Archival Paper Paintings

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

oil on linen on mounted board outsider pastel on archival paper *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking f...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

This is a watercolor painting of a female figure inside the belly of a reindeer. Dana Sherwood is a New York based artist whose work explores contact between human and non-human ani...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured acrylics in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic displ...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

The artwork is framed and floated to the backboard. The dimensions of 44 x 50 cm are that of the artwork only, excluding the size of the frame.

Artist: David Stern Title: Portrait Year: 1997 Medium: Acrylic & Mixed Media on Paper, signed l.r. Size: 30 x 22 inches (76.2 x 55.88 cm)

An acrylic and oil on heavy weight paper piece with bright use of color and texture. We are focused on the simplicity of beauty in the moment as Shaoul creates a translucent but very...

This original 1949 gouache and wax painting, titled Fetishes, is by renowned New Mexico modernist artist Howard Schleeter (1903-1976). Signed and dated by the artist on the lower rig...

An original watercolor painting by American artist Wes Olmsted depicting an abstract landscape view.

Seven deadly sins are the seven vices that spur other sins and further immoral behavior. First enumerated by Pope Gregory I (the Great) in the 6th century and elaborated in the 13th ...

By Gustav Likan 13" x 16" Pastel on Paper

This painting features hues of orange, yellow and brown with highlights of pink and purple. It is a work on paper mounted to three cradled wood panels that lock together when install...

Cheltenham Races is an original painting by Garth Bayley Based on the Cheltenham races. Horses, Horseracing, sport, The 60 x 90 cm is the image size with extra for framing. The paint...

Coming soon

"Purple Desert Mirage" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, a...

The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...

Watercolor on archival cold press paper. Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by...

Summer Softness by Jacqui Bassett [2021] original Oil and Cold Wax on Arches Archival Oil Paper Image size: H:45 cm x W:45 cm Complete Size of Unframed Work: H:45 cm x W:45 cm x D...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

David Fredrik Moussallem’s mixed-media abstract paintings tell different “stories from the streets” and respond to urban landscape. His palette is soft, mainly using white, beige and blue that mimic the surface of peeling city walls. Extensive travels all around the world have triggered a fascination for global subcultures and urban street life, while his academic background in advertising, graphic design, and typography have heavily influenced his compositional approach. Moussallem’s mixed media paintings resemble distressed city walls that, like palimpsests have accrued years of graffiti, posters, and fliers. He blends calligraphy and personal inscriptions with blurred color fields, using paint brushes...

Abstract figurative painting on board. Carl Bredemier label on the reverse. Framed. Oil on board

This 1950s gouache on paper painting by Mildred Welsh Hammond (1900–1980) presents a striking modernist interpretation of Cripple Creek, Colorado. The co...

This bold and colorful equine impressionist painting, "Secretariat Tremendous Machine" by artist Lisa Palombo is a 24x18 acrylic painting on canvas. Depic...

Artist: Jenik Cook, American (1940 - ) Title: Untitled XVII Year: 2010 Medium: Acrylic on Paper, signed and dated Size: 22 in. x 28 in. (55.88 cm x 71.12 cm)

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

David Fredrik Moussallem’s mixed-media abstract paintings tell different “stories from the streets” and respond to urban landscape. His palette is soft, mainly using white, beige and blue that mimic the surface of peeling city walls. Extensive travels all around the world have triggered a fascination for global subcultures and urban street life, while his academic background in advertising, graphic design, and typography have heavily influenced his compositional approach. Moussallem’s mixed media paintings resemble distressed city walls that, like palimpsests have accrued years of graffiti, posters, and fliers. He blends calligraphy and personal inscriptions with blurred color fields, using paint brushes...

"Fantasy with Flowers" (series of 200+ pictures)   paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

Martin Fuller was born in 1943 in Royal Leamington Spa and his initial studies were at the local Mid–Warwickshire College of Art, from 1960–62. ‘Mid–Warwickshire College was very good’, he says; ‘they taught drawing, and I was a natural image maker, but I wasn’t necessarily a natural drawer. They made me draw objectively. In a way it’s quite beautiful to have gone through that rigour and not to have one’s creativity made dead’. He moved to London in 1962 to attend Hornsey College of Art, where he became ‘more sybaritically cultured’, then was awarded the Guggenheim–McKinley Scholarship to Italy in 1964. He was in Positano for just under a year and says that it changed his life: in those days there was a thriving artists and writers community, long before the tourist invasion: ‘Although it was the beginning of the supposed swinging sixties, London was still fairly dour, so then I went to Italy with its food culture and more emotional openness…I remember watching a traffic policeman in white jodhpurs and a white hat pinching a girl’s bottom. It was a wonderful revelation of a different way of life’. The Italian light, which was ‘very different from Camden Town’, also influenced his art. When he returned from Italy he took a job at Hornsey, painted portraits, and then in 1968 had his first one–man show at the Arnolfini gallery in Bristol, which he reckons at that time was probably the best provincial art gallery in Britain. He continued to exhibit widely throughout the 1970s and ’80s. 3cIn 1991 he spent a year as Artist in Residence at Santa Fe in New Mexico. Five years later he won the Discerning Eye Modern Painters Prize and also won first prize in the Hunting Art...

Painting on Canvas signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa Springs, Color...

Rosie Phipps The Cotswolds Original Watercolour Painting Watercolour Paint on Paper Image Size: H 10cm x W 25cm x D 0.1cm Mount Size: H 19cm x W 34cm x D 0.3cm Framed Size: H 23cm x ...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Summer Bouquet, watercolor on paper size 24x30 framed 32x38 Joan Brady 20th Century American artist is known for her watercolors. Exhibition : Custom House Museum Key West Art...

Jay Walker is best known for his large-scale, site-specific installations and collector's pieces created with laser-cut vinyl, colored acrylic sheets, artist-made stencils, tape, and...

"Spring Beauties" is an abstract landscape featuring hues of green, purple and blue. This work is framed in a simple white frame behind Museum Glass measuring 28 by 36 inches. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson, Charles Burchfield, Ellsworth Kelly, Alexander Calder and Mary Delany. This piece is part of a collaborative series by Carlyle and her husband Thad Lee. This body of work was made in tandem, through painting and photography, that explores their mutual delight in the natural world and within their own marriage. Carlyle Wolfe’s paintings & works on paper are about an awareness of the natural world—becoming progressively, cyclically more present to its rhythms, gaining deeper understanding of its design, & acquiring direct experiential knowledge of its mysterious beauty. For the last 15 years, Wolfe has been making contour line drawings of plants form observation. From her drawings, she isolates silhouettes into paper stencils which she uses to create oil paintings & works on paper – or cut out of metal to make sculptures. Her work is cumulative in nature – gradually marking time & seasonal change, unity & variety, individual & collective beauty. Wolfe grew up in Canton, Mississippi, & earned a BFA in painting from the University of Mississippi & an MFA in painting & drawing from Louisiana State University. She has also studied in Cortona, Italy, & at the University of Georgia. Wolfe has exhibited work throughout the South, including Spalding...

Finding My Way 2 Cheryl D. McClure oil on paper on wood panel 20 x 20 x 0 in Inv #: 795 Price $1800 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...

India ink on paper. Price does not include framing.

VALERIE HIRD BREAK IN THE HORIZON, 2019 oil, monotypes, gesso, Arches paper, silver leaf, silver amulet 23 1/2 x 22 in. 59.7 x 55.9 cm. mythology

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

"Fantasy with Flowers" (series of 200+ pictures)   paper 54x40cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

The Cotswolds on a fine day Rosie Phipps Water colour, Gouache, Pastel 40 cm x 23 cm Pass into the landscape looking first into the far distance, and then taking one’s gaze to the m...

This Reed piece is of a mother dog and her pups. It is painted in the influence of the European artist Oudry. This painting is oil on paper, and is monochromatic black. Reed's prima...

Acrylic ink on water color paper Image 6 1/2 h x 5 w Framed in custom cherry wood acrylic frame 22h x18 w 1 3/4 deep $3,500 Harrison Storms’s artwork confronts the spectator with who...

By Tom Shefelman 20" x 24" Watercolor on Paper

Indian ink on paper Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in ...

Anne Siems has created this stunning watercolor on Strathmore Cold press paper. All archival materials. Paper size: 44x44 inches Silver wood Frame size: 50x50x1.25 inch ANNE SIEMS (b. 1965, Germany) Artist Statement I was born in Berlin, Germany. From 1969 to 1971 I lived near Buenos Aires, Argentina. My first extended stay in the US was as an exchange student in 1986. Then in 1991, after finishing my MFA in Berlin, I moved to Seattle, WA. My work has moved from semi-abstract, room-filling plant and insect drawings...

mixed media on paper

An original watercolor painting by American artist Catherine Koenig.

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

"Second Spring" is an abstract landscape featuring hues of blue, green and purple. This work is framed in a simple white frame behind Museum Glass measuring 37 by 49 inches. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers) Year: circa 1963 Medium: Acrylic on double layered Masonite Size: 29.5 x 21 inches Condition: Good P...

Navigation by artist Lisa Weiss is a contemporary abstract blue, white, grey, and yellow mixed media on panel that measures 30 x 20 and is priced at $1,500. Lisa Weiss’ work is about mark making, patterning, spontaneous movement, momentary awareness and paring down to essentials. She is continually looking for ways to detach from the past and future with a focus on the here and now. Weiss’ paintings are process driven by movement, repetition, materials, and place. Her works are for beauty and contemplation. A professional artist from Tennessee, Lisa Weiss received her BFA in painting and sculpture from Middle Tennessee State University in 1990. She received a teaching assistantship to Louisiana State University in Painting and Drawing and completed her MFA in 1996. Lisa has exhibited her work nationally in solo and group shows for the past fifteen years. She is included in numerous public and private collections throughout America, Canada, United Kingdom, Australia and Holland. She has the honor of being in the Hunter Museum permanent collection. In the last seven years, Lisa has attended four artist residencies: Dorland Colony in California, Millay Colony in New York, Wurlitzer Foundation in New Mexico and the Nantucket School of Art on Nantucket Island. She has taught design, painting and drawing at the University of Southern Mississippi, Watkins College of Art and Film, Eastern New Mexico University and Winthrop University. Lisa has recently earned initial certification for teaching yoga from Yandara Yoga Institute in Todos Santos, Mexico. She has traveled the United States, Mexico and Europe. Lisa currently creates artwork in her studio in Franklin, Tennessee. Selected Collections Hunter Museum of Art: Chattanooga, TN. Hilton Hotel: Washington, DC. Iberia Bank: Memphis, TN Sand Point Corporation: Sand point, FL. Baptist Hospital: Nashville, TN. Glanker Brown Law: Memphis, TN. Harrahs: Las Vegas, NV. Hot Springs National Park: Hot Springs, AR. CoCa - Cola Bottling Co.: Knoxville, TN. Creative Arts Guild: Dalton, GA. Tennessee Watercolor Society: Nashville, TN. Private Collections: United States, Canada, United Kingdom, Germany, Australia, Holland Selected Exhibitions 2013 Tinney Contemporary: Three Person Show, Nashville, TN. 2012 Copper Fox Gallery - Inaugural Opening, Leipers Fork, TN. 2012 L. Ross Gallery: Paper Exhibition – Memphis, TN. 2012 L. Ross Gallery: Group Show – Memphis, TN. 2012 L Ross Gallery: Common Thread - Memphis, TN. 2011 Nina Kuzina Fine Art: Group Exhibition - Nashville, TN. L Ross Gallery: Paper Group Exhibition - Memphis, TN. Bennett Gallery: 7 in 11 Group Exhibition - Knoxville, TN. 2009 Waterworks Art Center: Seedlings Exhibition - Salisbury, NC. L. Ross Gallery: “Nature Forms’ – Solo Exhibition – Memphis, TN. 2008 Gallery Up: ‘Papillon’ – Solo Exhibition - Rock Hill, SC. 2007 Project A: ‘Sequence’ – Solo Exhibition – Nashville, TN. 2006 L. Ross Gallery: ‘Prana’ – Solo Exhibition – Memphis, TN. Bennett Gallery: ’New Works’ – Two Person Exhibition’ – Knoxville, TN. 2005 Upstream People Gallery: ‘7th Annual All Media International’ - Omaha, NE. L. Ross Gallery: ‘Inner Garden’ - Solo Exhibition Memphis, TN. 2004 Art Forms: ‘Between Moments’ - Solo Exhibition - Memphis, TN. 2003 Perry Nicole Fine Art: ‘Flux’ - Solo Exhibition - Memphis, TN. 2002 Eastern New Mexico University: ’Faculty Exhibition’ - Portales, NM. Art Forms: ‘Strong Voices’ - Group Exhibition - Memphis, TN. 2001 Hanson Gallery: ‘Remembrance’ - Group Exhibition - Knoxville, TN. Perry Nicole Fine Art: ‘Quest’ - Two-person Exhibition - Memphis, TN. 2000 Creative Resource Gallery: Group Exhibition - Birmingham, MI. Perry Nicole Inaugural Opening: ‘Ascension’ - Solo Show - Memphis, TN. 1999 Creative Resource Gallery: Group Exhibition, Harbor Springs, MI. National Miniature Exhibition: Group Exhibition - Salt Lake City, UT. 1998 Period Gallery: ‘National Miniature Exhibition’ - Omaha, NE. Exit Gallery: ‘Small Wonders’ - Solo Exhibition - Hattiesburg, MS. 1997 Blue Haus Alternative Workspace: Group Exhibition - Hattiesburg, MS. 1995 Ironworks Gallery: ‘Art for Arts Sake’ - New Orleans, LA. 1993 Parthenon Gallery: ‘Central South Exhibition’- Group Show - Nashville, TN. 1992 Dalton Creative Art Guild: Group Exhibition - Dalton GA. 1990 Parthenon Gallery: ‘Tennessee Watercolor Society Exhibit’ - Nashville, TN Awards and Honors 2008 Yandara Yoga Teacher Training: Todos Santos, MX. 2008 ‘The Conversation’: Inspired from the painting ‘Empire’: Rock Hill, SC. 2005 Nantucket School of Art & Design: Artist Residency, Nantucket Island, MA. 2004 Helene Wurlitzer Foundation: Artist Residency, Taos, NM. 2003 Maho Bay Environmental Arts Program: Artist Residency, St Johns...

Finding My Way 1 Cheryl D. McClure oil on paper on wood panel 20 x 20 x 2 in Inv #: 794 Price $1800 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...

"Sprung" Oil Painting 24" x 18" inch by Wyatt Mills ABOUT THE ARTIST: Wyatt Mills was born in New York in 1991. After earning a BFA in painting from The School of Visual Arts, he r...

Patrick Vale Airport ink on paper 19h x 24w in 48.26h x 60.96w cm PKV009 See What I See Why are Chicago and baseball so perfect for each other? What is it about this city, this tea...

Title: "Congress Ave." Artist: Pep Suari Medium: Acrylic paint on paper Size: 20" x 27" Framed

Feminine Mistique, ink on archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He has honed...