19th Century Landscape Paintings

Work on canvas

French school end of 19th century Landscape by the river oil on paper 29 x 49,5 cm In good condition In a modern frame : 33,5 x 53.5 cm

19th Century Italian Signed and Located Painting Beautiful and rare oil on canvas painting by the great Lombard painter Eugenio Spreafico. It best represents the talent of this gre...

Work on canvas Golden wooden frame 55 x 69.5 x 3.5 cm

Herman N. Hyneman (American, 1849-1907) Untitled (Sunset Landscape), 19th Century Oil on canvas 20 1/4 x 26 in. Signed lower right: H. N. Hyneman Herman N. Hyneman was a noted Ameri...

Landscape in oil. Signed and dated, 1910. Presented in a gilt frame with elaborate floral mouldings. On canvas laid down.

F. Stoltenberg wooded landscape with trail to a cottage 19 century Oil on canvas 16 x 20 unframed, 23 x 27 framed

Pierre Emmanuel Dielman 1829 - 1902 A Belgian artist, the son and pupil of Pierre Emmanuel Dielman senior (1800 - 1858). he painted low country rural landscapes with farmyard animals...

Though he was born in Norwich, England in 1833 and lived in London for the second half of his life, George Henry Boughton’s formative years as a self-taught artist began in Albany, New York, where his family settled in the 1830’s. Recognized as a leading landscape and genre painter in the United States and abroad, Boughton illustrated editions of Washington Irving’s Rip Van Winkle...

English School Mid 19th Century Watercolour The Shooting Party unsigned but usefully inscribed verso, by the artist watercolour painting on stiff paper, unframed sheet: 7.2 x 10 i...

Josef Höger (1801–1877) "Landscape with Waterfall" This captivating 19th-century oil painting by Josef Höger, an esteemed Austrian landscape painter, presents a tranquil yet dynamic natural scene featuring a rustic watermill and cascading waterfall. The composition is enriched by lush greenery, a meandering country path, and distant mountain peaks, evoking the grandeur of the European countryside. The artist’s delicate handling of light and shadow enhances the depth of the scene, lending it both realism and an almost romantic atmosphere. Höger was known for his precise yet poetic depictions of landscapes, drawing inspiration from the picturesque regions of Austria and Central Europe. His works often reflect the transition from Classical to Romantic landscape painting, emphasizing both the grandeur and serenity of nature. His ability to capture the interplay of water, foliage, and atmospheric perspective is evident in this finely executed piece. Medium: Oil on canvas Framed Dimensions: 49 x 55 cm Flat Dimensions: 38 x 47 cm Condition: Excellent condition for its age, with vibrant colors and well-preserved details. The period frame complements the composition and enhances its aesthetic appeal. A fine example of 19th-century European landscape painting...

Conditions : Very good overall conditions, original canvas with no minor retouching, except on the dress 12mm ( as seen on picture under UV light). The signature is dated 1852 or 53....

A forest landscape viewed through the branches of trees. Presented in a wooden frame with a white painted inner window. Signed to the lower-left edge. Inscribed with the title and na...

Amédée Rosier (French, 1831-1898) Title: The Valley of Thebes Medium: Oil on Panel Size: 12 inches x 22 1⁄2 inches Size framed: 23x33in Markings: Signed lower right A pupil of Cogn...

C. 19th Century A beautiful Portrait of " Pioneers on a Shoreline " Setting up Encampment

Work on canvas Frame moldings in plaster and gilded wood 41.5 x 47.5 x 6 cm

Illegible signature Work on canvas

Beautiful oil painting on board of a sunset Dorking in England by the British painter, Harold Sutton Palmer. Signed S. Palmer lower right. The painting is it’s original frame. Gold...

Of Germanic descent, the painter Jean Krillé was born in 1923 in Switzerland. His father, writer and poet, oriented him towards art and culture. From the age of 16, he enrolled at th...

Watering from the Loch's Waters Scottish School, late 19th/ early 20th century signed, "Jamieson Lainge" oil painting on canvas painting: 20 x 24 inches provenance: private collecti...

Astley David Middleton Cooper (American, 1856 - 1924) Signed: A.D.M. Cooper 90 " Indian Encampment by the River ", 1890 Oil on Board 20" x 30" Housed in a Walnut Frame with a L...

Work on wood Golden wooden frame 57 x 44.5 x 5 cm

Pasquale Celommi (Montepagano 1851 - Roseto degli Abruzzi 1928), The Beach of Roseto Oil painting on canvas 65 x 114 cm signed lower right.

Watercolor Landscape Painting by American artist J.H. Twachtman (1853-1902) Watercolor on board Unframed 10" x 13.25"

Edward Brice Stanley Montefiore, (1855 -1918). A London painter and illustrator of landscapes, often with working horses. Exhibited at the Royal Academy, Royal Institute and Manchest...

Gaston Le Sargeant De MONNECOVE Oil on Canvas Picture Size : 18 x 24" (46 x 61cm) Outside Frame Size: 26 x 32" (66 x 81cm) A classic example of De Monnecove's work capturing French hunting art...

Here for your consideration is a wonderfully detailed miniature painting of the Matterhorn. Signed and titled verso. Attributed to the artist William Archibald Wall. Dated 6/50 verso...

Olga Wiesinger-Florian (1844–1926) "Forest Stream with Weir" This impressionistic oil painting by the renowned Austrian artist Olga Wiesinger-Florian captures a tranquil woodland s...

Otto Renner (1881-1950) – "Dutch City Dock Scene" A stunning and detailed artwork by the renowned German artist Otto Renner (1881-1950), depicting a lively Dutch canal scene. This be...

Palace with Vignettes of Scenes of Royal Court Life Early 19th century Rajput School Gouache on heavy paper, mounted to gold flecked support board c. 1820 Unsigned as usual Inscribed...

A very attractive view of a rural lane in Pirbright by this highly collectable artist who was a contemporary and friend of John Constable. Dr William Crotch (1775-1847) Mr Pear's House at Pirbright from the Turnpike Signed with initials on reverse and inscribed as title and additionally " Thunder about/ 1 pm" watercolour and pencil 4 x 6½ inches without frame 11 x 13 inches with frame William Crotch (5 July 1775 – 29 December 1847) was an English composer and organist. According to the British musicologist Nicholas Temperley, Crotch was "a child prodigy without parallel in the history of music", and was certainly the most distinguished English musician in his day. Crotch was a professional musician, becoming the first Principal of the Royal Academy of Music...

John William Buxton Knight was born in Sevenoaks, Kent, in 1843, the son of the landscape painter, William Knight.  Buxton Knight began his art studies at an early age by working in ...

Antonio Rodriguez Morey "Sunset Landscape" 19th Century Oil on canvas 24 x 14 in Antonio Rodriguez Morey (1874- 1967) was born in Havana on Ma...

Work on canvas Golden wooden frame 37 x 63 x 4.5 cm

C. 19th Century Johann Gottfried Jenzsch " Travellers Passing By " Beautiful Landscape of Travelers Passing through rocks and cliffs Headed to a chapel. ( Oil on Wood Panel )

Work on canvas

The Giudecca, Venice, 19th Century by CHRISTIAN JOHANNES WILBERG (1839-1892) Large 19th Century view of The Giudecca, Venice, oil on canvas by Christian Wilberg. Excellent quality ...

Well painted and interesting composition. Classic mid 19th century English Folk art Cottage Landscape. The piece is framed in its original frame and is a very nice piece of Engli...

Mathilde Glaub Foro Romano at Pompeii Oil on canvas Framed: 43 x 47 cm Canvas: 32 x 26 cm No signatured This evocative oil painting by Mathilde Glaub captures the timeless ruins of...

Wait 19th early 20th century Landscape depicting a shepherd with herd and small child with dog Oil on board 18 x 25 25.5 x 33

An English river landscape with Swans, boats, barges on the banks of the Thames. A very interesting river landscape composition of figures working on a boat, near a barge on the River Thames, London, circa 1885. Robert Hamilton...

Stunning oil on canvas, scene of two young courting lovers in an extensive landscape. A French painter from the middle to late 19th century. Dastugue was a portrait and genre painter...

Duncan McFarlane. This excellent ship portraitist began his life's work in Liverpool. It is believed that he later sailed to America and was employe...

Charles Morris senior, who flourished 1850 - 1881. Painter of rustic landscapes, often Mill scenes, very much in the manner of the Norwich School. Father of CHarles Greville Morris R...

Oil on artist board, 19th century. No signature found, but done by a talented hand with a beautiful luminous quality. Label on reverse The Australian Twin Steamer 'Bunyip', 1860. T...

Dutch School, Two Fishermen Scenes, Oil on Wood Panel, 19th century, each with old paper labels marked "Vernet" to verso, giltwood frames. Image: 5.25" H x 6.75" W; frame: 7.5" H x 9...

A Set of 3 Original Oils on Copper. English School, "The Palace of Westminster", "Westminster Abbey" and "Canterbury Cathedral" English School circa 1870. Finely painted depictions ...

Outstanding Late Victorian English river harvest landscape. John Horace Hooper lived in London. Landscape painter. English School. A prolific artist evidenced by the frequent appea...

Legout Gérard was born in Saint-Lo Normandy, France on the 24th October 1856 and died in Paris on the 14th August 1924. He began his career as a banker, but around 1890 he discovered...

European School Chateau Oil on wood 9 5/8 x 7 1/2 inches

This lovely British Victorian oil painting is by noted 19th century landscape artist Thomas Baker of Leamington. It was painted on 18th September 1854 as a special commission. The co...

Beautiful oil painting by Ernest Ange Duez depicting an elegant young lady leaning against a stone wall in a country setting. Oil on canvas Signed lower right Canvas dimensions: 12...

A classic and elegant Venetian view with a period Barbizon, gold leaf frame! Sheppard did a series of these and two other American painter is more noted for their Venetian views than...

GARAT Francis (1870 - NC) The Farm of The Donkey Oil on canvas signed and dated 1883 low right Frame guilded Size canvas : 50 X 76 cm - Size frame : 60 X 76 cm GARAT Francis (1870 -...

Alfred S. Wall (American, 1825-1896) Untitled (Building the Railroad), 1859 Oil on canvas 14 1/2 x 18 1/2 inches Signed and dated lower left For Christmas, 2008, the Pittsburgh Post-Gazette featured Alfred Wall's painting, Old Saw Mill from the collection of the Westmoreland Museum of American Art in Greensburg, PA. It was painted in 1851 in the town of Lilly, Pennsylvania in the Allegheny Mountains. The newspaper description stated that "though the saw mill is long gone, it still conveys all the warmth and coziness of this time of year. The article, written by Patricia Lowry, continued: At first glance, Alfred S. Wall's painting of a saw mill in snowy woods triggers nostalgia for the coziness of a log cabin, the smell of a wood-burning fire and the warming of chilled hands and feet beside it. But as sentimental as it seems on the surface, Mr. Wall's painting has a deeper and unexpected context. This is more than a painting about sled-riding children and early industry planted in the middle of virgin forest. Intended or not, this is a painting about conquering the great divide of the Allegheny Mountains. For the third consecutive year, the Post-Gazette features a winter-scene painting on the cover of the Christmas Day newspaper. This year's painting, Old Saw Mill, was selected by co-publisher and editor-in-chief John Robinson Block and executive editor David Shribman during a visit to the Westmoreland Museum of American Art in Greensburg. Mr. Wall, listed as a portrait painter in the 1850 census, was about 26 when he painted Old Saw Mill in 1851. The self-taught artist was born in Mount Pleasant, Westmoreland County, to William and Lucy Wall, who'd emigrated from England around 1820. An artistic sensibility ran in the family: William was a sculptor who carved ornate tombstones here; Alfred's children, A. Bryan and Bessie, were landscape painters, as was Alfred's older brother, William Coventry Wall. For more than a century the Walls formed a prominent art dynasty in Pittsburgh, and Alfred, eventually a partner in the city's most prestigious art gallery, was well known as a painter, dealer and restorer. In Old Saw Mill, two wood cutters, each holding an axe, meet outside the mill; one points in the direction of the forest. On the other side of the stream, one child pulls another down the hillside on a sled. Just behind the hill's slope, the roof of a building appears, perhaps the home of the sawyer. The luminous, late afternoon light comes from the northwest, casting lengthening shadows on the snow under a darkening sky. The saw mill in "Old Saw Mill" likely would have been impossible to track down had Mr. Wall, presumably, not written on the back of the painting: "old saw mill near Jct. 4, Portage RR, Pa." "There was no Junction 4," said Mike Garcia, park ranger at the Allegheny Portage Railroad National Historic Site, about 90 miles east of Pittsburgh near Gallitzen, Cambria County. "But there was an Inclined Plane No. 4 at Lilly, and there was a saw mill there." In fact, there were at least six saw mills at Lilly over the years, said longtime resident Jim Salony, president of the Lilly-Washington Historical Society. But when he saw an image of the painting, Mr. Salony had no trouble coming up with a location. While there are no known photographs of the saw mill, he believes it stood near the intersection of Portage and Washington streets, next to Bear Rock Run. Mr. Salony, retired academic dean at Mount Aloysius College, didn't know exactly when the mill was torn down, but it's been gone since at least the late 1800s. He was pleased to learn of the painting, even though that knowledge came too late for inclusion in a new book about Lilly, The Spirit of a Community, for which he served as primary author and editor. It runs to more than 700 pages. For a little town -- population 869 last year -- Lilly has a lot of history. Nestled in a bowl on the western slope of the Allegheny Mountains about 3 miles south of Cresson, Lilly was first settled in 1806 by Joseph Meyer and his family, who named their 332-acre land patent Dundee. Although the Meyers had left by 1811, other settlers followed, but the community didn't flourish until the 1830s, when the Allegheny Portage Railroad began its 23-year-run through the town. For 200 years the Alleghenies had stood as an impediment to trade and travel between Pittsburgh and the east. A canal from Philadelphia to Pittsburgh would change that and compete with New York's Erie Canal. But a portage railroad would have to be built, on which teams of horses would lead the canal boats over the mountains. Engineer Sylvester Welch began his surveying from the small settlement at Lilly. The railroad would require 10 inclined planes, some quite steep, between Hollidaysburg and Johnstown. To build it, trees had to be cut along a 120-foot-wide right-of-way for 36 miles, along which track and engine houses had to be built. William Brown, who owned the saw mill on Bear Rock Run, built at least one of the engine houses at Inclined Plane No. 4; an 1834 contract also included fencing the dwelling lots at the head and foot of the plane. Lilly is located at what was the foot of Inclined Plane No. 4., giving the community one of its early informal names, Foot of Four. Named in 1883 for Richard Lilly, who'd completed the grist mill there, Lilly had another early name: Hemlock, so dubbed by a Portage Railroad traveler who smelled the bark stripped from the trees at the saw mill. Because there isn't another Allegheny Portage Railroad location like it, where a cut in the mountains opens into a bowl, Mr. Salony thinks it was Lilly that Charles Dickens wrote about following his trip from Harrisburg to Pittsburgh on the Pennsylvania Canal in late March 1842, describing what he saw after emerging from "the bottom of the cut": "It was very pretty while traveling, to look down into a valley full of light and softness, catching glimpses through the tree-tops of scattered cabins; children running to the doors; dogs bursting out to bark, who we could see without hearing; terrified pigs scampering homeward; families sitting out in their rude gardens; cows gazing upward with a stupid indifference; men in their shirt-sleeves looking on at their unfinished houses, planning out to-morrow's work; and we riding onward, high above them, like a whirlwind." To get to Lilly, Mr. Wall may have taken the Pennsylvania Canal from his home in Allegheny City, now the North Side. He'd married young, at 21, to Sarah Carr in 1846, the same year he began his career as an artist. By 1880 they were living in a brick townhouse at 104 (later 814) Arch St., now demolished. Across the river in Pittsburgh he shared a studio at 67 Fourth Ave. with his brother William; they later moved to Burke's Building, today the city's oldest office building at 209-211 Fourth. But often they worked outdoors, sometimes as part of the colony of artists that grew up around painter George Hetzel beginning in the late 1860s at Scalp Level...

Martinus Kuytenbrouwer Amersfoort, The Netherlands 1821 – 1897 Paris, France Dutch Painter Along the River “La Meuse” Signature: signed lower right 'Martinus' Medium: oil on canvas...

Loch Awe and Kilchurn Castle is a landscape oil painting on board by 19th century artist Edward Train (1801 -1866). Train was a British artist, painting mostly landscapes in northern England and, like this one, in Scotland. The painting is signed E. Train (lower left) and dated 1850 or 1856, the last number being too faint to be certain. From 1850 to 1880 Train flourished as an artist, but his work was exhibited in galleries in northeastern England and Edinburgh from the 1830s. Born in Gateshead, Tyneside, Train left to take an apprenticeship with a London engraver. In the 1830s Train traveled with an expedition to the Hebrides and Shetland Islands. Here he became fascinated with the Scottish scenery that would become part of his repertoire of landscape art. Loch Awe lies in the west of Scotland in Argyll and Bute. Kilchurn Castle, built in the 16th century, lies on a peninsula inside the Loch, on the water's edge. Train would have traveled to the Highlands and painted the dramatic scene from the east banks of Loch Awe, across from the Castle. This painting captures the Highland mountains, loch and castle that was very much the ouevre of this artist's work. Train painted the Highlands decades before other renowned landscape artists of the 19th century, such as Alfred de Breanski, Louis Bosworth Hurt, Douglas and Duncan Cameron...

Victorian Scottish Landscape Figurative Oil Painting with Horse and Rider, Cattle, Sheep and Dog in River Landscape with Lincluden Abbey Ruin...

Market in the Puszta is an original modern artwork realized by Artist of 19th Century. Mixed colored oil on board. Includes frame.

Antique 19th Century Italian Orientalist Oil Painting Mosque Cairo Egypt Lovatti Italian, 1899 Canvas: Height 31cm, width 51cm Frame: Height 40cm, width 61cm, depth 4cm This is a v...