1920s Figurative Paintings

Painted circa 1920 by the noted British Impressionist portrait painter Walter Ernest Webster, this lovely oil painting depicts a beautiful young woman in an impressionist palette. Si...

Original cover for Good Housekeeping, published October 1922. The Young Scholar, reproduced on the cover of the October 1922 issue of Good Housekeeping, demonstrates Jessie Willcox ...

There is no one alive that can paint and draw like Dean Cornwell. How can that be? They do not train artist the way they did. He was Normal Rockwell's ...

A beautiful decorative screen featuring elegant women in a garden setting painted by the renowned American illustrator Howard Chandler Christy. Medium: Oil on Panel in Three Parts D...

Antique original nocturnal cityscape oil painting. Oil on board, circa 1920. Signed illegibly. Image size, 12L x 16H. Housed in a period frame.

Fauvist signed oil on canvas riverscape circa 1920 by French post impressionist painter Robert Antoine Pinchon. The work depicts a view of the R...

Literature: Bazetoux, Henri Lebasque Catalogue Raisonne (Neuilly, 2008), vol. 1, p. 223 (no. 820) (illus)

Prolific Saturday Evening Post Cover Illustrator Pearl L. Hill Worthington paints a stunning portrait of a Ballerina in a tutu with underlighting. She sits on a decorative Chinese ...

Medium: Oil on Canvas Dimensions: 28.00" x 21.00" Signature: Unsigned Literature: The Saturday Evening Post, June 14, 1923, illustrated as Kuppenheimer Clothing Company advertisementLaurence S. Cutler and Judy Goffman Cutler, J.C. Leyendecker: American Imagist, New York, 2008, p. 91, illustrated in color p. 92 Notes: The Kuppenheimer Clothing Company used this painting as an advertisment for its men's clothing. The advertisement printed...

Date: 1925 Medium: Oil on Board Dimensions: 25.5" x 16.5" Signature: Initialed, Dated and Inscribed Lower Left: DC / 1925 / To Sid Hydemon / 19

Carl Wuermer Winter Silence Signed lower left Oil on canvas 25 x 30 inches Known for serene, realistic landscapes, he was a widely exhibited painter who won numerous awards includi...

This superb vibrant Orientalist Post Impressionist oil painting is by noted British artist Gerald Spencer Pryse. It was painted about 1925 when Pryse was visiting Morocco and Norther...

Signed oil on canvas laid on board landscape by American Impressionist painter Abram Molarsky. The work, painted in mostly pastel shades of green, blue and purple depicts a view of b...

A gentle, quiet, lovely portrait of motherhood painted by British artist Arthur Bradbury in 1927, a distinguished painter who over the years exhibited 14 works at the Royal Academy. ...

Countryside Village River Scene with Cherry Tree Blossom, Female Figure and Geese by Early 20th Century Artist, Laszlo Neogrady (1896-1962). Framed in a high quality off-white shabby chic contemporary wooden moulding. Art measures 30 x 24 inches Frame measures 36 x 30 inches Laszlo Neogrady was a Hungarian painter best known for his naturalistic depictions of rustic landscape scenes, often featuring peasants and snow-covered forests. Neogrady notably made extensive use of impasto paint and atmospheric colours, achieving a sense of pictorial depth and light in his work. Born in 1896 in Budapest, Hungary as the son of painter Antal Neogrady, he went on to study at the Hungarian Academy of Fine Arts under the celebrated portrait artist Ede Ballo. Today, Neogrady’s works are found in the collections of the Iowa State...

Lucien-Victor Guirand de Scévola ( 1871 – 1950) Portrait of a lady, a sketch signed lower right Oil on canvas transfered on cardboard 25 x 18 cm oval Framed : 31 x 24.5 cm This port...

A fine, large-scale portrait of a Philadelphia lady, fabled soprano singer Florence Foster Jenkins, by Richard Langtry Partington (American, 19...

Georgina Klitgaard Johnny Walker’s Place, circa 1929 Signed lower right Oil on canvas 34 x 42 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity t...

Still Life With Chicken, Oil on canvas singed and dated 1923, from the Collection of Bass Museum Of Art. Canvas size 14 1/5x17 1/4 framed 21 3/8 x 23 7/8 Edmund Pick-Morino was the ...

Original on Gouache on paper. Hand signed on front; signed, titled, dated with dedication on verso by Erte. Stamped "Composition originale". Frame size 29 x 24.5 inches. Artwork s...

Signed oil on panel nude circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a nude woman laying a patch of green grass on top of a hill with a view of the valley in the distance. Signature: Signed lower right Dimensions: Framed: 16"x20" Unframed: 9"x13" Provenance: A certificate of authenticity for this work is available from Mr. Jean Dominique Jacquemond upon request Private French collection From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

A fine Egyptian archaelogical oil painting by American artist Joseph Lindon Smith (1863-1950). Smith was born in Pawtucket, Rhode Island and after attending Brown University and MIT,...

'The Park', oil on canvas, by M. Phidias (circa 1920s). Painted using this artist's trademark impasto, the effect is to add depth and texture to the exuberant display of hues and ref...

Signed oil on canvas landscape by American impressionist painter William Samuel Horton. The piece depicts a nighttime view of Pontarlier, a commune in eastern France near the Swiss b...

Signed figure in landscape oil on board circa 1920 by sought after French Post-Impressionist painter Victor Charreton. The piece depicts a lone figure walking through a wooded area i...

Original cover for Liberty magazine, published January 26, 1929. After the passing of Sandy’s Great-Uncle Ulysses, Sandy and Lil walk around the cluttered brownstone mansion he left...

Original study for the cover illustration of The Saturday Evening Post, published June 2, 1923 Medium: Oil on canvas Artwork Dimensions: 21.5 x 15.75 in. Framed Dimensions: 25 x 18...

"Concert" Early 20th Century WPA Modernism American City Landscape Scene Ashcan The size of the canvas 28 3/4 x 43 1/4 inches. The painting comes directly from the artist's estate. It is signed lower right as well as signed, titled and dated verso. We have available more than two dozen paintings and works on paper from the 1930s - 80s that come directly from the Loew estate. BIO Michael Loew (1907 – 1985) was the son of a New York City baker. After high school, he was an apprentice to a stained-glass maker, and from 1926-1929, he studied at the Art Students League. In 1929, he traveled to Paris, North Africa, Germany, and Italy with a group of artists. When he returned to New York City in 1931, the Great Depression hit Loew unexpectedly, and for the next two years he paid his apartment rent with his paintings. In 1935, he found work with the WPA where he painted murals and partnered up with longtime friend Willem de Kooning in 1939 on a mural for the Hall of Pharmacy at the New York World’s Fair. Their friendship lasted for the rest of their lives. In the mid-30’s he painted in Mexico and the Yucatán documenting the construction of a U.S. Naval airbase on Tinian Island. It was from this airbase that the Enola...

"Market in Paris" is a European townscape and market Scene by American Impressionist painter Albert Van Nesse Greene, featuring towns people at a busy outdoor market. The painting i...

Lilian Westcott Hale Portrait of a Lady (Study for Harriet Blake) Oil on canvas 40 ¼ x 30 ¼ inches A leading American Impressionist working at t...

Pauline Palmer Ladies' Sketch Club Signed lower left Oil on board 20 x 24 inches Pauline Palmer (1867 - 1938) was one of Chicago's early twentieth-century portrait and landscape pa...

Jean DESPUJOLS (Salles 1886 – Shreveport 1965) Portrait of a Henri Martin, mayor of Saint Médard en Jalles (Gironde) Oil on canvas H. 75 cm; L. 60 cm Signed lower right around 1920/2...

Self-portrait by Edouard Dumoulin (1898 - 1973) 1928 Oil on canvas 48 x 37 cm (54 x 42 cm with frame 18.9 x 14.57 in (21.26 x 16.54 in with frame) Signed and dated lower left Online...

A stunning study for a 1920s Kuppenheimer clothing advertisement featuring a fashionably-dressed couple kneeling in an embrace before a pair of ...

Complex Art Nouveau patterns intertwined with gracefull figures define this work by American Artist and illustrator, teacher and lecturer Mildred Bailey Carpenter. Signed in cartouc...

Marie RÉOL (Massiac 1880 – Douarnenez 1963) Seaside in Douarnenez ? Oil on canvas H. 54 cm; L. 65 cm Signed lower left Provenance : Private collection, Périgord Born in the heart of Cantal, Marie Réol left to study Fine Arts in Paris, where she met Louis-Marie Désiré-Lucas. This Breton master will become “his” master. Going from teacher, to friend, then husband whose stylistic influence will be felt throughout Marie Réol's career. The couple is divided between Douarnenez where Désiré-Lucas has a large residence, Espalion where they have a house overlooking the Lot and the Vieux Pont, as well as in Paris. Obviously, through his friendship with the Périgord Lucien de Maleville...

Medium: Oil on Canvas Signature: Unsigned “She Needs You So!” Magazine advertisement: Cream of Wheat hot cereal, 1927;

Oliver Dennett Grover Grand Canal, 1926 Signed and dated lower left Oil on canvas 24 x 30 inches Grover's family relocated to Chicago during his childhood. There, he dedicated a si...

Fact: There is no one alive today who can paint and draw as good as Dean Cornwell. Why? It takes a lifetime of training, work and commitment to be a great academic artist. Unfortunat...

6008 Winter Snow,a 1920's oil painting on canvas depicting the isolation and beauty of your girl walking thru a fresh fallen snow.Displayed in a gilt wood frame.Artist unknown

A stunning, beautiful nude dancer exhibiting ideal proportions and crowned with an ornate floral headdress holds a luminescent Japanese Lantern. The lantern glows, and the dancer glows back in this light-infused painting. The background shows a Japanese screen with cranes...

Original advertisement for the Treo Girdle Company, published in the October 1923 issue of McCall’s Magazine, page 93, and likely in other publications as well. This original adver...

Signed by artist lower right The Saturday Evening Post cover, July 29, 1922 This commission for The Saturday Evening Post is a brill...

Otto Lindberg was a Swedish artist born in Söderhamn in 1880. Lindberg was known for his landscapes and marine paintings. He studied at the Royal Academy of Fine Arts in Stockholm an...

Isabella Howland Portrait of a Woman, Paris, 1925 Oil on canvas laid on board 19 1/2 x 16 1/2 inches Provenance: Hammer Galleries, New York Private C...

Medium: Oil on Board Signature: Signed Lower Center Sight Size 30.00 x 24.00;" Framed 40.00 x 33.50" The Elks Magazine Cover, June 1925

Inscribed on back #174 House of Kuppeneheimer 1927 fashion advertisement, catalog cover.

“Her Little Caveman: The Jenkinses’ Saturday Afternoon Drama,” original cover for Liberty magazine, published November 12, 1927 Sandy walks home carrying groceries after a day of ru...

Provenance: Private collection, Orlando, Florida

Jim’s of Lambertville Fine Art Gallery is proud to offer this work by Frederick Carl Frieseke (1874 – 1939). Frederick Carl Frieseke was a member of the third generation of American painters to inhabit and find inspiration from Giverny, France. His use of bright colors and light, to depict the female figure, defined the style of the Giverny group during his residence, synthesizing aspects of Impressionism and Post-Impressionism. Born in the United States, Frieseke studied at the School of the Art Institute of Chicago and the Art Students League in New York. In 1898, he moved to Paris to enroll in the Académie Julian, where he studied under Benjamin Constant and Jean-Paul Laurens. During this time, Frieseke also briefly studied with James A. Whistler, who would prove to be a great inspiration in Frieseke’s early works. From Whistler, Frieseke adopted a tonalist palette and a decorative approach to figurative painting. While in Paris, Frieseke’s works were featured at the American Art Association of Paris and in several annual salon exhibitions. His painting, “Before the Mirror...

Story illustration for “Beethoven: A New Life” by Emil Ludwig for Cosmopolitan, published December 1928, page 22. The full caption reads: “At the premiere of Beethoven’s heroic oper...

Louis Buisseret (Belgian) Exhibited at the Pittsburgh International (Carnegie Institute) show of 1928 "Composition" This surrealist painting depicts nude women having a picnic in a S...

F. Luis Mora was the first Hispanic member of the National Academy of Design. Spanish Souvenir- mantilla, peineta, by Francis Luis Mora is a painting of beautiful Spanish women in...

Friedrich August Seitz (1902 Staffort - 1944 Belgrade). Half-length portrait of an elderly man with a beard. Oil on canvas, 42 x 34 cm (visible seize), 58 x 50 cm (frame), signed and...

Morris Kantor New York (1896 - 1974) Paris from the Ile St. Louis, 1927 (view of Eiffel Tower) Oil painting on canvas Hand Signed lower left. Provenance: Hirshhorn Museum and Scul...

Signed oil on canvas landscape by American impressionist painter William Samuel Horton. The piece depicts a view of the town of Gstaad in Southwestern Switzerland. The buildings and ...

Medium: Oil on Board Signature: Signed Lower Right Liberty Magazine Cover, April 4, 1925

George Gardner Symons Forest Snow, circa 1920s Signed lower right Oil on canvas laid on board 30 x 36 inches Provenance Estate of Jean Stanton, Neenah, Wisconsin A landscape and m...

Mein Sammlungsschwerpunkt vor Galeriegründung war (und ist es bis jetzt) die Kunst der Neuen Sachlichkeit und die ist vor allem ein deutsches Thema. Mich fasziniert der kühle und dis...

"Le Rouge Cloitre sous la neige" oil painting on canvas by Louis Clesse 20Th c. Wonderfull oil on canvas by Louis Clesse , Belgian School (1889 -1961 ). Clesse was a Belgian figurat...