Framed Paintings

18th Century French Rococò Painting An oil on panel painting attributed to the great French artist of the eighth century, Jean Ra...

Bull Terrier Dog in Landscape English School, circa 1800's circle of Francis Sartorius (England 1734-1804) oil on panel, framed framed: 12.5 x 14.5 inches panel: 7.25 x 9.5 inches Pr...

By Martha Ochoa Oil on Canvas Canvas Size: 24" x 16" Framed Size: 27" x 19.25" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tra...

The love affair between the Emperor Hadrian and his Greek companion Antinous is perhaps the most famous and tragic romance in Ancient Rome. So great that it inspired the final great...

Moses Striking Water from the Rock; Circle of Pietro Dandini, Italian 1646-1712 Italian School, late 17th century oil on canvas, framed framed: 3...

Artist bio/statement: Matt Talbert is a contemporary oil painter living in Southern California. Both a graduate from the Orange County School of the Arts and the Laguna College of A...

This superb British portrait oil painting is by noted artist George Spencer Watson and is dateable to 1913. The sitter is Lillian Gardiner ( Mrs ...

This impressive mid-17th-century oil painting by Flemish artists Pieter Bout (1640 to 1645-1689 to 1719) and Adriaen Frans Boudewijns (1644-1719) depicts an extensive mountainous Rhi...

Still life - Salvatore Marinelli Italia 2008 - Oil on canvas cm. 60x120 Salvatore Marinelli's canvas is a painting inspired by Abraham van Beyeren Dutch painter, of the Baroque age, ...

5183 Vintage painting of a vailed dark haired exotic woman Set in a modernist gilt frame Image size 19.5x15.5"

Artist: Dana Loomis Title: Attributes of Art Year: 1984 Medium: Oil on Canvas, signed and titled in marker Size: 40 in. x 46 in. (101.6 cm x 116.84 cm) Frame Size: 41 x 47 inches

An atmospheric oil depicting two rural cottages surround on all sides by scorched summer fields. In the far distance a figure can be seen spreading seed over the ground for a large g...

A charming oil painting on paper depicting a colorful floral still life in a white vase on top of a wood table. The flowers depicted are a bright bunch of carnations, daisies, greene...

(Comes professionally framed in a solid maple floater frame, ready to hang) Artist's Statement "This series of intensely colorful paintings was begun a couple of years back in reaction to the gray oppressive weight that had descended like a pall on the American scene. I wanted to make paintings about nothing but pure delight, in honor of the fact that beneath the fog of germs and political antagonism, we still eat, laugh, love and if we're wise, acknowledge how spectacularly fortunate we are -- at least for now, in this time and place, despite the problems. For me, the colors, forms and brushstrokes here feel exuberant without suggesting an unnerving chaos. I have purposely used unlikely color combinations that despite their dissonance seem to work together. I don't feel this is a time to be making brooding works that reflect the problems we are working our way through; we all know about this. On the contrary, I think it's a time for art...

Print Albert Anker "Der Quacksalber", Laque on Panel, Mid-Century, Framed Title Print on Panel Albert Anker "Der Quacksalber", Mid-Century, Framed, Switzerland Medium Print on pane...

In early September, a festival is held on the Borodino field where military historical clubs take part and many lovers of horse riding and horses gather. Among the many horses waitin...

A bright and airy Post-Impressionist oil landscape showing a view of a serene island vista. Two fishermen use the clear coastal waters as they look out over distant boats. Unsigned a...

Max Lewis Hamburg 1863 – 1930 Vienna German painter 'Portrait of a Lady' Signature: 
signed revers ‘M. Lewis’, certified by Louise Lewis, sister Medium: oil on panel Dimensions: im...

Henry Ward Ranger Seascape, circa 1905 Estate stamp lower right Oil on academy board 11 1/4 x 13 7/8 inches A key person in the establishment of the Old Lyme, Connecticut art colon...

Artist: Pál Fried (Hungarian, 1893-1976) Title: "Hortense (Ballerina)" *Signed by Fried lower left Circa: 1940 Medium: Original Oil Painting on Canvas Framing: Framed in a light gold...

This painting on porcelain depicts the Greek legends Aphrodite and Cupid in radiant light. In this playful scene, Aphrodite holds Cupid's bow just out of his reach. This painting is ...

Astley David Middleton Cooper (American, 1856 - 1924) Signed: A.D.M. Cooper 90 " Indian Encampment by the River ", 1890 Oil on Board 20" x 30" Housed in a Walnut Frame with a L...

After Mary Fedden OBE R.A. PPRWA 1915-2012, was an English artist and teacher of art. She studied at the Slade School of Art in London and she painted portraits, murals and developed...

This evocative evening view of Visby by Axel Lindman captures Visby in the warm, fading light of the setting sun. Rendered with atmospheric sensitivity, the silhouette of Visby’s med...

Impressionist New York City winter city-scene depicting Times Square in New York City. This piece is done in a most intimate, yet energetic way. Christopher is known for capturing th...

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. With Suk Ja Kang...

Framed size 41.5 x 52 inches. This painting was exhibited at the Salon Indépendants in 1964, label on verso, Louis-André Margantin was a student at the École Nationale des Arts Déc...

One of the Crew by David W. Haddon (British early 20th century) signed oil on board , framed framed: 18 x 14 inches board: 15 x 12 inches provenance: private collection, England cond...

This painting is not signed, Work on wood Plaster molding frame and gilded wood Dimension with frame : 36.5 x 28.5 x 4.5 cm

Eric Michaels is known for his impressionistic scenes from all over the world. His extensive travel allows for his inspiration to flow free and to render locations of the Mid-west, across the US and Europe. Mostly known for his pastoral strong use of oil and watercolor, we are drawn to the poignant brush strokes and vivid use of light throughout each one of his paintings. This piece is a tremendously vivid and alive scene from Pecos, Texas, landscape with snow...

This canvas is dedicated to the innermost heart, in the form of a rose, peeling back the layers petal by petal. The rose is me. The palette is opulent browns and pinks, and the movem...

Georgine Lara English Village landscape A painting by Georgina Lara depicting a 19th-century English village scene offers a charming and evocat...

Wonderful Hudson River School oil on board of a fisherman in a peaceful River scene. Monogram and dated on reverse. 9.25" x 12.25" housed in a carved frame measuring 11.5" x 14.5".

A masterful oil painting depicting a coastal scene with a sail boat passing through the glimmering waters, lush hills, and seaside buildings under a lightly clouded sky. This particu...

Signed oil on panel seascape circa 1930 by New Zealand post impressionist painter Sydney Lough Thompson. The work depicts sailboats in the water at Concarneau, a commune in the Finistere department of Brittany in Northwestern France. Signature: Signed lower right Dimensions: Framed: 14"x16" Unframed: 8.5"x10.5" Provenance: Private collection - Switzerland Sydney Lough Thompson was born on 24 January 1877 at Oxford, Canterbury, New Zealand. He was one of six sons and three surviving daughters of Charles Abel Thompson, a shoemaker, and his wife, Sophia Matilda Lough. His father was a man of some enterprise, who had come to New Zealand as a young man and had established a general store in Oxford, before purchasing a sheep farm about four miles from town. Sydney attended school locally before beginning work on his father's farm as a boy of 13. It was Petrus van der Velden...

A beautifully painted oil on canvas of a lady, circa 1825, merged with a period gilt-wood frame. There is no signature of artist on this painting.

Lamentation of Christ Follower of Anthony van Dyck (Antwerp 1599 - London 1641) Late 17th-early 18th century Oil on canvas (64 x 51 cm. - Framed 77 x 65 cm.) This is a very...

Sorin Bica's "Imagine" is a 50 x 38 inch oil painting on canvas. It's an expressive, abstract painting of a seated figure rendered in bold, almost glowing blocks of color. The person...

Born in Leningrad (now Saint-Petersbourg, Russia) in 1937, Catherine Zoubtchenko lives in France since 1945. She was a student of the painter André Lanskoy, with whom she later share...

A fine mid-nineteenth century equestrian portrait by George Henry Laporte (1799-1873). Signed and dated to the lower left. Well presented in a vintage gilt frame. On canvas on stretc...

“Ethel, The Blue Spotted Cow” is a vibrant and whimsical original folk art oil painting by celebrated Mexican-American artist Martin Saldaña. This large-scale composition bursts with...

Willard Dixon is celebrated for contemporary landscapes that offer viewers a place of quiet reflection. Known for his luminous depictions of the American West, he captures space, lig...

Signed post impressionist landscape oil on canvas circa 1905 by French painter Eugene Henri Alexandre Chigot. The work depicts summer flowers - yellow sunflowers and pink foxgloves - blooming outside a cottage on a hilltop. The cottage is white with a red roof and green shutters. A tree branch overhangs the path beside the cottage. Signature: Signed lower right Dimensions: Framed: 38"x46" Unframed: 29"x37" Provenance: Private collection - France A pupil of his father Alphonse Chigot, Eugène Chigot enrolled at the École des Beaux-Arts in Paris in 1880, where he studied under Vayson, Cabanel and Bonnat. He exhibited at the Paris Salon from 1884-1924, and was commended by the jury of 1885, winning a third-class medal in 1887 and a second-class medal in 1890. After travelling in Spain, in 1887 he settled in Étaples in Flanders, before returning to Paris, where he became a founder of the Salon d'Automne. He was awarded bronze medals at the Paris Expositions Universelles of 1889 and 1990, and held his first solo show in Paris in 1905. He was an inspector of the museums of painting and drawing curated by the French maritime ministry, and an Officer of the Légion d'Honneur. His early works are large-scale history paintings, which he quickly relinquished in favour of landscapes, depicting scenes from his travels in southern France, Italy, the Auvergne, Vendée, Brittany and Flanders, whose light he particularly appreciated. Some of his works are reminiscent of paintings by Pissarro...

Using the striking imagery that is abundant in the California landscape, queer artist Kory Alexander creates dreamy paintings that are flooded with vibrancy and movement. Kory consid...

signed and dated Otto Sinding Karlsruhe 1873 lower right oil on relined canvas framed 59 × 101 cm (23.2 × 39.8 in) unframed 41 × 83.5 cm (16.1 × 32.9 in) Provenance: The collection ...

William Merritt Chase Portrait of Louis Prang, 1884 Signed center right "WM M Chase" Oil on canvas 41 1/2 x 30 1/2 inches Provenance The artist Louis Prang Gift from the sitter to R...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Original oil and acrylic painting on canvas titled “Sandscape 2” by the well known American artist, Syd Solomon. Signed Syd Solomon lower left. Signed and dated Syd Solomon 1972 and inscribed as titled on the reverse. 22 × 30 inches. Overall very good to excellent condition. No notable issues detected during inspection. No signs of restoration under UV inspection. The painting is in its original wood with silver reveal floating frame. Overall framed measurements are 24.25 by 32.25 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

19th Century Portrait of Seated Lady with Fur Trim Jacket Interior by Indistinctly Signed Artist (European, dated 1887) Signed and dated 1887 lower left oil on canvas, framed in a g...

Nicely painted American school abstract geometric oil painting in a period frame. Signed lower right "Flemming" but without an artist determined.

"Pink and Purple Roses 3" is an Oil and Charcoal on Linen painting by Contemporary American artist, Darius Yektai (b. 1973 Southampton, NY). A white background is built up with thi...

"Sunset Pt. Lobos, CA" Coastal Landscape in Oil on Linen Oil painting of a coastal landscape by Max Flandorfer (American, b. 1962). Large trees along a path are at the edge of a cliff overlooking the water. The cliff is covered in green grass. Below, there is a dark blue ocean...

A beautiful 1930's French impressionist oil on board depicting a portrait of a young Indian lady. Fine quality portrait set against a gorgeous splash of colour. Presented in it's o...

This calm and reflective mid-19th-century German oil painting depicts a woman reclining, her hand on a zither, before moonlit Alpine scenery. Gazing outwards across the rooftops and...

This fine French Old Master portrait oil painting on canvas dates to circa 1770 and is attributed to the circle of Elizabeth Vigee Le Brun. The sitter is Madam van Robais. The van R...

Mary Kollock (American, 1840-1911) [illegible] France, 1892 Oil on canvas 30 1/2 x 23 1/4 in. Frame: 36 1/2 x 33 x 2 7/8 in. Signed, titled, and dated lower right Landscape, still l...

William C. Grauer (American, 1895-1985) Scrub and Pines, 1929 Oil on canvas Signed lower right 18 x 20 inches 24.5 x 26.5 inches, framed Exhibited: Cleveland Museum of Art, May Show ...

Artist/School: After Filippo Lippi, Italian 1406-1469. The work is most likely by an English hand, late 19th century Title: The Adoration of the Christ ...

MARIS Size: 42.5 x 33.5 cm (including frame) Oil on canvas A enigmatic figurative oil painting that presents a striking, abstracted portrait of a lone figure, executed in oil onto c...

"Hastily Slumped" shows a white sail being casually taken down on a wood ship. The sea is turquoise blue and the sky blue with fluffy white clouds. One has the perspective of being o...