Horizontal Paintings

Title: French Impressionist Oil Painting of Market Day in the Village with Figures By Fanch Lel (French b. 1930) Size: 6 x 8 inches (height x width...

The Old Bar in Montenegro is a true paradise for a plein air of ancient architecture, a stone city and a clock tower, A variety of trees and burnt dry grass on a scorching sun. The t...

TERRACOTTA RHYTHMS Size: 55 x 78 cm (including frame) Oil on canvas A striking mid-century abstract composition characterised by geometric shapes and dynamic forms, executed in oil...

Artist/ School: Albert Coste (French 1896-1985), signed lower right. Born 8 November 1895, in Marseilles; died 22 August 1985, in Marseilles. Albert Cos...

This is a colorful mountainous view in what is likely Northern Italy. Angiola Meucci captured a dramatic sunrise or sunset to play off the verdant green mountain side in the foreground. The fencing and the pathway lead one through this breathtaking landscape that undoubtedly offers stunning views...

A beautiful modern floral painting, made with professional varnished acrylics and Amsterdam acrylic sprays on stretched heavy canvas. I ship this marvellous artwork ready to hang. Di...

"Vibrant Strokes on Violet" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and unique s...

Wolf Rustic Painting,' a captivating work of art by the renowned artist Irena Orlov. This masterpiece stands as a testament to the fusion of artistic skill and innovation. Each 'Wol...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

Arabian Horse in Landscape British School, late 20th century oil on canvas, framed canvas: 25.5 x 37 inches framed: 31 x 41 inches the painting is in overall very good and sound cond...

Born in Riga, Edgars Vinters was the only child of the facade and decoration painter Hermanis Vinters (1874–1939) and his wife Anna, née Kalniņa, (1879–1953). As a ten-year-old boy he met with the popular pastelist Voldemārs Irbe, who detected the boy’s talent, taught him the basics of pastel painting and opened his eyes to the beauty of nature in its so-called minor details. From 1935 on, he wrote small articles for children's and youth magazines, which he illustrated with pen and ink drawings and linocuts.[2] With the money he made, he contributed to the school fee for the commercial college he attended until 1940, after a change of school. Resulting from contact he made with the painter Hugo Kārlis Grotuss, from 1937 Vinters changed his painting style. Grotuss encouraged him to give up ‘the dark phase’ he was in through Irbe, to use brighter primers and to show more briskness and colours in his paintings. A porcelain factory engaged him to paint a series of porcelain plates for president Kārlis Ulmanis. After he had taken his high-school-diploma, he joined the Latvian Art Academy and until 1944 studied under the professors Jānis Kuga, Leo Svemps, Jānis Cielavs, Valdemārs Tone, Jānis Annuss, Kārlis Miesnieks und Vilhelms Purvītis. In 1944, Vinters had to drop out of his studies; he was drafted for the service in the Latvian Legion and deployed near Toruń on the Vistula River. In 1945 he was taken prisoner of war by the Soviet Army and deported to a POW camp near Moscow. There Russian officers...

Oil on canvas Karine Bartoli was born in 1971 in Ajaccio. She enrolled at the Ecole Nationale Superieure des Beaux Arts in Marseille where she graduated in 1997. Since then she has ...

This lovely British Victorian oil painting is by noted artist John Eaton Walker. Painted circa 1855 it is portrait in an interior of a beautiful young woman in a yellow satin dress. ...

This Series "The show must go on" is inspired by the song of Freddie Mercury/Queen. The song was released a week before he died. The show, used as a symbol for life, has to be enjoy...

French impressionist landscape, Barbizon forest, with river and cows at Sunset Boyle was a pioneering 19th-century British artist inspired by European Impressionist painters. The i...

3902 Northern Italian impressionist landscape unframed

Nicely painted mid century hard edge abstract by Gabrielle Roos. Oil on canvas. Signed verso.

Michel Delacroix was born in 1933 on the Left Bank, in the 14th Arrondissement of Paris. He started painting at the early age of seven just as the German Occupation of Paris began. P...

Antoine Bouvard, called Marc Aldine (L'Isere 1875 - Paris 1957) Signed 'Bouvard' lower right View of Venice with the Grand Canal (link) oil on canvas 60 x 86 cm Framed 70 x 96 cm. Very good condition We present an evocative view of Venice with a glimpse of the fascinating Grand Canal, signed by the famous French Vedutist Antoine Bouvard, also known by his pseudonym, Marc Aldine. Considered one of the most talented illustrators of the lagoon city who worked there in the first part of the 20th century, he became one of the most acclaimed vedutists of that period, with a success that led him to exhibit throughout France and Italy as well as in numerous European galleries...

Contemporary Art, Abstract Painting Acrylic on canvas 115x150cm Signed About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Nacional de Pintura, Escultura ...

This landscape is part of a large series describing the beauty of the nature of the south and Low Country. The nature of the south contains so much power that even in winter it retai...

Original painting on paper by Agnese Negriba- The artwork depicts a female garden spirit in a moment of rest. Artwork invites to enter a space that is full of fragrance, humming soun...

Titled on verso panel Signed lower left corner Measures Painting 17 x 22 inches Framed 21.125 x 26.75 inches William H. Kinnicutt (1865–1934) was an American artist known for his ...

'The Parade Ring at the Races', gouache and pastel on art paper, by Maurice Empi (circa 1970s). The Parade Ring, otherwise known as the paddock, is the pla...

A fine large oil, school of Pierre Bonnard. circa 1950's. oil on canvas 55cmx75cm The original wood and textured gesso frame 72cmx92cm Titled 'On the Window Sill'. Indistinctly sign...

INNER DIALOGUE Size: 49.5 x 63 cm (including frame) Oil on board A mid-century artwork that features a surreal and minimalist composition that plays with the concept of introspectio...

A beautiful plein-air seascape of crashing surf along the rocky Pacific coast by California artist Steven Guy Bilodeau (American, b.1957). Signed "S. Bilodeau" lower left corner; signed and titled on verso. Presented in a giltwood frame. Image, 14"H x 18"W; frame dimensions, 20"H x 24"W x 2 "D. Steven was born in Lewiston, Maine in 1957 and raised in Livermore Falls, Maine. He moved to California in 1984 and received basic art training at the San Francisco School of Art. He also has trained extensively with the nationally known plein-air painter Armand Cabrera...

Jean Claude Aujame (French, 1905 – 1965) Nature Morte aux pommes Signed and dated ‘Aujame 62’ (lower right) Oil on canvas 23.1/2 x 32 in. (60 x 81.3 cm.)

Cliff Cavin "Near San Saba" Texas Texas Artist Size: 14 x 18 Frame: 22.25 x 26.25 Medium: Oil 2021 "Near San Saba" Biography Cliff Cavin Cliff Cavin, a native of San Antonio, Texas,...

Contemporary pink toned gestural abstract expressionist painting by Houston based artist Kristi Haines Herman. The work features layers of swirling brushwork in tones of pink and green. Signed, titled, and dated on the reverse. Currently unframed, but options are available. Artist Biography: As an abstract painter, Kristi Haines Herman, uses her artwork to execute ideas and two-dimensional environments that create an emotional experience for the viewer. Her paintings are inspired by personal involvements and reactions to them. Phrases and words ruminate in her mind and slowly turn into abstracted figures that convey her inner thoughts. Haines Herman is highly influenced by movement as her artistic expression due to many years in dance. Movement is depicted through various gestural lines, shapes, and texture which allow the audience to venture through the canvas; thus a visual dance from one edge to another on the painting’s surface. Ballet was Haines Herman’s first love in the art world, starting at age five. She learned to use body movement as an outward expression which allowed her to explore various audience reactions. This would later correlate with her artwork. In her late teens, dance and visual art would intertwine with time on stage as well as painting for expression. Gradually, visual art became her primary artistic avenue. Haines Herman attended Mary Baldwin College in Staunton, Virginia, where she majored in studio art under professors Frank Hobbs...

"Dusseldorf, Germany" 1993, oil on canvas, hand signed and dated lower left, Canvas (unframed):18 X 48. framed: 19.5 X 49.5 Provenance: directly from the artist. Exhibited at Phyllis Kind Gallery in NYC in 1987. Archie Rand (American, born 1949) is an artist from Brooklyn, New York. Rand's work as a painter and muralist is held in the collections of the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Victoria and Albert Museum in London, the Bibliothèque Nationale de France in Paris, and the Tel Aviv Museum of Art. His graphic works and books are held by the Metropolitan Museum Of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Art Institute Of Chicago, The Brooklyn Museum, the Baltimore Museum of Art, the Smithsonian Institution, and The New York Public Library; and are owned by Harvard, Yale, Columbia, Brown, and Johns Hopkins universities. Born in Brooklyn, Rand received a Bachelor of Fine Arts in cinegraphics from the Pratt Institute, having studied previously at the Art Students League of New York. His first exhibition was in 1966, at the Tibor de Nagy Gallery in New York. He has since had over 100 solo exhibitions, and his work has been included in over 200 group exhibitions. He is currently Presidential Professor of Art at Brooklyn College which granted him the Award for Excellence in Creative Achievement in 2016. Before joining Brooklyn College, Rand was the chair of the Department of Visual Arts at Columbia University. The Italian Academy For Advanced Studies in America at Columbia University presented him with The Siena Prize in 1995. He was awarded a Guggenheim Foundation Foundation Fellowship in 1999 and was made a Laureate of the National Foundation for Jewish Culture, which awarded him the Achievement Medal for Contributions in the Visual Arts. In 2002 he received the Presidential Award for Excellence in Teaching from Columbia University. In 2002 he became the artistic advisor to film director Ang Lee for his production of The Hulk, and was asked by Milestone Films to provide a commentary track for the DVD release of Henri-Georges Clouzot’s classic 1955 film The Mystery of Picasso. Archie Rand’s earliest major works are “The Letter Paintings” (or “The Jazz Paintings”) (1968–71), a radically positioned series of technically inventive, mural-sized canvases. The Letter Paintings, by incorporating the names of mainly male and female African-American musicians, undermined prevailing aesthetic categories by conflating many contemporary movements including Conceptual Art, Color Field, Pattern and Decoration, diary entry and social commentary. In 1974 Rand received a commission from Congregation B’nai Yosef in Brooklyn. Rand was asked to paint thematic murals on the complete 16,000-square-foot (1,500 m2) interior surfaces of the synagogue. The work took three years, and completing this commission made Rand the author of the only narratively painted synagogue in the world and the only one we know of since the 2nd Century Dura-Europos. The religious legal controversy raised by placing wall paintings in a traditionally iconoclastic space was resolved by the verdict of Rabbi Moshe Feinstein, then considered to be the world’s leading Talmudic scholar, who declared the paintings to be in conformity with the law. His subsequent turn to figuration may have been influenced by his friendship with Philip Guston, whose own work was transformed in the late 1960s. Like Guston, Rand "chafed at the limitations of purely abstract forms." A near-cult figure who started out as a child prodigy and whose admirers range from John Ashbery to Julian Schnabel. Rand’s paintings display a vast and savvy menu of inventive and finely executed approaches. He has completed many series after the works of Paul Celan, Moyshe-Leyb Halpern, Eugenio Montale, Yehuda Amichai, Rainer Maria Rilke, Samuel Beckett/Paul Eluard and Jack Spicer. Working often with poets, he has produced books and continues to engage in publishing collaborative projects. He maintained a correspondence with the American British Jewish painter R.B. Kitaj. In 2008, on a warehouse wall, Rand mounted the painting, “The 613”, which at 1700 square feet (17’ x 100’) is nearly twice the size of James Rosenquist’s F-111. It is one of the largest freestanding paintings ever made. Reminiscent of “The Segments” paintings it is intimidatingly enormous. Paradoxically, despite the raucous cartoony bytes that shoot colorful flashes from the manic surface, “The 613” glows warmly. Its overall effect is strangely calming and majestic. In an article on a 2011 exhibition of Rand's "Had Gadya" series, David Kaufmann wrote: Rand displayed his work in 15 solo exhibitions between 2008 and 2017, many of them showcasing paintings done after Scripture, or his workings with poets: Including “Had Gadya, 2005”, Borowsky Gallery, Philadelphia, PA (2011); “Gods Change, Prayers Are Here To Stay (after Yehuda Amichai), 2000", Katz Gallery, Atlanta, GA (2014); “Psalm 68, 1994”, Derfner Museum, Riverdale, NY (2014); “The Chapter Paintings”, Tribeca Gallery, NY (2015); “Men Who Turn Back (after Eugenio Montale), 1995", SRO Gallery, Brooklyn, NY (2016); “Sixty Paintings From the Bible” & “The Book of Judith, 2012”, Cleveland State University Galleries, Cleveland, OH (2016) & The American Jewish Museum, Pittsburgh, PA (2017); “Archie Rand: Early Works With Poetry: Jack Spicer, 1991 and Samuel Beckett/Paul Eluard, 1993”, St. Francis College, Brooklyn, NY (2017). "The 613" In 2015 Blue Rider/Penguin/Random House published The 613, allotting one color plate per page for each of the 614 units in the painting. The Wall Street Journal labeled The 613 as “dynamic…remarkable…thrilling” The New York Times selected the book as “Editors' Choice” and praised it in two separate reviews calling it “wonderfully garish” and declaring that “nothing prepared the art world for 'The 613.' Recent Activity In 2016 Rand showed two bodies of work that were done in Italy, “La Certosa Di Pontignano, 1995” and “Mount Etna, 2005,” at The Interchurch Center Galleries, New York. From 2016 to 2017 he served as the Curator and Juror for the Governor of Wyoming’s Capitol Arts Exhibition at The Wyoming State Museum, Cheyenne, WY. A 2017 exhibition, “Archie Rand: Early Works With Poetry”, featured two series of work from 1991 and 1993 after poems by Jack Spicer and Samuel Beckett/Paul Eluard. This painting was exhibited in the Phyllis Kind Gallery in NY in 1987. (Phyllis Kind was an American art dealer active in Chicago and New York. She promoted the work of the Chicago Imagists, The Monster Roster and The Hairy Who and outsider artists. Kind opened a gallery in Chicago in 1967. Called Pro Grafica Arte, the gallery dealt in master prints and drawings. In 1975, she opened a gallery on Spring Street in New York's SoHo district. She gave some of the artists in the movement their first solo shows: Jim Nutt and Gladys Nilsson...

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 25 x 30 Frame Size: 33 x 38 Medium: Oil "April" Texas Hill Country Bluebonnets Biography Robert Wood (G. Day) (1889 -1979) A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and in the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his association with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979. Robert Wood was born March 4, 1889, in Sandgate, England, a small town on the Kentish coast not far from the white cliffs of Dover. His father, W. J. Wood, was a successful painter who recognized Robert's unusual talent. At the age of twelve, his father enrolled Wood in art school in the small town of Folkstone. He then attended the South Kensington School of Art. While attending art school, Wood won four first awards and three second awards, one each year, a record. In 1910 after service in the Royal Army, nineteen-year-old Wood and his friend, Claude Waters, immigrated to America. Initially, he settled in Illinois and worked as a hired hand on a farm belonging to Water's uncle. He would then strike out on his own, living the life of an itinerant painter. Wood traveled as a hobo, hopping freight trains and selling or bartering small paintings to support him along the way. When times were hard, he worked at whatever job was available. In this manner, he saw most of the United States and fell in love with rural America. By 1912, Wood visited Los Angeles for the first time, arriving on the day of the Titanic tragedy. Later that year, he had met, courted and married young Eyssel Del Wagoner in Florida. The couple moved to Ohio where a daughter, Florence, was born. During World War I, the family moved to Seattle where a son, John Robert Wood, was born in 1919. In the early 1920's, the young Wood family was almost constantly on the move. They stayed for short periods in Kansas, Missouri, California and for a longer time in Portland, Oregon, where Wood's friend Claude Waters had settled. Wood's seemingly endless wanderings disrupted his family life and delayed his development as a painter. However, through his travels he developed an appreciation for the American landscape that would inspire him for the rest of his career. Although aware of the current movement away from traditional realism in American art, he elected to travel that solitary path and remain true to his own vision of American’s grandeur and beauty poetically translated through his landscape and seascape paintings. In 1923, the Wood family discovered the beautiful city of San Antonio, Texas and it was there that he and his family would finally settle. He studied briefly at the San Antonio Art School with Spanish colorist Jose Arpa y Perea (1860-1952), who had arrived in San Antonio that same year. In the latter part of the 1920’s, Jose Arpa’s influence quickly became evident. Wood after several years of experimentation was becoming fine easel painter, capable of great subtlety with a new mature original style. Like Texas painters Robert Onderdonk (1853-1917) and his son Julian Onderdonk (1882-1922), Robert Wood concentrated on the distinctive Texas landscape with its Red Oak trees and wildflowers that covered the hill country landscape. He developed a reputation for his scenes of Blue Bluebonnets, the state flower. In the spring, the Texas prairie is covered with wildflowers, especially in the hill country surrounding San Antonio and Austin. Wood incorporated native stone barns and rough wood farmhouses that added authenticity and romance to his compositions. In 1925, Wood was divorced from his wife. In 1932, he moved to the famous scenic loop on San Antonio's outskirts. While still living in Texas, he took extensive western sketching...

The Resting Place Dutch School, mid 17th century oil painting on board, unframed canvas: 7 x 9 inches provenance: private collection condition: very good and sound condition

"Can I come home for the summer?" is a painting inspired by a yearning for home, a home in the earth and connection to place, a home full of green living things and water and dirt a...

After spending many days studying and sketching the houses in St. Ives, near the home of the artist Alfred Wallis , I put aside my sketchbook and from memory and imagination I work. ...

This piece is an original oil painting on linen canvas. It features a beautiful bouquet of summer flowers: carnations, chrysanthemums, geraniums, foxglove, all arranged in a blue and white vase. The early morning lights gently washes over the arrangement from the left, casting lyrical shadows on the wall behind. A peaceful portrait of a beautiful, ephemeral moment. GC Williams has a degree in art history which gave her an understanding of, and appreciation for, not only the art of the past, but the historical events and ideologies that fostered various aesthetics, movements, and styles. She has studied at several classical ateliers, including three years at Boston's Academy of Realist Art. Her work has been shown in galleries throughout the US and is included in public and private collections. She maintains a studio on the north shore of Massachusetts. "My work is about the little moments of beauty that comprise our existence: the greening of the landscape in early spring, the glint of light on an object; growing things and made objects. I enjoy creating interesting interactions, and making up narratives. I love the way light animates objects...

John Hrehov is a master at storytelling. Here, the artist presents us with a curious scene. In a sparsely decorated room albeit family portraits, a son is witnessing his father doing something very peculiar. Hrehov calls on the viewer to examine the scene more closely - asking ourselves what traits are being passed on to this innocent witness? The piece is framed in a simple white floater frame measuring 26 x 38 inches. John Hrehov Holiday End oil on canvas 24h x 36w in 60.96h x 91.44w cm JHR020 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne. 2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY. Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL. 2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY. 2002 Paintings. Denise Bibro Fine Art, New York, NY. 2001 Charcoal. Indiana University - Purdue University Fort Wayne. John Hrehov, Paintings and Drawings. Wood Street Gallery, Chicago, IL. 2000 The Picture Proper. Denise Bibro Fine Art, New York, NY. Fearful Symmetry. Fort Wayne Museum of Art, Fort Wayne, IN. Allegories in Contemporary Life. Yvonne Rapp Gallery, Louisville, KY. 1999 Paintings and Working Drawings. Adams Hall Gallery, Wheaton College, Wheaton, IL. 1998 John Hrehov. Denise Bibro Fine Art, New York, NY. John Hrehov: Paintings and Drawings. Wood Street Gallery, Chicago, IL. 1997 Object Lesson, Paintings, and Drawings by John Hrehov. Yvonne Rapp Gallery, Louisville, KY. 1995 John Hrehov. Trinity Art Gallery, Trinity Christian College, Palos Heights, IL. 1993 John Hrehov: Selected Works 1980-1992 Indiana University - Purdue University Fort Wayne. Group Exhibitions 2019 2019 Alumni Exhibition. Reinberger Gallery at The Cleveland Institute of Art, Cleveland, OH. Out Of The Closet. Denise Bibro Fine Art, New York, NY. 1026 West Berry Street: The Fort Wayne Art School. Fort Wayne Museum of Art, Fort Wayne, IN. 2018 Artlink Regional Exhibition. Artlink Contemporary Art Gallery, Fort Wayne, IN. 2017 Sola Grace-Faith-Scripture: An Exhibition of Sacred Visual Art. Good Shepherd Institute at Concordia Theological Seminary, Fort Wayne, IN. Norman Bradley...

Oil on canvas on board.

Jacob Dhein's "Chicago Rain" a 2023 original oil on panel, stands at 17.7 x 23.6 inches. This piece highlights Dhein's ability to capture reflection, diffusion, and a beautiful impre...

This still-life painting by George Weissbort exemplifies his mastery of classical realism and meticulous attention to detail. The composition is elegantly restrained, featuring a rus...

Vignel N3 is a unique oil on canvas painting by Spanish contemporary artist Calo Carratalá, dimensions are 114 × 162 cm (44.9 × 63.8 in). The artwork is signed, sold framed and come...

Blue Nude, 1953 Oil on canvas Signed and dated upper right Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to tec...

In crafting this piece, I poured my enthusiasm for the dance of light on architecture and water, channeling the vivid emotions of a bustling harbor. My strokes in oil capture the gle...

with frame is cm. 70 x 60 no frame cm. 45 x 35

Signed lower right, 'R. Schloss' for Richard Schloss (American, born 1953) and dated 2014; additionally signed, dated and inscribed, verso. This notable California artist received ...

Frederick Judd Waugh Risen Moon Signed lower right, Grand Central Art Galleries Inc. label on verso Oil on board 25 x 30 inches Mainly known as a marine painter. Waugh's sea paintings were enthusiastically received; for five consecutive years, he was awarded the Popular Prize at the Carnegie International Exhibition. Waugh was the son of a well-known Philadelphia portrait painter, Samuel Waugh...

Bitcoin Graffiti Abstract Canvas Art, Cryptocurrency Bitcoin Painting Innovative and Contemporary Original New Media vs Painting Abstract Work on C...

Artist Statement: “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During these projects I was able to draw and paint many of ...

Acrylic on paper, abstract study in color by listed California artist Doris Sherwyn (American, 1927-2015). Signed, "Doris Sherwyn" lower left. Displayed in a metal frame. Image, 20....

Jesus Villar (1930-2015) - Women - Oil on canvas Oil measurements 68x98 cm. Frame measurements 85x117 cm. The painter Jesús Villar was born in 1930, he has lived and painted in both...

Afternoon Pastorale Gilbert Boyd, Irish/American (1896–1981) Date: circa 1950 Oil on Board, signed Size: 23.5 x 29.5 in. (59.69 x 74.93 cm)

Amy Devlin portrays people, animals, or nature in her works. But what really matters to her is light and water, which she wants to capture in the form of a physical memory. By following her passion for paint, she tries to represent reality and thereby express her feeling in the expressive colors she uses. Her paintings show a fascination with the movement and texture of water, which is depicted in vivid colors in her works. Her hybrid painting style combines realism with impressionism in a very interesting way, providing a different view of the world and our memories of it. Devlin loves the unexpected, looks at things from a crazy angle and imagines. Since 2014 she mainly paints underwater portraits...

Richard Roper (British, c. 1730-c. 1775) Grey stallion held by groom in the Duke of Grosvenor’s colours Oil on canvas Old chalk inscription '22 Mar 74' verso Property of a gentleman...

Michelle Condrat's (US based) oil painting "Evening Magic" depicts some trees showing the fall colors of yellow and oranges. This painting is unframed, but ready to hang. "The most...

Vintage Post-Impressionist Painting of a Tree-Lined River in the Irish Countryside by 20th Century Irish Artist, Ray Cochrane. Art measures...

Highland Cattle Watering is a landscape/cattle painting, late 19th century/early 20th Century by Scottish artist Douglas Cameron. This is an oil painti...

The recent paintings of Atlanta artist David Kidd continue an evolving series of images inspired by and based upon natural forms, specifically the shadows cast by trees and other veg...