Glass Paintings

EVENING ATTIRE #1 - This intimate piece of original art features intricate detailing inspired by a delicate brooch. The oversized matte draws attention to the delicate artwork framed...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

"Hilltop" Mixed Media Landscape Painting 8" x 12" in by Katherine Bakhoum Tisné Techniques Bakhoum often paints on canvases that have been prepared with various materials. She gene...

Starbusrs by Valda Bailey, 2017; Golden yellow sunflower paining like photographic Archival Pigment Print, Printed on Museum Glass, Hand gilded with Lemon Gold leaf, in bespoke frame...

The Ocean sunset series is an attempt to combine all five elements of nature by encapsulating the reverberation of sunset light over the sea in a textural and tangible artwork. Damie...

MacConnel, Kim Robert (American, California, born 1946) Chindambaram Temple, India Medium: Collage of commercial photo prints on cardboard with acrylic, with mirror insets in the art...

Mirrored glass and silkscreened plexiglass wall sculpture. Incised artist signature and edition on verso. From the EA edition of 20 (there is also the main edition of 99). Artwork...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

This is a shadow box construction approx. 13" x 9" x 2.5" with painted and collaged materials and found objects. Encased in a dark wood frame under glass. It is signed and dated twice, at different orientations. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...

Jay Mikal’s “Angel Breath 002” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking composition fea...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

Die Hinterglasmalerei zeigt eine anthropomorphe, weibliche Hundefigur. Eine gute Beherrschung der Technik ist beim Bild auffällig. Der Künstler/die Künstlerin zum Werk sind nicht be...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

Jay Mikal’s “Vortex 012” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking composition features ...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-political events, daily occurrences, as well as private intuitions that are made concrete through creative action. My objects are places of remembrance where multiplicities of associations take place. Most recently these have been concerned with issues of the human condition. “In recent ceramic Fire Paintings...

Die Hinterglasmalerei zeigt eine anthropomorphe, weibliche Hundefigur. Eine gute Beherrschung der Technik ist beim Bild auffällig. Der Künstler/die Künstlerin zum Werk sind nicht be...

Acrylic, sumi-ink, paper, glass on canvas Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil drawing as a...

Glass, acrylic on panel Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil drawing as a teenager. It ...

Fawn Hawthorn Laser Cut Paper Hawthorn Tree Attached with Pins Fawn Hawthorne is an original paper cut artwork by Emma Levine. The neutral tones give this piece a calming effect. Em...

Emma Bell’s ceramic and porcelain Pot Frame – Installation Piece. Emma Bell says: “This piece is inspired by my glaze test vessels. As a potter, I am always...

“la Belle au Drapé Jaune” Figurative Painting 79x39in by Katherine Bakhoum Tisné Mixed Media with Glass Frame Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...

Emma Bell 73cmx73cmx 7cm Three clays XIII Emma Bell’s ceramic and porcelain Pot Frame – Installation Piece. Emma Bell says: “This piece is inspired by my glaze test vessels. As a pot...

'I want to share with you an exciting new piece of art that I have developed using a silver acrylic sheet, inspired by the moon. This artwork explores the theme of celestial bodies a...

Translated title: "In front of the immense". Black, blue and yellow acrylic paint on a vintage mirror.

Born to parents from Kenya and Tanzania, Abu has always been drawn to the vibrant colors and rich cultural traditions of his roots. Abu's artistic journey began with his uncle's sket...

Born to parents from Kenya and Tanzania, Abu has always been drawn to the vibrant colors and rich cultural traditions of his roots. Abu's artistic journey began with his uncle's sket...

Contained metal mercury in immersion liquid kinetic sculpture. Rotates freely on a central pivot mounted to the wall, this work can be turned, allowing the mercury to shift and flow ...

Mixed technique

"Umbrellas at the Cactus" by Ani Espriella one-of-a-kind pastel on paper 8" x 10" image size, 12x16" framed with non glare glass Painted en plein-air across from the Cactus Grill in Loveland, CO signed lower right ABOUT THE ARTIST: A native of Colombia, South America, Ani Espriella grew up in the culturally rich city of Miami working as a singer for 20 years. She moved to Longmont Colorado in 2003, and inspired by it's natural beauty, turned to the visual arts. She’s been painting in oils and pastels since 2005, and has taken classes and workshops with Jake Gaedtke, Jeff Legg, Elizabeth Robbins, Dan Beck...

Senza Titolo 3 Mixed Media on Paper behind Glass Without Title Mythology In Stock - Size 34 x 25 cm; Size with Frame 52,5 x 44 cm Giovanni Tommasi Ferroni (1967, Rome) descended f...

Mixed technique

Emily Joyce Pantomime, 2015 acrylic and mirror on canvas 59 1/2 x 47 inches Pantomime is part of a new body of work called "The Masks". Joyce is an artist who explores the space between vernacular visual idioms and geometric abstraction through various combinations of mediums and formats. In The Masks, a theatrical mix of painting and sculpture populate the exhibition, with works that mine twentieth century art history, universal symbols, and the 16th century Italian theater...

Emily Joyce Pantomime, 2015 acrylic and mirror on canvas 59-1/2 x 47 inches

Oil & acrylic on glass "I’m interested in exploring boundaries of painting and reducing the medium to its essentials. - Color, Light and Form. Trying to give observers a place where...

Oil & acrylic on glass Framed "I’m interested in exploring boundaries of painting and reducing the medium to its essentials. - Color, Light and Form. Trying to give observers a plac...

Dibond mirror Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Sain...

Gesso, medium, acrylic, sumi-ink, glass on canvas Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil ...

Marilyn. One of a kind stained glass piece made by hand with rhinestones and cement on wood. No frame needed. About the Artist: NYC based artist, Grace has been honing her skil...

Audrey. One of a kind stained glass piece made by hand with cement on wood. No frame needed. About the Artist: NYC based artist, Grace has been honing her skills in glass mosai...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Jimi Hendrix. One of a kind stained glass piece made by hand with cement on wood. No frame needed. About the Artist: NYC based artist, Grace has been honing her skills in glas...

One of a kind Buddha made by hand of glass with cement on wood. No frame needed. NYC based artist, Grace has been honing her skills in glass mosaics since 1998. Originally inspired by the mosaic art found underground in subway stations, Grace experimented with shapes and patterns to practice and perfect her glass cutting techniques and assemblage. Her evolution into representational work has allowed her to create pieces that are deeply detailed and realistic, including portraiture and familiar imagery. Grace’s passion for color and instinct for harmonious combinations further adds to the appeal of her art. Grace has had multiple solo and group shows throughout New York and has collectors from all around the world and often collaborates with architects and interior designers in creating site-specific work and custom installations. Small works can be found in retail shops throughout the city. ARTIST STATEMENT Upon my very first exploration of cutting glass and building a mosaic, I realized it required tenacity. The span between the start and finish of a project is never quick and easy. It depends on focus and diligence, and it’s what attracts me most to this medium. As a mosaic artist, my attention is centered on piecing together materials to make art that is visually appealing both for its subject matter as well as its aesthetics. My influences are the structures and symbols I see around me everyday in NYC. Parts of the city such as buildings, water towers, bridges and sewer covers are often the impetus for a project. My travels through the subway tunnels, streets and parks also lead to inspiration. I particularly love the accessible art underground; those magnificent, colorful and bold mosaic designs that brighten up our subway platforms. Works of art that are often rushed passed, but remain ready to be admired and steady in their function. Additionally, I have an inclination to study faces. I look at a subject and see the shapes and shadows that create them. I relish the process of taking their image apart to input color and texture into the tones I see. The use of color and how colors are combined are the most significant decisions in my work. Working with a variety of materials that include stained glass, ceramic figures, window glass, mirror and cement are the force from which my designs are created. Glass is scored, broken and nipped down into the pieces I desire to compose the whole. I work quite deliberately, concisely employing both traditional mosaic methods with innovative techniques. Mosaic making has a long history and tradition and I always want to honor that in my work. Part of that homage is to build upon that base by creating and using materials in a unique way. I often combine my glass with paper, foil...

Biggie. One of a kind glass piece made by hand with rhinestone crown, necklace and cement on wood. No frame needed. About the Artist: NYC based...

Akihiko says of his work… My body of work is an experiment in rejecting conventional views of painting, reconsidering the very act of viewing, and reassessing traditional oil painti...

Modern abstract collage from 1973, composed in deep shades of green. Framed under glass with a fabric-covered mat and a simple black wooden frame. Lower right dated and illegibly sig...

The mirror bars of the “Reflexion” installation symbolize the prison bars, where the only horizon is the reflect of the prisoner and his own closed universe.

END OF DAY, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf, Framed 52 x 43 cm (framed), 36 x 27 cm (glass image size) Edition 1/5. Although the prints ar...

Basquiat with boxing gloves. One of a kind glass piece made by hand with cement on wood. No frame needed. About the Artist: NYC based artist, Grace has been honing her skills i...

Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her works inhabit space outside the two-dimensional plan...

Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her works inhabit space outside the two-dimensional plan...

Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her works inhabit space outside the two-dimensional plan...

Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her works inhabit space outside the two-dimensional plan...

Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her works inhabit space outside the two-dimensional plan...

Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her works inhabit space outside the two-dimensional plan...

A pair of Chinese reverse glass painting representing women and a child in a garden pavillion. Original "Chinese Chippendale" framing. China for export, circa 1830.