is inspired by Toni Morison's The Bluest Eye. The focal point is a bright green square, encased with a picket- fence made of white tape. Inside the square is an old page torn from a “Dick and Jane...