1920s Figurative Paintings

William Malherbe (1884-1953) Signed lower right Dated 1928 Oil on Canvas 27x22 inches unframed 34x29 inches Framed Carved American period Frame Good Condition William Malherbe was ...

“Her Little Caveman: The Jenkinses’ Saturday Afternoon Drama,” original cover for Liberty magazine, published November 12, 1927 Sandy walks home carrying groceries after a day of ru...

Sand Pit Hungarian American Oil Painting Workers Horses European Modernism 1928 WPA The board measure 10 3/4 x 15 1/2 inches. The work was painted in Hunga...

Signed oil on canvas figures in seascape by English impressionist painter John Anthony Park. The piece depicts a view of the seaport in La Rochelle, a city on the west coast of France. Sail boats are sailing around the port on what looks to be a warm summer's day. This rare work by Park is one of the only recorded paintings...

Signed and dated oil on canvas seascape by French post impressionist painter Achille-Emile Othon Friesz. The piece depicts a view of Le Havre, a port city in Normandy, France, locate...

Story illustration for “The Exquisite Perdita” by E. Barrington for Cosmopolitan, published January 1926, pages 16-17. The full caption reads: “Lord Malden was dazzled. Little did P...

One of Cornwell's hallmarks is that he paints stoically soulful faces that express the subject's trials and hardships. In this only-woman composition, he depicts a scene of two women who are strong, unafraid, and self-confident and can weather the storm despite the challenges. In this regard, it is similar to "A Strange Sound Drifted Down to Kit from the Top of the Range—A Man’s Voice, Singing" by Cornwell, which sold at Christie's USD $163,800 on 18 Apr 2024. Caption: "Are you making little things?" questioned Lucy. 'No ,' said Marge. 'If this one happens to live, there will be many long years ahead of us for that." Morris Weiss collection...

Oil on canvas, signed lower left Henri-Léopold Lévy (23 September 1840, Nancy - 29 December 1904, Paris) was a French painter of Jewish ancestry, known pr...

George Gardner Symons Forest Snow, circa 1920s Signed lower right Oil on canvas laid on board 30 x 36 inches Provenance Estate of Jean Stanton, Neenah, Wisconsin A landscape and m...

Great Wall Street piece by John R. Grabach (March 2, 1886 – March 17, 1981) with expressive colors and figures. Grabach was a renowned American painter, best known for his evocative...

JEAN GABRIEL DOMERGUE French, 1889 – 1962 "JEUNE FEMME AUX FLEURS" Signed & dated "Jean-Gabriel Domergue ´28 " (lower right) With the Atelier stamp on the stretcher and canvas on the reverse Oil on canvas 32 X 25-3/4 inches (81 x 65 cm.) framed: 39-1/2 X 33-1/4 inches (100 X 84 cm.) PROVENANCE Private Collection, Madrid Note: We are grateful to Mr. Noé Willer for confirming the authenticity of this work which is recorded in the archives of the Artist. Painter born in Bordeaux, in 1889 and died in Paris in 1962. He began painting his mother's portraits very soon. He studied at the National Superior School of Fine Arts. The artist considered his teacher and inspiring Degas. Between 1904 and 1907 he joined Fauvism. In 1905 he participated in the "Autumn Hall" and in the "Hall of Independents". In 1907 he presented his 1st individual exhibition at the Vollard Gallery. He specialized in female portraits of Parisian ladies, creating a unique, sophisticated and elegant female portrait prototype that characterized him forever. He played an essential role in the evolution of women's fashion of his time. He designed numerous dresses, hats and accessories for famous designers such as Paul Poiret and Henry Marque It goes down in history as the architect of a new type of woman, thin, with an elegant air, always with style, with unusual elongated necks, with impressive slanted eyes, that seem to look at the world in amazement, perhaps because they express a feeling of freedom towards Society and its norms. With these paintings of women, he showed the world the true French, elegant, beautiful and with a gooseneck. In 1914 he won the Rome Prize. Many celebrities of the time posed for the artist, Josephine Baker, Brigitte Bardot, etc. But although he painted numerous nude actresses...

Rendered with an alla prima paint application and quick gestural brushstrokes, "Tender Family Portrait - Mother and Child" reflects Margery Ryerson's deep knowledge of academic training. Reyerson studied with Robert Henri at The Art Students League. This painting is aesthetically pleasing and communicates a sense of maternal tenderness from a female artist. Margery Ryerson did a book on her former teacher. Henri's philosophical and practical musings were collected by former pupil Margery Ryerson and published as The Art Spirit (1923), a book that remained in print for several decades. Signed. Lower Left Margery Austen Ryerson (September 15, 1886 - 1989) was an American artist, painter, etcher, lithographer and watercolorist.Her work is included in the collections of the Smithsonian American Art Museum Biography Ryerson earned her Bachelor's of Fine Arts in English from Vassar College in Poughkeepsie, New York, after attending private schools in Morristown. She went on to study under Charles Hawthorne at the Cape Cod School of Art in Provincetown, Massachusetts, and with Robert Henri at the Art Students League in New York. During the years 1920 through 1940 Ryerson taught in New York settlement houses. There she got the privilege to paint and draw the children in their care. The subjects of these paintings were often the children of the underclass and immigrants. Her artistic technique and subjects gained universal recognition and appealed to many people. Miss Ryerson is most known for her portraits...

The extensive work of Vilma Eckl covers a period of more than seventy years. Her incomparable artistic talent and her essential contribution to the history of art can be seen in her ...

This impressive watercolour depicts the Dome of the Rock in Jerusalem. The Dome is visible behind a pointed-arch screen, at the top of a staircase upo...

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 36.00" x 34.00; Framed 43.75" x 41.75" "The Great Things of Life—Travel, Edison Mazda Lamps/General Electric advertisement" Signed and dated lower left: Dean / Cornwell / 21 Dean Cornwell's advertisements for companies like Coca-Cola, Palmolive Soap, and Philadelphia Blended Whiskey are as chock full of atmosphere and narrative drama as his magazine story illustrations. The present work graced one of eleven advertisements in ""The Great Things of Life"" series, commissioned by General Electric, which ran in monthly 1921 editions of The Saturday Evening Post. Each of these ads, designed by a different artist - among them, Arthur I. Keller, Elizabeth Shippen Green, Clarence F. Underwood, and Sarah Stillwell Weber -- suggested that the warmth of the Edison Mazda Lamp, or incandescent light bulb, went hand in hand with middle-class virtues and opportunities, including ""Reverence,"" ""Contentment,"" ""Gratitude,"" and ""Chums."" For ""Travel,"" Cornwell imaged a honeymooning couple disembarking from a car, about to enter a brightly illuminated inn: ""The Honeymoon Trail is a trail of Light -- Soft lights, orange blossoms, and solemn vows - A handful of confetti, laughing goodbyes and a porch--light smiling its happy farewell -- Bright headlights throwing their radiance over the road; and the lights of welcome in an old-fashioned inn -- So another couple sets forth on the honeymoon trail -- a trail that lingers in memory as long as life lasts, indelibly etched by the magic of light. We speak of life as a journey; have you ever stopped to think how much Edison Mazda Lamps contribute to the pleasure of the journey?"" (General Electric advertisement, The Saturday Evening Post, 1921). The present work is accompanied by three copies of the advertisement as featured in The Saturday Evening Post. " Dean Cornwell, born in 1862, was an American artist who was best known as a muralist and for his famous illustrations in national magazines including Harper's Bazaar, Redbook, and Cosmopolitan. He was born in Louisville, Kentucky and as a child observed his civil engineer father do industrial drawings, which led to his interest in art. Cornwell studied at the Art Institute of Chicago and built his career as a cartoonist for the Lousiville Herald and the Chicago Tribune. Cornwell illustrated the works of some of the most famous names in the literary world, including Edna Ferber, Ernest Hemingway, Pearl S. Buck, and Somerset Maugham. He also created murals for the 1939 World's Fair, Bethlehem Steel, and the General Motors Building in New York City. Cornwell's spectacular murals grace buildings...

Signed by artist lower right The Saturday Evening Post cover, July 29, 1922 This commission for The Saturday Evening Post is a brill...

Jim’s of Lambertville Fine Art Gallery is proud to offer this work by Frederick Carl Frieseke (1874 – 1939). Frederick Carl Frieseke was a member of the third generation of American painters to inhabit and find inspiration from Giverny, France. His use of bright colors and light, to depict the female figure, defined the style of the Giverny group during his residence, synthesizing aspects of Impressionism and Post-Impressionism. Born in the United States, Frieseke studied at the School of the Art Institute of Chicago and the Art Students League in New York. In 1898, he moved to Paris to enroll in the Académie Julian, where he studied under Benjamin Constant and Jean-Paul Laurens. During this time, Frieseke also briefly studied with James A. Whistler, who would prove to be a great inspiration in Frieseke’s early works. From Whistler, Frieseke adopted a tonalist palette and a decorative approach to figurative painting. While in Paris, Frieseke’s works were featured at the American Art Association of Paris and in several annual salon exhibitions. His painting, “Before the Mirror...

Date: 1923 Medium: Oil on Canvas Dimensions: 35.50" x 30.00" Signature: Signed Lower Left Never the Twain Shall Meet, Cosmopolitan illustration, 1923 This illustration appeared in Peter B. Kyne's story, Never the Twain Shall Meet. "'Ah!' said Tamea. 'You do not believe, then, that I am the Queen of Riva?' 'No,' retorted the health officer, 'I do not. You're the Queen of Hearts.''" It was also reproduced on page 76 of Dean Cornwell: Dean of Illustrators by Patricia Janis Broder, Collector's Press, 2000. Exhibited: Masters of the Golden Age: Harvey Dunn and His Students South Dakota...

The present work was reproduced as an illustration for Bruce Barton's story "The Boy Who Established a Nation," published in the February 1929 issue of Good Housekeeping. Part of an ...

Spanish Souvenir- mantilla, peineta, by Francis Luis Mora is a painting of beautiful Spanish women in traditional dress with their entourage. It's is a museum-quality work. In fact, ...

Lovers Painting on canvas / frame Charles Léandre Circa 1925 Signature lower right L 81 cms x h 115 cms

Passageway North Africa was executed during Walter’s extensive travels throughout Spain, Northern Africa, and the Dalmatian coast. These works are magnificent snapshots –pictorial po...

Fireman Textile Fabric Design 1920s American Scene Modern Working Men Art Deco Antonio Petruccelli (1907 - 1994) Firemen Textile design, c. 1929 19 1/4 ...

Medium: Oil on Board Signature: Signed Center Left Study for Saturday Evening Post Cover 'Who, Me Work?' January 23, 1926

Masterfully designed scene of an attractive young Redhead sitting by a canoe under a tree with hanging Spanish moss. It is rendered in a quick Arts and Crafts style that is as abstract as it is representational. The viewer can stare at it endlessly and still discover new pictorial relationships. Every brush stroke and every dap a paint is perfectly placed. Signed lower left. Most likely for Saturday Evening Post or Colliers. Louderback is a painter/illustrator of the Golden Age of Illustration...

LUIS GRANER Y ARRUFI Spanish, 1863 - 1929 MOONLIT RIVER SCENE signed and dated "L. Graner, 1925" (lower right) Oil on canvas 20-1/8 X 30 inches (51X 76 cm.) framed: 25-3/4 X 35-3/4 inches (65 X 90.5 cm.) PROVENANCE NEAL AUCTION COMPANY, New Orleans, LA, USA Private Collection, Barcelona Graner paints this work, Moonlit on the river, during his stay in the United States in the last stage of his artistic life, from 1910 to 1928, in full stage of maturity. This artwork reflects the constant search of the artist for the effects of light in his work. This persistent concern for light remains throughout his artistic life, which he learned in his Parisian stage under the influence of the painter Frances Platour. The silver light of the moon and the small lights at distance, which are tiny foci of artificial light, reflecting the river water, forming a chromatic range of greens, ocher and pearly that give a certain mystery to the composition, creating a modern approach to the landscape, by placing the two large trees at the edge of the river in the foreground Luís Graner y Arrufí, Spanish (1863–1929) was a Catalan painter in the Realistic style. He was born in Barcelona, and studied at the Escola de la Llotja from 1883, with Antoni Caba (color/composition) and Benet Mercadé (drawing). During his final year at school, he received a grant to study in Madrid, where he copied and learned from the Old Masters at the Museo del Prado. After that, supported by a fellowship, he moved to Paris and became a member of the Academie des Beaux-Arts. Later, he returned to Barcelona, but continued to travel to cities throughout Europe, including Berlin, Munich and Düsseldorf. Influenced by Richard Wagner's concept of "Gesamtkunstwerk" (Total Work of Art), he was motivated to create his own total art experience and organized the "Sala Mercè" (Mercy Hall) in Barcelona's Rambla District. The project involved contributors from every artistic discipline, including the new field of cinematography. The room was decorated by Antoni Gaudí. Other participants included Adrià Gual, Santiago Rusiñol, Ramon Casas...

"Harvest" Working Women Hungarian European Modernism Expressionism 1926 WPA Era. 10 x 11 inches oil on board. Painted in Hungary. Stephen (Istvan) Csoka was born in Gárdony, Hungary on January 2, 1897 and died in New York in 1989. He is best remembered as a painter and etcher of portraits, nudes, landscapes, genre, and horses. Csoka studied at the Budapest Royal Academy of Art and his memberships include Associate of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the Society of Brooklyn Artists; and the Hungarian Etchers Association. Csoka's exhibitions and awards include a medal at the Barcelona International Exhibition in 1929; a prize at the City of Budapest Exhibit in 1930; prizes at the Society of American Etchers in 1942 and 1945; prizes at the Library of Congress in 1944 and 1946; a prize at the Society of Brooklyn Artists in 1944; a prize at the Philadelphia Watercolor Club in 1945; the Corcoran Gallery of Art in 1945; the Carnegie Institute in 1943, 1944, and 1945; the Art Institute of Chicago in 1944; the Los Angeles Museum of Art in 1945; the National Academy of Design from 1940 through 1945; one-artist shows at the Contemporary Artists in 1940, 1943, and 1945; and the Minneapolis State Fair in 1943. *Stephen continued to recieve awards and exhibit his work throughout his life. In 1997, Hofstra Museum sponsored a Retrospective/Centennial exhibition in honor of his birth. Collections representing Csoka's work are the Metropolitan Museum of Art, New York, NY; the Brooklyn Museum, Brooklyn, NY; the Museum of Fine Arts, Boston, MA; the British Museum, London, England; the Bezalel National Museum, Jerusalem, Israel; the Butler Institute of American Art, Youngstown, Ohio; Whistler House Museum of Art, Lowell, MA; the Cleveland Museum of Art, Cleveland, OH; Columbus Museum of Art, Columbus, OH; the Sheldon Swope Art Museum, Terre Haute, IN; the Mobile Museum of Art, Mobile, AL; the Frederick R. Weisman Art Museum, Minneapolis, MN; the Museum of New Mexico, Santa Fe, NM; the Budapest Museum of Fine Arts, Budapest, Hungary; Hungarian National Gallery, Budapest, Hungary, the Museum of the City of Budapest, Budapest, Hungary; the Library of Congress, Washington, DC; Carnegie Museums of Pittsburgh, Pittsburgh, PA; the Chrysler Museum of Art, Norfolk, VA; Georgia Museum of Art, Athens, GA; Hofstra Museum, Hofstra University, Hempstead, NY; Holocaust Museum, Glen Cove, NY; National Academy of Art, New York, NY; New Orleans Museum of Art, New Orleans, LA; New York Historical Society, New York, NY;New York Public Library, New York, NY; National Gallery of Art, Washington, DC; Peabody Museum, Cambridge, MA; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Reading Public Museum, Reading, PA; Livingston Arts Center, Mount Morris, NY; Ball State Teachers College, Muncie, IN; City College, New York, NY; Fashion Institute of Technology, New York, NY; Hungarian Consulate, New York, NY; Hungarian Heritage, New Brunswick, NJ; Hunter College, New York, NY; IBM Collections; Princeton Print Club...

The unframed painting measures 120 x 61 cm. Romualdo Locatelli è conosciuto per i suoi ritratti che riflettono le culture e le tradizioni dei luoghi esotici che ha visitato. Born in ...

Will good ultimately triumph over evil? Or is it a perpetual tug of war? WPA Artist Leonard Lopez paints a complex figural work addressing the theme of "the fight between good and evil. It's reminiscent of the medieval paintings by Hieronymus Bosch, where demons evoke fear and confusion to portray the evil of man. In this painting, a closeup of a young female’s erotic buttock fills the horizontal space. Engulfing the sexy nude body is a dense array of Lilliputian-like figures. The top third of the composition is crammed with floating, sexy, nude female bodies. The bottom part of the painting features a cross-section of people engaged in their diverse jobs. Mounted on the nude cheek, Artist Leo Lopez paints a victorious Red Devil with a trident. He’s holding a wealthy man in a tuxedo upside down. The supernatural powers of the Devil's red forked tail extend beyond its normal length and, like a tentacle from a sea monster, entangles many of the characters that represent society. To the extreme center right Lopez paints a Winged Venus dressed...

Signature: Signed Lower Left Capper's Farmer Magazine Cover, June 1928

Original on Gouache on paper. Hand signed on front; signed, titled, dated with dedication on verso. Stamped "Composition originale". Frame size 30.5 x 26.5 inches. Artwork is in e...

Italian painting dated 1921. Framework oil on canvas, on the first canvas, depicting a portrait of a child on an armchair of good pictorial quality. Chiseled and gilded wooden frame ...

Louis-Alexandre CABIÉ (Dol-de-Bretagne 1853 - Bordeaux 1939) Path in a hamlet Oil on panel H. 24.5 cm; L. 31 cm Signed lower left, dated 1929 Provenance: Private collection, Charent...

Oil on canvas by Pere Creixams Pico (1893-1965), School of Paris, ca.1920. Beautiful Spanish woman. Provenance: Charpentier Gallery, 76 rue du Faubourg Saint Honore, Paris (Sotheby's...

What a Life, c. 1930, mixed media on board, 18 x 24 inches, signed lower left; titled on label; exhibited at The San Francisco Art Association Fifty-Second Annual Exhibition at the P...

This superb vibrant Orientalist Post Impressionist oil painting is by noted British artist Gerald Spencer Pryse. It was painted about 1925 when Pryse was visiting Morocco and Norther...

Original cover for Liberty magazine, published August 31, 1929. Sandy takes Lil and baby Ulysses out for a day on the lake at the crowded Lakeside Bathing Casino. Sandy pulls out a ...

Harlequin. 1923, oil on canvas, 40x53 cm Jekabs Bine (1895 11 04 Riga – 1955 24 10 Riga) painter, glass artist, teacher and writer of art critics. His ar...

Signature: Signed Cover of The Saturday Evening Post, October 22, 1921

A somewhat similar Cornwell featuring a strong woman at the center of a the composition just sold at Christie's for $164,000. In this work we also see a strong woman at the center of the composition. Here she surrounded by men. More than 20 beautifully rendered post-impressionist portraits in character, define Dean Cornwell as one of America's great artists. In his time, he was a famous as Norman Rockwell and was Norman Rockwell's favorite illustrator. "One thing puzzled Dirty Dan extremely. That was the perfectly frank, friendly manner in which his employer and this outcast woman greeted each other, the earnestness with which they conversed, and the effect of the woman's low-spoken words upon the color of Hector McKaye's face." Morris Weiss collection...

Jacqueline Marval was close friends with Kees van Dongen and her work is of the same school as, Matisse and Marie Laurencin. Les Odalisques is quite contemporary looking with it's main figure having joyful life and vitality to her. Some refer to her as a Fauve and some as a post-impressionist. Clearly, she is an overlooked female artist. This work is over...

Famed female illustrator Jessie Willcox Smith paints the " Ideal Child" in a spiritual moment for the Christmas cover of Good Housekeeping. The accompl...

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 24.00" x 19.00", Framed 32.50" x 27.00" Cover of The Saturday Evening Post, August 26, 1922. Exhibitions: JC Leyendecker...

Masterfully painted portrait with rich paint surface by the famous French Symbolist Signed and dated lower left Provenance: Waterhouse & Dodd, London ...

Inscribed on back #174 House of Kuppeneheimer 1927 fashion advertisement, catalog cover.

Signature: Signed Lower Left Medium: Oil on Canvas Saturday Evening Post Cover, September 18, 1920 - Leyendecker addressed the theme of American patriotism in several ways. His famous Fourth of July covers asserted the import of American independence through stock characters: George Washington, Uncle Sam, the Statue of Liberty, colonial Freedom Fighters, and modern-day soldiers. In addition, his World War I and World War II covers depicted soldiers proudly defending their country. Leyendecker also profiled U.S. presidents and historical figures - George Washington, Robert E. Lee, William Howard Taft...

Early 20th Century Painting of a Hungarian Winter Wonderland Forest River Snow Scene. Art measures 23.5 x 19.5 inches Frame measures 30 x 26 inches Laszlo Neogrady was a Hungarian painter best known for his naturalistic depictions of rustic landscape scenes, often featuring peasants and snow-covered forests. Neogrady notably made extensive use of impasto paint and atmospheric colours, achieving a sense of pictorial depth and light in his work. Born in 1896 in Budapest, Hungary as the son of painter Antal Neogrady, he went on to study at the Hungarian Academy of Fine Arts under the celebrated portrait artist Ede Ballo. Today, Neogrady’s works are found in the collections of the Iowa State...

This portrait of Fannie Hurst may have graced the cover of another major newsstand magazine. Most likely, it was a non-published alternate cover for Redbook. One of the most widely-read female authors was painted by one of the most widely-viewed female illustrators. Edna Crompton was an in-demand and prolific for-hire female illustrator/artist for some of the most prestigious newsstand magazines of the day. She regularly did covers for the Saturday Evening Post, Redbook, Colliers and Judge to name a few. Crompton presents Fannie Hurst - the nation’s highest-paid short story writer and advocates for suffrage and race relations - as a confidently attractive young woman bathed...

Original cover for Liberty Magazine, published July 25, 1925 Framed, dimensions: 30 x 24 in.

Complex Art Nouveau patterns intertwined with gracefull figures define this work by American Artist and illustrator, teacher and lecturer Mildred Bailey Carpenter. Signed in cartouc...

Cat and Cockerel by Georges Manzana Pissarro (1871 - 1961) Oil and gold on panel 65 x 94 cm (25 ⁵/₈ x 37 inches) Signed and dated, Manzana Pissarro 1925 This work is accompanied by ...

Medium: Oil on Canvas Signature: Signed Lower Left Norman Mills Price never fully received the popular recognition that his work deserved. Because he was so intently interested in h...

Walkowitz creates a powerful composition with the tightly cropped nude figure pushed up-close to the viewer and occupying half of the picture plane. Smaller figures lead the eye back...

There is no one alive that can paint and draw like Dean Cornwell. How can that be? They do not train artist the way they did. He was Normal Rockwell's ...

FERNANDO LIGER HIDALGO Spanish , 1880 – 1945 "INTERIOR REALES ALCAZARES, SEVILLA" Signed & located "F. Liger Hidalgo, Sevilla " (lower right) ...

Joaquin Terruella Matilla (1891-1957) - Flamenco - Oil board Oil measures 35x39 cm. Frame measures 40x44 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla, neph...

Date: 1924 Medium: Oil on Canvas Dimensions: 26.00" x 24.00" Signature: Signed Lower Left, Dated Verso, '24

Provenance: Private collection, Orlando, Florida

A charming portrait of a beautiful blue-eyed girl in a pink dress holding flowers in her hand. It's based on Renaissance portraits where the subject is pushed to the foreground and i...

5-112 Italian oil on canvas Displayed in custom wood frame Image size 10.5x13.5" Signed A. Colli