1920s Figurative Paintings

Oil on canvas, signed lower left. Carlos Abascal est un peintre orientaliste et illustrateur espagnol né à Madrid en 1878. Il a peint à l’huile et à l’aquarelle des scènes de genre...

A Pair of Modernist Landscapes by listed female artist Margaret Munro Stratton McLennan. Margaret was a painter working in the early 20th Century in the Syracuse area. These charmi...

Lazar, Krestin (1868-1938) was an artist famous in the German art world for Judaic genre scenes and his many sober portraits of Eastern European Jews. He was also a noted Zionist. His father was a Talmud teacher. His first lessons were at the drawing school in Vilnius, followed by studies at the Academy of Fine Arts, Vienna and the Academy of Fine Arts, Munich and he was one of the most prominent students of Isidor Kaufmann. He worked in Munich, Vienna and Odessa before going to Jerusalem in 1910 at the request of Bezalel Academy of Arts and Design founder, Boris Schatz...

Still life with plate, poster and bottle of liqueur 1929. Oil on canvas, 69x50 cm with certificate of authenticity Romans Suta Born on April 28, 1896 in the vicinity of Cesis (La...

Delicate and vibrant mid-1920's depiction of a nude woman sitting on the edge of a bathing pool by John Jay Baumgartner (American, 1865-1946). Soft light filters through dense foliag...

Work on cardboard Beige wooden frame 87 x 72 x 4.5 cm

Study Easter Sunday Baby

Woman is an orignal modern artwork realized by Antonio Feltrinelli in 1929. Mixed colored oil painting on board Not signed. Ref. - Exhibition: Biennale of Venice 1938, - Italian...

The Prince Of Wales By Alfred Munnings. A rare and signed Sir Alfred Munnings coloured offset lithograph of H.R.H The Prince Of Wales, sat astride his chestnut hunter, Forest Witch....

"Harvest" Working Women Hungarian European Modernism Expressionism 1926 WPA Era. 10 x 11 inches oil on board. Painted in Hungary. Stephen (Istvan) Csoka was born in Gárdony, Hungary on January 2, 1897 and died in New York in 1989. He is best remembered as a painter and etcher of portraits, nudes, landscapes, genre, and horses. Csoka studied at the Budapest Royal Academy of Art and his memberships include Associate of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the Society of Brooklyn Artists; and the Hungarian Etchers Association. Csoka's exhibitions and awards include a medal at the Barcelona International Exhibition in 1929; a prize at the City of Budapest Exhibit in 1930; prizes at the Society of American Etchers in 1942 and 1945; prizes at the Library of Congress in 1944 and 1946; a prize at the Society of Brooklyn Artists in 1944; a prize at the Philadelphia Watercolor Club in 1945; the Corcoran Gallery of Art in 1945; the Carnegie Institute in 1943, 1944, and 1945; the Art Institute of Chicago in 1944; the Los Angeles Museum of Art in 1945; the National Academy of Design from 1940 through 1945; one-artist shows at the Contemporary Artists in 1940, 1943, and 1945; and the Minneapolis State Fair in 1943. *Stephen continued to recieve awards and exhibit his work throughout his life. In 1997, Hofstra Museum sponsored a Retrospective/Centennial exhibition in honor of his birth. Collections representing Csoka's work are the Metropolitan Museum of Art, New York, NY; the Brooklyn Museum, Brooklyn, NY; the Museum of Fine Arts, Boston, MA; the British Museum, London, England; the Bezalel National Museum, Jerusalem, Israel; the Butler Institute of American Art, Youngstown, Ohio; Whistler House Museum of Art, Lowell, MA; the Cleveland Museum of Art, Cleveland, OH; Columbus Museum of Art, Columbus, OH; the Sheldon Swope Art Museum, Terre Haute, IN; the Mobile Museum of Art, Mobile, AL; the Frederick R. Weisman Art Museum, Minneapolis, MN; the Museum of New Mexico, Santa Fe, NM; the Budapest Museum of Fine Arts, Budapest, Hungary; Hungarian National Gallery, Budapest, Hungary, the Museum of the City of Budapest, Budapest, Hungary; the Library of Congress, Washington, DC; Carnegie Museums of Pittsburgh, Pittsburgh, PA; the Chrysler Museum of Art, Norfolk, VA; Georgia Museum of Art, Athens, GA; Hofstra Museum, Hofstra University, Hempstead, NY; Holocaust Museum, Glen Cove, NY; National Academy of Art, New York, NY; New Orleans Museum of Art, New Orleans, LA; New York Historical Society, New York, NY;New York Public Library, New York, NY; National Gallery of Art, Washington, DC; Peabody Museum, Cambridge, MA; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Reading Public Museum, Reading, PA; Livingston Arts Center, Mount Morris, NY; Ball State Teachers College, Muncie, IN; City College, New York, NY; Fashion Institute of Technology, New York, NY; Hungarian Consulate, New York, NY; Hungarian Heritage, New Brunswick, NJ; Hunter College, New York, NY; IBM Collections; Princeton Print Club...

Work on canvas

Provenance: Illustration House, New York, Framed in a simple and modest frame. This is a brilliant post-Cubist work by Dutch-American illustrator Charles Verschuuren...

Micao Kono was born in Japan, but moved to work in Paris in the 1920's. His style, a mixture of Japanese watercolor and figurative Art Deco. He often mixed egg tempera into his oils ...

Interior is an artwork realized by Antonio Donghi in 1922 ca. Oil on canvas, cm. 60x40. Hand signed in the lower right part. Good condition, Antonio Donghi (Rome, March 16, 189...

View of the Roman Forum is an original modern artwork realized in 1929 by Luigi Tarra (1832 - 1936). Mixed colored oil on panel. Hand signed and dated on the lower right margin. I...

The cardinal's favorites French oil painting on panel by Victor MARAIS-MILTON Signed to lower right Genre Painter, b. 1872 - d. 1948 Victor Marais-Milton was born in Puteaux, locate...

Medium: Oil on Canvas Signature: Signed and Dated Center Left Sight Size 36.00" x 24.00;" Framed 43.25" x 31.00"

“The Gun-Runners” by Edwin Cole, published in The Youth’s Companion, May 6, 1926, pg. 343. Western illustration Literature: Schoonover, Smith & Dean 1450 Artwork Dimensions: 17.5...

odalisque, yellow, orient Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patronize...

Mary Kenyan Olympic Games, May 1st 1924, Wembley Gouache 46 x 30 cm Signed and dated to the reverse. This gouache poster, with its soft pastel tones and elegant art deco style, fea...

Nina Hill Phlox, circa 1925 Signed lower left Oil on canvas 24 x 20 inches Newcomb Macklin Frame

This superb vibrant Orientalist Post Impressionist oil painting is by noted British artist Gerald Spencer Pryse. It was painted about 1925 when Pryse was visiting Morocco and Norther...

Charming surreal oil on board painting of carnival wagon by Francesco Christofanetti (Italian, 1901-1951), 1925. Signed lower left and on verso has inventory notion of 1939. Image size: 12"H x 16"W. Presented in rustic art nouveau giltwood...

A beautiful and early portrait of woman by well known italian master of the 20th century. Good conditions, it includes a contemporary gilded wooden frame. Certificate of authenticit...

Oil on board, in excellent conditions. Beautiful cityscape of Rome from Pincio Hill, realized by Amedeo Bocchi in 1920 ca. Includes vintage wooden gilded frame 46x74 cm. A Certificate of authenticity will be released by the Gallery. Amedeo Bocchi (Parma, 1883 – Rome, 1976) At the age of 12, Amedeo Bocchi is enrolled at the Regio Istituto di Belle Arti in Parma. After graduating in 1901 with the highest grades, he attends the School of Nude Art in Rome where he will spend the rest of his life. In 1910 Bocchi is accepted, for the first time, with two paintings, to the Venice Biennial where he is able to admire the great solo exhibition by Gustav Klimt. In 1911, at the grand Exposition in Rome for the fiftieth anniversary of the Italian Unification...

Magazine Story Illustration most likely for Cosmopolitan or Woman's Home Companion. Caption: "'I will not heed these old ones,' said the maid. 'Let us flee together somewhere and ...

Antique illustration painting. Gouache and watercolor on board, circa 1920. Signed. Image size, 12L x 11H. Housed in a period frame.

Portrait of a calm resting baby by a Japanese/American San Jose, California artist circa 1920's in the style of Mary DeNeale Morgan (Carmel, 1868 -...

The unframed painting measures 120 x 61 cm. Romualdo Locatelli è conosciuto per i suoi ritratti che riflettono le culture e le tradizioni dei luoghi esotici che ha visitato. Born in ...

Atul Bose - Royal Academy Series-6 Pencil on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Atul Bose - Royal Academy Series-4 Conte on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Anonymous Design for Triptych Above Altar British, c. 1920s Gouache 38×28.5cm Christ Pantocrator stands in the middle of the design, surrounded by the four evangelists (Saints Matthew...

Antique American modernist interior scene of figures eating lunch by the shovel full. Really well painted and unusual scene. A rare early work by Justin Murray (1912 - 1987). Sign...

Classic colour equestrian print by Sir Alfred J Munnings (1878-1959) pencil signed (LR) titled, Gypsy Caravan published by Frost & Reed c1927 w/ French mat and ebony/ gilt frame Chromolithograph Sir Alfred Munnings...

Oil on canvas, signed lower right. Jean Bouchaud (1891 in Saint Herblain near Nantes – 1977 in Nantes) was a French painter. He was fascinated by travel since his childhood seeing s...

Oil On Canvas, portrait of a musketeer French school 20th century Horace Colmaire studied with Albert Roze in Amiens before joining the workshops of Léon Bonnat, Jules Adler and Ray...

Ball. 1920's, oil on canvas, 65x92 cm Provenance: Romans Suta daughter Tatjana Suta (1923-2004) Artwork not signed Romans Suta Born on April 28, 1896 in the vicinity of Cesis (Lat...

“Waterways” is a serene and luminous original oil painting by Carl Lindin (1869–1942), a prominent Swedish-American artist and founding member of the Woodstock Artists Association. P...

Yasushi Tanaka (1886-1941) was a Japanese painter, best known for his female portraits. Born in Saitama, he emigrated to Seattle and began his artistic career in 1904. He then moved ...

A model standing in a studio putting on, or taking off, her clothing.

Kristians Tonny (French, born Holland; 1907-1977) Circus Oil on prepared board, 16 1/2 x 13 inches Framed: 22 x 19 inches (approx.) Inscribed on reverse: (in pencil) "cadre noir/ave...

Atul Bose - Royal Academy Series-6 Pencil on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Atul Bose - Royal Academy Series-3 Pen & Ink on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Atul Bose - Royal Academy Series-3 Pen & Ink on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Painting measures 10 ½" x 16" and framed 20 ½" x 26" x 4"

Monogram A. Sch. Work on wood Golden wooden frame 36.5 x 30.5 x 2 cm

Signed illegibly lower left. Oil on paper. 10 x 8.

Sloan, John. SISTERS AT THE WINDOW. Etching, 1923 (M. 208). 5" x 4", signed and titled in pencil and inscribed "100 Proofs," of which only 76 were printed this being one of 25 early ...

Antique American modernist cityscape painting titled "The Junk Collector" by Clarence E. Van Duzer (1920 - 2009). Oil on board, circa 193...

Huile sur panneau par Peter Pàlffy, représentant des chevaux. Dimensions avec le cadre: 77x99 cm Peter Pallfy est un peintre autrichien du XX siècle que a...

The present decorative frieze, signed by the Malagasy painter Georges Razanamaniraka, is organized around the central figure of an enigmatic and hypnotic dancer. The quasi-symmetrica...

Amy Londoner Musical Conductor, 1922 Signed and dated lower right Pastel on paper Sight 18 x 23 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

“Their Romantic Honeymoon: The Bride and Groom Visit Niagara Falls,” original cover for Liberty magazine, published July 9, 1927 Newlyweds Lil and Sandy are on their honeymoon at N...

Ernst Huber war eine zeitlang am Kunstmarkt aufgrund einer Nachlassauktion so omnipräsent, dass mir etwas das Entdeckungsinteresse an diesem sehr guten Kün...

Rhythms. Stage. 1927, paper, watercolor, 41x28 cm Women figures, watercolor on paper. Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latv...

Signed lower right Framed: H 36 x W 31 x D 2.5 in. Provenance Lucy Krohg Crane Kalman Gallery, London Mr. Selig Burrows (Purchased from above, December 1984) Private collection, New...

Francisque POULBOT (Saint-Denis, 1879 - Paris, 1946) Poster project for the Bal de la Mode - February 25, 1922 Charcoal and oil on canvas H. 99 cm; W. 91 cm Signed lower right In th...

Margery Ryerson paints a stunning portrait of a boy dressed in Scottish clothes. The paint application is quick and loose but based on a sound academic understanding of how to constr...

Louis Fortuney (1878-1950), also known simply as “Fortuney”, was a French pastellist. He studied at the Ecole des Beaux Arts in Toulouse and in Paris an...

Everett Lloyd Bryant American, 1864-1945 Woman in Kimono Oil on canvas Signed lower right 30 by 25 in. W/frame 35 by 30 in. Everett studied wit...