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Alexis Portilla
26x30" - Ganymede - Oil, Enamel on Wood

About the Item

This piece has a lacquered shine, and it is an oil painting on enamel on wood panel. Alexis Portilla obtained his Masters of Fine Arts at Columbia University in 1990. His bold linear lines, use of symbols, pictographs and strong colors create atmospheric abstracts. “Using simple forms and creating swathes of rich texture, Alexis Portilla builds atmospheric abstract paintings that convey a sense of time having passed. Brushy areas of color suggest the indeterminacy of memory, while bold linear forms speak for the present.” “In some of his smaller works, Portilla experimented with beeswax. Applying a smooth coat of wax over the surface, the artist sealed in his sparse, abstract forms, while leaving whole sections empty, the images hover in the wax, as if frozen in time, yet the pieces have a fresh, almost dewy look.” Meredith Mendelsohn, Art News magazine review. Influenced by the emotion of artistic expression in music, poetry and literature, the artist finds bold expression in color, lines and shapes that resemble pictographs, and texture. The artist has shown in group and solo exhibitions both nationally and internationally. His works have been commissioned by major corporations, universities and for private collections. Instruction 1993-1994 Faculty /Adjunct Instructor Department of Printmaking Columbia University New York, NY Awards 1983 – 1994 HEOP/SEOG Full scholarship To attend Pratt Institute, Brooklyn, NY 1984-85 Charles A. Dana Internship and Grant, Pratt Institute, Brooklyn, NY Public Commissions: April 2007 Penn State University -State College, PA Department of Chemistry Public Collections 1996 The New York Public Library, New York, NY Department of Prints and Drawings Roberta Waddell Selected Corporate Collections Harvard Club Cambridge, MA Meredith and Grew Boston, MA Farley White Boston, MA Edwards and Angell Providence, RI Acadian Asset Management Boston, MA Proskauer Rose Boston, MA Mikasa Corporation, Tokyo, Japan First Atlantic Capital, New York, NY Warner Brothers, New York, NY Pieces are available for viewing in Los Angeles by appointment. COMPLIMENTARY SHIPPING IF WITHIN LOS ANGELES.
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    Alexis Portilla obtained his Masters of Fine Arts at Columbia University in 1990. His bold linear lines, use of symbols, pictographs and strong colors create atmospheric abstracts. ...
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    Materials

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  • Confronted Solitude - Park Schöntal 3
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  • 24x22x2 in. - Oil, Gold Leaf - Geometric Architectural Contemporary, 4X Gold
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    The artist is a recipient of the Pollock-Krasner grant awarded to artists with established abilities, established by the wife of Jackson Pollock. His work is held in various corporate and private collections worldwide. Oil Painting 39 x 32 x 2 inches Oil paint, cold wax, silver leaf on gallery wrapped canvas Framing is optional because painting wraps around canvas Ready to hang on wall, signed on the back by artist Video attached for viewing The beauty of geometrical balance in Cimini's series of work evokes a certain quiet beauty. Strong layers of color and brushwork explore depth and emotion to each unique piece. Cimini's work range from paintings with vibrant color and energy to quiet contemplative pieces with rich layering of depths. Using oil paint, wax medium, and marble dust on canvas, the artist creates a harmonious balance on the canvas, or paper, characterized by textured shades of colors, with linear lines and shapes - allowing a symmetrical, meditative composition of shapes and colors to emerge. ARTIST STATEMENT Building on the architectural origins which have been the basis of my work for over a decade, I have started referring to my compositions as random symmetry. That is, creating a balance on the canvas with no discernible pattern allowing a symmetrical, meditative composition to emerge. I employ the golden mean as a reference which can often be seen in the composition. I use oil paint with a cold wax medium, layering the paint, as organic surfaces evolve within the restrained lines of the composition. During the process an environment develops giving an emotional story to the thoughtfully planned out compositions. My color choices vary, sometimes deliberately creating a series with particular color decisions and sometimes allowing the color choices to impulsively appear fueled by intuition and experience. Color remains a constantly unfolding mystery. In a recent exhibition, MATH TO BEAUTY is series of new paintings employing the golden mean as a basis for the geometric compositions which I've come to call random symmetry. This fascinating ratio, frequently found in nature and geometry, is perceived by many to play a role in the human perception of beauty. So much has been written about the golden ratio; to the point that it's hard to discern fact from fiction. But whatever the truth, the golden ratio has properties that has intrigued and inspired mathematicians, biologists, artists, musicians, historians, architects, psychologists, and even mystics for centuries. Using the golden ratio in the cavalier way that I do keeps me mindful of proportion. Just when I think it's working along comes color to challenge my senses. In the end my intentions are to create beauty in my work. As the Greeks put it, the three ingredients to beauty are: symmetry, proportion, and harmony. Born: 1949, Williamsport, Pennsylvania, USA Education: San Francisco Art Institute School of Visual Arts (New York City) Grants & Awards 2003 Recipient of a Grant from the Pollock-Krasner Foundation selected by a committee of distinguished art professionals awarded to artists with established ability. The grant was set up by Lee Krasner, wife of Jackson Pollack. 2015 Finalist at the Global Art League 2015 exhibition at the Montreal Art...
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