Glass Paintings

Oil on acrylic glass

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Relief MG804 is a medium size contemporary modern abstract geometric wall relief by Dutch visual artist Let de Kok. This relief consists of two interspaced panels of museum glass wit...

Jimi Hendrix. One of a kind stained glass piece made by hand with cement on wood. No frame needed. About the Artist: NYC based artist, Grace has been honing her skills in glas...

END OF DAY, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf, Framed 52 x 43 cm (framed), 36 x 27 cm (glass image size) Edition 1/5. Although the prints ar...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

Creation through the destruction.

Die Hinterglasmalerei zeigt eine anthropomorphe, weibliche Hundefigur. Eine gute Beherrschung der Technik ist beim Bild auffällig. Der Künstler/die Künstlerin zum Werk sind nicht be...

Contained metal mercury in immersion liquid kinetic sculpture. Rotates freely on a central pivot mounted to the wall, this work can be turned, allowing the mercury to shift and flow ...

Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all ...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

Akihiko says of his work… My body of work is an experiment in rejecting conventional views of painting, reconsidering the very act of viewing, and reassessing traditional oil painti...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

"Derviche II” Figurative Painting 31" x 31" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...

My World is Full of Possibilities - Blue 2021 Mixed media, acrylic paint and archival print on acrylic, recycled plastic, gold leaf, and mirror. Arica Hilton's "My World is Full of...

Pair of antique reverse glass paintings Continental, 18th Century Frame: Height 46cm, width 40cm, depth 3.5cm Glass: Height 38cm, width 32cm T...

Starbusrs by Valda Bailey, 2017; Golden yellow sunflower paining like photographic Archival Pigment Print, Printed on Museum Glass, Hand gilded with Lemon Gold leaf, in bespoke frame...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-political events, daily occurrences, as well as private intuitions that are made concrete through creative action. My objects are places of remembrance where multiplicities of associations take place. Most recently these have been concerned with issues of the human condition. “In recent ceramic Fire Paintings...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

Acrylic and oil paint over glass and canvas with an iron frame 119 x 197 x 15 cm

Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her works inhabit space outside the two-dimensional plan...

Mixed technique

"La Petite Fille Orange" Portrait Painting 25 x 25 in by Katherine Bakhoum Tisné Techniques Bakhoum often paints on canvases that have been prepared with various materials. She gen...

Yury Darashkevich was born in 1962 in Belarus and graduated from the Belarusian State Academy of the Arts. Upon graduation, he began a career in the illustration and graphic design f...

Mixed technique

"La Femme en Gris" Portrait Painting 25"x25"in by Katherine Bakhoum Tisné Techniques Bakhoum often paints on canvases that have been prepared with various materials. She generally ...

“la Belle au Drapé Jaune” Figurative Painting 79x39in by Katherine Bakhoum Tisné Mixed Media with Glass Frame Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...

“REFRACTED LIGHT SERIES” are composed of stacking multiple clear sheets, each one individually hand etched. The pieces reveal themselves through a meditative, self-informing process....

"Hilltop" Mixed Media Landscape Painting 8" x 12" in by Katherine Bakhoum Tisné Techniques Bakhoum often paints on canvases that have been prepared with various materials. She gene...

Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her works inhabit space outside the two-dimensional plan...

Modern abstract collage from 1973, composed in deep shades of green. Framed under glass with a fabric-covered mat and a simple black wooden frame. Lower right dated and illegibly sig...

"Oasis Shore" Painting 8" x 18" inch by Katherine Bakhoum Tisné Techniques Bakhoum often paints on canvases that have been prepared with various materials. She generally makes use ...

Yury Darashkevich (Belarusian, b. 1962) Yury Darashkevich was born in 1962 in Belarus and graduated from the Belarusian State Academy of the Arts. Upon graduation, he began a career...

"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a coloured whirl of so many flashing fins, all help to convey the dark mystery of a life below the surface" ETERNAL FLAME III, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf 30 x 30 cm image glass size/ 31 x 31 cm/ 12.2 x 12.2 inches (Framed) From edition of 5 Series: Southern Song Each piece is individually hand finished by the artist with White Gold and Silver leaf giving the piece its own unique style. Larger dimensions available from limited edition of 5 also available and made upon order. The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "I am primarily driven by an exploration of colour and form. My objective is to bring an emotional element and aesthetic balance to my work. I try to depict the subtleties of the landscape and am happiest making images from the smallest, most insignificant detail - the challenge being to portray the essence of what is about my subject matter that has taken my eye." - Valda Bailey...

Oil & acrylic on glass Framed "I’m interested in exploring boundaries of painting and reducing the medium to its essentials. - Color, Light and Form. Trying to give observers a plac...

Translated title: "In front of the immense". Black, blue and yellow acrylic paint on a vintage mirror.

MacConnel, Kim Robert (American, California, born 1946) Shravan Belagola Temple (Jain) Shravanabelagola (Śravaṇa Beḷagoḷa) is a town located near Channarayapatna of Hassan district ...

Where the Road Crashes into the Sea, 2008 Aluminum, rivets, glass, acrylic paint, fabric Dimensions: 55 1/2 x 55" Mixed Media Sculptural Wall Hanging Art. This painting was made after visiting the location of the fatal Jackson Pollock car crash and includes a silkscreen photograph of the scene. The letters are formed from cut up old license plates. Ryan Humphrey (born 1971) is an American artist who currently lives and works in New York City. Education: BFA, Ohio University, MFA, Hunter College, New York 1999; Skowhegan School of Painting and Sculpture, Maine, 2001; Whitney Museum of American Art Independent Study Program, NY, 2005-2006 Ryan Humphrey grew up in a small town in Ohio building things in his yard, riding BMX bikes and skateboarding. He then moved to Pittsburgh, Pennsylvania for the next three years to work at The Carnegie Museum of Art and obtain a commercial art degree where he developed an interest in contemporary fine art. This inspired him (along with a scholarship) to attend Ohio University where he earned his BFA in Sculpture. After moving to New York City he received his MFA from Hunter College, paying his way through school by working at The Dia Center for the Arts. After attending The Skowhegan summer residency program in Maine he worked for The Andy Warhol Foundation and participated in the Whitney Museum Independent Study Program. He has exhibited extensively. He currently lives and works in New York City. His work has been featured in the traveling exhibition Will Boys Be Boys? Questioning Adolescent Masculinity in Contemporary Art :Photograph, video, painting and sculpture curated by Shamim Momin of the Whitney Museum of American Art. (it included Slater Bradley, Larry Clark, Lilah Freedland, Tim Gardner, Luis Gispert, Anthony Goicolea, Janine Gordon, Ryan Humphrey, Nikki S. Lee, Julia Loktev, Maria Marshall, Ryan McGinness, Chloe Piene, Jeff Reed, Tom Sachs, Dean Sameshima, Collier Schorr, Type A (Adam Ames and Andrew Bordwin Humphrey's most recent solo exhibition, All of Nothing, was at DCKT Contemporary. Humphrey was also a contestant in Season I of Top Design, Bravo's reality show. Recently, Humphrey was included in the Queens International 4 exhibition at the Queens Museum of Art. His large-scale installation, titled Fast Forward (2009), included BMX ramps adjacent to a wall-to-ceiling assemblage tapestry, collection of trophies and customized BMX bikes, and he continued this theme in his installation Look for the dream that keeps coming back (2010) at Kunsthalle Galapagos. Humphrey expresses his growing up in BMX and skateboard culture through his art. The assemblage also included several paintings, created by the artist for the exhibition, and several sculptures of BMX bike wheels. The paintings were small drips that recall the works of Jackson Pollock, and the BMX sculptures are similar to Marcel Duchamp's Bicycle Wheel. The installation included an opening night performance by legendary BMX pro Dizz Hicks and Ryan Humphrey on the ramps. An edition of 20 silkscreen posters was made by the artist, and signed by himself and Dizz Hicks, to commemorate the event. He was included in the show 5 X 5 at the Whitney Museum of American Art at Philip Morris. Reed Anderson, Rina Banerjee, Susan Graham, Ryan Humphrey and Larry Krone -- each created a work inspired by one (post-1985) from the museum's own collection. Christopher Wool, Donald Lipski...

Yury Darashkevich was born in 1962 in Belarus and graduated from the Belarusian State Academy of the Arts. Upon graduation, he began a career in the illustration and graphic design f...

The mirror bars of the “Reflexion” installation symbolize the prison bars, where the only horizon is the reflect of the prisoner and his own closed universe.

Emily Joyce Pantomime, 2015 acrylic and mirror on canvas 59 1/2 x 47 inches Pantomime is part of a new body of work called "The Masks". Joyce is an artist who explores the space between vernacular visual idioms and geometric abstraction through various combinations of mediums and formats. In The Masks, a theatrical mix of painting and sculpture populate the exhibition, with works that mine twentieth century art history, universal symbols, and the 16th century Italian theater...

Emily Joyce Pantomime, 2015 acrylic and mirror on canvas 59-1/2 x 47 inches

J-M Basquiat. One of a kind stained glass piece made by hand with cement on wood. No frame needed. About the Artist: NYC based artist, Grace has been honing her skills in glass...

Jay Mikal’s “Sun of Sacar 001” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking composition fea...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Biggie. One of a kind glass piece made by hand with rhinestone crown, necklace and cement on wood. No frame needed. About the Artist: NYC based...

Audrey. One of a kind stained glass piece made by hand with cement on wood. No frame needed. About the Artist: NYC based artist, Grace has been honing her skills in glass mosai...

One of a kind Buddha made by hand of glass with cement on wood. No frame needed. NYC based artist, Grace has been honing her skills in glass mosaics since 1998. Originally inspired by the mosaic art found underground in subway stations, Grace experimented with shapes and patterns to practice and perfect her glass cutting techniques and assemblage. Her evolution into representational work has allowed her to create pieces that are deeply detailed and realistic, including portraiture and familiar imagery. Grace’s passion for color and instinct for harmonious combinations further adds to the appeal of her art. Grace has had multiple solo and group shows throughout New York and has collectors from all around the world and often collaborates with architects and interior designers in creating site-specific work and custom installations. Small works can be found in retail shops throughout the city. ARTIST STATEMENT Upon my very first exploration of cutting glass and building a mosaic, I realized it required tenacity. The span between the start and finish of a project is never quick and easy. It depends on focus and diligence, and it’s what attracts me most to this medium. As a mosaic artist, my attention is centered on piecing together materials to make art that is visually appealing both for its subject matter as well as its aesthetics. My influences are the structures and symbols I see around me everyday in NYC. Parts of the city such as buildings, water towers, bridges and sewer covers are often the impetus for a project. My travels through the subway tunnels, streets and parks also lead to inspiration. I particularly love the accessible art underground; those magnificent, colorful and bold mosaic designs that brighten up our subway platforms. Works of art that are often rushed passed, but remain ready to be admired and steady in their function. Additionally, I have an inclination to study faces. I look at a subject and see the shapes and shadows that create them. I relish the process of taking their image apart to input color and texture into the tones I see. The use of color and how colors are combined are the most significant decisions in my work. Working with a variety of materials that include stained glass, ceramic figures, window glass, mirror and cement are the force from which my designs are created. Glass is scored, broken and nipped down into the pieces I desire to compose the whole. I work quite deliberately, concisely employing both traditional mosaic methods with innovative techniques. Mosaic making has a long history and tradition and I always want to honor that in my work. Part of that homage is to build upon that base by creating and using materials in a unique way. I often combine my glass with paper, foil...