Enamel Paintings

"Exotic," 2019. Enamel on panel, sign painting, black, white, and red. Hand lettering

Yappanoise 47 (Abstract work on paper) Ink, enamel on paper - Unframed This work is part of one of 4 on-going series of large works on paper. T...

Artist: Robert Melee Title: Another Unrendered Quasi-Articulated Substitution Year: 2006 Medium: Beer bottle caps, Plaster and Enamel on Wood, signed verso Size: 40 inch Diameter

A large, dramatic abstract oil painting by Contemporary artist Bill Hewes. William (Bill) Hewes is an American self-taught artist. Hewes was born in Easthampton, Massachusetts in 1957. Before becoming an artist in 2012 Hewes worked in the building trades for 40 years and often uses the skills learned from his tradesman work within his artwork. Hewes paints in the Action/Drip style, even building his own spinning table...

Contemporary pop art inspired pixelated portrait of Leonardo da Vinci's Mona Lisa painting. Similar to pointillism, the individual hand-painted blocks of color come together to form ...

Artist: Michael Knigin, American (1942 - 2011) Title: Outside Choice Year: 1984 Medium: Acrylic and Enamel on Canvas, signed l.l. and verso Size: 34 x 96 in. (86.36 x 243.84 cm) Fram...

'Valley of the Fires' by Irwin Whitaker, enamel on copper, initialed lower-left corner. Enamel measures: 8" W x 6" H, frame measures: 12.75" W x 11" H. Irwin A. Whitaker was a versa...

Colorful abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Currently on view in "David Hardaker: R...

Oil paint, enamel, oil stick on canvas.

A unique and vivid abstract/ surreal landscape painting on stretched canvas. Ready to hang. Framing on request.

This abstract painting, created on a cardboard base, presents an explosion of energy and dynamism, characteristic of the action painting style. The use of enamel and acrylic paint pr...

I have used acrylic and enamel paints to make the composition and generate relief and shapes. I want to fuse a scene of struggle between the wild feelings that emerge in situations o...

A painting in abstract enamel is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creati...

A large, dramatic abstract oil painting by Contemporary artist Bill Hewes. William (Bill) Hewes is an American self-taught artist. Hewes was born in Easthampton, Massachusetts in 1957. Before becoming an artist in 2012 Hewes worked in the building trades for 40 years and often uses the skills learned from his tradesman work within his artwork. Hewes paints in the Action/Drip style, even building his own spinning table...

Acrylic & enamel on canvas

Diego Tirigall's "Mona Lisa, Gioconda 2" introduces an exciting dimension to his reinterpretations of classical art, featuring his first-ever round canvas at 80x80 cm. This unique fo...

A painting in abstract enamel is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creati...

A large scale, unique and vivid painting on stretched canvas. The composition is created through pouring, splattering and manipulating enamel paint on the primed blue background. Rea...

Colorful abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Currently on view in "David Hardaker: R...

Original raised wood with inset enamel paint artwork by Sid Birnbaum. The painting is done in a abstract cubist style. Condition is very good. Signed and dated verso, 1987. Overal...

A unique and vivid oil painting on on board with an integrated wooden frame.

Ellen Hackl Fagan creates works of art focused on building a visual language. Molecules of Music is a large acrylic painting based on crowd sourced input of viewers pairing sounds from the Do Re Mi musical scale to colors. 260 people submitted their opinions on color to sound matches. Language is a recurring theme in Fagan's work, ranging from interactive, ColorSoundGrammar works to painting, sculpture, lost languages...

A textured, unique and vivid poured enamel painting on stretched canvas, with red, yellow, black and white colours. Ready to hang. Framing on request.

This abstract painting, created on a cardboard base, presents an explosion of energy and dynamism, characteristic of the action painting style. The use of enamel and acrylic paint pr...

A colourful, unique and vivid painting on stretched canvas, created by pouring glossy enamel paint onto the canvas to create a shiny 3D stand-out effect on a primed white background....

Original and unique artwork by Russell Young. Acrylic paint and enamel screen print on linen, unframed dimensions 62 x 48 inches, 2008, from the series "Fame + Shame". Red and dark c...

This abstract painting, created on a cardboard base, presents an explosion of energy and dynamism, characteristic of the action painting style. The use of enamel and acrylic paint pr...

The Joshua Tree is an original painting in enamels and mixed media, a unique piece depicting the rock band U2. Hand-signed.

Ernani Silva, Brazilian - Women with Flowers, Medium: Acrylic, Collage and Enamel on board, signed in marker, Size: 9.25 x 27.5 in. (23.5 x 69.85 cm)

Visible Things is a striking work in rich orange by highly respected abstract artist John Zinsser. The pasto and thickness of the paint is sculptural in feel. Zinsser paints his wor...

This abstract painting, created on a cardboard base, presents an explosion of energy and dynamism, characteristic of the action painting style. The use of enamel and acrylic paint pr...

Trees Kiln-fired enamel 4.5" h x 3.5" w 9" h x 8.5" (framed) Max Karp is widely recognized as the chief innovator of modern enameling. Self-taught and driven, over the years he perfected a unique process which allowed for his creation of museum-quality, kiln-fired two-dimensional painting. Karp was born in Ohio in 1916 but raised in California. He began painting as a child by depicting various species of birds and insects for his father who was an ornithologist and entomologist. In the mid-1960's, Karp became interested in the enamel process. Over the last half century, his paintings have received critical recognition and in 1970 Hamilton Mint commissioned Karp to produce paintings of the four seasons of the year, which were then issued as a limited edition of plates on precious metal. In 1980 Karp's enamel portrait of Beverly Sills, the American Queen of Opera, was presented to the singer following her final performance. His work is included in numerous private collections including those of Jacqueline Kennedy Onassis, Margaretta “Happy" Rockefeller, and Sarah Churchill...

This beautiful abstract painting Untitled was realized by the Italian artist Mauro Bellucci in 2020. Water enamel paint on canvas from the series Industrial Pollution. Hand-signed o...

Inviting the accidental while painting, the artist's materials continue to reveal limitless possibilities for improvisation, like jazz music. Influenced by scientific theories-both real and imagined, kitsch, music, decorative art and indigenous textiles, Fagan's abstract paintings and interactive performance build connections between color and surface to sound. This exploration has led to creating a series of interactive games with viewers, the most recent being The Alphabet Game. To play, viewers select, from colored squares, the color(s) that best represent each note in the familiar ABC Song melody. Through these playful interventions their thoughts about color and music are explored in-depth. Documenting their responses in the form of photographs and notes in journals, Fagan has compiled the results of fifteen artists who played the Alphabet Game during a lecture on color where the artist was the guest presenter in order to create this particular painting. Fagan distilled the data gathered and painted this visualization of a color/sound alphabet based on the colors selected by this artist's group. These alphabet paintings introduce a wonderful completion to this pseudo-scientific investigation and celebrate painting...

This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret (these are generally hand signed Awret Safed on the verso. I just have not opened the frame to check) the actual glazed ceramic is 10.25 X 14.75 inches. It depicts a girl or woman with potted plants, birds, pomegranates and other fruits and flowers in a naif, folk art style. Irène Awret was born to a Jewish family in Berlin called Spicker, the youngest of three children. Her mother died in 1927, when Irène was six years old. In 1937 she was forced to stop high school, due to the Nazi race laws. Because she could not continue her regular studies, her father sent her to study drawing, painting and art restoration with a Jewish painter. Among his students were a large number of German Jews who knew they would have to leave Germany within a short time and would require a profession to enable them to support themselves. When the situation grew worse, following the Kristallnacht (the first major attack on German and Austrian Jews in November 1938), her uncle decided to move to Belgium. In 1939 the situation became even worse - her father was fired from his job and the family were forced to leave their home. As a result, Awret's father tried to send her and her sister to Belgium, with the help of smugglers. The first smuggler proved to be a double agent and they were sent back from Aachen to Berlin. Two weeks later they made a second, successful, attempt to sneak across the border. Awret worked for a Dutch Jewish family as a maid. As she had her room and board there, she was able to save enough money to study art part-time at Brussels' Académie Royal des Beaux-Arts. A few months later Awret's father joined her and her financial situation became easier. She left her job and studied full-time, helping support herself with restoration work when it was available and by painting portraits to order. Later, Awret found a hiding place on a farm in Waterloo with a Jewish family who were connected with the underground. In January 1943 she had to return to Brussels, living with a false identity card which stated she was a married woman with two children. Awret succeeded in renting an attic without informing the police where she was - she told her landlady that she had been forced to flee her husband because he beat her. While there, she supported herself by restoring wooden sculptures. A Jewish informer gave her up to the Gestapo, accompanying the two Gestapo men who arrested her. Awret was able to take a bag containing food and drawing materials. She was detained in the Gestapo cellars in Brussels where she drew. Because there was nothing there to draw, she sketched her own hand (view this work). Awret was interrogated in order to reveal the hiding place of her father who was still in Brussels. The National Socialist regime was determined to persecute him, even though he had fought for Germany in World War I and been permanently disabled. They stepped up their torture and brought Awret before Hartmann, the head of the Gestapo in Brussels. When Hartmann saw her block of drawings, he asked her where she had studied art and halted the interrogation. Awret was placed in a narrow cell and then transferred to Malines camp, which the Belgian's called Mechelen. Malines was a transit camp to Auschwitz, regularly sending 2000 people at a time. Although she arrived just before Transport No. 20, Irène Awret avoided being included. Instead she was put to work in the leather workshop, decorating broaches. While she was there, Hartmann visited the camp and spotted her: "I could have discovered where your father is hiding," he told her. When her artistic talents became known, she was transferred to the Mahlerstube (artist's workshop) where she worked producing graphics for the Germans until the end of the war. When Carol (Karel) Deutsch (whose works are now on view at Yad Vashem) was sent from Mechelen to his death with his wife, he left young Irene his paintbox. Irene also recalls seeing the great painter Felix Nussbaum and his wife being pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident, when a young Jewish doctor armed only with a pistol and helped by two unarmed friends with a lantern ambushed one of Mechelen's Auschwitz-bound trains carrying 1,618 Jews, most of whom had fled Eastern Europe for Belgium. Awret's job enabled her to paint and draw - mainly in pencil, but also in watercolors and oils. In the artists' workshop she met a Jewish refugee from Poland - Azriel Awret - who would later become her husband. Among the other artists in the workshop were Herbert von Ledermann-Vütemberg, a sculptor from an aristocratic family with Jewish roots, Léon Landau, and Smilowitz, who perished in the camps in the East. Irène and Azriel tried to bribe a German officer to prevent Smilowitz's deportation. Not only were they unsuccessful, but they were almost put onto the same train. Jacques Ochs was another artist with whom they became friends in the camp. Ochs, a French-born Protestant who lived in Belgium, was interned as a political prisoner. He remained in Belgium after liberation. After the war the Awrets immigrated to Israel and made their home in Safed. They continued to work, and were instrumental in founding Safed's artists' quarter. The Beit Lohamei Haghetaot (Ghetto Fighters' House Museum) art collection holds works donated by Awret. These date from her time in Malines camp and from her stay in Brussels after the war, when she was in the company of orphans who had hidden while their parents were sent to Auschwitz. Her highly expressive works have made their way to exhibitions at theTel Aviv Museum, the Haifa Museum of Modern Art and the Modern Art Gallery in Washington, D.C., as well as into the private collections of such individuals as Dr. Jonas Salk...

Gold is a fascinating painting realized by the Italian artist Anna Maria Caboni in 2019. The artwork is a mixed media (spray varnish and gold foil on canvas). The artwork is hand-signed and hand-dated "AMC 19" by the artist in golden...

Work composed of a wooden frame supported by a high-quality cotton fabric. I have used acrylic paints to make the composition and generate relief and shapes. I want to fuse a scene ...

Ernani Silva, Brazilian - Dancing Figures, Medium: Acrylic, Enamel and Collage on board, signed in marker lower left, Size: 21 x 14.5 in. (53.34 x 36.83 cm)

This vibrant colorful painting is fully hand signed, dated and titled verso. It might be acrylic but it looks like oil or enamel ad I have seen it described thusly. This listing is...

Enamel on cardboard. Hand signed, 1970. Dimensions: 27x22 cm. This artwork by Pablo Echaurren is a typical example of his production in 70s. Echaurren, son of Sebastian Matta, is ...

Artist: Max Karp Title: Clown with Flower Medium: Enamel on copper, signed lower right Image Size: 29.5 x 23 inches Frame Size: 40 x 34 inches

This abstract painting, created on a cardboard base, presents an explosion of energy and dynamism, characteristic of the action painting style. The use of enamel and acrylic paint pr...

Ernani Silva, Brazilian - Ceremony under Moon, Year: 1993, Medium: Acrylic and Enamel on board, signed and dated in marker lower left, Size: 21 x 22 in. (53.34 x 55.88 cm)

"Gifts from Heaven" Abstract Mixed Media Painting 48 x 96" inch by Yoram Katz Medium: Oil, Acrylic and Enamel on Board Comes in frame Size framed: 50 x 98 in ABOUT THE ARTIST: Bor...

Louisa Chase’s work is represented in the permanent collections of a number of major museums, the Whitney Museum of Art in New York; the Museum of Modern Art, New York (MOMA), the Metropolitan Museum of Art, New York; The National Gallery of Art, Washington, D.C.; the Brooklyn Museum; The Walker Art Center, Minneapolis, Minnesota; the Albright-Knox Art Gallery, Buffalo, New York; the Baltimore Museum of Art; the Butler Institute of American Art, Youngstown, Ohio; and the Nelson-Atkins Museum of Art, Kansas City, Missouri. The estate of Louisa Chase is now represented by the prestigious gallery Hirschl & Adler Modern in New York City. We are pleased to offer this original Acrylic enamel, Watercolor, ink and pencil painting by Louisa Chase created in her classic abstract energetic style. It is from the former collection of the General Electric Corporation. Paper size is 25.5 x 40" The framed size is approx. 33x48". Louisa Chase exhibited at the 1984 Venice Biennale. Her solo exhibitions include: Brooke Alexander Gallery...

Translated title: "Without narration - 1" Acrylic enamel on canvas.

This painting evokes a mysterious and captivating atmosphere with a whit background that envelops the scene in intriguing shadow. The lines, skillfully drawn, traverse the compositio...

Robert Melee, b.1966, is an American multi-disciplinary artist who has been exhibited extensively in solo and group exhibitions in both national and international venues, including: ...

Ernani Silva, Brazilian - Seven Figures, Medium: Acrylic, Collage and Enamel on board, signed in marker, Size: 9 x 19.5 in. (22.86 x 49.53 cm)

Ernani Silva, Brazilian - Local Cuisine, Medium: Acrylic, Collage and Enamel on board, signed in marker, Size: 10 x 21 in. (25.4 x 53.34 cm)

A colourful, unique painting on stretched canvas, ready to hang. The painting consists of shiny pools of enamel paint that was thickly poured onto the canvas to create a three-dimensional effect of stand-out glossy paint...

Ernani Silva, Brazilian - The Hunt, Medium: Acrylic, Collage and Enamel on board, signed in marker lower left, Size: 10.25 x 21 in. (26.04 x 53.34 cm)

Come mestiere faccio il poeta e quindi devo scriverlo con una esse sola is an amusing and ironic enamel and China ink on cardboard realized in 1970 by Pablo Echaurren. Signed and da...

Josie Morway is a self-taught artist who has been painting most of her life. She is a painter and designer working in Providence, Rhode Island. She has shown her artwork widely, from...

Ernani Silva, Brazilian - Man and Child, Medium: Acrylic, Collage and Enamel on board, signed in marker, Size: 7 x 14.5 in. (17.78 x 36.83 cm)

Ernani Silva, Brazilian - The Feast, Medium: Acrylic, Collage and Enamel on board, signed in marker lower left, Size: 9.75 x 17 in. (24.77 x 43.18 cm)

Enamel on cardboard. Signed at lower right. Signed, dated, titled on overleaf. Authentication by Fondazone Pablo Echaurren.

Ernani Silva, Brazilian - Figures Playing Drums, Medium: Acrylic, Collage and Enamel on board, signed in marker lower left, Size: 10 x 21 in. (25.4 x 53.34 cm)