Framed Interior Paintings

This is a small colourful abstract painting. The painting is framed in a black wooden frame, ready to hang. (size framed: 23,5x23.5x3 cm) Please feel free to ask any questions if ne...

Lavagna - Massimo D'Orta Italia - Oil on canvas mis. cm. 100x80. Massimo D'Orta born in Naples in 1950 where he currently lives and works. Atypical character in contemporary art: man...

Kelly Carmody (b. 1977, Massachusetts) Rooted in realism, Carmody’s compositions start very traditional in subject and composition; however, she further transforms her skilled hand b...

Carole Rabe’s Blue and Green is a striking 24 x 36 inch oil on canvas that reveals the quiet poetry of interior space. Known for her masterful treatment of light, Rabe composes a ser...

Still Life painting of a pink peony in a domestic setting Painted by Hudson Valley based artist, Carl Grauer, in 2022 oil on canvas 16 x 12 inches, 19.5 x 15.5 inches with an artist-...

ARTHUR BOYD HOUGHTON (1836-1875) Sunday Afternoon Signed l.l.: Houghton Oil on canvas Framed 20.5 by 25.5 cm., 8 by 10 in. (frame size 30.5 by 34.5 cm., 12 by 13 ½ in.) Provenance: William Drummond; Private collection. Probably painted in 1864, the present work evokes the peaceful contentment of everyday family life, with its small scale further reinforcing the intimacy of the scene. It is one of a series of small intimate family scenes produced during this happy period of his life. A male figure, possibly the artist’s himself, slumbers in a chair, a handkerchief draped over his face whilst Susan, the artist’s young wife reads by the window. Their child, either Arthur or Georgina, plays on the floor with a discarded newspaper. The room is at 4 Adelaide Villas, St Mary’s Grove, Richmond, the house Arthur and Susan moved to shortly after their marriage in 1861. The chaise and window, with its pots of geraniums, also feature in the 1864 painting Coach and Horses (private collection) which depicts Susan, with her hair down, playing with Arthur and Georgina. A pot of daffodils placed beside the same geraniums in the present work suggest it may have been painted in the spring of that year. Such domestic bliss would shortly come to a tragic end when Susan died of pyaemia following the birth of their third child in June 1864. Houghton was born in India, the son of a captain in the East India Company’s marine service. Both is father and older brother were accomplished military draughtsmen and he probably received early training from them. His family returned to England in the early 1850s and he began studies at Leigh’s and the Langham...

The Spanish artist Mònica Castanys is inspired by everyday scenes. Moments, femininity and light are the basis of her paintings. Her color palette is r...

Yesterday Evening  " To me only our dishwasher seems to lend its self to painting. Its something to do with the angle of the light from the widow and it being tucked in a corner. Th...

Artist/ School: David Wilkie Wynfield (1837-1887) British Title: Elegant Figures in an Interior Medium: oil painting on canvas, framed. Indistinctly Ins...

In Parlor - Angelo Granati Italia 2013 - Oil on canvas cm.80 x 60. This is his reinterpretation of a greatest old master painting "Ladies of the First Empire 1875"by Giovanni Boldin...

Original gouache painting on paper, still life painting made under natural light. Signed on the front and back of artwork. Al...

An oil painting of a vase of flowers atop a windowsill. An antique radiator takes space beneath the windowsil. The window is flanked by pink patterned drapes. The paned window gives ...

William Adam (1846-1931) Beautiful Courtyard / Patio Painting Oil on Artist Board Housed in Original Art Deco Frame 33.75 x 23.5" unframed 32.5" x 44.5" framed

Richard Andres (American, 1927-2013) Blue Wall, c. 1959 oil on canvas signed and titled verso 42 x 60 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Item is in excellent condition and has only been displayed in a gallery setting. With frame dimensions are approximately 44" x 64" Leon Olmo was born in Moron de la Frontera at the end of the 1940's beginning at a young age to study drawing and wax technique. From heightened stimulation incredible still-lifes are produced from the nearby aromas of lemons, jasmine, pomegranates, and medlars, fruits which often appear throughout his paintings. Olmo is a self-taught painter, reaching the status as one of Seville’s most talented artists through strict perseverance in drawing and painting. Working until complete exhaustion, Olmo attempts to capture all of himself with every image he creates. For Olmo, neatness and cleanliness go hand in hand when creating a work of art. Though he denies traditional academicism, Olmo does utilize a methodical approach in each painting that begins with strict preparation of the fibrapan board upon which he paints. Beginning with a primer composed of calcium sulfate and glue, he sands the board’s surface until smooth. This regimented routine is in accord with Olmo’s insistence of maintaining neatness and cleanliness for he has rejected the use of canvas where any imperfection is not up to standard. He then picks juicy fresh fruits from their trees and retrieves wooden boards from a collection that he has acquired over the years during walks with his father. Arranging the objects for the desired effect, the outcome will be a play of shadows between the background and brilliant center of the composition. With the brush he draws simple motifs and leaves layers of paint until he achieves a magic luminosity, where the observer can actually see through space, a transparent quality distinctly from the hand of Olmo. The recreation of natural elements in his paintings is to remind the observer of humanity’s material nature. The symbolic use of jasmine is special to the artist, in order to represent the grandeur of small things, six petals with an incredible scent which contain within them the magic of the artist and of his Andalusian land. Olmo’s dreamlike masterpieces contain human warmth that has an unsurpassable way of working their way into the hearts and minds of his collectors. Leon Olmo and his son Leon Reina make up a father and son painting...

After the Bath, Bathing Nude, Woman Drying 'The Red Hand-Towel' by Carl Otto Müller, 1969. Munich School, Impressionist, Dortmund Kunstakademie, Paris ----- Initialed lower left 'C....

Artist/ School: Christof Gracieuse, signed and dated 1979 Title: 'Modernist Still life with teapot' Medium: oil on canvas, framed Framed: 23 x 38 inches Painting: 16 x 31 inches ...

Artist/ School: British School, late 20th century, signed Title: Extravagant Still Life of Fruit Medium: oil painting on canvas, framed. Size: painting is 18 x 24 inches, frame: 2...

"Gerber Daisy" by Carl Grauer Contemporary Still Life Painting of Pink Flower Pot on Kitchen Window Sill Acrylic on Canvas in Custom Frame 40 x 30 inch...

"Debris I" Abstract Oil Painting 31.5" x 47" in (1983) by Zaccaria Zeini Medium: oil on celotex Signed and dated Comes in old original frame Zaccaria El Zeini (1932 - 1993) was r...

"Debris III" Abstract Oil Painting 28" x 22" in (1983) by Zaccaria Zeini Medium: oil on canvas Signed and dated Comes in old original frame Zaccaria El Zeini (1932 - 1993) was ra...

The painting, executed in a mixed technique, depicts a beautiful young woman. Her closed eyes emphasize the overall atmosphere of relaxation. Natural beauty, graceful figure, and the...

Circle of Léon Lhermitte (1844-1925) Meditation Oil on canvas 32 x 24 cm This painting depicts an old man seated on a chair, his hands clasped in his lap, his gaze lowered, pensiv...

An interior scene depicting a bottle of wine and cheese plate atop a long dining room table in Paris. The breeze is being felt through the window, as t...

Vintage French modernist still life oil painting. Oil on canvas. Framed. Signed. Measuring: 35 by 20 inches overall. In excellent original condition. Handsomely framed in a modern...

This artwork participated in the exhibition KUNSTGEGENPOLITIK 2022 This painting is a part of my series on the human mind - "The Dreams." The artwork is on canvas on a stretcher 70x...

This is a colourful abstract triptych. Each painting is framed in a black wooden frame, ready to hang. (Size framed: large painting 53,5x53.5x3,5 cm and two small paintings each 23,5...

Elena Burykina's "The Big Mirror 2" (2023) is an original, handmade oil painting that depicts a portrait of a person in dim light. This piece measures 6 x 6 in and is ready to hang. ...

The work features a beautifully rendered still life of a group of strawberries arranged next to a bunch of grapes in the style of William Henry Hunt. Currently hung in a carved, gold...

Very Large Antique Spanish Orientalist Oil Painting of Alcázar Seville Hidalgo Spanish, Late 19th Century Canvas: Height 91cm, width 68cm Frame: 112cm, width 89.5, depth 6cm This c...

"Loving horses in a countryside hay harvest landscape" signed P. Laruche, which appears to be a pseudonym used by Henry Schouten This peaceful painting two loving horses in a sun-li...

Giovanni Camillo Sagrestani (Florence 1660 - Florence 1731) circle of - San Girolamo. 96 x 72 cm unframed, 112 x 88 cm with frame. Antique oil painting on canvas, in a carved and g...

Artist/ School: French School, mid 20th century, signed lower left Title: Pink & White Flowers in a Blue Vase Medium: oil on board, framed framed: 15 x 12 inches board: 10 x 7 in...

The picture is framed (wooden frame) and the idea behind is recycling of used objects of everyday life. Signed on the back by the author. Need to be adjusted to hang it on the wall a...

Still Life by Paul Flaubert (1928-1994, French) signed oil on canvas, framed framed: 17 x 24 inches canvas: 15 x 22 inches provenance: private collection, France condition: very good...

Americana Still Life Painting of American Diner Table Condiments & Sauces Art by Leading British Urban Painter, Angela Wakefield Art measures 12 ...

"Storm I" – Large Neutral Abstract Textured Painting with Black Accents by Michelle Thomas. “Storm I” is a bold, highly textured original abstract painting by contemporary artist Mi...

"Evolution 1" (FRAMED) Abstract Painting 34 x 45" inch by Yoram Katz Medium: Pencil on Paper Size framed: 37 x 48 inch ABOUT THE ARTIST: Born in Israel. Graduated from the Bazelel ...

'Jester Admires His Own reflection' by artist Mimi Jensen, who uses bold colors to depict theatrically lit objects. "Her paintings invite speculation into possible metaphors" – Calif...

This is a small colourful abstract painting. The painting is framed in a black wooden frame, ready to hang. (size framed: 23,5x23.5x3 cm) Please feel free to ask any questions if ne...

"Winter Folly" - Original 2003 Oil on Masonite 2003 oil on masonite still life painting titled "Winter Folly" by American artist Richard M. Bacon (American, 20th Century). Colorful...

'Feeling of Being', oil on paper mounted on panel features a chair for two. The painting is part of Zolotnitsky's 'Extinct Series' that focuses on abandoned chairs. The artwork is 35...

"Evolution 2" (FRAMED) Abstract Painting 34 x 45" inch by Yoram Katz Medium: Pencil on Paper Size framed: 37 x 48 inch ABOUT THE ARTIST: Born in Israel. Graduated from the Bazelel ...

Oil on canvas laid on board, cottage interior scene, signed with indistinct date circa 1860, Image size 10" x 15", very nicely framed More Information Good clean condition, no sign o...

"Evolution 3" (FRAMED) Abstract Painting 34 x 45" inch by Yoram Katz Medium: Pencil on Paper Size framed: 37 x 48 inch ABOUT THE ARTIST: Born in Israel. Graduated from the Bazelel ...

Bolero" animalism is an oil painting by Lilia Volskaya. Cherries are like precious stones, and next to them is an elegant and very imposing cockerel. In many peoples, these two symbo...

The collection of paintings has the name of the "Landscape" The paintings are drawn with oil on the canvas with stretcher People like to tame nature, make it comfortable. There are ...

Artist/ School: signed lower right corner, Italian School, 20th century Title: sprig of blossom in a clear glass with water. Medium: oil painting on canvas, framed Size: framed:...

The person who follows the Sun will not stray from the path. No matter how difficult the moments life throws at you, when it seems like everything is becoming dull and gloomy. But you will overcome it, for there is a sun shining within you. And when you feel its benevolent influence on your life, you start to notice the manifestations of the sun more and more often - in the glints of light in your beloved's hair, in the sunbeams on the pavement, in the changes of light and shadow in the park. This original painting by the Ukrainian artist Ksenia Tsyganyuk...

Sailboat oil/ canvas, 50x40 cm, 1989

Richard Andres (American, 1927-2013) White & Yellow, c. 1953 oil on canvas signed lower right, signed and titled verso 30 x 20 inches Craquelure commensurate with age. Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Large scale colourful figurative portrait of a fashionable lady in a blue hat by French artist Jean-Louis Dubuc. The painting is signed bottom right and titled to the rear cross stre...

'A Game of Cards' George Goodwin Kilburne (1839-1924) British watercolor on board, framed framed: 10 x 11 inches board: 9.5 x 10.5 inches Provenance: private collection, England Cond...

Into the tunnel is an original modern artwork realized by Isidore Odorico (1893-1945) in the early 20th Century. Oil on board. Hand signed on the lower margin. Includes frame

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting process. It is very much a studio-centric activity, complete and self-sufficient. The objects that one works with do seem to take on a life of their own, both by themselves and in their affinity for one another. They have a history, a patina, they may be new, or world-weary." The artist continues, "My collection has been substantially whittled down to an essential few over the years, yet their combinations seem infinite. There is a lengthy and persistent shuffling, adding and eliminating to find that particular combination that suddenly takes on a rightness or self-sufficiency. It is interesting how one small object of the right color in the right place can facilitate such an event, or in another case the removal of something, a simplifying. I have a feeling when composing these paintings similar to my experience of playing with my jazz group. The key, the tempo, the dynamics, all come together, and there is a point when everything clicks and propels the music into a life of its own greater than the sum of its individual parts". —Willard Dixon 'Still Life with Chinese Ball...

Lovely mid-century interior of a red table, green vase, and other objects by an unknown American artist, c.1940. This harmonious interior scene is rendered in beautiful realistic det...

Jaremi Picz (1955) - Epicentrum Quantinum U/G/W Acrylic on canvas from 2024. The work is enhanced with UV paint. Dimensions of work: 120 x 120 cm. Hand signed and titled on the ba...

“Storm IV” – Vertical Neutral Abstract Painting with Gold and Black Accents by Michelle Thomas A dramatic vertical statement piece from Michelle Thomas’s acclaimed Winter series, St...

P Deltour (?) French school of the 19th century The artist with his model and friend in his workshop Oil on canvas Signed "P Deltour" (?) and dated 1879 on the lower, an indistinct i...

«Evening Rest» is one of three paintings united in a triptych "The beauty of sunset". This Painting was presented in Zurich at the exhibition "Perfect Art Match" in the ga...