1920s Figurative Paintings

Medium: Oil on Canvas Signature: Signed and inscribed LRC Country Gentleman Cover illustration for April 1 1929. Gift to artist Harold Von Schmidt. Harold Von Schmidt (May 19, 1893 ...

A charming portrait of a beautiful blue-eyed girl in a pink dress holding flowers in her hand. It's based on Renaissance portraits where the subject is pushed to the foreground and i...

Date: 1927 Medium: Oil on Canvas Dimensions: 28.00" x 42.00" Signature: Signed and Dated Upper Right Story illustration "Can't Keep a Good Man Down," by George Pattullo and illustra...

Arnold Friedman studied with Robert Henri and Kenneth Hayes Miller at the Art Students League in 1905 . Yet as he developed his style he abandoned the academic influence of his teacher. He started experimenting with materials and techniques. Friedmans intimate style recalls a variety of post-impressionist artists such as Pointillism of Pisarro, Vuillard and Nabis, and perhaps even Seurat. His thick application of paint has definitive textual impasto that was influenced by his trip to Paris in 1909. In "Museum Piece...

FERNANDO LIGER HIDALGO Spanish , 1880 – 1945 "INTERIOR REALES ALCAZARES, SEVILLA" Signed & located "F. Liger Hidalgo, Sevilla " (lower right) ...

Original cover for Liberty magazine, published August 31, 1929. Sandy takes Lil and baby Ulysses out for a day on the lake at the crowded Lakeside Bathing Casino. Sandy pulls out a ...

Clarence Holbrook Carter (American, 1904-2000) Confederate Soldiers' Cemetery, Camp Chase, Columbus, Ohio, 1929 Watercolor on paper Signed and dated lowe...

Signature: Initialed “G.H”

Le Pékinois by Georges Manzana Pissarro (1871 - 1961) Charcoal on paper 41 x 49 cm (16 ¹/₈ x 19 ¹/₄ inches) Signed lower centre, Manzana Pissarro This work is accompanied by a cer...

By the Well, a stunning watercolor by Aiden Lassell Ripley. Painted in 1925, 15.75" x 19.5", Vose Gallery label on verso. Signed and dated lower left. Aiden Lassell Ripley (1896–1...

Original cover for Liberty magazine, published January 22, 1927. Blissful in her recent engagement to Sandy, Lil spends an evening at home knitting him a pair of green zigzag sport ...

French oil painting on canvas " Vibrant harbor scene in Dieppe " Additional information about the work: Title: Vibrant harbor scene in Dieppe Medium: oil on canvas Signature: signe...

This painting is part of our exhibition American Coast to Coast: Artists of the 1930s Subway Construction, c. 1928, oil on board, 19 x 15 ¾ inches, signed upper left, artist and title verso; exhibited: 1) 12th Annual Exhibition of the Society of Independent Artists, The Waldorf Astoria, New York NY, from March 9 to April 1, 1928, no. 864 (original price $250) (see Death Prevailing Theme of Artists in Weird Exhibits, The Gazette (Montreal, Quebec, Canada), March 8, 1928); 2) Boston Tercentenary Exhibition Fine Arts and Crafts Exhibition, Horticultural Hall, Boston MA, July, 1930, no. 108 (honorable mention - noted verso); 3) 38th Annual Exhibition of American Art, Cincinnati Art Museum, Cincinnati, OH, June, 1931 (see Alexander, Mary, The Week in Art Circles, The Cincinnati Enquirer, June 7, 1931); and 4) National Art Week Exhibition [Group Show], Montross Gallery, New York, New York, December, 1940 (see Devree, Howard, Brief Comment on Some Recently Opened Exhibitions in the Galleries, The New York Times, December 1, 1940) About the Painting Ernest Stock’s Subway Construction depicts the excavation of New York’s 8th Avenue line, which was the first completed section of the city-operated Independent Subway System (IND). The groundbreaking ceremony was in 1925, but the line did not open until 1932, placing Stock’s painting in the middle of the construction effort. The 8th Avenue line was primarily constructed using the “cut and cover” method in which the streets above the line were dug up, infrastructure was built from the surface level down, the resulting holes were filled, and the streets reconstructed. While many artists of the 1920s were fascinated with the upward thrust of New York’s exploding skyline as architects and developers sought to erect ever higher buildings, Stock turned his attention to the engineering marvels which were taking place below ground. In Subway Construction, Stock depicts workers removing the earth beneath the street and building scaffolding and other support structures to allow concrete to be poured. Light and shadow fall across the x-shaped grid pattern formed by the wooden beams and planks. It is no surprise that critics reviewing the painting commented on Stock’s use of an “interesting pattern” to form a painting that is “clever and well designed.” About the Artist Ernest Richard Stock was an award-winning painter, print maker, muralist, and commercial artist. He was born in Bristol, England and was educated at the prestigious Bristol Grammar School. During World War I, Stock joined the British Royal Air Flying Corps in Canada and served in France as a pilot where he was wounded. After the war, he immigrated to the United States and joined the firm of Mack, Jenny, and Tyler, where he further honed his architectural and decorative painting skills. During the 1920s, Stock often traveled back and forth between the US and Europe. He was twice married, including to the American author, Katherine Anne Porter. Starting in the mid-1920s, Stock began to exhibit his artwork professionally, including at London’s Beaux Arts Gallery, the Society of Independent Artists, the Salons of America, the Cincinnati Art Museum, the Whitney Studio and various locations in the Northeast. Critics often praised the strong design sensibility in Stock’s paintings. Stock was a commercial illustrator for a handful of published books and during World War II, he worked in the Stratford Connecticut...

Cat and Cockerel by Georges Manzana Pissarro (1871 - 1961) Oil and gold on panel 65 x 94 cm (25 ⁵/₈ x 37 inches) Signed and dated, Manzana Pissarro 1925 This work is accompanied by ...

Alfred Fontville De Breanski (1877–1957) “English Cottage Garden”, circa 1920 Oil on canvas Signed lower right This richly coloured and romantic vision of rural England by Alfred F...

Medium: Oil Painting Signature: Signed Lower Left Satuday Evening Post Cover, May 30, 1925.

Joaquin Terruella Matilla (1891-1957) - Landscape - Oil cardboard Oil measures 14x10 cm. Frame measures 25x20 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla,...

Original cover for Liberty magazine, published August 17, 1929. Lil calls Sandy down to a nice breakfast to be served in her new fruit dishes, as she asks Sandy to bring her purse and materials to fix the carpet runner, which he forgets. Lil is horrified to find her sideboard key in baby Ulysses’ mouth and she proceeds to feed the baby while asking Sandy to give her updates on a recent triple suicide outlined in the newspaper. Ulysses pounds his cereal spoon, sending sprays of milk across the table onto Sandy’s elbow and Lil’s new fifty-dollar negligee. (Liberty magazine, August 17, 1929, p. 38) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

Story illustration for “Amos Tries it Tudor” by Sewell Ford for Cosmopolitan magazine, published January 1924, page 35. The image shows an elegant woman holding a fan. Medium: Ink ...

Medium: Oil on Canvas Signature: Signed Middle Right Cover of The Saturday Evening Post, November 28, 1925 Literature: The Saturday Evening Post, November 28, 1925, cover illustra...

Marian D. Harris (1904-1988). East Indian, 1925. Oil on artist's board, 9 x 12 inches; 12 x 15 inches in wood frame. Signed lower right. Annotated on verso by Harris. Signed, titled ...

Ex Voto; Holy Tribute for the Return to Good Health. Oil on tin with ink, May 31, 1922 with a contemporary custom frame hand-carved by artisan Michael Blatnik. Ex-Voto is 7 ½ x 11 i...

5-3496 oil on board displayed in a gilt -wood frame, signed by Portidne lower right. Image size 18 H x 14 W

Medium: Oil on Canvas Signature: Signed Lower Right Literature: W.L. Comfort, "Trouble in the Dust," The Saturday Evening Post, vol. 198, April 3, 1926, p. 13, illustrated. Notes:...

Medium: Oil on Board Signature: Signed Lower Right Sight Size 15.50" x 11.25", Framed 23.00" x 22.00" Original Cover Illustration for The Saturday Evening Post, May 2, 1925.

Medium: Oil on Canvas Signature: Signed Upper Left "Dan Content 29" Story Illustration, Good Housekeeping Magazine, September 1929, pg 32-33 Biography: Daniel Content was born of Dutch parents and grew up in New York City. He attended New Eutriek High School in Brooklyn, NY. He studied under Dean Cornwell at the Pratt Institute as well as attending the Art Students League. Mr. Content worked as a freelance artist for about thirty years. He illustrated for such magazines as Colliers, Cosmopolitan, Readers Digest, and McCall's. In 1928 he illustrated the Windermere Series printing of Robin Hood. During World War II he traveled with the USO to Burma and India entertaining the service men with personal sketches. In the late 1950s he was an Art Director for Benton & Bowles in NYC. He also taught at the workshop School of Advertising Art. Mr. Content continued his sculpting and painting long after retirement. Some of his work can be found at Society of Illustrators in their permanent Museum. Exhibited: Masters of the Golden Age: Harvey Dunn and His Students South Dakota Art...

Rolf Stoll (American, 1892-1978) Spanish Seaside Village (Cadaques Catalonia) Oil on canvas Signed lower right 28 x 38 inches Exhibited: The 11th Annual May Show, Cleveland Museum of Art, 1929 Rolf Stoll, a painter of figure subjects, landscapes and floral still lifes, was an important member of the Cleveland art scene during the second quarter of the century. He was also an influential teacher, as well as one of Ohio’s foremost portrait painters. Rolf Stoll was born in Heidelberg, Germany, in 1892. As a boy, he attended a military academy, during which time he developed an interest in art. He received his early formal training at the Academy of Fine Arts in Karlsruhe and at the Academy of Fine Arts in Stuttgart. He emigrated to the United States in 1912, settling in New York City. A decade later, after studying at the school of the National Academy of Design and supporting himself by working as a commercial artist, Stoll decided to leave New York. Upon the recommendation of Warren Pryor, one of his teachers, he decided to move to Cleveland, Ohio. After arriving in Cleveland, Rolf Stoll continued to work as a commercial artist. However, in 1926, he joined the faculty of the Cleveland School of Art, where he taught drawing. Two years later Stoll was appointed head of the school’s portrait painting department. A talented portraitist, Stoll’s sitters included industrialists, community leaders and many prominent members of Cleveland and Ohio society, as well as over twenty faculty members from Case Western Reserve University. Stoll also gave portrait classes at the John Huntington Polytechnic Institute from 1926 to 1953. In his male portraits especially, he was admired for his ability to convey the dignity of his sitter’s professional position without sacrificing individuality. As noted by one contemporary reviewer, Stoll was a “master of rich color, a searching student of human types, a forceful portrayer of all that the face reveals of the mind and the soul.” In addition to his activity as a portraitist, Rolf Stoll painted figure subjects and floral still lifes. He was also known for his views of the Ohio countryside and Canada. Stoll also painted views of Spain and depictions of Spanish peasants, inspired by an extended trip to that country (1926), during which time he was entertained by the famous Spanish portrait painter, Ignacio Zuloaga. Moving easily between oil and watercolor, Stoll worked in an direct realist style, combining his characteristic firm draftsmanship with the use of simplified forms and decorative color. Rolph Stoll was a member of the Cleveland Society of Artists, the Cleveland Print Club...

Cuteness personified. An innocent young child holds a cute doll in one hand, and in the other, she has a leashed, soft furry little lamb - while she attends an outdoor concert of si...

Masterfully painted portrait with rich paint surface by the famous French Symbolist Signed and dated lower left Provenance: Waterhouse & Dodd, London ...

Medium: Oil on Canvas Signature: Signed Lower Right Medieval Fight Scene by Edmund Franklin Ward, from 1926.

Signed 'ORPEN' (upper left) Sitter is bathed in warm window light that creates subtle patter of light and shadow in the background. Artists depicts Mr. Glass in a beige and brown ...

Davis Kemp Early 20th century Red Chalk drawing of Art Deco nude women with Bob hair style. Very well drawn nude study of two women from 1928 in t...

Signed and dated oil on canvas seascape by French post impressionist painter Achille-Emile Othon Friesz. The piece depicts a view of Le Havre, a port city in Normandy, France, locate...

This warm portrait looks like it could have been painted by Corot. Francis Luis Mora paints in that tradition. It's a small painting that invites the viewer to look closer. The art...

Provenance: Illustration House, New York, Framed in a simple and modest metal frame. This is a brillant post-Cubist work by Dutch-American illustrator Charles Verschuuren...

Work on canvas with frame The frame is new and the total size is 70x80 cm Signed " V. Marendaz ", Unknonwn artist from the gallery Dated 1920

Hearts Unreasoning, by Sarah Bernhardt The First of Six Romances of the French Stage - McCall’s Magazine December 1920 interior illustration. The work is related to Shinn's fam...

Medium: Oil on Canvas Signature: Signed Lower Right

Dick Beer (b. London 1893 - d. Stockholm 1938) Folkliv på Korsika, I (Popular Dance at Corsica, I) oil on canvas signed Dick Beer c. 1924 canvas dimensions 88 x 100 cm Exhibited: The Royal Academy Stockholm 1973; Millesgården – Dick Beer – Impressionist & Kubist, 2012 Dick Beer was born in 1893 in London as Richard Beer, the youngest of five brothers. His father, John Beer (1853-1906), was a watercolourist who was born in Stockholm and left Sweden at the age of 17. John Beer instructed his sons in drawing and painting, among other things. A number of sketchbooks bear testimony to the boys’ talent. Dick Beer’s parents died in 1906 and 1907. Barely 15 years old, Beer arrived in Sweden as an orphan. First he lived with relatives and finally he ended up at Reverend Laurell in Västergötland. Dick Beer began his artistic studies at the Althin School of Painting in Stockholm in 1908 and continued at the Royal Academy of Arts in the autumn of 1910, but in September 1912 he broke off his studies and travelled to Paris. He rented a studio and enrolled at the Colarossi and Grande Chaumière academies. In the summer of 1913, Dick Beer travelled to Pont-Aven in Bretagne in order to paint. In September the same year, he held his first solo exhibition in Stockholm which he gave the French title Exposition des tableaux de Bretagne et autour de Paris. The exhibition proved a success. Many of the paintings were executed in a light palette in a style inspired by the impressionists. In 1914, Dick Beer undertook an extensive study trip to Italy, Tunis, Morocco and Spain, which resulted in canvases overflowing with colours and light. When the French army mobilised, he volunteered and was enlisted in the French Foreign Legion. In 1915 Dick Beer sustained severe head injuries in a grenade attack, which resulted in deafness and a nervous condition that would plague him for the rest of his life. Two of his brothers died the following year, fighting for the English army. Dick Beer was hospitalised and convalesced at Château de Rochefort. Here he started painting again, in an impressionist style, a painting dominated by blue and green hues. In 1918, Dick Beer married Ruth Öhrling, a dentist, and their son John was born later in the year. During this time, Beer began experimenting with cubist painting and created several large compositions, including the painting “The Arab Café”. In the years that followed, Dick Beer was based in Paris, where he often moved house. He was instructed by André Lhote, who encouraged his students to work freely in the studio and provided them with individual critique. Beer often travelled to Bretagne or Provence. His artist friends came from all over Europe and included Amedeo Modigliani. Dick Beer exhibited fairly regularly in Paris between 1919 and 1934 and made a name for himself in French artist circles. In the summers, Ruth regularly rented a house in the countryside, often at Lake Mälaren. She kept a large house with many models and friends and there was a lot of painting and discussions. In 1933, the couple divorced but Ruth still loved Dick...

Signature: Signed Lower Right Piece of illustrative and advertising art done for the offices of Louis Sherry Chocolates. Wonderful example of his work.

Koronthály Jenő (Hungarian, 1883-1973) Untitled, 1923 Oil on wood panel 11 3/8 x 14 1/2 in. Framed: 14 1/8 x 17 1/4 x 1 in. Signed and dated lower left A Hungarian artist, Koronthál...

Famed female illustrator Jessie Willcox Smith paints the " Ideal Child" in a spiritual moment for the Christmas cover of Good Housekeeping. The accompl...

Date: 1924 Medium: Oil on Canvas Dimensions: 26.00" x 24.00" Signature: Signed Lower Left, Dated Verso, '24

Joaquin Terruella Matilla (1891-1957) - Landscape - Oil cardboard Oil measures 33x41 cm. Frame measures 47x55 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla,...

Antique illustration painting. Gouache and watercolor on board, circa 1920. Signed. Image size, 12L x 11H. Housed in a period frame.

Medium: Oil on Canvas Signature: Signed on the Back House Enchanted

Count Albert de BELLEROCHE 1864–1944 Painter of portraits and genre, and lithographer; influenced by Impressionism. Born 22 October 1864 in Swansea, of Huguenot descent. Brought up b...

Work on canvas Burgundy wooden frame 75.5 x 65 x 4 cm

Davis Kemp Early 20th century Red Chalk drawing of Art Deco nude women with Bob hair style. Very well drawn nude study of two women from 1928 in t...

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 24.00" x 19.00", Framed 32.50" x 27.00" Cover of The Saturday Evening Post, August 26, 1922. Exhibitions: JC Leyendecker...

Oil on canvas by Edith Desternes (1901-2000), France, 1920s. The Church Notre-Dame de l'Assomption in Auvers-sur-Oise. This church has been painted in ...

Date: 1923 Medium: Oil on Board Dimensions 24.50" x 25.50" Signature: Signed Lower Left

“I Promised My Wife: Sandy’s Business Trip Adventures,” original cover for Liberty magazine, published September 24, 1927 Traveling on a business trip, Sandy ventures out of his cut...

“Seven A.M. – All’s Well: The Newlyweds’ Wave-Length Route to Health,” original cover for Liberty magazine, published December 3, 1927 Lil sleepily awakes to her alarm clock buzzing...

Large portrait of an independent woman with blue hair, sharp eyed, killer look Technique: oil, acrylic, glue, ink on canvas streched on a wooden frame 100x81cm ■■ 39,4 x31,9 inch ...

Pastel Impressionist style painting by American landscape artist George Ames Aldrich. The work features a woman standing at the edge of a river in a quaint pastoral French town. Sign...

Evocative portrait of Scottish gentleman by David Nicholas Ingles Ingres ARHA (Associate member) (Scottish, 1888-1933), circa 1920. Signed lower rig...

Work on canvas Golden wooden frame 75.5 x 61.5 x 4 cm

Signed " V. Marendaz " but this artist in unknown from the gallery. Dated 1928 Oil on wood without frame

Herman Österlund was a Swedish artist best known for his beautiful depictions of the west coast of Sweden. He moved to Stockholm in 1896 and passed the test for entering the Royal A...