1920s Figurative Paintings

Mein Sammlungsschwerpunkt vor Galeriegründung war (und ist es bis jetzt) die Kunst der Neuen Sachlichkeit und die ist vor allem ein deutsches Thema. Mich fasziniert der kühle und dis...

1920 Cesare Ciani Credited Italian Macchiaiolo Portrait Painting A beautiful, intense painting attributed to the great Macchiaioli painter Cesare Ciani. It depicts with rare realism...

Portrait of a calm resting baby by a Japanese/American San Jose, California artist circa 1920's in the style of Mary DeNeale Morgan (Carmel, 1868 -...

Beautiful Brittany, France coastal landscape depicting a cottage and a lone farmer by A. Henry (French, 20th Century),circa 1920. Signed "A. Henry" lower right. Unframed. Image, 16"H...

Jac MARTIN-FERRIÈRES (Saint-Paul Cap de Joux 1893 – Neuilly sur Seine 1972) The Painter (Self-Portrait) - Sketch Oil on canvas H. 65 cm; W. 65 cm Signed lower left, dated 1925 Exhibi...

Woman is an orignal modern artwork realized by Antonio Feltrinelli in 1929. Mixed colored oil painting on board Not signed. Ref. - Exhibition: Biennale of Venice 1938, - Italian...

View of the Roman Forum is an original modern artwork realized in 1929 by Luigi Tarra (1832 - 1936). Mixed colored oil on panel. Hand signed and dated on the lower right margin. I...

Signed oil on canvas landscape by American impressionist painter William Samuel Horton. The piece depicts a view of the town of Gstaad in Southwestern Switzerland. The buildings and ...

Oil on board, in excellent conditions. Beautiful cityscape of Rome from Pincio Hill, realized by Amedeo Bocchi in 1920 ca. Includes vintage wooden gilded frame 46x74 cm. A Certificate of authenticity will be released by the Gallery. Amedeo Bocchi (Parma, 1883 – Rome, 1976) At the age of 12, Amedeo Bocchi is enrolled at the Regio Istituto di Belle Arti in Parma. After graduating in 1901 with the highest grades, he attends the School of Nude Art in Rome where he will spend the rest of his life. In 1910 Bocchi is accepted, for the first time, with two paintings, to the Venice Biennial where he is able to admire the great solo exhibition by Gustav Klimt. In 1911, at the grand Exposition in Rome for the fiftieth anniversary of the Italian Unification...

Original cover for The Saturday Evening Post, published May 12, 1923. A patriotic illustration of Uncle Sam trying on hats in front of a mirror. Housed in a custom frame with stars ...

Amy Londoner Musical Conductor, 1922 Signed and dated lower right Pastel on paper Sight 18 x 23 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Artist: Vincent Manago, French (1880 - 1936) Title: Moroccan Battle Scene Year: circa 1920 Medium: Oil on Canvas, signed l.l. Size: 26 in. x 36 in. (66.04 cm x 91.44 cm) Frame Size:...

"Old Shoemaker" Ashcan 20th Century Modernism 1924 California WPA Realism Worker. Signed “Otis Oldfield” lower left. 14 x 12 inches. Exhibited: Galerie des Beaux Arts, San Francisco, CA, 1925 Provenance: Estate of the Artist Born in Sacramento, CA on July 3, 1890, Otis Oldfield left high school at age 16 to work in a local print shop. In 1909 he arrived in San Francisco and enrolled at the Best Art School. After working for two years as a bellhop at the Argonaut Hotel and as a hat check boy at the Cliff House, he had saved enough money for further studies in Paris. In 1911 he sailed for France and enrolled at Académie Julian. Caught up in the activities of wartime Paris, he was an apprentice for a book...

Atul Bose - Royal Academy Series-6 Pencil on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Winter Forest Landscape - Antique Oil Painting by 19th Century American Artist, Clara Davis Inness (1874-1932) Art measures 20 x 16 inches Frame measures 22.25 x 18.25 inches Oil o...

Atul Bose - Royal Academy Series-3 Pen & Ink on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Masterfully painted portrait with rich paint surface by the famous French Symbolist Signed and dated lower left Provenance: Waterhouse & Dodd, London ...

Harlequin. 1923, oil on canvas, 40x53 cm Jekabs Bine (1895 11 04 Riga – 1955 24 10 Riga) painter, glass artist, teacher and writer of art critics. His ar...

Large portrait of an independent woman with blue hair, sharp eyed, killer look Technique: oil, acrylic, glue, ink on canvas streched on a wooden frame 100x81cm ■■ 39,4 x31,9 inch ...

Monogram A. Sch. Work on wood Golden wooden frame 36.5 x 30.5 x 2 cm

odalisque, yellow, orient Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patronize...

Fireman Textile Fabric Design 1920s American Scene Modern Working Men Art Deco Antonio Petruccelli (1907 - 1994) Firemen Textile design, c. 1929 19 1/4 ...

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 24.00" x 19.00", Framed 32.50" x 27.00" Cover of The Saturday Evening Post, August 26, 1922. Exhibitions: JC Leyendecker...

Antique illustration painting. Gouache and watercolor on board, circa 1920. Signed. Image size, 12L x 11H. Housed in a period frame.

Antique illustration painting. Gouache and watercolor on board, circa 1920. Signed. Image size, 12L x 11H. Housed in a period frame.

Signature: Signed Lower Right Original advertisement for Cream of Wheat, published 1925. The image features Dan Beard sitting at a campfire talking to Boy Scouts. The full captio...

FERNANDO LIGER HIDALGO Spanish , 1880 – 1945 "INTERIOR REALES ALCAZARES, SEVILLA" Signed & located "F. Liger Hidalgo, Sevilla " (lower right) ...

Lovers Painting on canvas / frame Charles Léandre Circa 1925 Signature lower right L 81 cms x h 115 cms

Medium: Oil on Canvas Signature: Signed and Inscribed Lower Right Preliminary study for Interwoven Socks Advertisement

Atul Bose - Royal Academy Series-6 Pencil on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

American Impressionist

"Harvest" Working Women Hungarian European Modernism Expressionism 1926 WPA Era. 10 x 11 inches oil on board. Painted in Hungary. Stephen (Istvan) Csoka was born in Gárdony, Hungary on January 2, 1897 and died in New York in 1989. He is best remembered as a painter and etcher of portraits, nudes, landscapes, genre, and horses. Csoka studied at the Budapest Royal Academy of Art and his memberships include Associate of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the Society of Brooklyn Artists; and the Hungarian Etchers Association. Csoka's exhibitions and awards include a medal at the Barcelona International Exhibition in 1929; a prize at the City of Budapest Exhibit in 1930; prizes at the Society of American Etchers in 1942 and 1945; prizes at the Library of Congress in 1944 and 1946; a prize at the Society of Brooklyn Artists in 1944; a prize at the Philadelphia Watercolor Club in 1945; the Corcoran Gallery of Art in 1945; the Carnegie Institute in 1943, 1944, and 1945; the Art Institute of Chicago in 1944; the Los Angeles Museum of Art in 1945; the National Academy of Design from 1940 through 1945; one-artist shows at the Contemporary Artists in 1940, 1943, and 1945; and the Minneapolis State Fair in 1943. *Stephen continued to recieve awards and exhibit his work throughout his life. In 1997, Hofstra Museum sponsored a Retrospective/Centennial exhibition in honor of his birth. Collections representing Csoka's work are the Metropolitan Museum of Art, New York, NY; the Brooklyn Museum, Brooklyn, NY; the Museum of Fine Arts, Boston, MA; the British Museum, London, England; the Bezalel National Museum, Jerusalem, Israel; the Butler Institute of American Art, Youngstown, Ohio; Whistler House Museum of Art, Lowell, MA; the Cleveland Museum of Art, Cleveland, OH; Columbus Museum of Art, Columbus, OH; the Sheldon Swope Art Museum, Terre Haute, IN; the Mobile Museum of Art, Mobile, AL; the Frederick R. Weisman Art Museum, Minneapolis, MN; the Museum of New Mexico, Santa Fe, NM; the Budapest Museum of Fine Arts, Budapest, Hungary; Hungarian National Gallery, Budapest, Hungary, the Museum of the City of Budapest, Budapest, Hungary; the Library of Congress, Washington, DC; Carnegie Museums of Pittsburgh, Pittsburgh, PA; the Chrysler Museum of Art, Norfolk, VA; Georgia Museum of Art, Athens, GA; Hofstra Museum, Hofstra University, Hempstead, NY; Holocaust Museum, Glen Cove, NY; National Academy of Art, New York, NY; New Orleans Museum of Art, New Orleans, LA; New York Historical Society, New York, NY;New York Public Library, New York, NY; National Gallery of Art, Washington, DC; Peabody Museum, Cambridge, MA; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Reading Public Museum, Reading, PA; Livingston Arts Center, Mount Morris, NY; Ball State Teachers College, Muncie, IN; City College, New York, NY; Fashion Institute of Technology, New York, NY; Hungarian Consulate, New York, NY; Hungarian Heritage, New Brunswick, NJ; Hunter College, New York, NY; IBM Collections; Princeton Print Club...

Oil on canvas, signed lower left. Carlos Abascal est un peintre orientaliste et illustrateur espagnol né à Madrid en 1878. Il a peint à l’huile et à l’aquarelle des scènes de genre...

Louis Fortuney (1878-1950), also known simply as “Fortuney”, was a French pastellist. He studied at the Ecole des Beaux Arts in Toulouse and in Paris an...

Gouache on paper Titled (verso) 44cm × 23cm (56cm × 39cm framed) Emil Block completed an apprenticeship as a painter in Leipzig, then working in the studio of church painter Richar...

Painting measures 10 ½" x 16" and framed 20 ½" x 26" x 4"

Friedrich August Seitz (1902 Staffort - 1944 Belgrade). Half-length portrait of an elderly man with a beard. Oil on canvas, 42 x 34 cm (visible seize), 58 x 50 cm (frame), signed and...

Italian painting dated 1921. Framework oil on canvas, on the first canvas, depicting a portrait of a child on an armchair of good pictorial quality. Chiseled and gilded wooden frame ...

Jim’s of Lambertville Fine Art Gallery is proud to offer this work by Frederick Carl Frieseke (1874 – 1939). Frederick Carl Frieseke was a member of the third generation of American painters to inhabit and find inspiration from Giverny, France. His use of bright colors and light, to depict the female figure, defined the style of the Giverny group during his residence, synthesizing aspects of Impressionism and Post-Impressionism. Born in the United States, Frieseke studied at the School of the Art Institute of Chicago and the Art Students League in New York. In 1898, he moved to Paris to enroll in the Académie Julian, where he studied under Benjamin Constant and Jean-Paul Laurens. During this time, Frieseke also briefly studied with James A. Whistler, who would prove to be a great inspiration in Frieseke’s early works. From Whistler, Frieseke adopted a tonalist palette and a decorative approach to figurative painting. While in Paris, Frieseke’s works were featured at the American Art Association of Paris and in several annual salon exhibitions. His painting, “Before the Mirror...

Spanish Souvenir- mantilla, peineta, by Francis Luis Mora is a painting of beautiful Spanish women in traditional dress with their entourage. It's is a museum-quality work. In fact, ...

A stunning, beautiful nude dancer exhibiting ideal proportions and crowned with an ornate floral headdress holds a luminescent Japanese Lantern. The lantern glows, and the dancer glows back in this light-infused painting. The background shows a Japanese screen with cranes...

Study for Satruday Evening Post Cover, Fabruary 16, 1929

Rhythms. Stage. 1927, paper, watercolor, 41x28 cm Women figures, watercolor on paper. Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latv...

Legendary female illustrator creates a graphic and tightly designed triple portrait of her signature subjects. Kids! Signed lower right. Unframed on heavy illustration board. Grace Drayton had a recognizable style which is a hallmark of all great artists. Instantly recognizable, a Grace Drayton subject is a stylized child with a cherubic style, often with round faces, plump bodies, rosy cheeks, and a happy disposition. Three Rosy Cheek Children is an excellent example of her best work. Grace Drayton Born: Grace Gebbie October 14, 1878 Philadelphia, Pennsylvania, US Died: January 31, 1936 (aged 58) Cartoonist, Illustrator Grace G. Wiederseim Notable works Campbell Soup Kids Dolly Dimples Dolly Dingle...

Lazar, Krestin (1868-1938) was an artist famous in the German art world for Judaic genre scenes and his many sober portraits of Eastern European Jews. He was also a noted Zionist. His father was a Talmud teacher. His first lessons were at the drawing school in Vilnius, followed by studies at the Academy of Fine Arts, Vienna and the Academy of Fine Arts, Munich and he was one of the most prominent students of Isidor Kaufmann. He worked in Munich, Vienna and Odessa before going to Jerusalem in 1910 at the request of Bezalel Academy of Arts and Design founder, Boris Schatz...

Sand Pit Hungarian American Oil Painting Workers Horses European Modernism 1928 WPA The board measure 10 3/4 x 15 1/2 inches. The work was painted in Hunga...

A classic French subject that would enliven any room. Beautifully painted and the colors are restrained which make it elegant. A noted artist and a rare subject especially with the...

Oil On Canvas, portrait of a musketeer French school 20th century Horace Colmaire studied with Albert Roze in Amiens before joining the workshops of Léon Bonnat, Jules Adler and Ray...

FERNANDO LIGER HIDALGO Spanish , 1880 – 1945 "Interior of Alcazar of Seville" Signed & located "F. Liger, Sevilla " (lower left) Oil on canvas 2...

Louis-Alexandre CABIÉ (Dol-de-Bretagne 1853 - Bordeaux 1939) Path in a hamlet Oil on panel H. 24.5 cm; L. 31 cm Signed lower left, dated 1929 Provenance: Private collection, Charent...

Medium: Oil on Canvas Signature: Unsigned The present work is a study for the cover of the March 18, 1922 cover of The Saturday Evening Post.

Mary Kenyan Olympic Games, May 1st 1924, Wembley Gouache 46 x 30 cm Signed and dated to the reverse. This gouache poster, with its soft pastel tones and elegant art deco style, fea...

LUIS GRANER Y ARRUFI Spanish, 1863 - 1929 MOONLIT RIVER SCENE signed and dated "L. Graner, 1925" (lower right) Oil on canvas 20-1/8 X 30 inches (51X 76 cm.) framed: 25-3/4 X 35-3/4 inches (65 X 90.5 cm.) PROVENANCE NEAL AUCTION COMPANY, New Orleans, LA, USA Private Collection, Barcelona Graner paints this work, Moonlit on the river, during his stay in the United States in the last stage of his artistic life, from 1910 to 1928, in full stage of maturity. This artwork reflects the constant search of the artist for the effects of light in his work. This persistent concern for light remains throughout his artistic life, which he learned in his Parisian stage under the influence of the painter Frances Platour. The silver light of the moon and the small lights at distance, which are tiny foci of artificial light, reflecting the river water, forming a chromatic range of greens, ocher and pearly that give a certain mystery to the composition, creating a modern approach to the landscape, by placing the two large trees at the edge of the river in the foreground Luís Graner y Arrufí, Spanish (1863–1929) was a Catalan painter in the Realistic style. He was born in Barcelona, and studied at the Escola de la Llotja from 1883, with Antoni Caba (color/composition) and Benet Mercadé (drawing). During his final year at school, he received a grant to study in Madrid, where he copied and learned from the Old Masters at the Museo del Prado. After that, supported by a fellowship, he moved to Paris and became a member of the Academie des Beaux-Arts. Later, he returned to Barcelona, but continued to travel to cities throughout Europe, including Berlin, Munich and Düsseldorf. Influenced by Richard Wagner's concept of "Gesamtkunstwerk" (Total Work of Art), he was motivated to create his own total art experience and organized the "Sala Mercè" (Mercy Hall) in Barcelona's Rambla District. The project involved contributors from every artistic discipline, including the new field of cinematography. The room was decorated by Antoni Gaudí. Other participants included Adrià Gual, Santiago Rusiñol, Ramon Casas...

This painting is by an unknown Indonesian painter. The artist signed the painting "M. Kelistm" and is from Ubud, Bali. It features a large number of figures carrying a large sculptur...

“Their Romantic Honeymoon: The Bride and Groom Visit Niagara Falls,” original cover for Liberty magazine, published July 9, 1927 Newlyweds Lil and Sandy are on their honeymoon at N...

Sloan, John. SISTERS AT THE WINDOW. Etching, 1923 (M. 208). 5" x 4", signed and titled in pencil and inscribed "100 Proofs," of which only 76 were printed this being one of 25 early ...

Medium: Oil on Canvas Signature: Unsigned "Energy To Meet The Languid Moods Of Spring" Cream of Wheat Ad

Yasushi Tanaka (1886-1941) was a Japanese painter, best known for his female portraits. Born in Saitama, he emigrated to Seattle and began his artistic career in 1904. He then moved ...

Waterways is a serene and luminous original oil painting by Swedish-American artist Carl Lindin (1869–1942), a founding member of the Woodstock Artists Association and an influential...

Date: 1923 Medium: Oil on Canvas Dimensions: 35.50" x 30.00" Signature: Signed Lower Left Never the Twain Shall Meet, Cosmopolitan illustration, 1923 This illustration appeared in Peter B. Kyne's story, Never the Twain Shall Meet. "'Ah!' said Tamea. 'You do not believe, then, that I am the Queen of Riva?' 'No,' retorted the health officer, 'I do not. You're the Queen of Hearts.''" It was also reproduced on page 76 of Dean Cornwell: Dean of Illustrators by Patricia Janis Broder, Collector's Press, 2000. Exhibited: Masters of the Golden Age: Harvey Dunn and His Students South Dakota...