Framed Paintings

Oil painting measures 12 x 9; frame dimensions measure 19 3/8 x 16 3/8 x 3. Housed in an elegant gold-tone frame with decorative edges. Illegible signature, lower right. Support patc...

Oscar Jansson, Arvika, Sweden Sunburst, 1906 (Swedish original title: Solbrytning) oil on canvas signed and dated OSCAR JANSON 1906 unframed: 99.5 x 120 cm (39 1/4 x 47 1/4 inches...

Follower of Johann Heinrich Tischbein the Elder (1722–1789) Man with Bagpipes oil on oak panel no signature 25 × 19 cm (9.8 × 7.5 in) 31 x 26 cm (12.2 x 10.2 in) This refined 18th...

#5-3305a French Impressionist Style Landscape, on board signed by Thiollier set in a light-blue wood frame.Image size 10.5 H x 13.50 w

Pocket Sloe Berries (Pale Blue) 2c (canvas size 7x7cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paint...

Winter Tree Study I oil/canvas panel 6 x 8 image unframe, 9.50 x 11.50 Signed LR I enjoy playing with light in my paintings and creating a mood while trying to push the range of colo...

Beautiful 1931 painting by American artist, Giovanni Martino (1908-1997). Oil on canvas measures 25 x 30 inches. Measures 35 x 39 inches framed. The scene depicts what is definitively the Rockport, Mass. fishing pier. Excellent condition with a few very minor areas of paint flaking. The darker areas in the sky is a result of unpainted areas. The canvas is sized with glue but not primed white: observable areas of natural linen color results. Signed wet into wet and dated lower left. No restoration or overpaint. Giovanni Martino, National Academy of Design* member, was born on May 1, 1908 in Philadelphia PA where all seven brothers and one sister, Filomina, Frank, Antonio, Albert, Ernest, Giovanni, Edmond, and William became painters. They were under the tutelage of their eldest brother, Frank, who in the late 1920s, founded the first commercial art* studio, Martino Studios, at 27 South 18th Street. Besides studying with his two eldest brothers, Giovanni also studied with Albert Jean Adolph at La France Institute, The Pennsylvania Academy of the Fine Arts*, The Graphic Sketch Club, and Spring Garden Institute in Philadelphia. In his mid teens he accompanied his two eldest brothers to New Hope searching for subjects to paint. In the 1930s, he also started to paint in Manayunk, a hilly mill town along the Schuylkill River...

Francesco Zugno (Venice 1709 - Venice 1787) - Death of St. Joseph. 61 x 48 cm unframed, 76 x 63 cm with frame. Oil on canvas, in a carved and gilded wooden frame (not signed). We ...

Ornate Classical Flowers oil painting on canvas, framed signed and dated 1947 framed: 17.5 x 12.5 inches canvas: 16 x 10.5 inches provenance: private collection condition: very good ...

This evocative 19th-century marine scene by English painter Nicholas Matthew Condy captures the dynamic tension and atmospheric drama that typify his maritime works. Known for his ke...

This charming British Impressionist landscape oil painting, painted circa 1910 is by noted artist Charles Burleigh. Burleigh spent most of his life in the Brighton and Hove area, exc...

Venetian painter (dated 1892) - Venice, view of Campo SS. Giovanni e Paolo with the statue of Colleoni. 40 x 22 cm without frame, 59.5 x 41.5 cm with frame. Oil on canvas, in an an...

3794 Equestrian oil painting set in a custom wood frame Image size 23.5x19.25"

Traces unfolds in subtle horizontal layers of sky, horizon, and earth, through a palette of natural, earthy tones. The composition feels carved from memory, as if each painted stratu...

This stunning winter landscape by Mauritz Lindström captures the serene yet striking beauty of a snow-laden scene illuminated by the warm glow of twilight. The interplay between the soft, colorful hues of the evening sky and the intricate, frost-covered branches creates an almost three-dimensional effect, drawing the viewer into the composition. The detailed rendering of the snow and the trees evokes a profound sense of coldness, making the atmosphere almost palpable. Measuring an impressive 101 x 152 cm (39 3/4 x 59 7/8 in) with the frame, this large-scale work is a testament to Lindström's mastery of light and texture. Arvid Mauritz Lindström...

"Allan Water, Stirling" by F. E. Jamieson (British 1895-1950) signed, lower corner oil painting on canvas, framed canvas: 16 x 24 inches framed: 21.5 x 29 inches Fine quality antiqu...

Head Portrait of a Spaniel English School, mid 20th century signed oil on board, framed framed: 3 x 3.5 inches board: 2 x 2.5 inches Provenance: private collection Condition: sound a...

Top Of The Hill John Ginnell ( 1900 - 1980 ) signed oil on canvas, framed framed: 28.5 x 41 inches canvas : 24 x 36 inches Provenance: private collection Condition: very good conditi...

5154 Antique Italian oil painting of a reclining nude woman Framed Image size 24x36"

ARTIST: Frank Johnson (1917-1998) British TITLE: "Female Nude In A Living Room Interior' SIGNED: unsigned, from the artists studio sale at Bonhams Chest...

Portrait of a Lady in a Red Dress French artist, late 19th century oil on wooden panel, framed in an ornate antique gilt frame. framed: 16.5 x 13 inches board: 13 x 9.5 inches prove...

Nadezda's beautiful new oil on panel painting "Smoking Lady" (2024) is an abstract portrait of a woman wearing a black dress smoking inside of her brightly colored house, she is stan...

The Pass at Killiecrankie, Pitlochry by F. E. Jamieson (British 1895-1950) signed oil on canvas, framed framed: 22 x 29.5 inches canvas: 16 x 24 inches provenance: private collection...

As a French Impressionist artist, most of the Delarue's works were produced in the Mid-20th Century. He was known for his charming compositions and with a passion to portray life by ...

A picture of calm refined beauty, the sitter epitomizes elegant and casual repose propped up against pillow in her spacious wicker armchair. Captured by master American portraitist ...

'Parc des Buttes-Chaumont' in Paris, gouache on art paper, by Lucien Génin (circa 1930s). A charming depiction of well turned out Parisians enjoying a day at the park. Boaters, strollers and swans all co-mingle around the peaceful lake. The reflection of the rocky bluff in the water is superbly treated by Génin. It's a cheerful and uplifting image of days-gone-by in 1930s Paris. The park takes its name from the 'bare hill' (chauve-mont) that once occupied the site. It became a place where gypsum was mined, and where the limestone was quarried to be used in buildings in Paris and the United States. Worse, though, it was a site that also became a dumping ground. Luckily, during the 19th-century renovation of Paris under Napoleon III, chauve-mont was chosen as a place for a large park, as part of the emperor's fascination with endowing Paris with green spaces. The artificial lake created at that time wraps around a hilly central island. The lake attracts waterfowl and other birds and is stocked with fish. The 19th-century planners cleaned up the site and added tons of soil to fill the pits left by a limestone mining operation. Then dynamite was used to "sculpt" the site into the craggy shapes seen today, including the 50-metre-high central hill with cliffs, an interior grotto, pinnacles, and arches. Up on top, overlooking the rest of the park - and depicted in this artwork - is a small, round belvedere, based on the Roman Temple of Vesta in Italy. From that spot you can see a lovely view of Montmartre and the white cupolas of the Sacre-Coeur. The painting is in very good condition. It has been newly framed and glazed with museum-quality glass (anti-reflective and UV protection) to preserve this significant artwork for decades to come. Dimensions with frame: H 62 cm / 24.4" W 76 cm / 29.9" Dimensions without frame: H 48.5 cm / 19.1" W 63 cm / 24.8" About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

This small-format painting by Inés Silvalde, created in 2019, transforms a playful and rebellious hand gesture into a queer celebration of irreverence and self-expression. Titled Pir...

Artist/School: After Filippo Lippi, Italian 1406-1469. The work is most likely by an English hand, late 19th century Title: The Adoration of the Christ ...

Collie Dog with Kittens English artist, 19th century oil on canvas, framed framed: 22 x 30 inches canvas: 16.5 x 23.5 inches Provenance: private collection, England Condition: The ...

Loch Katrine in the Scottish Highlands Landscape Vintage Painting. A beautiful realist oil painting of the Scottish Highlands from a highly respected British Artist. Art measures 36...

Martha Mans lavender gray white blue green yellow peach brown framed in brown frame The painting process has been an evolving experience for me from the time I was very young and fi...

German Impressionist Painting of Rio de Janeiro's Guanabara Bay and Sugarloaf Mountain in style of Max Slevogt This vivid landscape painting offers a panoramic view of Rio de Janeir...

This contemporary abstract landscape painting by Bri Custer, titled Reverberate, captures the shifting energy of land and light through expressive brushwork and layered color. Earthy...

Ben Wilson Byzantium, 1975 Oil on Masonite painting Hand signed reverse, Titled, "Byzantium", dated 1975 by the artist and also with estate stamp - in addition to Ben Wilson's hand s...

Late 17th Century Italian School. The Return of the Ark on the Covenant, Oil on Canvas, in a Fine 17th Century Italian Frame, canvas: 40.25" x 49.75" (102.3 x 126cm) Fine quality and rare 17th century Italian Old Master...

This charming 20th-century portrait depicts a young boy in elegant period attire, wearing a brown coat over a vibrant red waistcoat and matching red stockings, with a songbird in han...

Mark Harrison’s Last Light (2025) is an original, handmade oil painting on canvas that captures the fleeting beauty of twilight as it falls over a snow-covered plain and the rugged p...

The Highland Walk Scottish artist, late 19th century oil on canvas, framed framed: 24.5 x 20.5 inches canvas: 18 x 14 inches provenance: private colle...

Work on canvas Beige wooden frame 90 x 70 x 4.6 cm Breton fisherman with pipe This captivating portrait shows a fisherman with a bushy beard, deep in thought and smoking his pipe. T...

Gordes, The Luberon Valley, Provence French artist, signed and dated 95 oil on canvas, framed framed: 29 x 38 inches canvas: 24 x 32 inches Provenance: private collection, France Co...

Man Walking the Dog at a River Side in the Lush Green English Countryside by 20th Century British Artist Art measures 20 x 16 inches Frame measures 25 x 21 inches John Haskins...

Vintage American abstract oil painting. Oil on canvas laid down on board. Signed on verso. Measuring: 14 by 15 inches overall and 12 x 12 inches painting alone. Framed in a an antiq...

In German, there is a word called "Sommefrische" , meaning summer freshness, which describes this painting perfectly. Looking at this Swiss mountain and lake is like a perfect, restf...

The Old Harbor French Impressionist artist, mid 20th century oil on canvas laid over board, framed painting: 9 x 9 inches framed: 9.5 x 9.5 inches condition: overall very good, a few...

Ernest Laynaud (French, fl. late 19th century) Figures on a Beach, circa 1890 Oil on panel Signed lower right Provenance: G. M. Lotinga, New Bond Street, London ⸻ A delightful lat...

An energetic study of a verdant garden by the well-listed artist Jack Millar (1921–2006), featuring towering trees and vibrant splashes of colour, with the silhouetted London skyline...

Pointillist oil on canvas landscape circa 1906 by French Nabis painter Georges Lacombe. This beautiful piece depicts a forest with tree trunks covered in thick green moss and orange ...

Impressionist Landscape by Claude Marin (French 1914-2001) signed oil on canvas, framed Framed: 19 x 22 inches Canvas : 13.5 x 16.5 inches Inscribed Verso Provenance: private collect...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a white bunny on a black background with thick white paint and then ...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Keith Haring. 1958-1990. The iconography of his drawings includes dancing animals and figures, dogs, crawling babies, pyramids, televisions, telephones, and flying saucers. The idea ...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils to add a very contemporary...

David Arnold Burnand (Swiss artist 1888-1975) 107 auctions in Switzerland. Oil paint on cardboard with frame Total size with frame 40x50 cm One...

Pocket Blush Pear 10c (canvas size 5x7cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a ...

Pocket Peas in Pod 3c (canvas size 7x5cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a ...

A charming depiction of Snow in New York City on Fifth Avenue with figures walking a dog. A cozy impressionistic street scene with colors of cobalts, light pink, whites, cadmium red ...

This oil painting is original and signed by the artist. I have owned this piece since the early 1970's. The oil depicts a village and is vibrant in color.

An expansive twilight landscape unfolds before you: a dark spruce forest opens into a quiet forest meadow, the silence punctuated only by the fading light. In the distance, the Bavar...

A beautiful post-impressionist interior still life oil on canvas depicting a guitair and fruits on a chair, by modern Belgian artist and sculptor Roger Duterme. Ther work is signed ...

Richard Andres (American, 1927-2013) Interior, 1976 acrylic on canvas signed lower right, signed and titled verso 50 x 59.5 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...