Landscape Paintings

"Airplanes Dive Over Enemy Skies" Italian Futurism Futurist Transportation Plane Guglielmo “Tato” Sansoni (Italian, 1896 – 1974) "Airplanes Dive Over Enemy Skies (Aerei in Picchiata su Stabilimenti Nemici)," 20 x 28 inches. Oil on canvas. Circa 1930s. Signed lower right. Titled and signed verso. Guglielmo Sansoni...

The Railway Station, c. 1934, oil on canvas, signed lower right, titled verso and noted "34"; illustrated Kaufman, Jeffrey, Brush with Life: The Art of Being Edward Biberman...

Work on canvas Frame in plaster and molded and gilded wood 67 x 59.5 x 6 cm

Firmado por el artista en la parte inferior Estado de conservación bueno Se presenta bien enmarcada la obra Medidas obra: 60 cm altura x 20 cm ancho. Medidas marco: 76 cm altura ...

Josep Pelegrí Ferrer (Barcelona, ca. 1892 – ca. 1965) Landscape with Rural Architecture 1934 Medium: Oil on panel Artwork dimensions: 38 × 46 cm (15.0 × 18.1 in) Framed dimensions:...

“First Tracks at Courchevel, French Alps” Marius Chambon (French, 1876-1962) Gouache on paper Signed lower right. 16 1/2 x 10 1/2 (24 x 18 frame) inches Capturing the moment in the...

Artist: Amedee-Julien Marcel-Clement, French (1873 - ?) Title: Granville: Au Sortie du Port Year: circa 1920 Medium: Oil on Canvas, signed l.r. Size: 21 x 25.5 inches (53.34 x 64...

Vintage American impressionist landscape oil painting. Oil on board. Framed. Signed. Measuring: 15 by 20 inches overall, and 12 by 18 painting alone.. In excellent original conditi...

Impressive early American modernist urban backyard scene. Framed. Oil on board. Signed. Image size, 18H by 24L.

Countryside Barn at Dusk - Oil Pastel On Paper Oil pastel drawing depicting a small wooden barn atop a country hillside by Oakland, California artist Grace Anna Pfister (American, 1...

Antique American modernist signed interior oil painting. Oil on board. Signed. Framed. Image size, 9L x 10H. Provenance from the San Francisco Museum of Art.

Impressive early American modernist street scene oil painting. Framed. Oil on canvas. Very finely painted with excellent color and composition. Ready to hang.

Signed oil on canvas seascape circa 1920 by French naive painter Camille Bombois. This work depicts workers out at sea on a large sail boat with a few ...

Provenance: The Artist. Menikoff collection (friends of the artist) About this artist: Born in Little Italy in 1907, Gregorio Prestopino first set out to become a sign painter as the son of New York City immigrants. Instead, his talent provided a life-changing scholarship to the National Academy of Design, and for five years he studied drawing under C. W. Hawthorne. He spent the summer of 1934 at the MacDowell Colony in Peterborough, New Hampshire. His deep involvement with the colony led him to later serve as its director in 1954. Much of Prestopino’s work was in the vein of social realism. During the 1940s and 1950s he became deeply invested in portraying everyday Manhattan and Harlem scenes. He first became interested in the Ashcan school at the National Academy of Design, and remained committed to an interest in working with urban scenes. His lively treatment of people and events revealed his affinity for sixteenth-century artist Pieter Breughel. Later in his career, he focused on producing images of nudes and picturesque New Hampshire landscapes, and investigated the relationship between color and form. Prestopino exhibited at several biennials at the Corcoran Gallery, at the Art Institute of Chicago, the Museum of Modern Art. His work was frequently shown at the Pennsylvania Academy of Fine Arts, where he was awarded the Temple Gold Medal in 1946 and an additional prize in 1952. He was awarded a National Institute of Arts and Letter Grant in 1961, and in 1972 the National Academy of Design awarded him the Altman Figure Painting Award. Prestopino’s artistic cache skyrocketed when Life magazine published his images from New York’s maximum security institution Green Haven as part of its “Prison Series” in 1957. That same year his paintings and sketches of urban life were featured in the short film Harlem Wednesday. Directed by John and Faith Hubley...

A dynamic 1930s, WPA era industrial scene watercolor of a steel mill and factory workers by notable Chicago Modern artist, Harold Haydon. A wonderful example of early Twentieth Cent...

Signed and dated oil on board figures in landscape by French post impressionist painter Gustave Cariot. The piece is set in Wiesbaden, Germany depicts a breathtaking view of the Rive...

Hungarian Harvest Courtship 1920s Well executed impressionist painting of a Hungarian countryside courtship vignette by a 19th-20th century Hungarian artist Pal Szlavik. some minor s...

Circus Elephants American Modernism WPA Regionalism Mid-Century Modern Oil. Signed lower left. Not much is known about Marco de Marco, but just look at...

"View in Gent" Piet Lippens (Belgian, 1890-1981) Circa 1920s Oil on canvas, signed lower left 23 3/8 x 19 3/8 (24 x 28 frame) inches Piet Lippens was a...

Impressive early American impressionist flower landscape painting by Lila Caroline McGillivray Knowles (1886 - 1979). Oil on board. Framed. Signed. Image size, 10 by 12 inches.

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Walter Emerson Baum (1884 - 1956). Born in Sellersville, Pennsylvania, Walter Baum was one of the only members...

#5-01 Large Scale Persian Hunt, circa 1920's oil painting on canvas depicting hunting scene, displayed in a wood-gesso frame.Image size 39 H X 59.5 W Arti...

A beautiful signed and dated 1931 English impressionist oil on board depicting a tranquil river landscape, by D. Thomson. The work is presented in a fine period frame with swept cen...

Sergey VINOGRADOV ( 1869 - 1938 ) Rough sea with steamer on the horizon Sergei Arsenievich Vinogradov ( Russian: 1869–1938 ) was a Russian-Soviet Impressionist painter; known for l...

Pietro Sansalvadore was active during the early to middle of the 20th century. He painted in an Impressionist manner and on a small scale. Acquiring a late 19th-century Impressionist painting of Hammersmith Bridge by the Italian painter Pietro Sansalvadore is an opportunity to own a captivating piece of art that transcends both time and cultural boundaries. Sansalvadore's unique perspective, influenced by the Impressionist movement, infuses this painting with a luminous quality that captures the atmospheric essence of Hammersmith Bridge in a way that only a skilled artist with an international perspective could achieve. This masterpiece not only showcases the artist's mastery in capturing light and movement but also represents a harmonious fusion of Italian artistic sensibilities with the iconic English landmark. The play of colors and the subtle brushstrokes transport the viewer to the late 19th century, offering a glimpse into the allure and dynamism of that period. Owning this painting is not just acquiring a visual delight; it's investing in a historical and cultural artifact...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...

A fine 1938 watercolor done of Tugboats in the Harbor by Reginald Marsh. The painting depicts the crush of boats at the shoreline during the later part of the American Great Depress...

Antique American impressionist landscape oil painting. Oil on board. Framed. Measuring: 20 by 23 inches overall, and 13 by 17 painting alone. In excellent original condition. Hand...

ALFRED JANSSON (1863-1931) – UNTITLED [LAKESCAPE] Oil on Canvas ⚜ Signed ⚜ Dated ⚜ Framed A SERENE MIDWEST LAKESCAPE WITH ATMOSPHERIC DEPTH This original 1923 oil painting by Swedis...

Serene depiction of Loch Na Keal, Iona, Scotland by William Mervyn Glass, Royal Scottish Academy and Scottish Academy of Artists (PSSA,SSA) (Scott...

Landscape, canvas/cardboard/oil, 39x50 cm, 1929

Work on canvas Molded frame in plaster and gilded wood 81 x 94 x 6 cm Geneva landscape painted on the back of the canvas This captivating work depicts a rural landscape, rich in d...

Mischa Askenazy Moving Houses Signed lower right Oil on canvas 26 x 38 inches Mischa Askenazy was born near Odessa, on February 22, 1888. At age four, Askenazy immigrated with his ...

Work on canvas

A charming, diminutive 1930s Modern painting depicting laundry hanging in a Vermont lake house window by notable Chicago artist Harold Haydon. Artwork size: 8 x 8 1/4 inches. Fram...

Impressive early American impressionist seascape oil painting by Margaret Munro Stratton McLennan (1911 - 1995) . Framed. Oil on board. Signed. Image size, 12H by 16L.

An excellent example of Doragh's best work. The scene is believed to be New Castle, Delaware circa 1920. The painting has been professionally restored. The ...

This superb marine oil painting is by noted Austrian artist Roland Strasser. Strasser was born in Vienna, studied art in Germany, spent time in Indonesia and finally settled in Amer...

Original oil on canvas painting of bucolic landscape with a mother and her child walking on a country path. Signed lower right by the artist “Bernard Viegers”. Great use of light an...

This oil on canvas painting was done by the American artist, Warren Sheppard. Signed twice lower left. One signature over another. See signatures photo's. Circa 1920 to 1930. Recently lightly cleaned and gold leaf frame custom made for the painting. Overall 27 by 37 inches. Some craquelure; mainly in sky. Otherwise, good condition. A student of Dutch marine artist, Mauritz de Haas, Warren Sheppard built two successful careers around his love of the sea: marine painting and yacht designing. He was born in Greenwich, New Jersey, a town on the Delaware River below Philadelphia, which has been associated with ships and shipping since the earliest Colonial times. His father was a sea captain and the young Sheppard took many voyages with his father to make artistic studies. He learned perspective drawing at Cooper Union in New York City in addition to his studies with de Haas. In 1879, he spent four months sketching Mediterranean port cities including Gibraltar, Genoa, Naples and Messina in Sicily. Between 1888 and 1893, he also studied painting in Venice and Paris. By the time he was in his mid-thirties, he had established himself as a successful illustrator and painter. The yachts he painted were the most lavish of his day, owned by the wealthiest of men. He was an expert in the design and rigging of ships of present and earlier times. His work was highly regarded for its authenticity as well as its artistic merit.Sheppard was also an expert navigator and sailed a number of famous yachts in races. Twice he was to command Tamerlane when it won the New York to Bermuda run. His book, Practical Navigation, was used for many years by the United States Naval Academy...

The painting we are selling is a breathtaking mountain view from Hålland in Jämtland, Sweden, created by Ante Karlsson-Stig in 1932. Ante Karlsson-Stig (1885-1967) was a Swedish pain...

The boatman, Marais Poitevin by Paulémile Pissarro (1884-1972) Oil on canvas 73 x 60 cm (28 ³/₈ x 23 ⁵/₈ inches) Signed lower right, Paulémile- Pissarro. Painted circa 1930's This w...

Jonas Heiska (1873–1937) Finland Mountain Landscape, Finland, 1922 signed J. Heiska and dated lower left oil on panel unframed 35 × 48.5 cm (13.8 × 19.1 in) framed 45.5 × 59 cm (17...

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

Work on wood

Harbor Scene With Sailboats Seascape Signed lower left, canvas 20x20, about 1930-40. Emile Albert Gruppé was born 1896 in Rochester, New York. He lived the early years of his life in...

A rare modern impressionist view of the Seine and the Notre Dame Cathedral in Paris by well listed artist Manuel Ortiz de Zarate. Signed Ortiz and created c. 1930 this wonderful p...

Stunning autumnal landscape titled "Fall at Barrington, Illinois", a suburb of Chicago, by Kathleen Buehr Granger (American, 1902-1999), 1938. Signed lower left "K. Buehr Granger" an...

View of Paris is a modern artwork realized by Henri Hamm in the 1930s. Oil on wooden Panel. Good conditions.

Scottish artist John Maclauchlan Milne, RSA, (1885-1957) is a contemporary of Scottish Colourists Peploe, Fergusson, Cadell and Hunter. Like the...

Up for sale here is a really impressive early 1900's oil painting by William Clarke Rice, Jr. (1875 - 1928). A great nocturnal view housed in a period giltwood frame. Image size, 2...

Work on canvas Beige wooden frame 67 x 80 x 4 cm

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. once an order is placed we will arrange the VAT of 20% to be reduced to 5% Vue de la Vallée by Gustave Cariot (1872-19...

Work on canvas Dimensions with frame : 57.5 x 74 x 5 cm This striking work captures a serene landscape, shrouded in a subdued light that evokes a meditative mood. Dominated by gray a...

Very nicely painted European impressionist landscape painting. Framed. Oil on board. Image size, 20H by 20L. Nicely framed and in excellent condition. Ready to hang.

Finely painted panoramic landscape by Nellie Augusta Knopf (1875 - 1962). Oil on board. Framed. Image size, 12H x 16L. Signed verso.

Work on canvas Wooden frame 74 x 61.5 x 4 cm

Ponte Vecchio Florence Oil on canvas, 1927 Signed and dated lower right corner Titled upper left NOTE: this offering is UNFRAMED Condition: Excellent Conservation by Monica Radecki, ...

Grace Hill Turnbull Laughing Waters, 1925 Signed lower right, titled on verso Oil on canvas 26 x 37 inches Provenance The artist Catonsville Community College, Catonsville, Maryland...

Point Lobos, California Oil on artist's board, c. 1925 Signed lower right: Wm J Edmundson (see photo) Condition: Very good condition Frame: Period McBeth Gallery style frame (see pho...